1 00:01:46,856 --> 00:01:48,107 Buongiorno. 2 00:01:48,191 --> 00:01:49,943 Signor Greenleaf. Qui? 3 00:01:50,026 --> 00:01:51,361 Sì, sì. Prego. 4 00:02:02,705 --> 00:02:03,705 Prego. 5 00:02:04,624 --> 00:02:05,542 Grazie. 6 00:02:07,210 --> 00:02:11,047 ♪ Non so se a primavera tornerai ♪ 7 00:02:12,715 --> 00:02:13,716 Hi. 8 00:02:14,634 --> 00:02:16,970 Tom. You're still here. 9 00:02:17,053 --> 00:02:18,054 I am. 10 00:02:22,767 --> 00:02:24,144 How's the Miramare? 11 00:02:24,227 --> 00:02:27,480 It's good. It's fine. Is Marge here? 12 00:02:27,564 --> 00:02:30,400 Uh, you just missed her. She's gone to her place to do some work. 13 00:02:30,483 --> 00:02:32,527 - Some work? - Yeah. She's a writer. 14 00:02:33,153 --> 00:02:34,153 Oh. 15 00:02:34,821 --> 00:02:36,281 A novel? 16 00:02:36,364 --> 00:02:38,408 A travel book about Atrani. 17 00:02:39,909 --> 00:02:41,661 With photographs? 18 00:02:41,744 --> 00:02:44,914 Yeah. Yeah. She's a pretty good photographer too. 19 00:02:44,998 --> 00:02:48,042 So it's photographs and words. 20 00:02:48,126 --> 00:02:51,588 Yeah. Descriptions, observations, poems... Hmm. 21 00:02:51,671 --> 00:02:54,549 None of which she's let me read yet. 22 00:02:54,632 --> 00:02:55,884 Poems too. 23 00:02:56,718 --> 00:02:57,718 Ah. 24 00:03:00,638 --> 00:03:03,224 So what's the plan? Rome? Sicily? 25 00:03:03,308 --> 00:03:05,643 You really can't go wrong, whatever you decide. 26 00:03:05,727 --> 00:03:07,729 I brought you some things from New York. 27 00:03:09,314 --> 00:03:10,523 What? 28 00:03:10,607 --> 00:03:13,735 Some shirts and things, a robe. They're at the hotel. 29 00:03:14,944 --> 00:03:16,779 I have a confession to make. 30 00:03:16,863 --> 00:03:19,782 Your father sent me here to try to convince you to go home. 31 00:03:21,743 --> 00:03:23,077 - My father? - Yeah. 32 00:03:24,412 --> 00:03:26,831 And I told him I'd try, and I meant it, but... 33 00:03:28,416 --> 00:03:30,501 I have no intention of doing that now. 34 00:03:31,127 --> 00:03:33,838 I completely understand why you'd want to stay here. 35 00:03:33,922 --> 00:03:35,548 Why anyone would, it's perfect. 36 00:03:35,632 --> 00:03:37,759 Why would you want to go back to New York? 37 00:03:37,842 --> 00:03:41,012 He sent you, like... paid your way? 38 00:03:41,095 --> 00:03:43,306 Yeah, but I'm going to pay him back. 39 00:03:44,641 --> 00:03:46,893 I'm not someone who takes advantage of people. 40 00:03:49,062 --> 00:03:50,480 How do you even know him? 41 00:03:50,563 --> 00:03:52,941 I don't. He found me. 42 00:03:54,025 --> 00:03:58,279 I guess he couldn't convince any of your real friends to interfere in your life, 43 00:03:58,363 --> 00:03:59,948 and I'm not going to either, 44 00:04:00,031 --> 00:04:03,117 but you should have the clothes that your mother had me bring. 45 00:04:03,618 --> 00:04:04,618 And then... 46 00:04:05,411 --> 00:04:06,746 I guess I'll... I'll leave. 47 00:04:19,133 --> 00:04:20,802 I can't believe you did this. 48 00:04:23,554 --> 00:04:24,973 Then again, I can. 49 00:04:26,057 --> 00:04:27,057 Tom, 50 00:04:27,725 --> 00:04:29,185 don't bother paying him back. 51 00:04:29,269 --> 00:04:31,646 It's nothing to him. It'll go on the expense account. 52 00:04:31,729 --> 00:04:34,524 He'll probably even write it off his taxes somehow. 53 00:04:35,775 --> 00:04:38,236 - You're not upset with me? - No, of course not. 54 00:04:38,319 --> 00:04:40,822 I'd have done the same thing. I did the same thing. 55 00:04:40,905 --> 00:04:44,325 I saw the opportunity for adventure to an unknown place and took it. 56 00:04:44,409 --> 00:04:46,202 Exactly what you've done. 57 00:04:47,120 --> 00:04:48,120 Yeah. 58 00:04:51,874 --> 00:04:54,043 ♪ Senza di me ♪ 59 00:04:54,127 --> 00:04:55,503 Ermelinda! 60 00:04:58,423 --> 00:04:59,757 A coffee for Tom. 61 00:05:00,466 --> 00:05:01,466 Grazie. 62 00:05:02,927 --> 00:05:04,804 I mean, I'm not ungrateful, 63 00:05:04,887 --> 00:05:07,849 but my mother doesn't seem to realize that the best shirts in New York 64 00:05:07,932 --> 00:05:09,100 are imported from here. 65 00:05:10,893 --> 00:05:13,187 Thanks for carting all this stuff over here for her. 66 00:05:13,271 --> 00:05:14,272 That was nice of you. 67 00:05:14,355 --> 00:05:15,440 You missed one. 68 00:05:16,357 --> 00:05:17,400 Oh. 69 00:05:27,994 --> 00:05:29,620 Of course she'd choose this one. 70 00:05:31,080 --> 00:05:33,374 Who, Tom, tell me, 71 00:05:33,458 --> 00:05:37,628 who in the world would ever wear a purple paisley robe? 72 00:05:37,712 --> 00:05:39,589 I mean, my God, it's awful. 