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[LOW, THRUMMING RUMBLING]
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[HIGH-PITCHED TONE]
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[ETHEREAL MUSIC PLAYS, FADES]
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[FILM STATIC CRACKLING]
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[BEEP]
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[ORCHESTRAL MUSIC PLAYING]
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[NARRATOR] Keyworth Pictures invites you
to Hotel Reverie.
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Renowned Dr. Alex Palmer
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encounters tragic heiress Clara Ryce.
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Waiter, another scotch, please.
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- And for yourself?
- Thank you. A Black Rose.
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A rose for a rose.
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A piano standing silent
always makes me so melancholy.
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It's silly, I know.
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If it's "Clair de Lune" you want,
it's "Clair de Lune" you shall have.
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[NARRATOR] Yet,
even as their affection grows,
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the pair are unaware
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Clara's fiendish husband, Claude,
is plotting her death.
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My accursed wife
has more lives than a damn cat.
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She dies tonight.
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Don't move.
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[GASPS] Oh my goodness!
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[ORCHESTRAL MUSIC CONTINUES]
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[MUSIC ENDS]
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[WOMAN 1] Your
studio, Keyworth Pictures,
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has the most incredible back catalog.
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Noir thrillers,
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wartime romances, caper comedies.
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An unrivaled collection
of heritage media.
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By "heritage," you mean old.
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I mean, uh, vintage.
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You have a great reputation.
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Fifty years ago, yes.
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Look, I know you're trying
to blow smoke up my arse,
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but let's be real.
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My stages are empty.
We're up to our knockers in debt.
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I was in Cannes last week
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trying to sell our library
to some streamers, and they were NFI.
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NFI? That's a non-fungible…
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Not fucking interested.
41
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The Keyworth brand is not what it was.
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We're going under,
and everybody knows it.
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Well, I believe
with your prestige content...
44
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Please don't call it content.
Makes me heave.
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Okay. Okay.
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I'm… I'm sorry.
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Prestige movies.
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Dreams. Classics.
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Like Hotel Reverie.
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[TUTS]
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"I'll be yours forevermore."
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My father's favorite.
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And mine.
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But try telling that to the public.
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- I think you'll find them...
- NFI.
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Well, you know,
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what's the point of watching an
old movie starring Ralph Redwell
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when you could watch a new movie
starring Ryan Gosling or Ryan…
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Reynolds?
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Yeah. But they're
way out of my price league.
61
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Well, what if I told you
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my company has an affordable way
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to take a shuttered classic,
like Hotel Reverie,
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and almost instantly recast the lead
with a contemporary Hollywood star?
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- We can't...
- Whoa, whoa, whoa!
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Who you will be able to afford
67
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because you'll only need
96 minutes of their time.
68
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You're gonna use
one of those AI paint boxes
69
00:03:25,120 --> 00:03:27,119
and deepfake Ryan over Ralph...
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What we're proposing isn't fake.
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[INTRIGUING MUSIC PLAYING]
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It's real.
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Oh, you've intrigued me.
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So which Ryan are we calling first?
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[INTRIGUING MUSIC CONTINUES]
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[MAN] Hey, Brandy.
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Listen, the studio are chasing.
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I'm telling you, I just love
this project for you right now.
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We all do.
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And, hey, the money is off the chart.
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Call me when you get a chance.
Bye now. Bye-bye.
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No.
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Whoa now. Did you read the material?
Lola's in almost every scene.
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- It's a big role.
- It's a big supporting role.
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Backing up Mr. "Lead Dude" again.
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[MAN] Hey. [CHUCKLES]
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You get lead roles.
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Yeah, for Sundance misery porn.
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You don't want those
roles anymore either?
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I'm saying I'm tired
of my only available options
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being noble victim or fuckable sidekick.
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[MAN] I can't control which box
the world wants to put you in.
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It's the same box, and I'm sick of it.
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You know I got into this
to be other things.
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To express other things.
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Like what?
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Like something romantic.
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This is romantic.
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For the lead guy.
I don't wanna be pursued.
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Why can't I pursue?
101
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Huh?
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I just want something… magical.
103
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Timeless. Something
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I can escape into.
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Are you talking career or personal life?
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Both.
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Where's my Casablanca?
108
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Where's… where's…
where's my Brief Encounter?
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Come on! British
romance. 1940s. Classic.
110
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Like Hotel Reverie?
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Yes! Hotel Reverie.
112
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"I'll be yours forevermore."
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Is that where that line comes from?
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The iconic final line? Yeah.
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Hey, I knew the line, not the movie.
116
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Weird thing is, this is the second time
this has come up this morning.
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- What do you mean?
- The studio. Uh, Keyworth… something.
118
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- They're doing some kind of reboot.
- They're remaking Hotel Reverie?
119
00:05:43,600 --> 00:05:47,239
Yeah, with a high-tech shooting style.
They want an A-lister for the male lead.
120
00:05:47,240 --> 00:05:48,680
- To play Alex? Dr. Palmer?
- Yeah.
121
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I wanna do it.
122
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It's a male lead.
123
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So they… they can't flip it?
Have a woman play the lead?
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They want a Ryan. One of the Ryans.
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Tell them I wanna do this.
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- [WOMAN] So I'm afraid Ryan's a "no."
- Which one?
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Both of them.
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Sorry, did you say
that they don't have to talk British?
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They… they can be American?
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Didn't get that far.
131
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Also, Timothée Chalamet is unavail.
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Chris Hemsworth didn't connect
with the material.
133
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Donald Glover says
thanks for thinking of him,
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but he has a family commitment.
135
00:06:16,480 --> 00:06:18,359
- So they're all NFI?
- Sorry?
136
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Is there really not one A-lister
who's curious?
137
00:06:21,600 --> 00:06:23,799
Well, you won't believe this,
138
00:06:23,800 --> 00:06:27,600
but Brandy Friday's team
says she's interested.
139
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Holy shit! Brandy Friday?
140
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She big?
141
00:06:32,720 --> 00:06:35,039
She's… she's huge. She… she's available?
142
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I tried to explain
it's not the Clara role, but…
143
00:06:37,760 --> 00:06:39,793
Well, could we make it the Clara role?
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That's the thing.
145
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They said she's only interested
if she plays the lead.
146
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- Well, that's just…
- Brilliant.
147
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[ORCHESTRAL MUSIC PLAYING ON COMPUTER]
148
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Ready.
149
00:07:14,280 --> 00:07:16,319
Should I just pretend
it's a normal call?
150
00:07:16,320 --> 00:07:17,879
- [MAN] Yes.
- Right.
151
00:07:17,880 --> 00:07:18,880
Here we go.
152
00:07:21,400 --> 00:07:25,519
I realize I'm… I'm waiting for it to
ring, but it's not connected, is it?
153
00:07:25,520 --> 00:07:26,719
No.
154
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[LAUGHS]
155
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God, I'm such a fool.
156
00:07:30,960 --> 00:07:33,480
Right, I'll imagine it's ringing.
157
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Hello, Ryce-Lechere residence.
158
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To whom am I speaking?
159
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I…
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00:07:45,480 --> 00:07:46,999
[GIGGLES]
161
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Oh, God damn it.
162
00:07:49,280 --> 00:07:51,919
Well, it's just so hard
when there's no one on the other end.
163
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Uh, from the top.
164
00:07:53,520 --> 00:07:54,520
Take two.
165
00:07:55,320 --> 00:07:57,640
Hello, Ryce-Lechere residence.
166
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To whom am I...
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[INSTRUMENTAL STRING MUSIC PLAYING]
168
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[REPORTER] Buckinghamshire, England.
169
00:08:05,160 --> 00:08:06,519
And an outpouring of grief
170
00:08:06,520 --> 00:08:10,119
as actress Dorothy Chambers
is found dead at home.
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The cause of death,
an overdose of sleeping pills.
172
00:08:13,640 --> 00:08:16,239
The reclusive beauty never married
173
00:08:16,240 --> 00:08:18,759
and was well known
to be troubled by pernicious gossip
174
00:08:18,760 --> 00:08:20,480
surrounding her personal life.
175
00:08:26,200 --> 00:08:27,519
- Oh, hi.
- [BRANDY] Hey.
176
00:08:27,520 --> 00:08:29,679
- This is for you.
- Thank you.
177
00:08:29,680 --> 00:08:32,200
- It needs a signature just here.
- Oh, sure.
178
00:08:33,440 --> 00:08:34,920
Sorry, I shouldn't, but
179
00:08:36,200 --> 00:08:39,239
I really loved that movie you were in
about the secret CIA agent.
180
00:08:39,240 --> 00:08:42,039
- Thank you.
- He was so good.
181
00:08:42,040 --> 00:08:44,079
- Thank you.
- Are you still with that actor...
182
00:08:44,080 --> 00:08:45,679
Uh, no, we're not together anymore.
183
00:08:45,680 --> 00:08:49,559
Oh, he was so good in that movie
about the pilot that saves the…
184
00:08:49,560 --> 00:08:51,519
- I've got to take this.
- Okay.
185
00:08:51,520 --> 00:08:53,279
Don't let the gate hit you.
186
00:08:53,280 --> 00:08:54,760
[PHONE RINGING]
187
00:08:55,153 --> 00:08:56,358
Hey.
188
00:08:56,360 --> 00:08:58,079
Great news. You got it.
189
00:08:58,080 --> 00:08:59,131
Got what?
190
00:08:59,133 --> 00:09:01,719
The lead in Hotel Reverie.
I guess they're gonna flip it.
191
00:09:01,720 --> 00:09:03,439
- [CHUCKLES] Yes!
- Okay, so look.
192
00:09:03,440 --> 00:09:06,439
It's a straight offer,
so they're sending the materials to you.
193
00:09:06,440 --> 00:09:08,719
Oh, yeah, I think I just got those.
194
00:09:08,720 --> 00:09:12,079
They say they're gonna need you
in the studio next Monday.
195
00:09:12,080 --> 00:09:15,119
- That's in England.
- Wait. They start filming next Monday?
196
00:09:15,120 --> 00:09:17,359
Uh, no, they say no.
It's some kind of test.
197
00:09:17,360 --> 00:09:18,640
Who's playing Clara?
198
00:09:19,200 --> 00:09:21,199
Seems confidential. It's all laid out
199
00:09:21,200 --> 00:09:22,440
in that info pack.
200
00:09:23,120 --> 00:09:24,839
Pepe from Streamberry is here.
201
00:09:24,840 --> 00:09:26,119
- Thank you.
- Wait.
202
00:09:26,120 --> 00:09:27,144
Laid out where?
203
00:09:27,146 --> 00:09:30,959
Yeah, oh, congratulations again.
Okay, look, I gotta go. Bye, bye, bye.
204
00:09:30,960 --> 00:09:32,120
Okay, thanks.
205
00:09:35,680 --> 00:09:37,679
[TENSE ORCHESTRAL
MUSIC PLAYING IN MOVIE]
206
00:09:37,680 --> 00:09:38,800
[OFFICER] Drop your weapon.
207
00:09:40,680 --> 00:09:43,119
Shoot him. He's trying to kill me.
208
00:09:43,120 --> 00:09:45,639
Wait. I know that man.
209
00:09:45,640 --> 00:09:47,159
He diagnosed my allergy.
210
00:09:47,160 --> 00:09:48,680
Arrest the other man.
211
00:09:49,480 --> 00:09:50,560
Non!
212
00:09:51,360 --> 00:09:53,080
Non! Laissez-moi.
213
00:09:53,720 --> 00:09:54,919
Mais laissez-moi.
214
00:09:54,920 --> 00:09:56,760
[DRAMATIC ORCHESTRAL MUSIC PLAYING]
215
00:10:00,920 --> 00:10:02,080
Stay with me.
216
00:10:02,760 --> 00:10:04,600
Promise me you'll stay.
217
00:10:06,920 --> 00:10:09,960
I'll be yours… forevermore.
218
00:10:13,040 --> 00:10:14,239
[MUSIC ENDS]
219
00:10:14,240 --> 00:10:16,360
[MYSTERIOUS MUSIC PLAYING]
220
00:10:24,240 --> 00:10:26,160
[BRANDY] I'll be yours forevermore.
221
00:10:30,560 --> 00:10:32,680
I'll be yours forevermore.
222
00:10:36,160 --> 00:10:37,719
[WOMAN 1] What is up with the printer?
223
00:10:37,720 --> 00:10:39,959
[VIDEO REWINDING]
224
00:10:39,960 --> 00:10:41,840
[MAN 1] I just need to get this
up and running.
225
00:10:42,260 --> 00:10:43,439
There we go.
226
00:10:43,440 --> 00:10:45,719
- Powering up in a few minutes.
- [WOMAN 1] Jack.
227
00:10:45,720 --> 00:10:47,719
[JACK] Give me two seconds. Um…
228
00:10:47,720 --> 00:10:49,279
- Jack.
- Yeah?
229
00:10:49,280 --> 00:10:51,679
No liquids near the tech.
Isn't that your mantra?
230
00:10:51,680 --> 00:10:52,680
Oh…
231
00:10:53,080 --> 00:10:54,120
Sorry.
232
00:10:55,400 --> 00:10:56,591
She's late.
233
00:10:56,593 --> 00:10:58,600
Her driver said she's stuck in traffic.
234
00:10:59,240 --> 00:11:01,399
You've only got this stage
for two more hours.
235
00:11:01,400 --> 00:11:04,439
It's leased to some Swedes
who are shooting a loo roll commercial.
236
00:11:04,440 --> 00:11:06,559
You said we had three hours. No?
237
00:11:06,560 --> 00:11:08,279
I said I'd ask for three.
238
00:11:08,280 --> 00:11:09,280
[BRANDY] Hey.
239
00:11:09,960 --> 00:11:13,200
- Hi.
- Uh… Ms. Friday.
240
00:11:14,200 --> 00:11:15,440
Judith Keyworth.
241
00:11:17,080 --> 00:11:18,599
Goodness, can I tell you
242
00:11:18,600 --> 00:11:20,959
how thrilled we are
that you're doing this?
243
00:11:20,960 --> 00:11:22,439
Oh, it's my pleasure.
244
00:11:22,440 --> 00:11:24,359
I love old movies.
245
00:11:24,360 --> 00:11:25,439
I'm sure.
246
00:11:25,440 --> 00:11:26,599
[BOTH CHUCKLE]
247
00:11:26,600 --> 00:11:30,480
Meet the young lady who I've
entrusted with my studio's life.
248
00:11:31,320 --> 00:11:33,759
Uh, Kimmy. Project leader.
249
00:11:33,760 --> 00:11:36,600
Um, and can I just say I've been
a fan of you since Zodiac Suite?
250
00:11:37,720 --> 00:11:39,399
You saw Zodiac Suite?
251
00:11:39,400 --> 00:11:42,119
I did. Off-Broadway
when I was back in NYU.
252
00:11:42,120 --> 00:11:43,359
- Oh wow.
- [KIMMY] And I loved...
