1 00:00:40,710 --> 00:00:44,309 Keyworth Pictures invites you to Hotel Reverie. 2 00:00:44,310 --> 00:00:46,309 Renowned Dr. Alex Palmer 3 00:00:46,310 --> 00:00:49,109 encounters tragic heiress Clara Ryce. 4 00:00:49,110 --> 00:00:51,349 Waiter, another scotch, please. 5 00:00:51,350 --> 00:00:53,910 - And for yourself? - Thank you. A Black Rose. 6 00:00:54,510 --> 00:00:55,590 A rose for a rose. 7 00:00:59,510 --> 00:01:03,109 A piano standing silent always makes me so melancholy. 8 00:01:03,110 --> 00:01:04,309 It's silly, I know. 9 00:01:04,310 --> 00:01:07,630 If it's "Clair de Lune" you want, it's "Clair de Lune" you shall have. 10 00:01:08,510 --> 00:01:10,429 Yet, even as their affection grows, 11 00:01:10,430 --> 00:01:11,509 the pair are unaware 12 00:01:11,510 --> 00:01:15,229 Clara's fiendish husband, Claude, is plotting her death. 13 00:01:15,230 --> 00:01:18,669 My accursed wife has more lives than a damn cat. 14 00:01:18,670 --> 00:01:20,303 She dies tonight. 15 00:01:20,305 --> 00:01:21,349 Don't move. 16 00:01:21,350 --> 00:01:23,509 Oh my goodness! 17 00:01:43,350 --> 00:01:45,750 Your studio, Keyworth Pictures, 18 00:01:45,751 --> 00:01:48,030 has the most incredible back catalog. 19 00:01:48,950 --> 00:01:50,229 Noir thrillers, 20 00:01:50,230 --> 00:01:52,509 wartime romances, caper comedies. 21 00:01:52,510 --> 00:01:55,149 An unrivaled collection of heritage media. 22 00:01:55,150 --> 00:01:57,349 By "heritage," you mean old. 23 00:01:57,350 --> 00:01:58,830 I mean, uh, vintage. 24 00:01:59,710 --> 00:02:01,429 You have a great reputation. 25 00:02:01,430 --> 00:02:02,909 Fifty years ago, yes. 26 00:02:02,910 --> 00:02:05,269 Look, I know you're trying to blow smoke up my arse, 27 00:02:05,270 --> 00:02:06,509 but let's be real. 28 00:02:06,510 --> 00:02:09,109 My stages are empty. We're up to our knockers in debt. 29 00:02:09,110 --> 00:02:10,629 I was in Cannes last week 30 00:02:10,630 --> 00:02:13,870 trying to sell our library to some streamers, and they were NFI. 31 00:02:14,470 --> 00:02:16,149 NFI? That's a non-fungible... 32 00:02:16,150 --> 00:02:17,430 Not fucking interested. 33 00:02:18,070 --> 00:02:20,829 The Keyworth brand is not what it was. 34 00:02:20,830 --> 00:02:23,149 We're going under, and everybody knows it. 35 00:02:23,150 --> 00:02:26,309 Well, I believe with your prestige content... 36 00:02:26,310 --> 00:02:29,189 Please don't call it content. Makes me heave. 37 00:02:29,190 --> 00:02:30,589 Okay. Okay. 38 00:02:30,590 --> 00:02:32,309 I'm... I'm sorry. 39 00:02:32,310 --> 00:02:33,510 Prestige movies. 40 00:02:34,270 --> 00:02:36,189 Dreams. Classics. 41 00:02:36,190 --> 00:02:38,629 Like Hotel Reverie. 42 00:02:39,790 --> 00:02:41,590 "I'll be yours forevermore." 43 00:02:42,590 --> 00:02:44,189 My father's favorite. 44 00:02:44,190 --> 00:02:45,190 And mine. 45 00:02:45,590 --> 00:02:47,469 But try telling that to the public. 46 00:02:47,470 --> 00:02:49,229 - I think you'll find them... - NFI. 47 00:02:49,230 --> 00:02:50,274 Well, you know, 48 00:02:50,276 --> 00:02:53,509 what's the point of watching an old movie starring Ralph Redwell 49 00:02:53,510 --> 00:02:58,789 when you could watch a new movie starring Ryan Gosling or Ryan... 50 00:02:58,790 --> 00:02:59,867 Reynolds? 