73 00:05:49,891 --> 00:05:51,809 Did my father mention I paint? 74 00:05:54,437 --> 00:05:55,437 No. 75 00:05:57,273 --> 00:06:00,651 I happen to be pretty good at it, though he'd be the last to say it. 76 00:06:04,280 --> 00:06:05,448 You want to see 'em? 77 00:06:08,076 --> 00:06:09,327 All right. 78 00:06:11,329 --> 00:06:12,872 Well, here it is. 79 00:06:13,664 --> 00:06:15,500 Oh, wow. 80 00:06:17,585 --> 00:06:19,587 Some of my landscapes there. 81 00:06:21,005 --> 00:06:22,924 Huh. 82 00:06:24,258 --> 00:06:25,258 Yeah. 83 00:06:28,638 --> 00:06:29,847 Some of Marge. 84 00:06:31,182 --> 00:06:32,892 That's my Marge section. 85 00:06:33,601 --> 00:06:35,144 Oh. Okay. 86 00:06:35,228 --> 00:06:36,270 Yeah. 87 00:06:38,397 --> 00:06:39,690 Oh. 88 00:06:42,360 --> 00:06:44,153 That's my abstract period. 89 00:06:47,532 --> 00:06:48,532 Yeah. 90 00:06:50,576 --> 00:06:54,539 Oh, this is a new one of Marge I've been working on. 91 00:06:55,706 --> 00:06:56,706 It's a nude. 92 00:07:06,092 --> 00:07:08,970 Yeah. I... I know I'm not a great painter. 93 00:07:09,053 --> 00:07:10,388 Yet. 94 00:07:10,471 --> 00:07:11,471 But I enjoy it. 95 00:07:11,889 --> 00:07:14,308 No, it's... it's, uh... It's... 96 00:07:16,185 --> 00:07:18,104 - Thanks. - Yeah. 97 00:07:20,523 --> 00:07:21,816 That's more landscapes. 98 00:07:21,899 --> 00:07:25,361 Yeah. Oh, wow. They're all blue. Blue. Your Blue Period. 99 00:07:25,445 --> 00:07:28,072 Oh, yeah. Yeah, I didn't think of that. 100 00:07:30,324 --> 00:07:31,909 She's probably still writing, 101 00:07:31,993 --> 00:07:33,995 but she'll get a kick out of the Greenleaf scheme, 102 00:07:34,078 --> 00:07:35,746 she won't mind the interruption. 103 00:07:38,541 --> 00:07:39,542 Here it is. 104 00:07:42,712 --> 00:07:43,546 Oh, good. 105 00:07:55,600 --> 00:07:56,767 Ciao, ciao. 106 00:07:57,268 --> 00:07:58,269 Hi. 107 00:07:59,479 --> 00:08:01,898 Tom has a very funny story to tell. 108 00:08:03,399 --> 00:08:04,399 Does he? 109 00:08:05,026 --> 00:08:06,026 Hi. 110 00:08:07,069 --> 00:08:07,904 Hi. 111 00:08:07,987 --> 00:08:10,823 Let's get this open first. 112 00:08:10,907 --> 00:08:12,825 - Have a seat. - Thank you. 113 00:08:16,662 --> 00:08:19,499 ♪ Is it a sin? ♪ 114 00:08:19,582 --> 00:08:23,419 ♪ Tell me ♪ 115 00:08:23,503 --> 00:08:29,717 ♪ Can it be wrong to need you ♪ 116 00:08:29,800 --> 00:08:33,596 ♪ When I am filled with such desire ♪ 117 00:08:33,679 --> 00:08:36,682 ♪ To let the fire begin... ♪ 118 00:08:36,766 --> 00:08:38,100 Can you believe that? 119 00:08:38,184 --> 00:08:41,270 Even if you knew my parents, you'd never think they'd go this far. 120 00:08:42,104 --> 00:08:43,648 So who was the guy in the bar? 121 00:08:43,731 --> 00:08:48,069 A private detective. My father hired a private detective. 122 00:08:48,152 --> 00:08:50,446 - To find Tom? - Yes. 123 00:08:51,280 --> 00:08:52,365 You hard to find, Tom? 124 00:08:53,616 --> 00:08:56,786 Well, I'd just moved, so, yes, I guess so. 125 00:08:56,869 --> 00:08:59,038 Why did you wait to tell Dickie? 126 00:08:59,914 --> 00:09:01,666 What difference does that make? 127 00:09:01,749 --> 00:09:03,668 You're missing the point of the whole saga. 128 00:09:03,751 --> 00:09:06,045 This is about my father, not Tom. 129 00:09:08,005 --> 00:09:10,132 Have you decided what you want to see next? 130 00:09:10,216 --> 00:09:11,759 Excuse me? 131 00:09:11,842 --> 00:09:13,135 - In Italy. - No. 132 00:09:14,303 --> 00:09:16,055 - I haven't. - There's a lot to it. 133 00:09:16,138 --> 00:09:19,350 I'm sure there is, but I think I'll stay here for a little while. 134 00:09:19,433 --> 00:09:22,645 You know, if you're going to be here longer, Tom, 135 00:09:22,728 --> 00:09:24,272 you should stay at my place. 136 00:09:24,355 --> 00:09:27,149 Why spend money at the Miramare when I have extra rooms, 137 00:09:27,233 --> 00:09:29,235 even if it is just my father's money. 138 00:09:30,319 --> 00:09:31,946 Oh, uh... 139 00:09:35,658 --> 00:09:38,077 I'd like... I'd like that very much. 140 00:09:39,579 --> 00:09:40,579 Great. 141 00:09:41,664 --> 00:09:43,082 Thank you. 142 00:09:47,920 --> 00:09:49,046 Lift it over. 143 00:10:11,152 --> 00:10:12,612 The walls need something. 144 00:10:31,172 --> 00:10:32,172 Better. 145 00:10:46,604 --> 00:10:48,064 - Oh, hey, Marge. - Hi. 146 00:10:48,147 --> 00:10:50,441 - How's it going? - Good. 147 00:11:00,701 --> 00:11:02,203 You look nice. 148 00:11:02,828 --> 00:11:03,871 Thanks. 149 00:11:03,954 --> 00:11:05,456 We're done working. 