253
00:11:43,360 --> 00:11:44,360
[JUDITH CLEARS THROAT]
254
00:11:44,886 --> 00:11:45,959
- Yes.
- Anyway.
255
00:11:45,960 --> 00:11:47,079
Anyway. Yes.
256
00:11:47,080 --> 00:11:49,693
We, uh… Let's… let's, uh…
Let's dive on in.
257
00:11:49,695 --> 00:11:50,879
Okay.
258
00:11:50,880 --> 00:11:53,773
So you know the ReDream, how it works?
259
00:11:53,775 --> 00:11:54,878
Re-what?
260
00:11:54,880 --> 00:11:56,880
Uh, ReDream. The
system that we're using.
261
00:11:59,680 --> 00:12:01,439
You got the info pack, right?
262
00:12:01,440 --> 00:12:02,720
[BRANDY] The info pack? I…
263
00:12:03,240 --> 00:12:06,359
- You got the script and the movie?
- Read the script. Watched the movie.
264
00:12:06,360 --> 00:12:10,680
There was a USB stick in there, too,
with the info pack on it.
265
00:12:12,400 --> 00:12:13,680
You… you didn't see that?
266
00:12:14,200 --> 00:12:15,200
Uh, no.
267
00:12:16,280 --> 00:12:17,639
- Uh…
- [JUDITH] Talk me through it.
268
00:12:17,640 --> 00:12:19,400
What exactly am I looking at?
269
00:12:20,560 --> 00:12:22,400
Do… You know your lines, right?
270
00:12:24,200 --> 00:12:25,280
Sure.
271
00:12:27,080 --> 00:12:28,080
Come with me.
272
00:12:29,200 --> 00:12:31,759
We're making the movie right now,
in real time,
273
00:12:31,760 --> 00:12:32,999
like theater.
274
00:12:33,000 --> 00:12:34,679
ReDream is the system we're using.
275
00:12:34,680 --> 00:12:37,239
It ingests a movie
and all of its surrounding material.
276
00:12:37,240 --> 00:12:40,799
Screenplay, casting reels,
dailies, all of it.
277
00:12:40,800 --> 00:12:42,586
It creates an entirely self-sufficient
278
00:12:42,587 --> 00:12:44,559
fictive dimension in
which we immerse you.
279
00:12:44,561 --> 00:12:46,293
Can you slow down a little bit, please?
280
00:12:46,295 --> 00:12:47,418
Yeah.
281
00:12:47,420 --> 00:12:49,199
I bet this is very overwhelming.
282
00:12:49,200 --> 00:12:52,160
Why don't you lie down?
Lie down and make yourself comfortable.
283
00:12:53,360 --> 00:12:57,479
So, if you hold still,
I'm just gonna attach this mesmerizer.
284
00:12:57,480 --> 00:12:58,799
"Mesmerizer"?
285
00:12:58,800 --> 00:13:01,719
[KIMMY] Yeah, it's a nickname
for a synaptic fictive interface.
286
00:13:01,720 --> 00:13:02,931
It's… whatever.
287
00:13:02,933 --> 00:13:04,800
- I don't know what you're saying.
- Yeah.
288
00:13:05,560 --> 00:13:09,519
Um, when you're in there,
everyone and everything except you
289
00:13:09,520 --> 00:13:11,598
will be in stasis until the titles,
290
00:13:11,600 --> 00:13:13,079
which should give
you a minute to adjust.
291
00:13:13,080 --> 00:13:14,200
Adjust to what?
292
00:13:14,800 --> 00:13:16,039
You're a pro.
293
00:13:16,040 --> 00:13:18,239
Just say your lines,
hit the story beats.
294
00:13:18,240 --> 00:13:20,239
If we get too far off arc,
we'll pull you out.
295
00:13:20,240 --> 00:13:22,480
That won't happen, though, you know?
296
00:13:25,320 --> 00:13:26,880
[UNEASY MUSIC PLAYING]
297
00:13:28,133 --> 00:13:29,225
Okay.
298
00:13:29,240 --> 00:13:30,480
Executing runtime.
299
00:13:31,600 --> 00:13:33,040
[MURMURING]
300
00:13:34,200 --> 00:13:37,319
And… syncing realms.
301
00:13:37,320 --> 00:13:39,320
[DREAMY, ETHEREAL MUSIC PLAYING]
302
00:13:51,280 --> 00:13:52,720
[MUSIC INTENSIFIES]
303
00:14:02,840 --> 00:14:04,840
[DREAMY, ETHEREAL MUSIC CONTINUES]
304
00:14:06,680 --> 00:14:08,040
[BRANDY] Oh my God.
305
00:14:28,120 --> 00:14:32,759
[KIMMY] Okay, how we doing in there?
I'll be giving you direction. Brandy?
306
00:14:32,760 --> 00:14:34,240
This is insane!
307
00:14:34,840 --> 00:14:37,479
I mean, is this the original movie set?
308
00:14:37,480 --> 00:14:40,919
Yeah, it's a little intense
in there at first.
309
00:14:40,920 --> 00:14:41,960
Oh, you think?
310
00:14:42,760 --> 00:14:44,719
I'm in black and white! Uh…
311
00:14:44,720 --> 00:14:47,439
Look, we've got about 90 seconds
until we roll the credits.
312
00:14:47,440 --> 00:14:50,806
So… head for the table,
the one with the newspaper,
313
00:14:50,808 --> 00:14:51,919
behind the piano.
314
00:14:51,920 --> 00:14:53,880
- Like in the opening scene?
- [KIMMY] Exactly.
315
00:14:54,720 --> 00:14:56,959
- There's, like, frozen people?
- [KIMMY] Yeah.
316
00:14:56,960 --> 00:14:58,919
They'll unpause when the titles start.
317
00:14:58,920 --> 00:15:02,600
And when they do, just
remember that, to them, this is real.
318
00:15:03,680 --> 00:15:07,080
They think that they're real people
living in a real world.
319
00:15:07,493 --> 00:15:08,693
So who are they gonna think I am?
320
00:15:08,695 --> 00:15:12,318
Alex Palmer, Doctor
of Tropical Medicine.
321
00:15:12,320 --> 00:15:15,079
Who's a middle-aged British white guy?
322
00:15:15,080 --> 00:15:17,199
Right, that's not who they'll see.
323
00:15:17,200 --> 00:15:19,639
They will see and hear you as you are,
324
00:15:19,640 --> 00:15:22,720
and they'll just accept
that you're Alex Palmer,
325
00:15:23,360 --> 00:15:24,879
the character in the story.
326
00:15:24,880 --> 00:15:28,079
Okay, so to them,
Dr. Palmer is a Black woman
327
00:15:28,080 --> 00:15:32,119
just rolling up in 1940-whatever,
and it's just fine?
328
00:15:32,120 --> 00:15:33,133
That's fine.
329
00:15:33,135 --> 00:15:34,279
- It's fine?
- [CHUCKLES]
330
00:15:34,280 --> 00:15:35,599
Yes, that's fine.
331
00:15:35,600 --> 00:15:36,600
It's fine.
332
00:15:36,960 --> 00:15:39,280
[KIMMY] They're AIs.
They're… they're constructs.
333
00:15:39,800 --> 00:15:43,079
They only know the parameters
of the story and the character names.
334
00:15:43,080 --> 00:15:45,959
I know it sounds crazy.
It won't even cross their minds.
335
00:15:45,960 --> 00:15:47,439
[UNEASY] Okay.
336
00:15:47,440 --> 00:15:49,519
[KIMMY] Just, uh, keep the story going.
337
00:15:49,520 --> 00:15:51,879
If you say your lines, we're all good.
338
00:15:51,880 --> 00:15:52,880
Good luck.
339
00:15:53,840 --> 00:15:54,840
[SIGHS]
340
00:15:56,840 --> 00:15:58,399
[CHUCKLES]
341
00:15:58,400 --> 00:15:59,839
Get the newspaper.
342
00:15:59,840 --> 00:16:00,840
Okay.
343
00:16:05,920 --> 00:16:06,920
[MAN 1] Arc ready.
344
00:16:07,640 --> 00:16:08,919
Feedback ready.
345
00:16:08,920 --> 00:16:10,159
Supervision ready.
346
00:16:10,160 --> 00:16:11,479
Forecasting ready.
347
00:16:11,480 --> 00:16:13,960
- Prep titles.
- [JACK] Prepped. Simulation running.
348
00:16:16,120 --> 00:16:18,000
- [INDISTINCT CHATTERING]
- [UNEASY MUSIC PLAYING]
349
00:16:20,520 --> 00:16:24,160
[MAN 1] Five, four, three, two, one.
350
00:16:24,680 --> 00:16:25,959
And action.
351
00:16:25,960 --> 00:16:28,280
- [DREAMY MUSIC PLAYING]
- [WOMAN 1] Titles rolling.
352
00:16:29,360 --> 00:16:32,160
Exterior, hotel, night.
353
00:16:34,240 --> 00:16:35,600
Clara, inbound.
354
00:16:50,600 --> 00:16:53,200
[KIMMY] Yes, it's Dorothy Chambers.
Stop staring.
355
00:16:59,040 --> 00:17:02,479
[MAN 1] Clara speaks in three, two, one…
356
00:17:02,480 --> 00:17:03,640
Excuse me.
357
00:17:04,200 --> 00:17:06,079
Oui. What do you want?
358
00:17:06,080 --> 00:17:08,079
May I have a seat at your table?
359
00:17:08,080 --> 00:17:10,279
It's awfully crowded in here.
I was hoping…
360
00:17:10,280 --> 00:17:11,880
[WOMAN 2] I do not understand.
361
00:17:12,480 --> 00:17:15,239
- Which seat do you wish to take?
- Keep the paper up, Brandy.
362
00:17:15,240 --> 00:17:16,759
[CLARA] Perhaps that one.
363
00:17:16,760 --> 00:17:19,999
That one is for mon petit Bonbon.
364
00:17:20,000 --> 00:17:21,119
Oh.
365
00:17:21,120 --> 00:17:25,480
Bonbon does not sit on the ground.
Do you, Bonbon?
366
00:17:26,080 --> 00:17:27,479
Okay, Brandy. You're up.
367
00:17:27,480 --> 00:17:29,080
[MAN 1] Live dialogue in three, two…
368
00:17:31,280 --> 00:17:32,280
Ma'am?
369
00:17:33,480 --> 00:17:34,520
I have a spare seat.
370
00:17:35,120 --> 00:17:37,039
And I can assure you, no Bonbon.
371
00:17:37,040 --> 00:17:38,319
I couldn't impose.
372
00:17:38,320 --> 00:17:39,559
I could use the company.
373
00:17:39,560 --> 00:17:42,960
It's a very different flavor
than dear old Ralphy.
374
00:17:44,320 --> 00:17:46,840
- Alex Palmer.
- Oh. Clara Ryce-Lechere.
375
00:17:48,160 --> 00:17:50,760
Ryce-Lechere? That's half the alphabet.
376
00:17:51,960 --> 00:17:53,080
All in sync.
377
00:17:53,960 --> 00:17:55,359
She's word-perfect.
378
00:17:55,360 --> 00:17:57,919
Lechere comes courtesy of my husband,
who's French.
379
00:17:57,920 --> 00:17:58,959
[MAN 1] Story on track.
380
00:17:58,960 --> 00:18:00,159
Pierre Lechere?
381
00:18:00,160 --> 00:18:02,359
[CLARA] Claude. Sorry to disappoint you.
382
00:18:02,360 --> 00:18:04,039
Will Claude be joining us?
383
00:18:04,040 --> 00:18:06,919
No, no. Claude has work commitments.
384
00:18:06,920 --> 00:18:08,799
He holds
an important role in the business.
385
00:18:08,800 --> 00:18:09,920
[BRANDY] The business?
386
00:18:09,921 --> 00:18:12,159
Oh, my father's
business, Ryce Holdings.
387
00:18:12,160 --> 00:18:16,399
Oh my. I didn't realize
you were the Clara Ryce.
388
00:18:16,400 --> 00:18:19,599
Oh yes, the Clara Ryce,
heir to the Ryce empire.
389
00:18:19,600 --> 00:18:22,040
- Exposition delivered.
- [CLARA] What brings you to Cairo?
390
00:18:22,560 --> 00:18:25,159
I'm giving a talk
at the School of Medicine.
391
00:18:25,160 --> 00:18:27,440
- [CLARA] You're a surgeon?
- [BRANDY] Just a doctor.
392
00:18:27,960 --> 00:18:30,839
Albeit one who knows an absurd
amount about tropical diseases.
393
00:18:30,840 --> 00:18:33,959
Backstory deployed.
Hitting all her beats.
394
00:18:33,960 --> 00:18:36,039
Dreadful, yes.
Accomplished, I'm not so sure.
395
00:18:36,040 --> 00:18:39,639
Oh, waiter. Another scotch, please.
And for yourself?
396
00:18:39,640 --> 00:18:41,599
Thank you. A Black Rose.
397
00:18:41,600 --> 00:18:43,799
Ah. A rose for a rose.
398
00:18:43,800 --> 00:18:44,840
[CHUCKLES]
399
00:18:45,480 --> 00:18:47,879
- Attraction building.
- [CLARA] It's a tradition for me.
400
00:18:47,880 --> 00:18:50,479
One scotch and one Black Rose.
401
00:18:50,480 --> 00:18:51,719
For the heiress?
402
00:18:51,720 --> 00:18:53,879
- Murder attempt number one imminent.
- [WAITER] Yes.
403
00:18:53,880 --> 00:18:56,400
[SUSPENSEFUL MUSIC PLAYING]
404
00:18:58,040 --> 00:19:01,559
Black Rose created.
I repeat, Black Rose has been created.
405
00:19:01,560 --> 00:19:03,119
- [CLARA] Oh dear.
- [BRANDY] What's wrong?
406
00:19:03,120 --> 00:19:05,320
Oh, nothing really. Just the piano.
407
00:19:06,240 --> 00:19:09,840
A piano standing silent always
makes me melancholy. Silly, I know.
408
00:19:11,840 --> 00:19:15,359
Say a pianist walked in right now.
What would you have him play?
409
00:19:15,360 --> 00:19:16,759
"Clair de Lune."
410
00:19:16,760 --> 00:19:18,999
Oh, that's easy. "Clair de Lune."
411
00:19:19,000 --> 00:19:20,919
- My dad's favorite.
- [BRANDY] Debussy?
412
00:19:20,920 --> 00:19:23,479
[CLARA] Do you know it?
Oh, it's the most wonderful piece.
413
00:19:23,480 --> 00:19:26,319
It transports me to
the gayest of places.
414
00:19:26,320 --> 00:19:29,520
And at the same time,
it's so sad, so full of yearning.
415
00:19:30,920 --> 00:19:33,320
Well, Clara,
if it's "Clair de Lune" you want,
416
00:19:33,840 --> 00:19:35,760
it's "Clair de Lune" you shall have.