51 00:02:59,869 --> 00:03:03,109 Yeah. But they're way out of my price league. 52 00:03:03,830 --> 00:03:05,909 Well, what if I told you 53 00:03:05,910 --> 00:03:08,669 my company has an affordable way 54 00:03:08,670 --> 00:03:11,349 to take a shuttered classic, like Hotel Reverie, 55 00:03:11,350 --> 00:03:13,239 and almost instantly recast the lead 56 00:03:13,240 --> 00:03:14,869 with a contemporary Hollywood star? 57 00:03:14,870 --> 00:03:16,269 - We can't... - Whoa, whoa, whoa! 58 00:03:16,270 --> 00:03:18,390 Who you will be able to afford 59 00:03:18,990 --> 00:03:22,029 because you'll only need 96 minutes of their time. 60 00:03:22,030 --> 00:03:25,029 You're gonna use one of those AI paint boxes 61 00:03:25,030 --> 00:03:27,029 and deepfake Ryan over Ralph... 62 00:03:27,030 --> 00:03:28,749 What we're proposing isn't fake. 63 00:03:30,550 --> 00:03:31,550 It's real. 64 00:03:33,110 --> 00:03:35,589 Oh, you've intrigued me. 65 00:03:35,590 --> 00:03:37,510 So which Ryan are we calling first? 66 00:03:46,630 --> 00:03:48,429 Hey, Brandy. 67 00:03:48,430 --> 00:03:50,469 Listen, the studio are chasing. 68 00:03:50,470 --> 00:03:54,269 I'm telling you, I just love this project for you right now. 69 00:03:54,270 --> 00:03:55,349 We all do. 70 00:03:55,350 --> 00:03:57,469 And, hey, the money is off the chart. 71 00:03:57,470 --> 00:04:00,990 Call me when you get a chance. Bye now. Bye-bye. 72 00:04:06,030 --> 00:04:07,069 No. 73 00:04:07,070 --> 00:04:10,109 Whoa now. Did you read the material? Lola's in almost every scene. 74 00:04:10,110 --> 00:04:12,709 - It's a big role. - It's a big supporting role. 75 00:04:12,710 --> 00:04:15,149 Backing up Mr. "Lead Dude" again. 76 00:04:15,150 --> 00:04:16,390 Hey. 77 00:04:17,790 --> 00:04:19,149 You get lead roles. 78 00:04:19,150 --> 00:04:20,829 Yeah, for Sundance misery porn. 79 00:04:20,830 --> 00:04:22,829 You don't want those roles anymore either? 80 00:04:22,830 --> 00:04:26,709 I'm saying I'm tired of my only available options 81 00:04:26,710 --> 00:04:31,069 being noble victim or fuckable sidekick. 82 00:04:31,070 --> 00:04:34,150 I can't control which box the world wants to put you in. 83 00:04:34,870 --> 00:04:37,190 It's the same box, and I'm sick of it. 84 00:04:38,550 --> 00:04:40,709 You know I got into this to be other things. 85 00:04:40,710 --> 00:04:42,549 To express other things. 86 00:04:42,550 --> 00:04:43,670 Like what? 87 00:04:46,430 --> 00:04:48,469 Like something romantic. 88 00:04:48,470 --> 00:04:50,549 This is romantic. 89 00:04:50,550 --> 00:04:53,190 For the lead guy. I don't wanna be pursued. 90 00:04:53,750 --> 00:04:55,390 Why can't I pursue? 91 00:04:56,590 --> 00:04:57,590 Huh? 92 00:04:59,230 --> 00:05:02,310 I just want something... magical. 93 00:05:02,910 --> 00:05:04,310 Timeless. Something 94 00:05:05,870 --> 00:05:07,350 I can escape into. 95 00:05:07,870 --> 00:05:10,350 Are you talking career or personal life? 96 00:05:11,150 --> 00:05:12,150 Both. 97 00:05:13,190 --> 00:05:14,710 Where's my Casablanca? 98 00:05:15,310 --> 00:05:18,270 Where's... where's... where's my Brief Encounter? 