150 00:11:05,539 --> 00:11:08,584 We're rewarding ourselves with some Amaro. You want one? 151 00:11:09,377 --> 00:11:10,377 Sure. 152 00:11:14,173 --> 00:11:16,592 We're going to Naples tomorrow. You want to come? 153 00:11:18,219 --> 00:11:19,470 I should work. 154 00:11:19,553 --> 00:11:21,305 On your book? 155 00:11:22,098 --> 00:11:23,391 Yeah. 156 00:11:23,474 --> 00:11:25,559 Oh, come on, Marge. Come with us. 157 00:11:25,643 --> 00:11:28,646 I'm showing Tom his first Caravaggio at the Misericordia. 158 00:11:28,729 --> 00:11:29,563 I've seen it. 159 00:11:29,647 --> 00:11:32,608 You've seen it once. Once isn't nearly enough. 160 00:11:35,277 --> 00:11:36,695 I was at Le Sorelle. 161 00:11:38,989 --> 00:11:39,989 What? 162 00:11:41,575 --> 00:11:42,701 When? 163 00:11:42,785 --> 00:11:43,786 Just now. 164 00:11:45,955 --> 00:11:47,456 Oh... 165 00:11:47,540 --> 00:11:48,874 Oh, we were having dinner. 166 00:11:49,917 --> 00:11:51,127 I'm sorry, I forgot. 167 00:11:51,961 --> 00:11:52,878 Come on, let's go. 168 00:11:52,962 --> 00:11:54,713 They were closing when I left. 169 00:11:56,966 --> 00:11:57,966 Well, did you eat? 170 00:11:58,008 --> 00:12:00,761 Do you want some prosciutto? We've got cheese, olives... 171 00:12:00,845 --> 00:12:01,846 It's okay, I'm fine. 172 00:12:08,477 --> 00:12:10,604 You want to see the room we fixed up? 173 00:12:10,688 --> 00:12:11,772 Maybe later. 174 00:12:12,815 --> 00:12:15,192 All right. Sorry. 175 00:12:15,276 --> 00:12:21,031 ♪ E poi 'na fontana all'angolo ♪ 176 00:12:52,605 --> 00:12:55,149 - Sign here, please. - Ah, sì. 177 00:13:45,282 --> 00:13:47,701 He painted it when he was 36. 178 00:13:48,577 --> 00:13:51,455 A year after he murdered a man in Rome. 179 00:13:51,539 --> 00:13:52,873 - Murdered a man? - Hmm. 180 00:13:52,957 --> 00:13:55,876 A pimp whose prostitutes he used as models. 181 00:13:55,960 --> 00:13:58,254 Then he fled to Malta, and then Palermo, 182 00:13:58,337 --> 00:14:00,673 painting some of his greatest works on the run. 183 00:14:00,756 --> 00:14:01,924 Really? 184 00:14:02,007 --> 00:14:03,926 They finally caught up with him here in Naples. 185 00:14:04,009 --> 00:14:07,513 They beat him up, disfigured his face, left him for dead. 186 00:14:08,264 --> 00:14:09,348 Who did? 187 00:14:09,431 --> 00:14:11,475 Who knows? Friends of the pimp. 188 00:14:12,309 --> 00:14:15,354 Colorful life. And death. 189 00:14:15,437 --> 00:14:16,437 Yeah. 190 00:14:18,482 --> 00:14:20,359 I want to see more of his paintings. 191 00:14:20,442 --> 00:14:23,279 I'll take you to Rome sometime. Some of the best ones are there. 192 00:14:23,362 --> 00:14:25,155 Oh, I'd love that. 193 00:14:30,828 --> 00:14:32,538 - Freddie! - Dickie! 194 00:14:32,621 --> 00:14:34,790 - Come stai? - Benissimo. 195 00:14:34,874 --> 00:14:36,375 What are you doing here? 196 00:14:36,458 --> 00:14:39,003 Just passing through. Me and Max. How are you? 197 00:14:39,086 --> 00:14:39,962 Good, good. 198 00:14:40,045 --> 00:14:41,630 - How's Marge? - Good. 199 00:14:41,714 --> 00:14:43,716 - Still writing her book? - At this very moment. 200 00:14:43,799 --> 00:14:45,509 - You want a drink? - I'd love a drink. 201 00:14:45,593 --> 00:14:48,888 But just a quick one. I have a train to catch. 202 00:14:50,180 --> 00:14:52,600 Waiter. Cinzano. 203 00:14:56,395 --> 00:14:57,521 And this is? 204 00:14:57,605 --> 00:15:02,151 Tom. Tom, this is Freddie Miles. Tom's come over from New York. 205 00:15:02,234 --> 00:15:03,234 How are you doing? 206 00:15:03,944 --> 00:15:04,944 Fine. 207 00:15:06,572 --> 00:15:07,990 I know you from somewhere. 208 00:15:09,241 --> 00:15:12,828 Hmm, no, I don't think so. I think I'd remember. 209 00:15:12,912 --> 00:15:15,039 - Would you? - Yeah. 210 00:15:16,749 --> 00:15:20,044 No, no, no, we've met before. In New York. 211 00:15:20,127 --> 00:15:22,713 Where? Bob Delancey's, maybe. 212 00:15:23,380 --> 00:15:24,590 I don't think so. 213 00:15:24,673 --> 00:15:26,592 No, I think it was there. 214 00:15:26,675 --> 00:15:28,552 At his apartment on Stanton Street. 215 00:15:28,636 --> 00:15:30,763 A party. I'm sure of it. 216 00:15:33,515 --> 00:15:34,975 Don't remember. Sorry. 217 00:15:37,811 --> 00:15:41,106 - So how do you know each other? - Oh, we met here, in Atrani. 218 00:15:43,400 --> 00:15:44,777 What do you do in New York? 219 00:15:44,860 --> 00:15:47,071 - Nothing now. I live here. - Before. 220 00:15:47,154 --> 00:15:48,197 Accounting. 221 00:15:50,199 --> 00:15:51,200 You? 222 00:15:51,283 --> 00:15:53,077 Freddie's a playwright. 