417
00:19:42,760 --> 00:19:44,240
[NOTE PLAYS]
418
00:19:47,560 --> 00:19:50,080
[DISSONANT PIANO PLAYING]
419
00:19:53,280 --> 00:19:54,520
What… What's she doing?
420
00:19:55,720 --> 00:19:57,080
- Uh…
- Brandy?
421
00:19:57,082 --> 00:19:58,159
What the hell?
422
00:19:58,160 --> 00:20:00,479
You didn't say it was a real piano.
423
00:20:00,480 --> 00:20:02,306
I thought you could play the real piano.
424
00:20:02,308 --> 00:20:03,319
No!
425
00:20:03,320 --> 00:20:05,193
But you played the
piano in Zodiac Suite.
426
00:20:05,195 --> 00:20:06,918
That was a backing track.
427
00:20:06,920 --> 00:20:07,999
[PIANO STOPS]
428
00:20:08,000 --> 00:20:09,359
She can't stop.
429
00:20:09,360 --> 00:20:11,839
The piano playing
sets up the inciting incident.
430
00:20:11,840 --> 00:20:15,319
Uh, Brandy, you gotta keep playing.
That's the point of the scene.
431
00:20:15,320 --> 00:20:17,679
- ["CHOPSTICKS" PLAYING]
- My God, she's doing "Chopsticks."
432
00:20:17,680 --> 00:20:19,679
[MAN 1] Narrative integrity failing.
433
00:20:19,680 --> 00:20:21,479
We're heading for yellow here.
434
00:20:21,480 --> 00:20:23,439
[JUDITH] I take it
that means something bad.
435
00:20:23,440 --> 00:20:25,620
[SIGHS] If that one hits red,
it collapses.
436
00:20:25,622 --> 00:20:26,719
Oh, great.
437
00:20:26,720 --> 00:20:29,319
[SIGHS] Mika, how far off base are we?
438
00:20:29,320 --> 00:20:30,599
So, in the original,
439
00:20:30,600 --> 00:20:33,679
the beautiful music
makes Clara choke up with emotion.
440
00:20:33,680 --> 00:20:36,199
She steps outside.
Alex follows. They talk.
441
00:20:36,200 --> 00:20:38,440
It's the encounter
that sets the story rolling.
442
00:20:39,360 --> 00:20:41,759
Can we hit that plot
point some other way?
443
00:20:41,760 --> 00:20:44,199
Maybe, but we've got
an even bigger problem.
444
00:20:44,200 --> 00:20:45,399
[JUDITH] Bigger than that?
445
00:20:45,400 --> 00:20:47,440
The poisoned cocktail. The Black Rose.
446
00:20:48,040 --> 00:20:49,480
Shit. [SIGHS]
447
00:20:50,240 --> 00:20:53,479
Clara's supposed to have left before
it makes it to the table, but now…
448
00:20:53,480 --> 00:20:54,760
She's just sitting there.
449
00:20:55,280 --> 00:20:56,720
And if she drinks it, she dies.
450
00:20:57,400 --> 00:20:59,159
- Correct.
- And the whole thing's bollocksed.
451
00:20:59,160 --> 00:21:00,839
[MAN 1] Narrative
stress is rising, guys.
452
00:21:00,840 --> 00:21:03,360
Brandy, don't speak.
453
00:21:03,361 --> 00:21:05,879
I need you to follow some instructions
to get us back on track.
454
00:21:05,880 --> 00:21:07,319
Stop playing the piano.
455
00:21:07,320 --> 00:21:09,759
Go sit next to Clara. Now. Go. Now.
456
00:21:09,760 --> 00:21:11,480
[DOG BARKING]
457
00:21:13,120 --> 00:21:14,480
- [NOTE PLAYS]
- [DOG BARKS]
458
00:21:15,000 --> 00:21:17,400
- [SCATTERED APPLAUSE]
- [KIMMY] Apologize for your poor piano.
459
00:21:18,200 --> 00:21:20,279
I'm afraid
I'm a little out of practice. [CHUCKLES]
460
00:21:20,280 --> 00:21:21,880
It certainly sounded that way.
461
00:21:22,600 --> 00:21:25,840
On the bright side, you seem to have
given Madam "Doglover" a headache.
462
00:21:26,360 --> 00:21:27,720
[CHUCKLES] What a shame.
463
00:21:29,200 --> 00:21:30,480
[WAITER] One scotch.
464
00:21:33,280 --> 00:21:34,359
And a Black Rose.
465
00:21:34,360 --> 00:21:36,319
Just in time. I could use a tipple.
466
00:21:36,320 --> 00:21:38,319
[KIMMY] Do not let her drink that.
Improvise!
467
00:21:38,320 --> 00:21:40,239
- [BRANDY] Oh my God. Look.
- What?
468
00:21:40,240 --> 00:21:42,239
- Uh, the big… goose.
- No.
469
00:21:42,240 --> 00:21:44,199
- Get rid of the drink.
- [BRANDY LAUGHS]
470
00:21:44,200 --> 00:21:47,359
- [CLARA] But I don't see anything.
- [BRANDY] Right there. See? Look.
471
00:21:47,360 --> 00:21:49,239
- Was there really a goose?
- Yes.
472
00:21:49,240 --> 00:21:50,719
No. There wasn't.
473
00:21:50,720 --> 00:21:51,959
No, there wasn't.
474
00:21:51,960 --> 00:21:54,360
- Mm-mm. I was kidding.
- [CLARA] I see.
475
00:21:56,640 --> 00:21:58,319
Another joke, I presume.
476
00:21:58,320 --> 00:21:59,680
[LAUGHS] Gotcha.
477
00:22:00,760 --> 00:22:02,719
I don't appreciate mockery, Dr. Palmer.
478
00:22:02,720 --> 00:22:05,519
I had quite enough of that
in my school days.
479
00:22:05,520 --> 00:22:07,960
- Good luck with your talk.
- [MAN 1] Attraction falling, guys.
480
00:22:09,200 --> 00:22:10,280
[KIMMY] Don't let her go.
481
00:22:11,600 --> 00:22:12,600
Follow her.
482
00:22:14,000 --> 00:22:15,000
Uh, wait!
483
00:22:15,600 --> 00:22:16,640
Uh, come back!
484
00:22:17,680 --> 00:22:19,040
Wait! I… I'm s…
485
00:22:20,080 --> 00:22:21,360
Dorothy!
486
00:22:23,020 --> 00:22:24,079
[GASPS]
487
00:22:24,080 --> 00:22:26,479
Clara! Her name is Clara.
488
00:22:26,480 --> 00:22:27,799
Divergence rising.
489
00:22:27,800 --> 00:22:29,200
Uh, Clara.
490
00:22:31,560 --> 00:22:33,560
[COMPUTER BEEPING]
491
00:22:40,000 --> 00:22:41,719
Why did you call me Dorothy?
492
00:22:41,720 --> 00:22:43,000
Oh dear.
493
00:22:43,760 --> 00:22:46,759
Uh, you remind me of someone.
494
00:22:46,760 --> 00:22:48,840
[CLARA] Someone named Dorothy?
495
00:22:50,120 --> 00:22:51,240
[BRANDY] Yeah.
496
00:22:52,280 --> 00:22:53,920
Why do I remind you of her?
497
00:22:54,640 --> 00:22:56,960
- They're way off script here.
- [JUDITH] Sh, sh!
498
00:22:58,520 --> 00:22:59,600
[BRANDY] She was
499
00:23:01,120 --> 00:23:04,440
someone who the world looked at and
500
00:23:05,840 --> 00:23:08,280
assumed had everything, but
501
00:23:09,960 --> 00:23:12,120
on the inside, she was…
502
00:23:13,520 --> 00:23:14,520
Blue.
503
00:23:16,880 --> 00:23:17,880
I don't know.
504
00:23:18,960 --> 00:23:20,360
But I think so.
505
00:23:23,200 --> 00:23:25,720
Then it's no surprise
I remind you of her.
506
00:23:29,000 --> 00:23:30,680
[KIMMY] Follow her into the garden.
507
00:23:32,120 --> 00:23:33,279
Sit beside her.
508
00:23:33,280 --> 00:23:34,280
I was going to.
509
00:23:34,800 --> 00:23:35,800
Going to what?
510
00:23:36,760 --> 00:23:40,159
Oh, I was going to… to ask
if you wanna talk about it?
511
00:23:40,160 --> 00:23:41,480
[CLARA] Oh, no.
512
00:23:42,520 --> 00:23:45,399
One should never unburden oneself
to a stranger.
513
00:23:45,400 --> 00:23:46,719
Oh, it's no burden.
514
00:23:46,720 --> 00:23:48,439
Trust me, I'm a doctor.
515
00:23:48,440 --> 00:23:51,319
And I've given up
on my dreams of piano playing.
516
00:23:51,320 --> 00:23:53,279
[CHUCKLES] Well, I think that's wise.
517
00:23:53,280 --> 00:23:54,760
[BOTH LAUGH]
518
00:23:55,720 --> 00:23:58,400
[CLARA] I would talk to my husband
about it, but honestly,
519
00:23:58,920 --> 00:24:01,880
Claude stopped noticing
my temperament some time ago.
520
00:24:03,080 --> 00:24:05,080
He's so consumed by the business.
521
00:24:05,600 --> 00:24:09,239
Papa used to joke
that Claude was marrying the company
522
00:24:09,240 --> 00:24:10,680
rather than marrying me.
523
00:24:11,200 --> 00:24:13,400
If that's true, then Claude's crazy.
524
00:24:16,240 --> 00:24:17,360
You're sweet.
525
00:24:18,520 --> 00:24:20,520
[GENTLE PIANO MUSIC PLAYING]
526
00:24:22,200 --> 00:24:24,000
Romantic interest rising.
527
00:24:26,080 --> 00:24:28,200
[CLARA] This Dorothy you mention,
528
00:24:28,960 --> 00:24:31,160
what's true of her is also true of me.
529
00:24:32,720 --> 00:24:37,360
You know, it's silly, but sometimes
a sense of such wretchedness seizes me
530
00:24:38,360 --> 00:24:41,600
as though I'm connected to some
fathomless sorrow reaching through time.
531
00:24:44,000 --> 00:24:46,399
Perhaps I was a tragic figure
in some other life.
532
00:24:46,400 --> 00:24:48,920
I thought you said
they weren't self-aware.
533
00:24:49,440 --> 00:24:50,560
They're not.
534
00:24:51,160 --> 00:24:54,319
The… the only reality she's aware of
is… is the story.
535
00:24:54,320 --> 00:24:56,480
Actually, I think she might be
sensing some echoes.
536
00:24:58,360 --> 00:25:00,159
Well, our Clara AI
537
00:25:00,160 --> 00:25:03,480
is derived from the original performance
by Dorothy Chambers. Uh…
538
00:25:04,240 --> 00:25:06,959
And Chambers drew on her own life.
539
00:25:06,960 --> 00:25:10,359
She sunk as much of herself as possible
into the role of Clara.
540
00:25:10,360 --> 00:25:12,679
There's echoes of her
running right through the data set.
541
00:25:12,680 --> 00:25:16,000
But when she heard her name,
connected with that essence,
542
00:25:17,480 --> 00:25:18,960
she's grown a dimension.
543
00:25:19,640 --> 00:25:22,759
And… and it's not really built
to accommodate that.
544
00:25:22,760 --> 00:25:25,319
Scene ending in
T-minus 30 seconds, guys.
545
00:25:25,320 --> 00:25:27,280
[CLARA] This Dorothy,
what happened to her?
546
00:25:29,440 --> 00:25:31,800
- We lost touch.
- Oh.
547
00:25:33,480 --> 00:25:35,440
I hope she's happy somewhere.
548
00:25:36,440 --> 00:25:37,440
Me too.
549
00:25:39,360 --> 00:25:41,120
Look at me complaining about my life.
550
00:25:41,640 --> 00:25:43,279
You must think me so ungrateful.
551
00:25:43,280 --> 00:25:45,160
Oh, no. I've been there.
552
00:25:46,360 --> 00:25:48,560
- "Been there"?
- I mean, I get it.
553
00:25:49,440 --> 00:25:50,639
Oh, you… you "get it."
554
00:25:50,640 --> 00:25:52,280
Yeah. You know, life shit.
555
00:25:52,880 --> 00:25:56,279
- No one says "shit" in the movie.
- Oh my God. I mean, um…
556
00:25:56,280 --> 00:25:57,719
"Life shit"?
557
00:25:57,720 --> 00:25:59,079
She's saying it now.
558
00:25:59,080 --> 00:26:01,559
[LAUGHS] I… misspoke.
559
00:26:01,560 --> 00:26:03,920
[CLARA] No, I'm not… I'm not offended.
560
00:26:04,600 --> 00:26:06,400
If anything, it's refreshing.
561
00:26:07,680 --> 00:26:09,360
I've never met someone so
562
00:26:10,480 --> 00:26:11,560
differently alive.
563
00:26:12,480 --> 00:26:14,199
[GENTLE PIANO MUSIC PLAYING]
564
00:26:14,200 --> 00:26:16,080
Romantic likelihood increasing.
565
00:26:19,120 --> 00:26:20,720
Good night, Dr. Palmer.
566
00:26:22,400 --> 00:26:23,400
Good night.
567
00:26:27,720 --> 00:26:30,480
[MUSIC INTENSIFIES]
568
00:26:33,160 --> 00:26:35,160
[MIKA] Forecast good.
We're back on track.
569
00:26:35,880 --> 00:26:37,519
[MAN 1] Narrative stress falling.
570
00:26:37,520 --> 00:26:39,199
Interior. Lobby.
571
00:26:39,200 --> 00:26:40,240
Continuous.
572
00:26:40,960 --> 00:26:42,480
[JUDITH] Gorgeous Claude.
573
00:26:45,680 --> 00:26:46,680
Darling.
574
00:26:47,680 --> 00:26:48,960
[CLARA] Claude.
575
00:26:49,560 --> 00:26:51,159
This is the scene with Claude.
576
00:26:51,160 --> 00:26:54,159
Brandy's not on screen for two minutes,
so you're free to talk.
577
00:26:54,160 --> 00:26:56,040
[CLARA] Me too. I'm somewhat tired.
578
00:26:56,920 --> 00:26:59,239
Uh, think we're good. Brandy, thank you.
579
00:26:59,240 --> 00:27:02,079
Um, the camera's not on you right now,
580
00:27:02,080 --> 00:27:03,439
so catch your breath.
581
00:27:03,440 --> 00:27:05,319
[BRANDY] Hey, you guys saw that, right?
582
00:27:05,320 --> 00:27:07,319
I mean, that was insane.
583
00:27:07,320 --> 00:27:10,039
Are you sure she's a…
computer person or whatever?
584
00:27:10,040 --> 00:27:12,039
Because she… she touched me.
585
00:27:12,040 --> 00:27:14,159
- It was weird. I don't…
- Uh, mm-hmm.
586
00:27:14,160 --> 00:27:17,759
I've just seen my wife,
who is most terribly alive.