99 00:05:19,110 --> 00:05:22,949 Come on! British romance. 1940s. Classic. 100 00:05:22,950 --> 00:05:24,429 Like Hotel Reverie? 101 00:05:24,430 --> 00:05:26,869 Yes! Hotel Reverie. 102 00:05:26,870 --> 00:05:28,629 "I'll be yours forevermore." 103 00:05:28,630 --> 00:05:30,749 Is that where that line comes from? 104 00:05:30,750 --> 00:05:33,069 The iconic final line? Yeah. 105 00:05:33,070 --> 00:05:34,589 Hey, I knew the line, not the movie. 106 00:05:34,590 --> 00:05:37,589 Weird thing is, this is the second time this has come up this morning. 107 00:05:37,590 --> 00:05:40,389 - What do you mean? - The studio. Uh, Keyworth... something. 108 00:05:40,390 --> 00:05:43,509 - They're doing some kind of reboot. - They're remaking Hotel Reverie? 109 00:05:43,510 --> 00:05:45,228 Yeah, with a high-tech shooting style. 110 00:05:45,229 --> 00:05:47,149 They want an A-lister for the male lead. 111 00:05:47,150 --> 00:05:48,590 - To play Alex? Dr. Palmer? - Yeah. 112 00:05:48,592 --> 00:05:49,630 I wanna do it. 113 00:05:50,310 --> 00:05:51,629 It's a male lead. 114 00:05:51,630 --> 00:05:54,469 So they... they can't flip it? Have a woman play the lead? 115 00:05:54,470 --> 00:05:56,309 They want a Ryan. One of the Ryans. 116 00:05:56,310 --> 00:05:58,030 Tell them I wanna do this. 117 00:05:58,590 --> 00:06:01,149 - So I'm afraid Ryan's a "no." - Which one? 118 00:06:01,150 --> 00:06:02,669 Both of them. 119 00:06:02,670 --> 00:06:05,121 Sorry, did you say that they don't have to talk British? 120 00:06:05,123 --> 00:06:06,269 They... they can be American? 121 00:06:06,270 --> 00:06:08,029 Didn't get that far. 122 00:06:08,030 --> 00:06:09,949 Also, Timothée Chalamet is unavail. 123 00:06:09,950 --> 00:06:11,909 Chris Hemsworth didn't connect with the material. 124 00:06:11,910 --> 00:06:14,029 Donald Glover says thanks for thinking of him, 125 00:06:14,030 --> 00:06:16,389 but he has a family commitment. 126 00:06:16,390 --> 00:06:18,269 - So they're all NFI? - Sorry? 127 00:06:18,270 --> 00:06:21,509 Is there really not one A-lister who's curious? 128 00:06:21,510 --> 00:06:23,709 Well, you won't believe this, 129 00:06:23,710 --> 00:06:27,510 but Brandy Friday's team says she's interested. 130 00:06:29,110 --> 00:06:31,189 Holy shit! Brandy Friday? 131 00:06:31,190 --> 00:06:32,629 She big? 132 00:06:32,630 --> 00:06:34,949 She's... she's huge. She... she's available? 133 00:06:34,950 --> 00:06:37,669 I tried to explain it's not the Clara role, but... 134 00:06:37,670 --> 00:06:39,703 Well, could we make it the Clara role? 135 00:06:39,705 --> 00:06:40,909 That's the thing. 136 00:06:40,910 --> 00:06:43,789 They said she's only interested if she plays the lead. 137 00:06:43,790 --> 00:06:45,630 - Well, that's just... - Brilliant. 138 00:07:12,470 --> 00:07:13,470 Ready. 139 00:07:14,190 --> 00:07:16,229 Should I just pretend it's a normal call? 140 00:07:16,230 --> 00:07:17,789 - Yes. - Right. 141 00:07:17,790 --> 00:07:18,790 Here we go. 142 00:07:21,310 --> 00:07:23,636 I realize I'm... I'm waiting for it to ring, 143 00:07:23,637 --> 00:07:25,429 but it's not connected, is it? 144 00:07:25,430 --> 00:07:26,629 No. 145 00:07:28,310 --> 00:07:30,190 God, I'm such a fool. 146 00:07:30,870 --> 00:07:33,390 Right, I'll imagine it's ringing. 