223 00:15:53,160 --> 00:15:54,160 Oh. 224 00:15:55,120 --> 00:15:57,206 I was gonna guess something like that. 225 00:15:57,289 --> 00:15:58,707 - Were you? - Yeah. 226 00:15:59,833 --> 00:16:01,585 - Why? - I don't know. 227 00:16:06,882 --> 00:16:10,052 So here's the thing. I'm renting a big house in Cortina over December. 228 00:16:10,135 --> 00:16:11,512 You and Marge have to come. 229 00:16:11,595 --> 00:16:14,807 And why wouldn't you? Christmas in the Alps? Say yes. 230 00:16:15,808 --> 00:16:16,809 - Yes. - Yes? 231 00:16:16,892 --> 00:16:17,726 Yeah. 232 00:16:17,810 --> 00:16:20,437 Good. We'll ski and drink ourselves to death. 233 00:16:20,521 --> 00:16:22,356 - Perfect. - Tom what? 234 00:16:24,483 --> 00:16:25,483 Ripley. 235 00:16:27,069 --> 00:16:28,069 Ripley. 236 00:16:40,958 --> 00:16:46,922 ♪ Quando sei qui con me ♪ 237 00:16:47,548 --> 00:16:53,971 ♪ Questa stanza non ha più pareti ♪ 238 00:16:54,054 --> 00:16:57,558 ♪ Ma alberi ♪ 239 00:16:58,392 --> 00:17:01,603 ♪ Alberi infiniti ♪ 240 00:17:01,687 --> 00:17:07,735 ♪ Quando tu sei vicino a me ♪ 241 00:17:08,736 --> 00:17:14,033 ♪ Questo soffitto viola, no ♪ 242 00:17:15,075 --> 00:17:18,162 ♪ Non esiste più ♪ 243 00:17:19,413 --> 00:17:25,294 ♪ Io vedo il cielo sopra noi ♪ 244 00:17:26,253 --> 00:17:29,339 ♪ Che restiamo qui ♪ 245 00:17:29,965 --> 00:17:35,846 ♪ Abbandonati, come se ♪ 246 00:17:36,472 --> 00:17:39,892 ♪ Non ci fosse più ♪ 247 00:17:40,601 --> 00:17:45,230 ♪ Niente, più niente al mondo ♪ 248 00:17:45,314 --> 00:17:49,401 ♪ Suona un'armonica ♪ 249 00:17:50,360 --> 00:17:54,656 ♪ Mi sembra un organo ♪ 250 00:17:54,740 --> 00:17:57,117 ♪ Che vibra ♪ 251 00:17:57,201 --> 00:17:59,536 ♪ Per te e per me ♪ 252 00:18:00,704 --> 00:18:07,211 ♪ Su nell'immensità del cielo ♪ 253 00:18:07,920 --> 00:18:09,546 ♪ Per te ♪ 254 00:18:09,630 --> 00:18:14,551 ♪ E per me nel ♪ 255 00:18:15,761 --> 00:18:21,308 ♪ Ciel ♪ 256 00:18:39,409 --> 00:18:40,536 You okay? 257 00:18:40,619 --> 00:18:42,287 No, I just got robbed. 258 00:18:42,371 --> 00:18:43,455 Oh, no. 259 00:18:43,539 --> 00:18:46,625 - Are you hurt? - No, I just can't get home. 260 00:18:46,708 --> 00:18:48,043 He won't take me. 261 00:18:49,044 --> 00:18:50,044 Come on. 262 00:18:53,298 --> 00:18:54,133 Thanks. 263 00:18:54,216 --> 00:18:55,216 Niente. 264 00:19:03,308 --> 00:19:04,351 Where's home? 265 00:19:04,434 --> 00:19:05,561 Uh, Pozzuoli. 266 00:19:15,612 --> 00:19:17,030 That's not enough. 267 00:19:18,365 --> 00:19:19,449 Right. 268 00:19:20,075 --> 00:19:21,076 Grazie mille. 269 00:19:21,160 --> 00:19:23,912 Siete gli americani più gentili che io abbia mai conosciuto, davvero. 270 00:19:23,996 --> 00:19:25,164 - Figurati. - Grazie. 271 00:19:25,747 --> 00:19:26,832 - Ciao. - Ciao. 272 00:19:33,589 --> 00:19:35,048 You hear what she said? 273 00:19:35,132 --> 00:19:38,010 We're the nicest Americans she's ever met. 274 00:19:38,677 --> 00:19:40,596 You gave the driver enough to take her to Rome. 275 00:19:40,679 --> 00:19:42,556 He's splitting it with her right now. 276 00:19:44,308 --> 00:19:45,392 You think? 277 00:19:45,976 --> 00:19:48,312 Obviously. What, a taxi's just waiting there? 278 00:19:48,395 --> 00:19:49,395 It's a scam. 279 00:19:50,564 --> 00:19:52,065 How can you not see that? 280 00:19:52,900 --> 00:19:54,610 Ah, so what if it is? 281 00:19:54,693 --> 00:19:57,529 It's worth it to hear that from a pretty girl, isn't it? 282 00:19:58,113 --> 00:20:00,157 Sure it is. I like girls. 283 00:20:05,287 --> 00:20:06,287 What? 284 00:20:19,009 --> 00:20:22,346 Do you think you will go to wherever it was that guy said his place was? 285 00:20:22,429 --> 00:20:23,429 Freddie? 286 00:20:24,306 --> 00:20:28,560 Probably. It gets dreary down here in winter. Why? 287 00:20:29,144 --> 00:20:31,605 I don't know how you can stand to be around someone like that. 288 00:20:31,688 --> 00:20:32,731 He's such a fraud. 289 00:20:33,732 --> 00:20:35,067 Why do you say that? 290 00:20:35,150 --> 00:20:39,154 Because it's obvious. He's no playwright. He's just someone who comes from money. 291 00:20:39,780 --> 00:20:44,493 Well, that's true. His family owns hotels. And he has a place in the south of France. 292 00:20:46,036 --> 00:20:47,996 "You and Marge have to come." 293 00:20:48,080 --> 00:20:51,124 "And why wouldn't you? Christmas in the Alps? Say yes." 294 00:20:51,875 --> 00:20:53,001 "Yes?" 295 00:20:53,085 --> 00:20:55,087 That was really good. 296 00:20:55,170 --> 00:20:56,588 You sounded just like him. 297 00:20:58,799 --> 00:20:59,799 Tom? 298 00:21:00,217 --> 00:21:01,468 Mm-hmm. 299 00:21:03,262 --> 00:21:05,430 I come from money, so am I fraud? 