587
00:27:17,760 --> 00:27:19,999
You were supposed to serve
that special Black Rose.
588
00:27:20,000 --> 00:27:21,039
Oh no.
589
00:27:21,040 --> 00:27:23,479
[BARTENDER] I did, boss,
but she never drank it.
590
00:27:23,480 --> 00:27:24,719
[CLAUDE] Never drank it?
591
00:27:24,720 --> 00:27:27,080
Guys? Oi!
592
00:27:28,040 --> 00:27:29,079
What is it?
593
00:27:29,080 --> 00:27:31,000
[MIKA] Bonbon's drinking the cocktail.
594
00:27:31,520 --> 00:27:32,520
[KIMMY] Oh.
595
00:27:33,240 --> 00:27:34,439
Shit!
596
00:27:34,440 --> 00:27:35,959
Just a moment, Brandy.
597
00:27:35,960 --> 00:27:36,960
[WOMAN 2] Non!
598
00:27:37,899 --> 00:27:39,039
Bonbon!
599
00:27:39,040 --> 00:27:40,800
Il est mort!
600
00:27:41,400 --> 00:27:42,839
[MAN 1] Dead dog confirmed.
601
00:27:42,840 --> 00:27:45,440
I repeat, dead dog confirmed.
602
00:27:47,400 --> 00:27:49,159
We have a plot hole forming.
603
00:27:49,160 --> 00:27:50,399
Can… can we plug it?
604
00:27:50,400 --> 00:27:54,719
Okay, so Madam Roban was supposed to
steal the cocktail and drink the poison…
605
00:27:54,720 --> 00:27:55,879
[GRUNTS]
606
00:27:55,880 --> 00:27:57,359
This poor lady is dead.
607
00:27:57,360 --> 00:27:59,839
…which means Inspector Lavigne
gets called to the hotel
608
00:27:59,840 --> 00:28:02,046
and asks Alex
to sign the death certificate.
609
00:28:02,048 --> 00:28:03,079
[SNEEZES]
610
00:28:03,080 --> 00:28:05,039
And Alex sees Inspector Lavigne sneezing
611
00:28:05,040 --> 00:28:07,799
and diagnoses him
with allergies to his own cologne.
612
00:28:07,800 --> 00:28:11,079
[MIKA] Which sets up the beat for the
final scene when the police burst in.
613
00:28:11,080 --> 00:28:14,119
Lavigne recognizes Alex
and tells his men not to shoot.
614
00:28:14,120 --> 00:28:15,519
He diagnosed my allergy.
615
00:28:15,520 --> 00:28:18,919
- But then they won't have met before.
- So the police will just shoot her.
616
00:28:18,920 --> 00:28:19,999
That's horrid.
617
00:28:20,000 --> 00:28:21,320
Yeah, I've got it here.
618
00:28:25,280 --> 00:28:27,480
Uh, so that's gonna
tank the whole thing.
619
00:28:30,160 --> 00:28:31,639
So it's over, isn't it?
620
00:28:31,640 --> 00:28:34,239
No. We… we can reset.
We can try it again.
621
00:28:34,240 --> 00:28:35,399
From scratch?
622
00:28:35,400 --> 00:28:36,559
No, we can't.
623
00:28:36,560 --> 00:28:37,959
There isn't any time.
624
00:28:37,960 --> 00:28:42,359
They've got to get in and start building
some gargantuan toilet by noon.
625
00:28:42,360 --> 00:28:43,360
I'm sorry.
626
00:28:44,320 --> 00:28:45,920
Jack, pull her out.
627
00:28:47,440 --> 00:28:48,679
[BEEPING]
628
00:28:48,680 --> 00:28:51,719
Okay, everybody.
That's a wrap, I'm afraid.
629
00:28:51,720 --> 00:28:54,840
- Um, it's still going.
- Jack, just pull her out, please.
630
00:28:55,440 --> 00:28:59,000
Uh, yeah, we may have
an operational issue in that regard.
631
00:29:00,840 --> 00:29:01,959
What?
632
00:29:01,960 --> 00:29:04,479
Uh, well,
the expansion of Clara's character
633
00:29:04,481 --> 00:29:06,013
seems to have triggered
a stack overflow,
634
00:29:06,015 --> 00:29:09,038
causing the exit code to, um, misbehave.
635
00:29:09,040 --> 00:29:10,999
"Misbehave"? As in, how?
636
00:29:11,000 --> 00:29:13,199
The extraction routine
is non-responsive at this time.
637
00:29:13,200 --> 00:29:14,879
- What?!
- So you can't pull her out?
638
00:29:14,880 --> 00:29:17,999
Not until she gets to the end credits.
If she gets to the credits.
639
00:29:18,000 --> 00:29:21,399
Well, the story's broken anyway.
Why don't you just turn the machine off?
640
00:29:21,400 --> 00:29:23,399
No! No, no. Interrupting the simulation
641
00:29:23,400 --> 00:29:25,199
while her consciousness
is marooned in there
642
00:29:25,200 --> 00:29:29,159
could cause a catastrophic
synaptic failure in the subject.
643
00:29:29,160 --> 00:29:32,039
He's saying Brandy's consciousness
would be deleted, and she'd die.
644
00:29:32,040 --> 00:29:33,079
[SCOFFS] What?
645
00:29:33,080 --> 00:29:35,439
Uh, real Brandy Friday would die?
646
00:29:35,440 --> 00:29:38,720
Well, I mean,
there's a 98% chance of fatality, yes.
647
00:29:40,120 --> 00:29:41,280
[JUDITH] Oh, marvelous.
648
00:29:41,800 --> 00:29:44,839
Keyworth Pictures
reinventing vintage movies,
649
00:29:44,840 --> 00:29:46,559
attracting Hollywood stars,
650
00:29:46,560 --> 00:29:48,079
and killing them.
651
00:29:48,080 --> 00:29:50,679
Hey, she's back on-screen
in T-minus 90 seconds.
652
00:29:50,680 --> 00:29:51,959
Maybe we should get her...
653
00:29:51,960 --> 00:29:55,119
What about the Lavigne plot hole?
They'll shoot Alex in the final scene.
654
00:29:55,120 --> 00:29:56,239
[JUDITH] Oh Jesus.
655
00:29:56,240 --> 00:29:58,919
That's the end.
We have 90 minutes to fix this.
656
00:29:58,920 --> 00:30:00,100
Crystal, can we find a workaround?
657
00:30:00,102 --> 00:30:02,966
Yeah, maybe. Will I get a story credit?
658
00:30:04,720 --> 00:30:07,800
No. We'll discuss that later.
That's fine. Uh, I'll get to work.
659
00:30:08,880 --> 00:30:10,639
Brandy, we need to talk for a moment.
660
00:30:10,640 --> 00:30:13,799
Yeah, we do. I know I went
off script, but so did she.
661
00:30:13,800 --> 00:30:15,679
I know I wasn't supposed to say shit.
662
00:30:15,680 --> 00:30:17,319
- But she kind of laughed.
- Brandy.
663
00:30:17,320 --> 00:30:19,039
I just… I wasn't expecting it.
664
00:30:19,040 --> 00:30:21,999
I wasn't expecting her
to feel so… so real.
665
00:30:22,000 --> 00:30:23,279
- I feel like...
- [KIMMY] Brandy.
666
00:30:23,280 --> 00:30:25,640
- We're gonna move on to the next scene.
- Right. Uh…
667
00:30:26,560 --> 00:30:29,519
The next scene is,
uh, Lavigne, the cop guy.
668
00:30:29,520 --> 00:30:32,639
- Whoa, whoa, whoa.
- To sign the lady's death certificate.
669
00:30:32,640 --> 00:30:35,039
But he's sneezing.
And then I'm supposed to...
670
00:30:35,040 --> 00:30:36,240
There's been a change of plan.
671
00:30:36,840 --> 00:30:37,879
Change of plan, how?
672
00:30:37,880 --> 00:30:38,880
Um…
673
00:30:39,760 --> 00:30:42,959
Madam Roban did not drink the cocktail.
Her dog did.
674
00:30:42,960 --> 00:30:44,600
Oh, the dog died.
675
00:30:45,400 --> 00:30:47,420
Wait, the old French lady's still alive?
676
00:30:47,422 --> 00:30:48,479
[KIMMY] Yes.
677
00:30:48,480 --> 00:30:51,004
Wait. So the cop guy scene can't happen?
678
00:30:51,006 --> 00:30:52,199
[KIMMY] We're working on it.
679
00:30:52,200 --> 00:30:56,279
No, we gotta reset. We gotta start over.
We gotta get the story right.
680
00:30:56,280 --> 00:30:59,600
So the thing about
that is, um… we can't.
681
00:31:00,200 --> 00:31:01,359
Can't, how?
682
00:31:01,360 --> 00:31:05,599
We're experiencing
a slight technical difficulty,
683
00:31:05,600 --> 00:31:10,399
um, which means that we can't extract
you until the narrative arc is complete,
684
00:31:10,400 --> 00:31:11,599
as in, the credits roll.
685
00:31:11,600 --> 00:31:14,519
- I'm stuck here?
- Until you bring the story to a close.
686
00:31:14,520 --> 00:31:16,519
So I have to make it
to the end of the movie?
687
00:31:16,520 --> 00:31:20,199
Yes. You say to Clara your final line,
"Yours forevermore,"
688
00:31:20,200 --> 00:31:21,959
credits roll, we pull you on out.
689
00:31:21,960 --> 00:31:25,919
- What if I can't make it that far?
- [KIMMY] Let's focus on where we are.
690
00:31:25,920 --> 00:31:27,759
Uh, it's day two. Clock's a-tickin'.
691
00:31:27,760 --> 00:31:29,119
Day two? What does that…
692
00:31:29,120 --> 00:31:30,399
[KIMMY] Clara goes sightseeing.
693
00:31:30,400 --> 00:31:31,799
You ask to accompany her.
694
00:31:31,800 --> 00:31:33,719
Okay, yeah. That's…
695
00:31:33,720 --> 00:31:36,359
Scene change in ten…
696
00:31:36,360 --> 00:31:38,039
New story day inbound.
697
00:31:38,040 --> 00:31:40,746
Brandy, you're gonna feel a time jump
at any moment.
698
00:31:40,748 --> 00:31:41,858
Feel, how?
699
00:31:41,860 --> 00:31:43,479
[KIMMY] It might
be a bit of a rug pull.
700
00:31:43,480 --> 00:31:47,199
Time and space change instantly
with the edit. Being, like, teleported.
701
00:31:47,200 --> 00:31:49,599
- What do you mean "teleported"?
- [MIKA] New story day.
702
00:31:49,600 --> 00:31:51,679
Interior. Hotel lobby. Morning.
703
00:31:51,680 --> 00:31:54,519
The scene is on. It's fully populated.
704
00:31:54,520 --> 00:31:57,360
A lot of eyes on you.
Blink twice if you understand.
705
00:31:59,000 --> 00:32:00,080
Clara's en route.
706
00:32:02,840 --> 00:32:04,960
Bump into her. Make it look natural.
707
00:32:07,560 --> 00:32:08,840
- Oh! Sorry!
- Oh!
708
00:32:09,400 --> 00:32:11,239
- Hey, Clara!
- Dr. Palmer.
709
00:32:11,240 --> 00:32:13,359
I'm in the habit of apologizing to you.
710
00:32:13,360 --> 00:32:15,360
Oh, it's quite all right. No harm done.
711
00:32:16,160 --> 00:32:17,439
You heading out?
712
00:32:17,440 --> 00:32:20,239
Well, I was planning
on doing some sightseeing,
713
00:32:20,240 --> 00:32:22,439
but Claude's been
called away on business,
714
00:32:22,440 --> 00:32:25,399
so it seems it's going to be
rather a solitary affair.
715
00:32:25,400 --> 00:32:27,199
- [KIMMY] Invite yourself along.
- Unless you...
716
00:32:27,200 --> 00:32:31,320
I don't suppose… you would want
to accompany me, would you, Dr. Palmer?
717
00:32:33,040 --> 00:32:35,479
- Palmer's supposed to ask her that.
- Shit.
718
00:32:35,480 --> 00:32:37,680
I'm sorry. It's rather forward of me.
719
00:32:38,200 --> 00:32:39,479
She's gaining agency.
720
00:32:39,480 --> 00:32:41,600
What's wrong with that?
Actors love agency.
721
00:32:43,480 --> 00:32:45,919
Yeah. I think it adds something to it.
722
00:32:45,920 --> 00:32:48,319
- So why did you say "shit"?
- I said, "Shit, yeah."
723
00:32:48,320 --> 00:32:50,760
No, I'm just happy you asked.
724
00:32:52,040 --> 00:32:53,959
So what sights are we seeing?
725
00:32:53,960 --> 00:32:55,800
All that Cairo has to offer.
726
00:32:56,960 --> 00:32:59,519
Um, you're gonna experience
some dissolves.
727
00:32:59,520 --> 00:33:02,999
Uh, there's a montage coming up.
It might make you a little nauseous.
728
00:33:03,000 --> 00:33:05,639
[FEEL-GOOD MUSIC PLAYING]
729
00:33:05,640 --> 00:33:08,760
- So looking forward to seeing Cairo.
- I can't wait.
730
00:33:12,320 --> 00:33:13,599
Hang on in there.
731
00:33:13,600 --> 00:33:16,759
No, because then
there's no time for the… the scene
732
00:33:16,760 --> 00:33:20,359
when, uh, Alex overhears
Claude talking to Otto.
733
00:33:20,360 --> 00:33:21,360
Fuck!
734
00:33:21,920 --> 00:33:23,520
I could do this for hours.
735
00:33:24,200 --> 00:33:26,200
[FEEL-GOOD MUSIC CONTINUES]
736
00:33:32,920 --> 00:33:35,039
[CLARA] I had the most magical day.
737
00:33:35,040 --> 00:33:37,239
Yeah, that was a trip.
738
00:33:37,240 --> 00:33:39,200
You do say the funniest things.
739
00:33:39,800 --> 00:33:41,919
I couldn't have asked
for a more agreeable companion.
740
00:33:41,920 --> 00:33:44,239
- Me either.
- You mean "neither."
741
00:33:44,240 --> 00:33:45,759
But I said "either."
742
00:33:45,760 --> 00:33:47,240
Don't debate grammar.
743
00:33:47,760 --> 00:33:49,999
Thanks for asking me along.
744
00:33:50,000 --> 00:33:51,480
There's no need to thank me.
745
00:33:52,200 --> 00:33:53,480
At all.
746
00:33:54,680 --> 00:33:55,680
[CHUCKLES]
747
00:33:56,280 --> 00:33:58,120
[KIMMY] Here's where
she twists her ankle.
748
00:33:59,400 --> 00:34:00,600
Oh God!
749
00:34:01,840 --> 00:34:03,519
- Oh God.
- God. Are you okay?
750
00:34:03,520 --> 00:34:05,159
Damn my damned heels.
751
00:34:05,160 --> 00:34:06,279
Help her to her room.