147 00:07:36,430 --> 00:07:38,790 Hello, Ryce-Lechere residence. 148 00:07:39,310 --> 00:07:40,830 To whom am I speaking? 149 00:07:43,710 --> 00:07:44,710 I... 150 00:07:46,910 --> 00:07:48,670 Oh, God damn it. 151 00:07:49,190 --> 00:07:51,829 Well, it's just so hard when there's no one on the other end. 152 00:07:51,830 --> 00:07:53,429 Uh, from the top. 153 00:07:53,430 --> 00:07:54,430 Take two. 154 00:07:55,230 --> 00:07:57,550 Hello, Ryce-Lechere residence. 155 00:07:59,590 --> 00:08:00,709 To whom am I... 156 00:08:03,470 --> 00:08:05,069 Buckinghamshire, England. 157 00:08:05,070 --> 00:08:06,429 And an outpouring of grief 158 00:08:06,430 --> 00:08:10,029 as actress Dorothy Chambers is found dead at home. 159 00:08:10,030 --> 00:08:13,549 The cause of death, an overdose of sleeping pills. 160 00:08:13,550 --> 00:08:16,149 The reclusive beauty never married 161 00:08:16,150 --> 00:08:18,669 and was well known to be troubled by pernicious gossip 162 00:08:18,670 --> 00:08:20,390 surrounding her personal life. 163 00:08:26,110 --> 00:08:27,429 - Oh, hi. - Hey. 164 00:08:27,430 --> 00:08:29,589 - This is for you. - Thank you. 165 00:08:29,590 --> 00:08:32,110 - It needs a signature just here. - Oh, sure. 166 00:08:33,350 --> 00:08:34,830 Sorry, I shouldn't, but 167 00:08:36,110 --> 00:08:39,149 I really loved that movie you were in about the secret CIA agent. 168 00:08:39,150 --> 00:08:41,949 - Thank you. - He was so good. 169 00:08:41,950 --> 00:08:43,989 - Thank you. - Are you still with that actor... 170 00:08:43,990 --> 00:08:45,589 Uh, no, we're not together anymore. 171 00:08:45,590 --> 00:08:49,469 Oh, he was so good in that movie about the pilot that saves the... 172 00:08:49,470 --> 00:08:51,429 - I've got to take this. - Okay. 173 00:08:51,430 --> 00:08:53,189 Don't let the gate hit you. 174 00:08:55,063 --> 00:08:56,268 Hey. 175 00:08:56,270 --> 00:08:57,989 Great news. You got it. 176 00:08:57,990 --> 00:08:59,041 Got what? 177 00:08:59,043 --> 00:09:01,629 The lead in Hotel Reverie. I guess they're gonna flip it. 178 00:09:01,630 --> 00:09:03,349 - Yes! - Okay, so look. 179 00:09:03,350 --> 00:09:06,349 It's a straight offer, so they're sending the materials to you. 180 00:09:06,350 --> 00:09:08,629 Oh, yeah, I think I just got those. 181 00:09:08,630 --> 00:09:11,989 They say they're gonna need you in the studio next Monday. 182 00:09:11,990 --> 00:09:15,029 - That's in England. - Wait. They start filming next Monday? 183 00:09:15,030 --> 00:09:17,269 Uh, no, they say no. It's some kind of test. 184 00:09:17,270 --> 00:09:18,550 Who's playing Clara? 185 00:09:19,110 --> 00:09:21,109 Seems confidential. It's all laid out 186 00:09:21,110 --> 00:09:22,350 in that info pack. 187 00:09:23,030 --> 00:09:24,749 Pepe from Streamberry is here. 188 00:09:24,750 --> 00:09:26,029 - Thank you. - Wait. 189 00:09:26,030 --> 00:09:27,054 Laid out where? 190 00:09:27,056 --> 00:09:30,869 Yeah, oh, congratulations again. Okay, look, I gotta go. Bye, bye, bye. 191 00:09:30,870 --> 00:09:32,030 Okay, thanks. 192 00:09:37,590 --> 00:09:38,710 Drop your weapon. 