300 00:21:07,474 --> 00:21:10,143 You and he couldn't be more unalike. 301 00:21:11,436 --> 00:21:14,147 ♪ Non partir ♪ 302 00:21:15,315 --> 00:21:16,942 ♪ Non partir ♪ 303 00:21:18,819 --> 00:21:20,237 ♪ Tu sei chiusa... ♪ 304 00:21:20,320 --> 00:21:21,822 Dear Mr. Greenleaf, 305 00:21:23,282 --> 00:21:25,158 I'm writing you with good news. 306 00:21:26,493 --> 00:21:29,288 Richard is wavering about spending another winter here. 307 00:21:30,789 --> 00:21:33,875 It's a delicate matter dealing with him, as I'm sure you know. 308 00:21:35,085 --> 00:21:36,295 One can't push him. 309 00:21:37,379 --> 00:21:41,008 It takes many conversations to get him to change his mind about anything. 310 00:21:43,677 --> 00:21:45,012 But I'm making progress. 311 00:21:47,180 --> 00:21:50,726 As promised, I will do everything in my power to convince him to come home to you. 312 00:21:51,810 --> 00:21:53,186 Hopefully by Christmas. 313 00:21:54,187 --> 00:21:58,150 All my best wishes and good thoughts to you and Mrs. Greenleaf. 314 00:21:58,233 --> 00:21:59,609 Sincerely, Tom. 315 00:22:06,158 --> 00:22:07,659 PS. 316 00:22:07,743 --> 00:22:11,747 I've not yet spent the money you gave me, but it is running low. 317 00:22:12,789 --> 00:22:14,624 Perhaps you could send a bit more. 318 00:22:15,792 --> 00:22:18,712 A money order to Dickie's address in Atrani would be good. 319 00:22:19,338 --> 00:22:20,172 Thank you. 320 00:23:09,429 --> 00:23:10,429 Prego. 321 00:23:10,889 --> 00:23:11,889 Grazie. 322 00:23:15,727 --> 00:23:16,727 Grazie. 323 00:23:26,279 --> 00:23:27,697 How's it going? 324 00:23:30,117 --> 00:23:31,117 Good. 325 00:23:41,086 --> 00:23:42,170 Can I sit? 326 00:23:44,756 --> 00:23:45,757 Sì. 327 00:23:51,471 --> 00:23:52,556 I'm Carlo. 328 00:23:56,726 --> 00:23:58,061 - Tom. - Tom. 329 00:23:59,688 --> 00:24:00,939 You're American. 330 00:24:02,190 --> 00:24:03,190 Sì. 331 00:24:05,193 --> 00:24:06,403 I like Americans. 332 00:24:08,196 --> 00:24:09,196 Salute. 333 00:24:16,496 --> 00:24:17,581 Hi. 334 00:24:18,540 --> 00:24:20,125 Oh, hey. How's it going? 335 00:24:20,208 --> 00:24:21,251 Good. 336 00:24:24,671 --> 00:24:25,797 Wanna go to Paris? 337 00:24:27,048 --> 00:24:28,383 I don't know. Maybe. When? 338 00:24:29,176 --> 00:24:33,263 I was talking to a guy at Giorgio's, and he'll give us 100,000 lire apiece. 339 00:24:34,723 --> 00:24:35,974 To do what? 340 00:24:36,600 --> 00:24:38,018 Go to Paris. 341 00:24:39,352 --> 00:24:40,896 What are you talking about? 342 00:24:40,979 --> 00:24:44,608 All we gotta do is take a suitcase there for him, then we stay as long as we want. 343 00:24:44,691 --> 00:24:47,527 A suitcase? 344 00:24:50,238 --> 00:24:51,072 Yeah. 345 00:24:51,156 --> 00:24:52,532 You can't be serious. 346 00:24:52,616 --> 00:24:53,992 I am. Come meet him. 347 00:24:54,075 --> 00:24:56,828 We talked in Italian, so I only got the gist of it. 348 00:24:56,912 --> 00:24:59,080 I don't want to meet him, whoever he is. 349 00:24:59,164 --> 00:25:01,124 What am I supposed to do with him then? 350 00:25:01,208 --> 00:25:03,084 Nothing. Forget you had the conversation. 351 00:25:03,168 --> 00:25:04,794 He's downstairs. 352 00:25:07,672 --> 00:25:09,466 You brought this guy to my house. 353 00:25:10,217 --> 00:25:11,134 Yeah. 354 00:25:16,181 --> 00:25:17,181 Carlo. 355 00:25:18,850 --> 00:25:21,228 This is my friend, Dickie. 356 00:25:22,145 --> 00:25:23,521 Pleasure. How you doing? 357 00:25:28,693 --> 00:25:29,778 Picasso, huh? 358 00:25:45,585 --> 00:25:48,129 So, Tom explained to you what we spoke about? 359 00:25:48,213 --> 00:25:50,048 Why don't you tell me. 360 00:25:50,131 --> 00:25:51,508 Okay. It's not complicated. 361 00:25:52,384 --> 00:25:54,094 Tomorrow, the next day, whenever, 362 00:25:54,177 --> 00:25:56,346 you both meet me at the train station in Naples. 363 00:25:56,429 --> 00:25:58,640 I'll have two tickets for you, 364 00:25:58,723 --> 00:26:01,268 half the money, 50,000 lire each, 365 00:26:02,018 --> 00:26:03,186 and a suitcase. 366 00:26:03,270 --> 00:26:06,731 You take it to Paris, deliver it to the address I give you. 367 00:26:06,815 --> 00:26:08,733 Where you'll get the rest of the money. 368 00:26:08,817 --> 00:26:09,818 And that's that. 369 00:26:12,988 --> 00:26:14,531 What's in the suitcase? 370 00:26:14,614 --> 00:26:16,116 Va beh, e questo... 371 00:26:16,199 --> 00:26:17,409 It makes no difference. 