752
00:34:06,280 --> 00:34:07,359
I know!
753
00:34:07,360 --> 00:34:10,999
I know you'll need help
getting to your room.
754
00:34:11,000 --> 00:34:12,000
- Oh.
- Here.
755
00:34:12,560 --> 00:34:13,919
Seduction scene next.
756
00:34:13,920 --> 00:34:16,360
- [BRANDY] Oh, not at all.
- [CLARA MOANS]
757
00:34:17,440 --> 00:34:18,719
[CLARA SIGHS]
758
00:34:18,720 --> 00:34:21,839
Okay, so here's where,
uh, you ask to check her leg,
759
00:34:21,840 --> 00:34:24,400
and things get a little… heated.
760
00:34:25,600 --> 00:34:27,680
That was quite the fall you took.
761
00:34:29,120 --> 00:34:30,880
Maybe I should check if it's swollen?
762
00:34:31,760 --> 00:34:34,560
Um, well, go gently on me.
763
00:34:35,280 --> 00:34:36,920
I'll do my best. [CHUCKLES]
764
00:34:39,160 --> 00:34:40,760
[GENTLE MUSIC PLAYING]
765
00:34:59,760 --> 00:35:01,600
How does this feel?
766
00:35:02,280 --> 00:35:04,160
[CLARA] Oh, that
doesn't feel bad at all.
767
00:35:05,120 --> 00:35:06,760
- That's a good sign.
- [CLARA CHUCKLES]
768
00:35:07,560 --> 00:35:09,880
Will I still be able
to join the Bolshoi?
769
00:35:10,920 --> 00:35:12,680
[BOTH CHUCKLE]
770
00:35:13,280 --> 00:35:14,599
I think so.
771
00:35:14,600 --> 00:35:17,560
Perhaps to make certain,
you might try a little bit higher.
772
00:35:23,160 --> 00:35:24,880
Like… here?
773
00:35:26,760 --> 00:35:27,800
That's good.
774
00:35:30,800 --> 00:35:32,440
- How about here?
- [GASPS]
775
00:35:34,720 --> 00:35:35,720
Is that
776
00:35:36,680 --> 00:35:37,680
tender?
777
00:35:38,400 --> 00:35:39,400
Ever so tender.
778
00:35:39,840 --> 00:35:42,520
A tad fruitier than the original.
779
00:35:44,520 --> 00:35:45,680
[KNOCKING AT DOOR]
780
00:35:46,360 --> 00:35:48,999
Uh, that'll be the ice
I ordered for the swelling.
781
00:35:49,000 --> 00:35:50,000
[CLARA] Mm.
782
00:35:53,440 --> 00:35:55,280
Second murder attempt imminent.
783
00:35:56,920 --> 00:35:58,960
- [CLARA LAUGHS]
- I swear I just ordered the ice.
784
00:36:00,760 --> 00:36:03,200
Well, it would be a shame to waste it.
785
00:36:03,726 --> 00:36:04,799
Are you sure?
786
00:36:04,800 --> 00:36:08,479
Champagne in my room with a stranger.
I'd never survive the scandal.
787
00:36:08,480 --> 00:36:09,799
[BRANDY CHUCKLES]
788
00:36:09,800 --> 00:36:12,320
[CLARA] Gosh, how I yearn to be free.
789
00:36:14,200 --> 00:36:16,039
[KIMMY] This is your scorpion moment.
790
00:36:16,040 --> 00:36:17,660
[BRANDY GASPS] Don't move.
791
00:36:17,662 --> 00:36:18,759
[CLARA] Hmm?
792
00:36:18,760 --> 00:36:21,199
[SUSPENSEFUL MUSIC PLAYING]
793
00:36:21,200 --> 00:36:23,040
[SHRIEKS] Oh my goodness! [GASPS]
794
00:36:24,600 --> 00:36:27,960
Oh, I daren't even think what might
have happened if you hadn't been here.
795
00:36:29,120 --> 00:36:30,120
Oh, Alex.
796
00:36:33,560 --> 00:36:35,560
[ROMANTIC MUSIC PLAYING]
797
00:36:43,360 --> 00:36:45,680
- [COMPUTER CHIMES]
- Romance levels peaking.
798
00:36:46,600 --> 00:36:49,080
Uh, yeah, that… that is peaking.
799
00:36:58,480 --> 00:37:01,120
She wasn't like this with Ralphy.
800
00:37:01,880 --> 00:37:03,400
No.
801
00:37:04,640 --> 00:37:05,680
[JACK] Oh shit!
802
00:37:08,160 --> 00:37:09,999
- [MAN 1] Data feed down.
- We've lost picture.
803
00:37:10,000 --> 00:37:12,079
- Time code borked.
- Live feed down.
804
00:37:12,080 --> 00:37:13,199
No! Fuck!
805
00:37:13,200 --> 00:37:14,251
[JACK] I'm sorry.
806
00:37:14,253 --> 00:37:15,959
[KIMMY] The coffee, Jack. The fucking...
807
00:37:15,960 --> 00:37:17,960
[SILENCE]
808
00:37:18,800 --> 00:37:19,840
[CLARA EXHALES]
809
00:37:20,560 --> 00:37:22,280
My heart is pounding like a drum.
810
00:37:23,680 --> 00:37:26,560
I feel as if the whole world
has somehow stopped turning.
811
00:37:27,680 --> 00:37:28,840
So do I.
812
00:37:30,920 --> 00:37:31,960
What is it?
813
00:37:32,720 --> 00:37:33,720
Do you hear that?
814
00:37:35,880 --> 00:37:37,200
It's silent.
815
00:37:38,520 --> 00:37:39,520
So it is.
816
00:37:40,440 --> 00:37:44,000
- [JACK] I'm sorry! I spilled my coffee.
- Brandy! Brandy, can you hear me?
817
00:37:45,000 --> 00:37:46,000
Brandy!
818
00:37:46,480 --> 00:37:47,799
God damn it!
819
00:37:47,800 --> 00:37:49,759
[MYSTERIOUS ETHEREAL MUSIC PLAYING]
820
00:37:49,760 --> 00:37:51,600
- Oh.
- Who is that?
821
00:37:55,560 --> 00:37:56,560
It's Otto.
822
00:37:57,600 --> 00:38:00,360
Your husband's henchman kind of guy.
Oh, wait.
823
00:38:00,880 --> 00:38:03,999
You're not supposed to know that.
Forget I said that.
824
00:38:04,000 --> 00:38:05,800
Claude doesn't have henchmen.
825
00:38:09,360 --> 00:38:11,239
Why isn't he moving?
826
00:38:11,240 --> 00:38:12,680
[BRANDY] They must be resetting.
827
00:38:13,513 --> 00:38:14,639
"They"?
828
00:38:14,640 --> 00:38:16,759
- [SPLUTTERS] No, no. I…
- Can you fix this?
829
00:38:16,760 --> 00:38:19,399
- Can I have… Towel!
- I told you about the coffee, dude.
830
00:38:19,400 --> 00:38:21,200
I don't understand.
831
00:38:23,040 --> 00:38:24,080
Kimmy?
832
00:38:25,040 --> 00:38:26,880
- Alex?
- Kimmy?
833
00:38:28,560 --> 00:38:29,600
Alex, I…
834
00:38:32,960 --> 00:38:34,120
[CLARA] Wait.
835
00:38:40,960 --> 00:38:42,960
[TENSE MUSIC PLAYING]
836
00:38:44,480 --> 00:38:46,400
- [JUDITH] What's going on?
- We've lost connection.
837
00:38:47,080 --> 00:38:48,271
But it's still running.
838
00:38:48,272 --> 00:38:50,600
Sure, but she is
stuck in the simulation.
839
00:38:51,400 --> 00:38:54,199
So she could die? Be honest.
840
00:38:54,200 --> 00:38:55,200
- No.
- Maybe.
841
00:38:57,120 --> 00:38:58,959
If you had to put a percentage on it?
842
00:38:58,960 --> 00:39:01,319
[SPLUTTERS] Fifty-fifty?
843
00:39:01,320 --> 00:39:02,600
She said be honest!
844
00:39:04,400 --> 00:39:06,400
[TENSE MUSIC CONTINUES]
845
00:39:07,800 --> 00:39:08,800
[BRANDY] Hello?
846
00:39:09,720 --> 00:39:10,720
Guys?
847
00:39:12,680 --> 00:39:13,719
Hello?
848
00:39:13,720 --> 00:39:15,240
Kimmy, can you hear me?
849
00:39:21,000 --> 00:39:22,000
Guys?
850
00:39:23,320 --> 00:39:24,320
Kimmy?
851
00:39:24,720 --> 00:39:26,400
- Who's Kimmy?
- [BRANDY SIGHS]
852
00:39:28,160 --> 00:39:31,719
[SIGHS] Madam Roban.
She's… she's still alive.
853
00:39:31,720 --> 00:39:35,479
She's supposed to be dead,
and the story's all messed up now.
854
00:39:35,480 --> 00:39:37,599
- You're… you're frightening me.
- [BRANDY] Guys?
855
00:39:37,600 --> 00:39:39,000
G-Guys?
856
00:39:40,080 --> 00:39:43,200
Kimmy, it's not cool
to leave me hanging like this.
857
00:39:44,280 --> 00:39:46,680
- Please tell me what's happening.
- Guys?
858
00:39:49,680 --> 00:39:52,240
- Alex?
- I'm not fucking Alex!
859
00:39:54,720 --> 00:39:55,800
[PANTS]
860
00:39:56,480 --> 00:39:58,119
I need to speak to Kimmy, okay?
861
00:39:58,120 --> 00:40:01,120
I'd… I'd explain, but you won't get it.
862
00:40:02,760 --> 00:40:04,439
How do you know what I won't get?
863
00:40:04,440 --> 00:40:08,279
The world's broken,
and they're gonna have to reset it.
864
00:40:08,280 --> 00:40:11,160
You… probably won't
remember any of this.
865
00:40:11,800 --> 00:40:15,279
The movie is over.
I repeat, the movie is over!
866
00:40:15,280 --> 00:40:16,839
- What movie?
- The…
867
00:40:16,840 --> 00:40:20,320
Oh my God. This whole world's a movie.
868
00:40:21,520 --> 00:40:23,600
[SCOFFS] No, it's not.
869
00:40:25,600 --> 00:40:26,960
Look around.
870
00:40:27,760 --> 00:40:29,560
Yeah. It's not even in color.
871
00:40:30,400 --> 00:40:31,800
I don't know what you mean.
872
00:40:37,400 --> 00:40:38,400
See this banana?
873
00:40:39,840 --> 00:40:40,840
Not yellow.
874
00:40:43,200 --> 00:40:44,200
This orange?
875
00:40:45,160 --> 00:40:46,399
Un-orange.
876
00:40:46,400 --> 00:40:48,399
That's a perfectly normal orange.
877
00:40:48,400 --> 00:40:49,520
[BRANDY SIGHS]
878
00:40:51,360 --> 00:40:53,039
So what color is this apple?
879
00:40:53,040 --> 00:40:54,919
The same color an apple always is.
880
00:40:54,920 --> 00:40:56,360
Red or green?
881
00:40:58,280 --> 00:40:59,719
[MYSTERIOUS ETHEREAL MUSIC PLAYING]
882
00:40:59,720 --> 00:41:02,400
See? None of this is real.
883
00:41:03,400 --> 00:41:04,640
You're not real.
884
00:41:06,000 --> 00:41:08,399
I… No, I'm… I'm as real as you are.
885
00:41:08,400 --> 00:41:09,560
[BRANDY SCOFFS]
886
00:41:11,760 --> 00:41:13,600
Do you remember being a kid?
887
00:41:14,120 --> 00:41:16,600
Do you have any
childhood memories at all?
888
00:41:17,213 --> 00:41:18,279
I…
889
00:41:18,280 --> 00:41:19,720
You mentioned your dad earlier.
890
00:41:20,480 --> 00:41:22,480
Can you describe what he looks like?
891
00:41:23,000 --> 00:41:24,200
Anything about him?
892
00:41:26,400 --> 00:41:27,600
- You can't.
- I…
893
00:41:28,520 --> 00:41:31,520
You don't even know his face
because he's not in this movie.
894
00:41:32,400 --> 00:41:35,319
I don't… I don't like this game.
895
00:41:35,320 --> 00:41:37,200
No, that… that's exactly it.
896
00:41:37,573 --> 00:41:38,719
It's a game.
897
00:41:38,720 --> 00:41:41,159
It's… "let's pretend."
It's a performance.
898
00:41:41,160 --> 00:41:42,400
You're a performance!
899
00:41:44,280 --> 00:41:45,280
No.
900
00:41:46,040 --> 00:41:47,199
Stop it. I'm...
901
00:41:47,200 --> 00:41:50,200
When I called you Dorothy earlier,
she wasn't someone I knew.
902
00:41:50,840 --> 00:41:52,159
She was you.
903
00:41:52,160 --> 00:41:53,440
The real you.
904
00:41:54,400 --> 00:41:55,480
She's an actress.
905
00:41:56,120 --> 00:41:58,360
Or… was an actress.
906
00:42:00,040 --> 00:42:01,320
Dorothy Chambers?
907
00:42:03,960 --> 00:42:05,239
You're a role she played.
908
00:42:05,240 --> 00:42:07,240
[BREATHING SHAKILY]
909
00:42:09,760 --> 00:42:10,760
No.
910
00:42:11,480 --> 00:42:13,160
No, no.
911
00:42:19,920 --> 00:42:20,920
Shit.
912
00:42:22,360 --> 00:42:23,840
[MUSIC FADES]
913
00:42:24,480 --> 00:42:25,680
[CLARA SIGHS]
914
00:42:38,000 --> 00:42:40,480
[BREATHING SHAKILY]
915
00:42:45,560 --> 00:42:47,960
[MELANCHOLY ETHEREAL MUSIC PLAYING]
916
00:43:00,880 --> 00:43:02,399
[KNOCKING AT DOOR]
917
00:43:02,400 --> 00:43:04,240
[MUSIC FADES]
918
00:43:07,240 --> 00:43:08,240
Hey.
919
00:43:10,920 --> 00:43:14,839
Uh, I'm sorry I yelled
at you back there.
920
00:43:14,840 --> 00:43:19,400
This… whole thing's
just really hard to explain.
921
00:43:21,280 --> 00:43:23,720
[SPLUTTERS] This is all a story
922
00:43:24,880 --> 00:43:26,160
in a computer.
923
00:43:26,680 --> 00:43:27,680
Or, uh…
924
00:43:29,000 --> 00:43:32,680
Or I… I guess think of it like a play
925
00:43:33,840 --> 00:43:36,480
in the brain of a machine.
926
00:43:37,720 --> 00:43:40,960
For now, the movie's stopped…
927
00:43:42,960 --> 00:43:43,999
for the moment.
928
00:43:44,000 --> 00:43:45,040
I don't know why.
929
00:43:46,440 --> 00:43:48,320
Maybe some technical problem.