193 00:09:40,590 --> 00:09:43,029 Shoot him. He's trying to kill me. 194 00:09:43,030 --> 00:09:45,549 Wait. I know that man. 195 00:09:45,550 --> 00:09:47,069 He diagnosed my allergy. 196 00:09:47,070 --> 00:09:48,590 Arrest the other man. 197 00:09:49,390 --> 00:09:50,470 Non! 198 00:09:51,270 --> 00:09:52,990 Non! Laissez-moi. 199 00:09:53,630 --> 00:09:54,829 Mais laissez-moi. 200 00:10:00,830 --> 00:10:01,990 Stay with me. 201 00:10:02,670 --> 00:10:04,510 Promise me you'll stay. 202 00:10:06,830 --> 00:10:09,870 I'll be yours... forevermore. 203 00:10:24,150 --> 00:10:26,070 I'll be yours forevermore. 204 00:10:30,470 --> 00:10:32,590 I'll be yours forevermore. 205 00:10:36,070 --> 00:10:37,629 What is up with the printer? 206 00:10:39,870 --> 00:10:41,750 I just need to get this up and running. 207 00:10:42,170 --> 00:10:43,349 There we go. 208 00:10:43,350 --> 00:10:45,629 - Powering up in a few minutes. - Jack. 209 00:10:45,630 --> 00:10:47,629 Give me two seconds. Um... 210 00:10:47,630 --> 00:10:49,189 - Jack. - Yeah? 211 00:10:49,190 --> 00:10:51,589 No liquids near the tech. Isn't that your mantra? 212 00:10:51,590 --> 00:10:52,590 Oh... 213 00:10:52,990 --> 00:10:54,030 Sorry. 214 00:10:55,310 --> 00:10:56,501 She's late. 215 00:10:56,503 --> 00:10:58,510 Her driver said she's stuck in traffic. 216 00:10:59,150 --> 00:11:01,309 You've only got this stage for two more hours. 217 00:11:01,310 --> 00:11:04,349 It's leased to some Swedes who are shooting a loo roll commercial. 218 00:11:04,350 --> 00:11:06,469 You said we had three hours. No? 219 00:11:06,470 --> 00:11:08,189 I said I'd ask for three. 220 00:11:08,190 --> 00:11:09,190 Hey. 221 00:11:09,870 --> 00:11:13,110 - Hi. - Uh... Ms. Friday. 222 00:11:14,110 --> 00:11:15,350 Judith Keyworth. 223 00:11:16,990 --> 00:11:18,509 Goodness, can I tell you 224 00:11:18,510 --> 00:11:20,869 how thrilled we are that you're doing this? 225 00:11:20,870 --> 00:11:22,349 Oh, it's my pleasure. 226 00:11:22,350 --> 00:11:24,269 I love old movies. 227 00:11:24,270 --> 00:11:25,349 I'm sure. 228 00:11:26,510 --> 00:11:30,390 Meet the young lady who I've entrusted with my studio's life. 229 00:11:31,230 --> 00:11:33,669 Uh, Kimmy. Project leader. 230 00:11:33,670 --> 00:11:36,510 Um, and can I just say I've been a fan of you since Zodiac Suite? 231 00:11:37,630 --> 00:11:39,309 You saw Zodiac Suite? 232 00:11:39,310 --> 00:11:42,029 I did. Off-Broadway when I was back in NYU. 233 00:11:42,030 --> 00:11:43,269 - Oh wow. - And I loved... 234 00:11:44,796 --> 00:11:45,869 - Yes. - Anyway. 235 00:11:45,870 --> 00:11:46,989 Anyway. Yes. 236 00:11:46,990 --> 00:11:49,603 We, uh... Let's... let's, uh... Let's dive on in. 237 00:11:49,605 --> 00:11:50,789 Okay. 238 00:11:50,790 --> 00:11:53,683 So you know the ReDream, how it works? 239 00:11:53,685 --> 00:11:54,788 Re-what? 240 00:11:54,790 --> 00:11:56,790 Uh, ReDream. The system that we're using. 241 00:11:59,590 --> 00:12:01,349 You got the info pack, right? 242 00:12:01,350 --> 00:12:02,630 The info pack? I... 243 00:12:03,150 --> 00:12:06,269 - You got the script and the movie? - Read the script. Watched the movie. 