372 00:26:17,492 --> 00:26:20,829 No one is going to stop a couple of American tourists that look like you. 373 00:26:21,496 --> 00:26:22,789 Drugs? 374 00:26:22,872 --> 00:26:24,207 Guns? 375 00:26:24,291 --> 00:26:26,334 Stolen art, what? 376 00:26:28,003 --> 00:26:29,379 It's not your concern. 377 00:26:30,297 --> 00:26:32,132 It's very much my concern. 378 00:26:32,215 --> 00:26:33,842 It isn't your friend's. 379 00:26:33,925 --> 00:26:36,303 He didn't even ask. 380 00:26:40,724 --> 00:26:42,017 Tomma. 381 00:26:42,100 --> 00:26:43,226 Yeah, what? 382 00:26:43,310 --> 00:26:45,895 Sadly, your friend here is not the right man. 383 00:26:45,979 --> 00:26:47,063 You, yes, but him, no. 384 00:26:47,147 --> 00:26:50,317 No. He's right for it. We both are. He's just thinking about it. 385 00:26:50,400 --> 00:26:52,152 No. I'm not. 386 00:26:53,069 --> 00:26:55,947 Tomma, look at him, 387 00:26:56,031 --> 00:26:58,950 looking at me like a policeman who wants to arrest me. 388 00:26:59,034 --> 00:27:00,952 No, he's not. Come on. 389 00:27:01,036 --> 00:27:03,413 No, no, you're right. Not a policeman. 390 00:27:04,331 --> 00:27:08,043 Like a man afraid he's about to be eaten by an animal. 391 00:27:15,884 --> 00:27:19,471 We can still do business together, me and you, but not him. 392 00:27:19,554 --> 00:27:23,475 So there is no need to discuss this in front of him or with him anymore, okay? 393 00:27:24,726 --> 00:27:27,979 At some point in life, his balls were cut off. 394 00:27:35,862 --> 00:27:36,988 {n8}My address. 395 00:27:45,288 --> 00:27:47,290 This is a nice villa. 396 00:27:50,794 --> 00:27:51,795 Very nice. 397 00:27:54,172 --> 00:27:55,298 Bravo. 398 00:27:56,883 --> 00:27:58,259 Signora, grazie mille. 399 00:28:09,813 --> 00:28:11,856 What's the matter with you? You crazy? 400 00:28:11,940 --> 00:28:13,566 Why would you say that? 401 00:28:13,650 --> 00:28:16,528 The man is Camorra. You know what that is? 402 00:28:16,611 --> 00:28:17,654 No. 403 00:28:17,737 --> 00:28:20,824 Mafia. Naples mafia. 404 00:28:20,907 --> 00:28:22,325 How do you know that? 405 00:28:22,409 --> 00:28:24,285 Because, Tom, it's obvious. 406 00:28:25,453 --> 00:28:28,039 Maybe you wouldn't have done this if your Italian was better, 407 00:28:28,123 --> 00:28:29,666 but I'm not so sure. Is... 408 00:28:29,749 --> 00:28:32,001 Is this the kind of thing you do in New York? 409 00:28:32,544 --> 00:28:33,378 No. 410 00:28:33,461 --> 00:28:35,296 The kind of people you hang out with there? 411 00:28:35,380 --> 00:28:37,507 He treated you like a kindred spirit. 412 00:28:38,758 --> 00:28:40,802 We hung out with the same people in New York. 413 00:28:40,885 --> 00:28:41,885 That's how we met. 414 00:28:46,015 --> 00:28:47,350 I still don't remember. 415 00:28:50,603 --> 00:28:52,397 Don't look at me like that. I'm not crazy. 416 00:28:52,480 --> 00:28:53,898 Then what is this? 417 00:28:53,982 --> 00:28:57,527 What? I thought you'd think it'd be fun. It could have been fun. 418 00:28:57,610 --> 00:29:00,572 - To do a job for gangsters? - To go on an adventure together. 419 00:29:00,655 --> 00:29:02,115 To end up in prison together. 420 00:29:02,198 --> 00:29:03,742 Okay, now you're just... 421 00:29:07,203 --> 00:29:08,621 Forget it. 422 00:29:13,710 --> 00:29:15,628 Can you not tell Marge about this? 423 00:29:16,629 --> 00:29:18,006 She doesn't like me much as it is. 424 00:29:18,089 --> 00:29:20,633 - Why is that, do you think? - I don't know. I'm nice to her. 425 00:29:20,717 --> 00:29:22,969 No, you make an effort to be, which isn't the same. 426 00:29:23,052 --> 00:29:24,304 Which is worse, actually. 427 00:29:24,387 --> 00:29:26,181 That's not true. I like her. 428 00:29:27,223 --> 00:29:28,223 Okay. 429 00:29:29,184 --> 00:29:30,185 I do! 430 00:29:33,021 --> 00:29:35,940 So how's the writing going? I bet it's really good. 431 00:29:36,024 --> 00:29:37,275 You're teasing me. 432 00:29:37,358 --> 00:29:40,737 No, I'm not. I really want to know. I'm impressed you're doing it. 433 00:29:40,820 --> 00:29:43,531 I've never written a book. Dickie hasn't. Have you? 434 00:29:43,615 --> 00:29:45,825 Certainly not. 435 00:29:48,286 --> 00:29:50,955 Well, to be honest, it's not going that well. 436 00:29:51,831 --> 00:29:54,626 I'm trying to describe this place that's 437 00:29:56,002 --> 00:29:57,002 so... 438 00:29:58,713 --> 00:29:59,798 Indescribable? 439 00:29:59,881 --> 00:30:02,592 Indescribable. Yes, exactly. 440 00:30:02,675 --> 00:30:05,136 Well, can I read what you've written so far? 441 00:30:05,220 --> 00:30:06,971 Oh, she won't show it to anyone. 