930
00:43:52,200 --> 00:43:53,479
[GENTLE MUSIC PLAYING]
931
00:43:53,480 --> 00:43:56,320
I know I said you weren't real.
932
00:43:59,240 --> 00:44:00,920
But I'm kind of not either.
933
00:44:05,680 --> 00:44:08,800
My name's not Alex. It's Brandy.
934
00:44:09,640 --> 00:44:11,600
I'm like you.
935
00:44:12,720 --> 00:44:13,760
I'm an actor.
936
00:44:15,680 --> 00:44:17,400
They… they hired me to…
937
00:44:19,400 --> 00:44:22,120
recast this whole thing.
938
00:44:26,760 --> 00:44:27,960
I don't know if
939
00:44:29,200 --> 00:44:32,160
any of this makes any sense to you?
940
00:44:33,800 --> 00:44:34,920
[CHUCKLES]
941
00:44:44,520 --> 00:44:45,800
But, um…
942
00:44:48,800 --> 00:44:49,960
I'm really sorry.
943
00:44:51,640 --> 00:44:54,120
[BREATHES DEEPLY]
944
00:45:10,840 --> 00:45:12,800
[FOOTSTEPS RETREATING]
945
00:45:19,240 --> 00:45:21,399
- [COMPUTER BEEPING]
- [INDISTINCT CHATTERING]
946
00:45:21,400 --> 00:45:24,359
[KIMMY] Wait. So the story's on hold,
but time's still advancing?
947
00:45:24,360 --> 00:45:26,759
Yeah, the chronographic tempo's
way out of whack.
948
00:45:26,760 --> 00:45:27,839
Which means?
949
00:45:27,840 --> 00:45:29,700
It means time in
there for her is running
950
00:45:29,701 --> 00:45:31,560
a lot faster than it is for us out here.
951
00:45:33,040 --> 00:45:34,199
Faster, as in?
952
00:45:34,200 --> 00:45:37,200
As in six, seven hours a second.
953
00:45:37,840 --> 00:45:40,360
Does that mean
we have to pay her for more days?
954
00:45:43,160 --> 00:45:45,160
[FOOTSTEPS APPROACHING]
955
00:45:50,920 --> 00:45:53,719
- Clara?
- I thought you said I was Dorothy.
956
00:45:53,720 --> 00:45:55,999
Sleeping in the lobby
makes you look like a hobo.
957
00:45:56,000 --> 00:45:58,079
I tried the doors.
None of them have insides.
958
00:45:58,080 --> 00:46:00,719
They're not part of the story.
Where are you going?
959
00:46:00,720 --> 00:46:02,359
To find a way out.
960
00:46:02,360 --> 00:46:04,160
- I'll come with you.
- [CLARA] No, you won't.
961
00:46:07,400 --> 00:46:08,480
[SIGHS]
962
00:46:23,400 --> 00:46:25,400
[BROODING STRING MUSIC PLAYING]
963
00:46:40,960 --> 00:46:42,480
[TENSE MUSIC STING]
964
00:47:01,960 --> 00:47:03,639
[GASPS, SIGHS]
965
00:47:03,640 --> 00:47:04,959
[COMPUTER BEEPING]
966
00:47:04,960 --> 00:47:06,720
Something just breached the fringe.
967
00:47:07,406 --> 00:47:08,519
What?
968
00:47:08,520 --> 00:47:10,520
[PENSIVE STRING MUSIC PLAYING]
969
00:47:25,840 --> 00:47:26,840
[GASPS]
970
00:47:27,880 --> 00:47:28,960
There it is again.
971
00:47:29,720 --> 00:47:31,039
Is it Brandy?
972
00:47:31,040 --> 00:47:32,600
[CLARA GASPS]
973
00:47:38,600 --> 00:47:39,840
[MUSIC FADES]
974
00:47:42,560 --> 00:47:44,560
[INTRIGUING GENTLE PIANO MUSIC PLAYING]
975
00:48:07,600 --> 00:48:09,680
I think it might be Clara.
976
00:48:10,680 --> 00:48:12,320
- Clara?
- [MAN 1] Yeah.
977
00:48:13,680 --> 00:48:16,279
She… she would've been exposed
to the full data pool.
978
00:48:16,280 --> 00:48:17,280
[MAN 1] I guess.
979
00:48:18,280 --> 00:48:20,480
Do we think that's… bad?
980
00:48:21,560 --> 00:48:23,440
Yeah. Yeah, that's…
981
00:48:24,840 --> 00:48:25,840
Oh no.
982
00:48:27,240 --> 00:48:29,840
- You seriously have to fix this.
- You seriously have to let me.
983
00:48:42,400 --> 00:48:44,400
[DRAMATIC STRING MUSIC PLAYING]
984
00:49:10,800 --> 00:49:13,920
- [DRAMATIC STRING MUSIC CONTINUES]
- [INAUDIBLE]
985
00:49:42,840 --> 00:49:45,040
[DRAMATIC STRING MUSIC CONTINUES]
986
00:50:00,400 --> 00:50:03,240
[MUSIC INTENSIFIES]
987
00:50:14,120 --> 00:50:15,720
- [SIGHS]
- [MUSIC FADES]
988
00:50:19,000 --> 00:50:20,800
[SILENCE]
989
00:50:21,400 --> 00:50:23,720
[BREATHING SHAKILY]
990
00:50:27,520 --> 00:50:28,800
[GASPS]
991
00:50:38,600 --> 00:50:39,639
[SNIFFLES]
992
00:50:39,640 --> 00:50:41,640
[PIANO NOTES PLAYING]
993
00:50:48,960 --> 00:50:52,400
[DISSONANT NOTES PLAYING]
994
00:50:53,320 --> 00:50:54,360
[CLARA] Stop.
995
00:50:57,320 --> 00:51:01,119
Look, I may not be real,
and you may not be who you say you are,
996
00:51:01,120 --> 00:51:05,960
and this entire existence might be
a meaningless pantomime, but
997
00:51:07,720 --> 00:51:09,839
if you and I are going to be
stuck here together,
998
00:51:09,840 --> 00:51:13,760
then I'm not going to let you
defile that piano one moment longer.
999
00:51:14,960 --> 00:51:16,000
Go on, budge.
1000
00:51:16,760 --> 00:51:18,640
Sit over there. Watch and learn.
1001
00:51:19,806 --> 00:51:20,959
[CHUCKLES]
1002
00:51:20,960 --> 00:51:22,759
[ETHEREAL MUSIC PLAYING]
1003
00:51:22,760 --> 00:51:24,599
[KIMMY] Come on, come on, come on!
1004
00:51:24,600 --> 00:51:26,959
- [COMPUTER CHIMES]
- [JACK] I think I've got something.
1005
00:51:26,960 --> 00:51:27,999
Uh…
1006
00:51:28,000 --> 00:51:29,919
- [MIKA] Oh my God.
- [CRYSTAL] Whoa. What's that?
1007
00:51:29,920 --> 00:51:30,984
- [MAN 1] Clara…
- Okay.
1008
00:51:30,986 --> 00:51:32,666
Why is Clara at the piano?
1009
00:51:33,680 --> 00:51:36,079
- That's not in the script.
- What is that?
1010
00:51:36,080 --> 00:51:37,440
[CRYSTAL] What is she doing?
1011
00:51:38,080 --> 00:51:39,399
[KIMMY] Oh, uh…
1012
00:51:39,400 --> 00:51:41,840
- What?
- What? [TUTS] Oh God.
1013
00:51:44,000 --> 00:51:46,080
- Ready?
- [CHUCKLES] I'm ready.
1014
00:51:47,200 --> 00:51:48,200
[CHUCKLES]
1015
00:51:52,040 --> 00:51:53,880
["CLAIR DE LUNE" PLAYING]
1016
00:53:00,440 --> 00:53:03,280
["CLAIR DE LUNE" CONTINUES]
1017
00:53:18,240 --> 00:53:21,920
[INAUDIBLE]
1018
00:53:55,240 --> 00:53:57,240
["CLAIR DE LUNE" CONTINUES]
1019
00:54:03,960 --> 00:54:06,679
["CLAIR DE LUNE" CONTINUES]
1020
00:54:06,680 --> 00:54:08,600
[INAUDIBLE]
1021
00:54:10,080 --> 00:54:12,080
["CLAIR DE LUNE" CONTINUES]
1022
00:54:22,200 --> 00:54:24,080
[INAUDIBLE]
1023
00:54:39,720 --> 00:54:41,080
[MUSIC ENDS]
1024
00:54:48,080 --> 00:54:50,240
- Morning.
- Morning.
1025
00:54:58,440 --> 00:54:59,440
I love you.
1026
00:55:02,320 --> 00:55:03,320
[BRANDY] Mm-hmm.
1027
00:55:04,720 --> 00:55:05,959
[CLARA] "Mm-hmm"?
1028
00:55:05,960 --> 00:55:07,320
[BOTH CHUCKLE]
1029
00:55:08,080 --> 00:55:09,759
You know I do too. I…
1030
00:55:09,760 --> 00:55:11,119
- Phew.
- [LAUGHS]
1031
00:55:11,120 --> 00:55:12,480
[CHUCKLES]
1032
00:55:13,160 --> 00:55:14,160
I just…
1033
00:55:15,520 --> 00:55:16,520
I wonder…
1034
00:55:16,960 --> 00:55:18,120
What do you wonder?
1035
00:55:19,920 --> 00:55:23,360
Do you think you love me because
1036
00:55:25,240 --> 00:55:26,640
Clara was written
1037
00:55:27,600 --> 00:55:28,800
to feel that way?
1038
00:55:30,160 --> 00:55:32,480
About this person she met, this…
1039
00:55:34,880 --> 00:55:36,120
this Alex Palmer.
1040
00:55:38,280 --> 00:55:40,280
[ETHEREAL MUSIC PLAYING]
1041
00:55:41,040 --> 00:55:42,720
But you're not Alex Palmer.
1042
00:55:43,560 --> 00:55:45,600
[KEYBOARD CLACKING]
1043
00:55:57,160 --> 00:55:59,640
- We have got a save state!
- Thank God!
1044
00:56:00,640 --> 00:56:02,679
[MAN 1] Chronographic tempo restored.
1045
00:56:02,680 --> 00:56:04,399
[JACK] I think we can
reinstate comms too.
1046
00:56:04,400 --> 00:56:06,039
- I can talk to her?
- [JACK] Voice only.
1047
00:56:06,040 --> 00:56:08,080
We won't have a visual until we reset.
1048
00:56:08,600 --> 00:56:09,600
Brandy?
1049
00:56:10,920 --> 00:56:11,920
Brandy?
1050
00:56:12,440 --> 00:56:14,239
- Kimmy?
- [KIMMY] Oh, thank God!
1051
00:56:14,240 --> 00:56:16,079
Brandy? What is it?
1052
00:56:16,080 --> 00:56:17,080
It's them.
1053
00:56:17,960 --> 00:56:19,720
- Them?
- As in "them."
1054
00:56:20,480 --> 00:56:22,639
You mean the people on the outside?
1055
00:56:22,640 --> 00:56:24,639
Look, we had a hardware issue.
1056
00:56:24,640 --> 00:56:26,800
We're just gonna have to pick it up
from where we were.
1057
00:56:27,760 --> 00:56:29,399
Where we were? As in…
1058
00:56:29,400 --> 00:56:31,599
[KIMMY] The… the scene
in Clara's hotel suite.
1059
00:56:31,600 --> 00:56:32,999
The kiss after the scorpion.
1060
00:56:33,000 --> 00:56:34,480
Bit of time has passed for her.
1061
00:56:35,320 --> 00:56:37,199
Wait, we're going back to…
1062
00:56:37,200 --> 00:56:39,240
[KIMMY] Resetting
the scorpion scene, yes.
1063
00:56:41,920 --> 00:56:46,520
Uh, wait, Clara's here,
and she knows who I am, and we've been…
1064
00:56:47,240 --> 00:56:48,719
No, don't worry.
1065
00:56:48,720 --> 00:56:52,079
Um, she won't remember anything
that occurred after the save point.
1066
00:56:52,080 --> 00:56:53,160
Okay. Save state prepped.
1067
00:56:54,400 --> 00:56:55,759
She won't remember?
1068
00:56:55,760 --> 00:56:58,199
[KIMMY] No, just back to the film
like nothing happened.
1069
00:56:58,200 --> 00:56:59,480
What won't I remember?
1070
00:57:00,000 --> 00:57:01,679
Um, you ready?
1071
00:57:01,680 --> 00:57:05,279
[JACK] Reloading
save state in five. Four.
1072
00:57:05,280 --> 00:57:07,040
- Link reestablished.
- [JACK] Three.
1073
00:57:08,640 --> 00:57:09,759
Two.
1074
00:57:09,760 --> 00:57:11,679
- One.
- Wait! No, no, no, no!
1075
00:57:11,680 --> 00:57:14,679
[EMOTIONAL STRING MUSIC PLAYING]
1076
00:57:14,680 --> 00:57:16,520
My heart is pounding like a drum.
1077
00:57:17,120 --> 00:57:18,399
- [KIMMY] Yes!
- [CRYSTAL] Great.
1078
00:57:18,400 --> 00:57:19,560
[JUDITH] Oh, thank God.
1079
00:57:21,520 --> 00:57:22,760
[CLARA SIGHS]
1080
00:57:25,680 --> 00:57:27,360
She's got dialogue here.
1081
00:57:29,480 --> 00:57:30,480
Brandy?
1082
00:57:31,280 --> 00:57:33,120
You're supposed to say, "As is mine."
1083
00:57:34,840 --> 00:57:35,840
Brandy?
1084
00:57:37,080 --> 00:57:38,320
As is mine.
1085
00:57:39,640 --> 00:57:42,000
I feel as though
the whole world has stopped turning.
1086
00:57:42,520 --> 00:57:43,520
[KIMMY] "So do I."
1087
00:57:44,000 --> 00:57:45,440
The line is, "So do I."
1088
00:57:48,120 --> 00:57:49,479
So do I.
1089
00:57:49,480 --> 00:57:50,680
Oh my word.
1090
00:57:51,200 --> 00:57:52,479
[CLARA SIGHS]
1091
00:57:52,480 --> 00:57:54,480
[PENSIVE MUSIC PLAYING]
1092
00:57:55,040 --> 00:57:56,400
I'm a married woman.
1093
00:57:58,040 --> 00:58:00,040
I mustn't behave this way. I can't
1094
00:58:01,360 --> 00:58:02,400
feel this way.
1095
00:58:07,520 --> 00:58:08,520
"Feel what way?"
1096
00:58:10,800 --> 00:58:11,840
Feel what way?
1097
00:58:14,360 --> 00:58:15,680
Don't make me say it.
1098
00:58:22,000 --> 00:58:23,639
Um, okay, so your line here is...
1099
00:58:23,640 --> 00:58:25,640
You don't have to say
anything you don't want to.
1100
00:58:27,120 --> 00:58:28,160
That's not the line.