244 00:12:06,270 --> 00:12:10,590 There was a USB stick in there, too, with the info pack on it. 245 00:12:12,310 --> 00:12:13,590 You... you didn't see that? 246 00:12:14,110 --> 00:12:15,110 Uh, no. 247 00:12:16,190 --> 00:12:17,549 - Uh... - Talk me through it. 248 00:12:17,550 --> 00:12:19,310 What exactly am I looking at? 249 00:12:20,470 --> 00:12:22,310 Do... You know your lines, right? 250 00:12:24,110 --> 00:12:25,190 Sure. 251 00:12:26,990 --> 00:12:27,990 Come with me. 252 00:12:29,110 --> 00:12:31,669 We're making the movie right now, in real time, 253 00:12:31,670 --> 00:12:32,909 like theater. 254 00:12:32,910 --> 00:12:34,589 ReDream is the system we're using. 255 00:12:34,590 --> 00:12:37,149 It ingests a movie and all of its surrounding material. 256 00:12:37,150 --> 00:12:40,709 Screenplay, casting reels, dailies, all of it. 257 00:12:40,710 --> 00:12:42,496 It creates an entirely self-sufficient 258 00:12:42,497 --> 00:12:44,469 fictive dimension in which we immerse you. 259 00:12:44,471 --> 00:12:46,203 Can you slow down a little bit, please? 260 00:12:46,205 --> 00:12:47,328 Yeah. 261 00:12:47,330 --> 00:12:49,109 I bet this is very overwhelming. 262 00:12:49,110 --> 00:12:52,070 Why don't you lie down? Lie down and make yourself comfortable. 263 00:12:53,270 --> 00:12:57,389 So, if you hold still, I'm just gonna attach this mesmerizer. 264 00:12:57,390 --> 00:12:58,709 "Mesmerizer"? 265 00:12:58,710 --> 00:13:01,629 Yeah, it's a nickname for a synaptic fictive interface. 266 00:13:01,630 --> 00:13:02,841 It's... whatever. 267 00:13:02,843 --> 00:13:04,710 - I don't know what you're saying. - Yeah. 268 00:13:05,470 --> 00:13:09,429 Um, when you're in there, everyone and everything except you 269 00:13:09,430 --> 00:13:11,508 will be in stasis until the titles, 270 00:13:11,510 --> 00:13:12,989 which should give you a minute to adjust. 271 00:13:12,990 --> 00:13:14,110 Adjust to what? 272 00:13:14,710 --> 00:13:15,949 You're a pro. 273 00:13:15,950 --> 00:13:18,149 Just say your lines, hit the story beats. 274 00:13:18,150 --> 00:13:20,149 If we get too far off arc, we'll pull you out. 275 00:13:20,150 --> 00:13:22,390 That won't happen, though, you know? 276 00:13:28,043 --> 00:13:29,135 Okay. 277 00:13:29,150 --> 00:13:30,390 Executing runtime. 278 00:13:34,110 --> 00:13:37,229 And... syncing realms. 279 00:14:06,590 --> 00:14:07,950 Oh my God. 280 00:14:28,030 --> 00:14:29,391 Okay, how we doing in there? 281 00:14:29,392 --> 00:14:32,669 I'll be giving you direction. Brandy? 282 00:14:32,670 --> 00:14:34,150 This is insane! 283 00:14:34,750 --> 00:14:37,389 I mean, is this the original movie set? 284 00:14:37,390 --> 00:14:40,829 Yeah, it's a little intense in there at first. 285 00:14:40,830 --> 00:14:41,870 Oh, you think? 286 00:14:42,670 --> 00:14:44,629 I'm in black and white! Uh... 287 00:14:44,630 --> 00:14:47,349 Look, we've got about 90 seconds until we roll the credits. 288 00:14:47,350 --> 00:14:50,716 So... head for the table, the one with the newspaper, 289 00:14:50,718 --> 00:14:51,829 behind the piano. 290 00:14:51,830 --> 00:14:53,790 - Like in the opening scene? - Exactly. 