442 00:30:08,223 --> 00:30:11,267 Well, I'm no book editor, but I did work for one, at Random House. 443 00:30:12,227 --> 00:30:13,311 You did? 444 00:30:13,394 --> 00:30:16,773 Sure. I read lots of manuscripts there that needed work. 445 00:30:19,275 --> 00:30:20,401 Really? 446 00:30:20,985 --> 00:30:23,196 If nothing else, I might accidentally say something 447 00:30:23,279 --> 00:30:25,532 that gets you thinking in a new way. 448 00:30:26,616 --> 00:30:28,034 Come on, I'd love to try. 449 00:30:29,786 --> 00:30:30,787 Prego. 450 00:30:31,454 --> 00:30:32,831 I'll get this. 451 00:30:37,585 --> 00:30:39,295 So. What do you say? 452 00:30:57,814 --> 00:30:59,148 I'm scared. 453 00:30:59,983 --> 00:31:01,609 I'm sure it's wonderful. 454 00:31:04,904 --> 00:31:07,323 That was good, Tom. You're trying. 455 00:31:07,407 --> 00:31:09,325 Well, I'm not just trying. 456 00:31:09,409 --> 00:31:12,829 I'm interested in what she's doing. She's wrong about me. 457 00:31:14,497 --> 00:31:16,791 In any case, you made her happy. 458 00:31:17,959 --> 00:31:18,960 Well, that's good. 459 00:31:23,756 --> 00:31:26,551 Atrani, by Marjorie Sherwood. 460 00:31:26,634 --> 00:31:28,970 Suddenly, I have been in Atrani for more than a year, 461 00:31:29,053 --> 00:31:31,139 and I'm still discovering things about the town... 462 00:31:31,222 --> 00:31:34,684 {n8}Atrani, I had learned, had existed before Columbus had discovered America. 463 00:31:34,767 --> 00:31:37,270 {n8}Most evenings, a woman practices the flute... 464 00:31:37,353 --> 00:31:39,188 I saw my first palm tree, and the ocean. 465 00:31:39,272 --> 00:31:42,358 Although the taxi ride did not cost as much as it would have... 466 00:31:42,442 --> 00:31:43,693 I watched as he prepared the... 467 00:31:43,776 --> 00:31:47,196 {n8}...clock tower struck four at that exact moment... 468 00:31:47,280 --> 00:31:50,283 I had never stayed in a place that didn't have its own bathroom, 469 00:31:50,366 --> 00:31:51,367 except for in college. 470 00:31:51,451 --> 00:31:54,537 "Hello?" I called out. She said something that sounded familiar. 471 00:31:54,621 --> 00:31:57,790 I waited... It felt like... 472 00:31:57,874 --> 00:32:00,710 ...hot, cramped bus that smelled like garlic and gasoline. 473 00:32:22,023 --> 00:32:24,484 This is... This is all really helpful. 474 00:32:25,276 --> 00:32:26,277 Is it? 475 00:32:26,361 --> 00:32:31,366 Yeah. Everything you're saying is right. Here, what you wrote in the margin. 476 00:32:31,449 --> 00:32:32,492 Which? 477 00:32:32,575 --> 00:32:34,285 "Atrani is like a place in a dream 478 00:32:34,369 --> 00:32:37,413 that becomes even more dreamlike when you wake." 479 00:32:37,497 --> 00:32:38,957 It's so perfect. 480 00:32:40,083 --> 00:32:42,043 It's yours. Take it. 481 00:32:42,669 --> 00:32:43,795 Really? 482 00:32:43,878 --> 00:32:44,879 Sure. 483 00:32:48,341 --> 00:32:50,259 I think I know what to do with it now. 484 00:32:50,802 --> 00:32:51,803 I'm glad. 485 00:32:53,388 --> 00:32:54,389 Thank you, Tom. 486 00:32:55,181 --> 00:32:56,182 Really. 487 00:32:56,808 --> 00:32:58,601 Thank you, for trusting me with it. 488 00:33:06,776 --> 00:33:07,902 Great title. 489 00:33:11,572 --> 00:33:12,615 Ciao, Matteo. 490 00:33:12,699 --> 00:33:13,992 Ciao, Riccardo. 491 00:33:14,826 --> 00:33:16,828 - How are you? - Great. 492 00:33:16,911 --> 00:33:18,746 There's something for you. 493 00:33:31,009 --> 00:33:32,009 Here. 494 00:33:33,386 --> 00:33:35,096 Nothing for you, my dear Tom. 495 00:33:35,179 --> 00:33:37,223 Okay, Matteo. Thanks. 496 00:33:37,974 --> 00:33:40,351 I think I'm going to go see Marge. 497 00:33:41,060 --> 00:33:42,270 Maybe go for a swim. 498 00:33:42,353 --> 00:33:43,187 Okay. 499 00:33:43,271 --> 00:33:44,397 Take this home for me? 500 00:33:44,480 --> 00:33:45,398 Sure. 501 00:33:45,481 --> 00:33:47,066 Thanks. See you later. 502 00:33:57,910 --> 00:33:59,579 What do you think of these? 503 00:34:03,041 --> 00:34:04,041 Oh, that's good. 504 00:34:05,126 --> 00:34:06,919 - Really? - Yes! 505 00:35:11,567 --> 00:35:12,735 Signor Ripley. 506 00:35:13,778 --> 00:35:15,822 I'm going out, to the market. 507 00:35:16,614 --> 00:35:17,614 All right. 508 00:35:24,288 --> 00:35:25,288 What? 509 00:35:27,458 --> 00:35:28,458 Nothing. 510 00:36:04,287 --> 00:36:06,998 Is Mr. Smith at home? 511 00:36:11,252 --> 00:36:13,880 No, sir. He's gone out. 512 00:36:19,844 --> 00:36:22,221 What time will he be back? 513 00:36:28,811 --> 00:36:31,063 How much money do you need? 514 00:36:35,776 --> 00:36:37,528 It's not enough. 