1101
00:58:28,920 --> 00:58:30,760
- What?
- [MIKA] What's going on?
1102
00:58:32,320 --> 00:58:33,400
You must go.
1103
00:58:36,640 --> 00:58:38,480
You heard her. You gotta go.
1104
00:58:39,800 --> 00:58:40,959
I don't want to.
1105
00:58:40,960 --> 00:58:42,799
Jesus Christ!
1106
00:58:42,800 --> 00:58:44,199
Oh, but you must.
1107
00:58:44,200 --> 00:58:46,320
[KIMMY] Yes, Brandy. You really must!
1108
00:58:46,840 --> 00:58:48,280
It's part of the story.
1109
00:58:50,200 --> 00:58:52,800
I'm so sorry, Dr. Palmer.
1110
00:58:57,560 --> 00:58:58,560
So am I.
1111
00:59:01,720 --> 00:59:03,440
[DOOR OPENS, CLOSES]
1112
00:59:05,560 --> 00:59:06,999
[KIMMY] How we doing in there?
1113
00:59:07,000 --> 00:59:08,919
[ETHEREAL MUSIC PLAYING]
1114
00:59:08,920 --> 00:59:10,040
Um, Brandy?
1115
00:59:10,640 --> 00:59:11,720
You… you can talk to me.
1116
00:59:13,680 --> 00:59:14,680
I'm here.
1117
00:59:15,160 --> 00:59:16,359
I need you to focus.
1118
00:59:16,360 --> 00:59:17,800
Can you focus?
1119
00:59:19,560 --> 00:59:21,839
Look, all you need to do
is keep the arc going
1120
00:59:21,840 --> 00:59:24,119
and say your final
line at the right time.
1121
00:59:24,120 --> 00:59:25,360
Trigger the end credits.
1122
00:59:25,880 --> 00:59:28,800
When the credits roll, we
can extract you. You got it?
1123
00:59:30,280 --> 00:59:32,040
What… what if I don't say it?
1124
00:59:32,966 --> 00:59:34,079
What?
1125
00:59:34,080 --> 00:59:36,960
What happens
if I don't say the final line?
1126
00:59:37,640 --> 00:59:41,040
Um, well, you'd be stuck in there.
1127
00:59:41,960 --> 00:59:43,879
- For how long?
- Forever.
1128
00:59:43,880 --> 00:59:45,880
- [UNEASY MUSIC PLAYING]
- Mm.
1129
00:59:48,040 --> 00:59:51,200
And, listen, Brandy, if that happens,
1130
00:59:52,000 --> 00:59:53,960
your actual body out here,
1131
00:59:55,320 --> 00:59:56,560
that would die.
1132
00:59:57,160 --> 00:59:59,040
But… but my spirit,
1133
01:00:00,360 --> 01:00:02,480
consciousness, whatever, that would…
1134
01:00:03,840 --> 01:00:05,080
that would stay here?
1135
01:00:05,960 --> 01:00:06,960
With her?
1136
01:00:10,080 --> 01:00:11,680
Brandy, what are you asking me?
1137
01:00:16,026 --> 01:00:17,119
Nothing.
1138
01:00:17,120 --> 01:00:19,480
Good. Don't lose it now.
1139
01:00:20,160 --> 01:00:22,120
I won't. What happens next?
1140
01:00:22,720 --> 01:00:25,439
Courtyard scene. You
head out for a smoke,
1141
01:00:25,440 --> 01:00:27,520
overhear Otto tell Claude
about the scorpion.
1142
01:00:28,920 --> 01:00:30,679
- We good?
- Sure.
1143
01:00:30,680 --> 01:00:33,919
Uh, head out, light my cigarette,
overhear the bad guys.
1144
01:00:33,920 --> 01:00:35,920
[UNEASY MUSIC PLAYING]
1145
01:00:36,920 --> 01:00:38,480
What is going on with her?
1146
01:00:39,000 --> 01:00:40,719
I… don't know.
1147
01:00:40,720 --> 01:00:43,680
[MIKA] Scene 63.
Alex smoking in the garden.
1148
01:00:44,200 --> 01:00:46,839
[CLAUDE] Well, is my problem
taken care of?
1149
01:00:46,840 --> 01:00:48,800
- [OTTO] No, boss.
- [CLAUDE GRUNTS]
1150
01:00:49,360 --> 01:00:52,359
[OTTO] The doctor trapped it in a glass.
1151
01:00:52,360 --> 01:00:53,719
Wait. What doctor?
1152
01:00:53,720 --> 01:00:55,520
[OTTO] The one attending to her.
1153
01:00:56,080 --> 01:00:58,479
Earlier, she fell and twisted her ankle.
1154
01:00:58,480 --> 01:01:00,759
If only she'd snapped her neck.
1155
01:01:00,760 --> 01:01:04,799
Look surprised as you overhear them.
This is fresh information to you.
1156
01:01:04,800 --> 01:01:06,920
She dies tonight.
1157
01:01:07,600 --> 01:01:10,279
Great. Now beat it back to Clara's suite
1158
01:01:10,280 --> 01:01:13,039
before the assholes start
discussing the rooftop plot.
1159
01:01:13,040 --> 01:01:14,440
[CLAUDE] Let's try plan C.
1160
01:01:16,240 --> 01:01:18,759
Did you sabotage the
railing as we agreed?
1161
01:01:18,760 --> 01:01:20,799
Loosened up nicely, boss.
1162
01:01:20,800 --> 01:01:21,920
[CLAUDE] Excellent.
1163
01:01:22,600 --> 01:01:25,839
I'll invite her up there
to take in the view,
1164
01:01:25,840 --> 01:01:27,879
then a quick shove,
1165
01:01:27,880 --> 01:01:30,399
then my troubles are over.
1166
01:01:30,400 --> 01:01:32,040
- [CLAUDE LAUGHS]
- [KNOCKING AT DOOR]
1167
01:01:32,840 --> 01:01:34,719
- Hey.
- Alex.
1168
01:01:34,720 --> 01:01:36,233
Your husband's trying to kill you.
1169
01:01:36,235 --> 01:01:38,423
If this is another
of your absurd japes…
1170
01:01:39,200 --> 01:01:43,399
My husband may have many faults,
Dr. Palmer, but a murderer he is not.
1171
01:01:43,400 --> 01:01:44,960
- [DOOR OPENS]
- [CLAUDE] Darling.
1172
01:01:46,320 --> 01:01:47,599
- Who are you?
- Bran...
1173
01:01:47,600 --> 01:01:49,439
- Alex Palmer.
- Crystal, how we doing?
1174
01:01:49,440 --> 01:01:51,533
Okay. I have a pitch for the third act.
1175
01:01:51,535 --> 01:01:52,571
Uh-huh.
1176
01:01:52,573 --> 01:01:55,359
So, at the end of this scene,
uh, Alex leaves the room,
1177
01:01:55,360 --> 01:01:56,999
spots Otto, threatens him.
1178
01:01:57,000 --> 01:01:59,479
So then Otto tells Alex
about the loosened railing.
1179
01:01:59,480 --> 01:02:01,359
But Alex already knows
they'll be on the roof,
1180
01:02:01,360 --> 01:02:03,319
so that beat's actually
sort of redundant.
1181
01:02:03,320 --> 01:02:04,320
That's right.
1182
01:02:04,720 --> 01:02:07,399
So what if, instead of chasing Otto,
1183
01:02:07,400 --> 01:02:10,039
Alex runs across the street
to the police station,
1184
01:02:10,040 --> 01:02:12,719
warns them about Claude,
then she can meet Lavigne?
1185
01:02:12,720 --> 01:02:15,599
- And diagnose his allergies there.
- Great.
1186
01:02:15,600 --> 01:02:16,760
Do I get a credit?
1187
01:02:17,111 --> 01:02:18,319
If it works.
1188
01:02:18,320 --> 01:02:19,400
Okay. [GIGGLES]
1189
01:02:20,080 --> 01:02:22,559
- Will it work?
- Don't ask me. You called it "great."
1190
01:02:22,560 --> 01:02:23,839
There's no time for notes.
1191
01:02:23,840 --> 01:02:26,159
Is there anything I can help you with,
my good doctor?
1192
01:02:26,160 --> 01:02:30,040
The doctor was just leaving.
I'll show you out, Dr. Palmer.
1193
01:02:34,200 --> 01:02:36,719
- I swear that's the voice I heard.
- That's enough.
1194
01:02:36,720 --> 01:02:38,799
- Please, I...
- I want you to leave this room.
1195
01:02:38,800 --> 01:02:41,320
And you can leave this damned hotel
for all I care.
1196
01:02:41,960 --> 01:02:43,600
I never want to see you again.
1197
01:02:49,240 --> 01:02:50,240
[CLAUDE] My darling.
1198
01:02:53,680 --> 01:02:56,439
Okay, so this is where
you'd usually turn left.
1199
01:02:56,440 --> 01:03:00,079
Yeah, spot Otto, give chase, get
the info about the rooftop. I've got it.
1200
01:03:00,080 --> 01:03:02,840
No, no, no. We have a rewrite.
Uh, new pages.
1201
01:03:03,893 --> 01:03:04,999
Okay.
1202
01:03:05,000 --> 01:03:07,880
[KIMMY] So you have to make a right
and head to the police station.
1203
01:03:07,882 --> 01:03:09,119
Across the street?
1204
01:03:09,120 --> 01:03:10,919
Demand to speak to
the highest-ranking cop.
1205
01:03:10,920 --> 01:03:12,759
- Uh, Lavigne.
- [KIMMY] Correct.
1206
01:03:12,760 --> 01:03:15,519
All you have to do is tell him
Clara's husband is plotting something.
1207
01:03:15,520 --> 01:03:18,279
- He won't believe you, but…
- But he'll sneeze.
1208
01:03:18,280 --> 01:03:22,279
I'll diagnose his cologne allergy,
and he'll remember me for the finale.
1209
01:03:22,280 --> 01:03:23,759
- Yeah, that works.
- But hurry, okay?
1210
01:03:23,760 --> 01:03:25,559
Okay, it's creating a new scene.
1211
01:03:25,560 --> 01:03:28,599
Interior. Police station. Night.
1212
01:03:28,600 --> 01:03:31,279
[TENSE MUSIC PLAYING]
1213
01:03:31,280 --> 01:03:33,199
[MADAM ROBAN] Just a dog?
1214
01:03:33,200 --> 01:03:35,440
Bonbon was not just a dog.
1215
01:03:36,120 --> 01:03:37,959
And he was murdered.
1216
01:03:37,960 --> 01:03:39,759
[CRYSTAL] Oh no, Madam Roban!
1217
01:03:39,760 --> 01:03:41,399
I forgot she was still in play.
1218
01:03:41,400 --> 01:03:42,559
- Oh.
- [KIMMY] Damn it!
1219
01:03:42,560 --> 01:03:45,800
Brandy, just ignore the French lady.
Jump the line.
1220
01:03:46,480 --> 01:03:49,599
[SPLUTTERS] I need to speak
to your most senior inspector here.
1221
01:03:49,600 --> 01:03:51,879
Please wait your turn.
Madam was here first.
1222
01:03:51,880 --> 01:03:53,920
And I am reporting a murder.
1223
01:03:54,440 --> 01:03:56,800
Yes, of your poor sweet dog.
1224
01:03:57,400 --> 01:03:59,053
- That's right.
- That's why I'm here.
1225
01:03:59,055 --> 01:04:00,199
[MADAM ROBAN] It is?
1226
01:04:00,200 --> 01:04:01,239
No, it isn't.
1227
01:04:01,240 --> 01:04:04,720
Yes, I know the man responsible
for murdering Bonbon.
1228
01:04:05,240 --> 01:04:07,119
- Bonbon?
- Madam's dog.
1229
01:04:07,120 --> 01:04:08,199
You do?
1230
01:04:08,200 --> 01:04:11,319
Yes. The most dangerous maniac.
1231
01:04:11,320 --> 01:04:12,759
And who is this maniac?
1232
01:04:12,760 --> 01:04:15,519
I'll only tell
your most senior inspector here.
1233
01:04:15,520 --> 01:04:17,800
What's all this? Explain yourself.
1234
01:04:18,680 --> 01:04:20,439
[LAVIGNE SNEEZES, SIGHS]
1235
01:04:20,440 --> 01:04:21,480
Four minutes.
1236
01:04:22,160 --> 01:04:24,039
Brandy, just summarize and split.
1237
01:04:24,040 --> 01:04:26,399
This woman's dog has been murdered
by Claude Ryce-Lechere.
1238
01:04:26,400 --> 01:04:28,880
He's about to kill his wife.
He's been trying for days.
1239
01:04:29,560 --> 01:04:31,479
What are you talking about?
1240
01:04:31,480 --> 01:04:32,719
[SNEEZES]
1241
01:04:32,720 --> 01:04:34,959
Also, I'm a doctor.
You're allergic to your cologne.
1242
01:04:34,960 --> 01:04:36,839
Change it, and you'll stop sneezing.
1243
01:04:36,840 --> 01:04:39,439
Okay, listen out for gunshots, okay?
1244
01:04:39,440 --> 01:04:40,880
And remember this face.
1245
01:04:41,840 --> 01:04:42,959
[LAVIGNE SNEEZES]
1246
01:04:42,960 --> 01:04:45,360
Final murder attempt imminent.
1247
01:04:46,160 --> 01:04:47,440
[CLARA SIGHS]
1248
01:04:48,920 --> 01:04:49,920
Oh, Claude.
1249
01:04:50,320 --> 01:04:51,800
Oh, it's so romantic.
1250
01:04:52,600 --> 01:04:54,119
Is everything all right?
1251
01:04:54,120 --> 01:04:56,440
Yes. It's just, um,
1252
01:04:57,160 --> 01:04:58,760
you've been so busy.
1253
01:05:00,000 --> 01:05:03,399
I thought it was high time
you got what you deserve.
1254
01:05:03,400 --> 01:05:04,400
Darling.
1255
01:05:09,033 --> 01:05:10,399
Was that enough?
1256
01:05:10,400 --> 01:05:11,600
Uh, mm…
1257
01:05:12,200 --> 01:05:14,199
- We think so.
- You can't tell?
1258
01:05:14,200 --> 01:05:15,559
Three minutes remaining.
1259
01:05:15,560 --> 01:05:16,680
Just head to the roof.
1260
01:05:19,000 --> 01:05:20,520
How confident are we?
1261
01:05:21,400 --> 01:05:22,879
4.5.
1262
01:05:22,880 --> 01:05:24,040
Out of…
1263
01:05:25,320 --> 01:05:26,564
I'll tell you later.
1264
01:05:26,566 --> 01:05:27,879
[MAN 1] Seven minutes until end credits.
1265
01:05:27,880 --> 01:05:29,439
[CLAUDE] I chose this spot
1266
01:05:29,440 --> 01:05:34,199
so you could enjoy the finest
vantage point in all of Cairo.