291 00:14:54,630 --> 00:14:56,869 - There's, like, frozen people? - Yeah. 292 00:14:56,870 --> 00:14:58,829 They'll unpause when the titles start. 293 00:14:58,830 --> 00:15:02,510 And when they do, just remember that, to them, this is real. 294 00:15:03,590 --> 00:15:06,990 They think that they're real people living in a real world. 295 00:15:07,403 --> 00:15:08,603 So who are they gonna think I am? 296 00:15:08,605 --> 00:15:12,228 Alex Palmer, Doctor of Tropical Medicine. 297 00:15:12,230 --> 00:15:14,989 Who's a middle-aged British white guy? 298 00:15:14,990 --> 00:15:17,109 Right, that's not who they'll see. 299 00:15:17,110 --> 00:15:19,549 They will see and hear you as you are, 300 00:15:19,550 --> 00:15:22,630 and they'll just accept that you're Alex Palmer, 301 00:15:23,270 --> 00:15:24,789 the character in the story. 302 00:15:24,790 --> 00:15:27,989 Okay, so to them, Dr. Palmer is a Black woman 303 00:15:27,990 --> 00:15:32,029 just rolling up in 1940-whatever, and it's just fine? 304 00:15:32,030 --> 00:15:33,043 That's fine. 305 00:15:33,045 --> 00:15:34,189 It's fine? 306 00:15:34,190 --> 00:15:35,509 Yes, that's fine. 307 00:15:35,510 --> 00:15:36,510 It's fine. 308 00:15:36,870 --> 00:15:39,190 They're AIs. They're... they're constructs. 309 00:15:39,710 --> 00:15:42,989 They only know the parameters of the story and the character names. 310 00:15:42,990 --> 00:15:45,869 I know it sounds crazy. It won't even cross their minds. 311 00:15:45,870 --> 00:15:47,349 Okay. 312 00:15:47,350 --> 00:15:49,429 Just, uh, keep the story going. 313 00:15:49,430 --> 00:15:51,789 If you say your lines, we're all good. 314 00:15:51,790 --> 00:15:52,790 Good luck. 315 00:15:58,310 --> 00:15:59,749 Get the newspaper. 316 00:15:59,750 --> 00:16:00,750 Okay. 317 00:16:05,830 --> 00:16:06,830 Arc ready. 318 00:16:07,550 --> 00:16:08,829 Feedback ready. 319 00:16:08,830 --> 00:16:10,069 Supervision ready. 320 00:16:10,070 --> 00:16:11,389 Forecasting ready. 321 00:16:11,390 --> 00:16:13,870 - Prep titles. - Prepped. Simulation running. 322 00:16:20,430 --> 00:16:24,070 Five, four, three, two, one. 323 00:16:24,590 --> 00:16:25,869 And action. 324 00:16:25,870 --> 00:16:28,190 Titles rolling. 325 00:16:29,270 --> 00:16:32,070 Exterior, hotel, night. 326 00:16:34,150 --> 00:16:35,510 Clara, inbound. 327 00:16:50,510 --> 00:16:53,110 Yes, it's Dorothy Chambers. Stop staring. 328 00:16:58,950 --> 00:17:02,389 Clara speaks in three, two, one... 329 00:17:02,390 --> 00:17:03,550 Excuse me. 330 00:17:04,110 --> 00:17:05,989 Oui. What do you want? 331 00:17:05,990 --> 00:17:07,989 May I have a seat at your table? 332 00:17:07,990 --> 00:17:10,189 It's awfully crowded in here. I was hoping... 333 00:17:10,190 --> 00:17:11,790 I do not understand. 334 00:17:12,390 --> 00:17:15,149 - Which seat do you wish to take? - Keep the paper up, Brandy. 335 00:17:15,150 --> 00:17:16,669 Perhaps that one. 336 00:17:16,670 --> 00:17:19,909 That one is for mon petit Bonbon. 337 00:17:19,910 --> 00:17:21,029 Oh. 338 00:17:21,030 --> 00:17:25,390 Bonbon does not sit on the ground. Do you, Bonbon? 339 00:17:25,990 --> 00:17:27,389 Okay, Brandy. You're up. 340 00:17:27,390 --> 00:17:28,990 Live dialogue in three, two... 341 00:17:31,190 --> 00:17:32,190 Ma'am? 342 00:17:33,390 --> 00:17:34,430 I have a spare seat. 343 00:17:35,030 --> 00:17:36,949 And I can assure you, no Bonbon. 