515 00:36:43,409 --> 00:36:45,453 What's the matter with you? 516 00:36:50,208 --> 00:36:51,918 What happened? 517 00:36:55,171 --> 00:36:56,464 Who said so? 518 00:36:59,175 --> 00:37:00,635 Who is he? 519 00:37:03,262 --> 00:37:04,722 Who knows? 520 00:37:06,557 --> 00:37:08,226 Whose is this? 521 00:37:10,728 --> 00:37:12,271 It's yours. 522 00:37:14,106 --> 00:37:15,524 It's ours. 523 00:37:17,318 --> 00:37:19,111 It's theirs. 524 00:37:20,488 --> 00:37:21,948 It's his. 525 00:37:23,741 --> 00:37:24,992 It's mine. 526 00:39:45,633 --> 00:39:47,510 "You like art, Tom?" 527 00:39:50,012 --> 00:39:51,639 "Well, you're in the right place." 528 00:39:58,854 --> 00:40:00,898 "I know I'm not a great painter." 529 00:40:00,981 --> 00:40:02,191 "Yet." 530 00:40:06,987 --> 00:40:09,532 "I know I'm not a great painter, yet." 531 00:40:09,615 --> 00:40:10,741 "But I enjoy it." 532 00:40:11,826 --> 00:40:13,077 These are my landscapes. 533 00:40:14,829 --> 00:40:15,830 Still life. 534 00:40:17,415 --> 00:40:19,375 Those are some of Marge. 535 00:40:20,376 --> 00:40:23,462 That's another one of mine. Another one of Marge. 536 00:40:24,880 --> 00:40:26,132 That's the Marge section. 537 00:40:28,884 --> 00:40:32,430 Marge, I'm sorry, but you got to understand. 538 00:40:32,513 --> 00:40:33,597 I don't love you. 539 00:40:35,099 --> 00:40:37,601 We're friends. That's all. 540 00:40:40,479 --> 00:40:41,480 Oh, come on, don't... 541 00:40:42,982 --> 00:40:43,983 Don't cry. 542 00:40:46,402 --> 00:40:48,404 That's not going to work, Marge. 543 00:40:50,197 --> 00:40:51,240 Stop it. 544 00:40:54,994 --> 00:40:57,621 Because you're interfering. With Tom and me. 545 00:41:00,416 --> 00:41:04,003 No, no, no, no. It's not like that. 546 00:41:04,086 --> 00:41:06,881 It's not that. We're not that. 547 00:41:09,091 --> 00:41:11,802 No, there's a bond between us. Can you understand that? 548 00:41:11,886 --> 00:41:14,305 Or are you just going to keep making accusations? 549 00:41:14,388 --> 00:41:15,806 Can you understand anything? 550 00:41:17,391 --> 00:41:18,391 Come on, Marge. 551 00:41:21,270 --> 00:41:22,146 Marge... 552 00:41:23,856 --> 00:41:24,856 Oh... 553 00:41:25,274 --> 00:41:27,193 Oh, those are from my abstract period. 554 00:41:36,660 --> 00:41:37,995 What are you doing? 555 00:41:40,623 --> 00:41:41,999 They got... 556 00:41:42,082 --> 00:41:43,417 Oh, just... 557 00:41:46,378 --> 00:41:48,714 I'd appreciate it if you got out of my clothes. 558 00:42:17,159 --> 00:42:19,119 You guys didn't go swimming, I guess. 559 00:42:22,248 --> 00:42:24,375 Were you on the beach when the storm broke? 560 00:42:28,921 --> 00:42:31,048 Dickie, I feel sick about what just happened... 561 00:42:31,131 --> 00:42:33,717 Look, let me just make this really clear. 562 00:42:35,928 --> 00:42:37,012 I'm not queer. 563 00:42:40,558 --> 00:42:41,892 I think you think I am. 564 00:42:43,227 --> 00:42:44,603 I never thought you were. 565 00:42:45,563 --> 00:42:47,189 Well, Marge thinks you are. 566 00:42:49,024 --> 00:42:50,024 Why? 567 00:42:50,901 --> 00:42:54,321 Well, if she were here to see what just transpired in there, then... 568 00:42:55,239 --> 00:42:58,993 I'd say it was that, but since she wasn't, then I guess it must be something else. 569 00:43:10,004 --> 00:43:12,131 She's saying that because she's jealous. 570 00:43:12,798 --> 00:43:13,799 Jealous? 571 00:43:15,259 --> 00:43:16,135 Of you? 572 00:43:16,218 --> 00:43:17,218 Yeah, of me. 573 00:43:18,387 --> 00:43:20,723 She had you all to herself before I showed up. 574 00:43:21,348 --> 00:43:22,933 Now we do things without her. 575 00:43:25,644 --> 00:43:29,273 - But even that's not the real problem. - What's the real problem, Tom? 576 00:43:30,774 --> 00:43:32,651 She loves you more than you love her. 577 00:43:37,489 --> 00:43:41,160 When you walk together, who takes whose hand? 578 00:43:43,412 --> 00:43:46,081 Maybe it is true, but it doesn't mean I don't care about her. 579 00:43:46,165 --> 00:43:48,584 - I... I care about her very much. - I understand. 580 00:43:49,418 --> 00:43:52,421 We're very good friends. You try not to hurt your friends. 581 00:43:52,504 --> 00:43:53,504 Of course. 582 00:43:58,844 --> 00:44:00,346 - Dickie... - What? 583 00:44:01,388 --> 00:44:03,682 I'd rather leave than break up a friendship. 584 00:44:05,934 --> 00:44:07,144 Do you want me to leave? 585 00:44:07,853 --> 00:44:11,148 I'll leave in the morning if you want. I'll leave now if you want. 586 00:44:18,572 --> 00:44:19,990 Let's just let it go.