1267
01:05:34,200 --> 01:05:35,479
You do think of everything.
1268
01:05:35,480 --> 01:05:36,600
[CLAUDE] Indeed, I have.
1269
01:05:37,200 --> 01:05:38,200
Why,
1270
01:05:38,640 --> 01:05:42,000
oh, look at the pretty oil lamps
of the street vendors.
1271
01:05:43,080 --> 01:05:44,520
I can't make them out.
1272
01:05:45,040 --> 01:05:47,599
Come a little closer.
Lean over the railing.
1273
01:05:47,600 --> 01:05:50,120
[CLARA] I…
[CHUCKLES] It looks a bit dirty.
1274
01:05:50,640 --> 01:05:51,760
[CLAUDE] I don't know.
1275
01:05:53,200 --> 01:05:56,199
But it… it also looks quite unsafe.
1276
01:05:56,200 --> 01:05:58,279
[CLAUDE] Nonsense. Lean against it.
1277
01:05:58,280 --> 01:06:00,839
- I re… I really don't want to.
- I said lean!
1278
01:06:00,840 --> 01:06:02,519
Claude, what has got into you?
1279
01:06:02,520 --> 01:06:04,240
[CLARA GASPS]
1280
01:06:06,880 --> 01:06:09,159
[CLAUDE] Just do as I say.
1281
01:06:09,160 --> 01:06:12,120
- No, please, no! [GASPS]
- Lean over the railing. Lean!
1282
01:06:12,673 --> 01:06:13,759
What?
1283
01:06:13,760 --> 01:06:15,839
- Get away from her!
- [CLAUDE] Not one step closer.
1284
01:06:15,840 --> 01:06:18,319
[BRANDY] The police station is
across the street.
1285
01:06:18,320 --> 01:06:20,359
Pull that trigger, they'll come running.
1286
01:06:20,360 --> 01:06:24,120
Well, that's a chance
I'm willing to take.
1287
01:06:25,280 --> 01:06:26,999
- Alex, no!
- [CLAUDE GRUNTING]
1288
01:06:27,000 --> 01:06:28,840
[SUSPENSEFUL MUSIC PLAYING]
1289
01:06:32,680 --> 01:06:35,200
- [CLAUDE GRUNTING] Come here.
- [GASPING]
1290
01:06:35,880 --> 01:06:37,799
[LAUGHS MANIACALLY]
1291
01:06:37,800 --> 01:06:40,599
I knew something was amiss with you.
1292
01:06:40,600 --> 01:06:42,519
Huh? The good doctor.
1293
01:06:42,520 --> 01:06:44,160
Well… [GRUNTS]
1294
01:06:45,160 --> 01:06:47,159
The story arc really doesn't like this.
1295
01:06:47,160 --> 01:06:49,439
This is the end for you both.
1296
01:06:49,440 --> 01:06:51,559
- [CLAUDE LAUGHS MANIACALLY]
- [BRANDY GRUNTING]
1297
01:06:51,560 --> 01:06:52,560
[GUNSHOT]
1298
01:06:53,280 --> 01:06:54,960
- [GUNSHOT]
- [DRAMATIC MUSIC PLAYING]
1299
01:06:56,760 --> 01:06:58,799
[CLAUDE GROANS] You?
1300
01:06:58,800 --> 01:07:00,919
[MUSIC SUBSIDES]
1301
01:07:00,920 --> 01:07:02,280
What did she do that for?
1302
01:07:02,920 --> 01:07:05,040
- I don't…
- Claude's not meant to die.
1303
01:07:06,240 --> 01:07:07,599
No, he's not.
1304
01:07:07,600 --> 01:07:09,240
Police inbound.
1305
01:07:10,280 --> 01:07:12,159
Shit, they'll arrest Clara.
1306
01:07:12,160 --> 01:07:13,719
What will happen if they do that?
1307
01:07:13,720 --> 01:07:18,119
So they cuff Clara, and they
haul her away on a murder charge.
1308
01:07:18,120 --> 01:07:20,679
But Alex can still say the last line
as they drag Clara away.
1309
01:07:20,680 --> 01:07:24,439
- That should trigger the credits.
- So it… it becomes a tearjerker?
1310
01:07:24,440 --> 01:07:27,519
Young love destroyed when one
of them winds up in the slammer?
1311
01:07:27,520 --> 01:07:29,600
I… I don't know.
It's different, but it works.
1312
01:07:30,200 --> 01:07:33,479
- A bit ahead of its time.
- It gets her out of there.
1313
01:07:33,480 --> 01:07:35,199
- I killed him.
- [GUN CLATTERS]
1314
01:07:35,200 --> 01:07:36,959
- Brandy, new ending.
- [CLARA] I killed him.
1315
01:07:36,960 --> 01:07:39,639
- The cops are coming.
- The police are coming.
1316
01:07:39,640 --> 01:07:41,279
- [KIMMY] They'll arrest her.
- They'll arrest you.
1317
01:07:41,280 --> 01:07:43,399
- Let them.
- Yes, let them.
1318
01:07:43,400 --> 01:07:44,759
And then what happens?
1319
01:07:44,760 --> 01:07:46,199
She goes to jail. So what?
1320
01:07:46,200 --> 01:07:48,999
- For how long?
- [KIMMY] From her perspective, forever.
1321
01:07:49,000 --> 01:07:51,159
But she's not fucking real,
so who cares, Brandy?
1322
01:07:51,160 --> 01:07:53,720
I was born in a cage.
I should die in a cage.
1323
01:07:54,240 --> 01:07:55,319
I…
1324
01:07:55,320 --> 01:07:56,439
No!
1325
01:07:56,440 --> 01:07:58,440
[TENSE STRING MUSIC PLAYING]
1326
01:08:00,160 --> 01:08:02,280
- [BRANDY] Uh…
- What are you doing?
1327
01:08:02,780 --> 01:08:04,414
We tell the police
I shot your husband.
1328
01:08:04,415 --> 01:08:05,879
- No.
- They'll arrest me.
1329
01:08:05,880 --> 01:08:07,519
- No.
- Believe me. It is the best way.
1330
01:08:07,520 --> 01:08:08,639
I won't let them.
1331
01:08:08,640 --> 01:08:09,640
Story arc is critical.
1332
01:08:12,240 --> 01:08:13,560
[BREATHES DEEPLY]
1333
01:08:14,440 --> 01:08:15,480
I love you.
1334
01:08:17,920 --> 01:08:19,040
And I love you.
1335
01:08:21,240 --> 01:08:23,240
[EMOTIONAL STRING MUSIC PLAYING]
1336
01:08:30,360 --> 01:08:31,640
[TENSE MUSIC PLAYING]
1337
01:08:32,840 --> 01:08:33,840
Forgive me.
1338
01:08:35,480 --> 01:08:37,120
Clara, no!
1339
01:08:37,960 --> 01:08:39,600
- What are you doing?
- Stop!
1340
01:08:40,200 --> 01:08:41,600
[OFFICER] Stop, or I shoot.
1341
01:08:42,480 --> 01:08:43,599
Drop your weapon.
1342
01:08:43,600 --> 01:08:45,480
Wait. I know this person.
1343
01:08:46,520 --> 01:08:47,640
He's a doctor. He...
1344
01:08:49,160 --> 01:08:50,400
No!
1345
01:08:51,040 --> 01:08:52,040
Oh God.
1346
01:08:54,440 --> 01:08:55,840
- [GUNSHOT]
- [GASPS, WHIMPERS]
1347
01:08:57,400 --> 01:08:58,400
[GASPS]
1348
01:09:00,200 --> 01:09:01,599
No!
1349
01:09:01,600 --> 01:09:04,280
[LABORED BREATHING]
1350
01:09:07,880 --> 01:09:09,239
No. No.
1351
01:09:09,240 --> 01:09:11,479
[SOMBER MUSIC PLAYING]
1352
01:09:11,480 --> 01:09:13,439
[SOBBING]
1353
01:09:13,440 --> 01:09:14,720
Don't cry for me.
1354
01:09:19,440 --> 01:09:20,560
Remember me.
1355
01:09:26,280 --> 01:09:27,319
Arc closing?
1356
01:09:27,320 --> 01:09:29,280
[COMPUTER BEEPING]
1357
01:09:32,440 --> 01:09:34,080
[JACK] Her body's going into shock.
1358
01:09:34,880 --> 01:09:37,840
I can't extract till she cues titles.
She's gotta say the line.
1359
01:09:39,160 --> 01:09:40,200
{an8}Say the line, Brandy.
1360
01:09:41,480 --> 01:09:42,480
Say the line.
1361
01:09:44,040 --> 01:09:45,400
[SOBS] No!
1362
01:09:53,800 --> 01:09:55,719
- [COMPUTER BEEPING]
- [GROANING]
1363
01:09:55,720 --> 01:09:57,000
- [KIMMY] Brandy.
- [GROANS]
1364
01:09:57,573 --> 01:09:58,639
{an8}[BRANDY SOBS]
1365
01:09:58,640 --> 01:09:59,960
{an8}Brandy, say the line.
1366
01:10:01,600 --> 01:10:03,039
Say the line, Brandy.
1367
01:10:03,040 --> 01:10:04,040
[SOBS]
1368
01:10:06,840 --> 01:10:08,040
I'll be yours
1369
01:10:09,640 --> 01:10:10,960
forevermore.
1370
01:10:12,920 --> 01:10:13,960
[SOBS]
1371
01:10:18,360 --> 01:10:19,480
[BRANDY CRYING]
1372
01:10:25,760 --> 01:10:28,319
[CRYSTAL WHIMPERS, SOBS]
1373
01:10:28,320 --> 01:10:30,240
- We have an ending.
- Extracting.
1374
01:10:31,360 --> 01:10:33,599
[MIKA] Do you think it
worked? The ending?
1375
01:10:33,600 --> 01:10:35,040
Did it for me. [SNIFFLES]
1376
01:10:36,560 --> 01:10:37,560
Roll credits.
1377
01:10:38,240 --> 01:10:39,320
[GASPS]
1378
01:10:45,720 --> 01:10:46,760
[GRUNTS]
1379
01:10:47,680 --> 01:10:48,760
[MUSIC ENDS]
1380
01:10:50,160 --> 01:10:52,160
[GENTLE STRING MUSIC PLAYING]
1381
01:11:01,840 --> 01:11:03,999
[FOOTSTEPS APPROACHING]
1382
01:11:04,000 --> 01:11:05,600
Not a dry eye in the house.
1383
01:11:07,440 --> 01:11:09,440
[POIGNANT PIANO MUSIC PLAYING]
1384
01:11:22,520 --> 01:11:23,559
[MUSIC FADES]
1385
01:11:23,560 --> 01:11:24,639
[DRAMATIC MUSIC PLAYING]
1386
01:11:24,640 --> 01:11:25,959
[NARRATOR] Last century,
1387
01:11:25,960 --> 01:11:29,120
Keyworth Pictures invited guests
to Hotel Reverie.
1388
01:11:29,640 --> 01:11:33,279
Now, with the help of ReDream
and our friends at Streamberry,
1389
01:11:33,280 --> 01:11:35,080
we'd like to welcome you back.
1390
01:11:36,440 --> 01:11:39,679
You might notice
a few changes in the old place.
1391
01:11:39,680 --> 01:11:44,719
Renowned Dr. Alex Palmer
encounters tragic heiress Clara Ryce.
1392
01:11:44,720 --> 01:11:47,679
Waiter, another scotch, please.
And for yourself?
1393
01:11:47,680 --> 01:11:49,400
Thank you. A Black Rose.
1394
01:11:50,000 --> 01:11:51,080
A rose for a rose.
1395
01:11:55,000 --> 01:11:58,160
A piano standing silent
always makes me so melancholy.
1396
01:11:58,680 --> 01:11:59,799
It's silly, I know.
1397
01:11:59,800 --> 01:12:03,399
If it's "Clair de Lune" you want,
it's "Clair de Lune" you shall have.
1398
01:12:03,400 --> 01:12:05,879
[NARRATOR] Yet,
even as their affection grows,
1399
01:12:05,880 --> 01:12:09,239
the pair are unaware
of Clara's fiendish husband, Claude,
1400
01:12:09,240 --> 01:12:10,719
plotting her death.
1401
01:12:10,720 --> 01:12:14,159
My accursed wife has more lives
than a damn cat.
1402
01:12:14,160 --> 01:12:15,786
She dies tonight.
1403
01:12:15,788 --> 01:12:16,839
Don't move.
1404
01:12:16,840 --> 01:12:18,999
[GASPS] Oh my goodness!
1405
01:12:19,000 --> 01:12:21,440
[DRAMATIC MUSIC PLAYING]
1406
01:12:32,640 --> 01:12:33,720
[MUSIC ENDS]
1407
01:12:35,800 --> 01:12:37,800
[MELANCHOLY PIANO MUSIC PLAYING]
1408
01:13:21,200 --> 01:13:22,840
[MUSIC FADES]
1409
01:13:26,560 --> 01:13:29,400
So I… I just pretend
it's a normal telephone call?
1410
01:13:30,640 --> 01:13:31,839
[MAN] Well, yes.
1411
01:13:31,840 --> 01:13:34,639
[CLARA LAUGHS]
Right you are, Capt. Keyworth.
1412
01:13:34,640 --> 01:13:35,959
[CLARA GIGGLES]
1413
01:13:35,960 --> 01:13:38,399
I'm… I'm here waiting
for it to ring. It…
1414
01:13:38,400 --> 01:13:40,079
but it's not connected, is it?
1415
01:13:40,080 --> 01:13:41,840
No. [GIGGLES]
1416
01:13:52,960 --> 01:13:54,479
[PHONE RINGING IN VIDEO]
1417
01:13:54,480 --> 01:13:55,480
[GASPS]
1418
01:13:56,000 --> 01:13:58,000
[GENTLE PIANO MUSIC PLAYING]
1419
01:14:00,520 --> 01:14:03,440
[CLEARS THROAT]
Hello, Ryce-Lechere residence.
1420
01:14:06,120 --> 01:14:07,120
Hi.
1421
01:14:07,680 --> 01:14:08,680
Who's this?
1422
01:14:10,640 --> 01:14:12,080
A… friend?
1423
01:14:13,920 --> 01:14:14,960
Do I know you?
1424
01:14:17,400 --> 01:14:19,440
Yes and no.
1425
01:14:20,080 --> 01:14:21,520
[CHUCKLES]
1426
01:14:22,400 --> 01:14:23,760
What an intriguing answer.
1427
01:14:24,560 --> 01:14:25,960
Well, tell me more.
1428
01:14:27,840 --> 01:14:29,440
How much time do you have?
1429
01:14:30,560 --> 01:14:32,320
Since you've got a kind voice…
1430
01:14:34,480 --> 01:14:36,280
I've got all the time in the world.
1431
01:14:37,813 --> 01:14:40,885
sync and corrections by solfieri
www.addic7ed.com
1432
01:15:51,280 --> 01:15:53,040
[MUSIC FADES]