344 00:17:36,950 --> 00:17:38,229 I couldn't impose. 345 00:17:38,230 --> 00:17:39,469 I could use the company. 346 00:17:39,470 --> 00:17:42,870 It's a very different flavor than dear old Ralphy. 347 00:17:44,230 --> 00:17:46,750 - Alex Palmer. - Oh. Clara Ryce-Lechere. 348 00:17:48,070 --> 00:17:50,670 Ryce-Lechere? That's half the alphabet. 349 00:17:51,870 --> 00:17:52,990 All in sync. 350 00:17:53,870 --> 00:17:55,269 She's word-perfect. 351 00:17:55,270 --> 00:17:57,829 Lechere comes courtesy of my husband, who's French. 352 00:17:57,830 --> 00:17:58,869 Story on track. 353 00:17:58,870 --> 00:18:00,069 Pierre Lechere? 354 00:18:00,070 --> 00:18:02,269 Claude. Sorry to disappoint you. 355 00:18:02,270 --> 00:18:03,949 Will Claude be joining us? 356 00:18:03,950 --> 00:18:06,829 No, no. Claude has work commitments. 357 00:18:06,830 --> 00:18:08,709 He holds an important role in the business. 358 00:18:08,710 --> 00:18:09,830 The business? 359 00:18:09,831 --> 00:18:12,069 Oh, my father's business, Ryce Holdings. 360 00:18:12,070 --> 00:18:16,309 Oh my. I didn't realize you were the Clara Ryce. 361 00:18:16,310 --> 00:18:19,509 Oh yes, the Clara Ryce, heir to the Ryce empire. 362 00:18:19,510 --> 00:18:21,950 - Exposition delivered. - What brings you to Cairo? 363 00:18:22,470 --> 00:18:25,069 I'm giving a talk at the School of Medicine. 364 00:18:25,070 --> 00:18:27,350 - You're a surgeon? - Just a doctor. 365 00:18:27,870 --> 00:18:30,749 Albeit one who knows an absurd amount about tropical diseases. 366 00:18:30,750 --> 00:18:33,869 Backstory deployed. Hitting all her beats. 367 00:18:33,870 --> 00:18:35,949 Dreadful, yes. Accomplished, I'm not so sure. 368 00:18:35,950 --> 00:18:39,549 Oh, waiter. Another scotch, please. And for yourself? 369 00:18:39,550 --> 00:18:41,509 Thank you. A Black Rose. 370 00:18:41,510 --> 00:18:43,709 Ah. A rose for a rose. 371 00:18:45,390 --> 00:18:47,789 - Attraction building. - It's a tradition for me. 372 00:18:47,790 --> 00:18:50,389 One scotch and one Black Rose. 373 00:18:50,390 --> 00:18:51,629 For the heiress? 374 00:18:51,630 --> 00:18:53,789 - Murder attempt number one imminent. - Yes. 375 00:18:57,950 --> 00:19:01,469 Black Rose created. I repeat, Black Rose has been created. 376 00:19:01,470 --> 00:19:03,029 - Oh dear. - What's wrong? 377 00:19:03,030 --> 00:19:05,230 Oh, nothing really. Just the piano. 378 00:19:06,150 --> 00:19:09,750 A piano standing silent always makes me melancholy. Silly, I know. 379 00:19:11,750 --> 00:19:15,269 Say a pianist walked in right now. What would you have him play? 380 00:19:15,270 --> 00:19:16,669 "Clair de Lune." 381 00:19:16,670 --> 00:19:18,909 Oh, that's easy. "Clair de Lune." 382 00:19:18,910 --> 00:19:20,829 - My dad's favorite. - Debussy? 383 00:19:20,830 --> 00:19:23,389 Do you know it? Oh, it's the most wonderful piece. 384 00:19:23,390 --> 00:19:26,229 It transports me to the gayest of places. 385 00:19:26,230 --> 00:19:29,430 And at the same time, it's so sad, so full of yearning. 386 00:19:30,830 --> 00:19:33,230 Well, Clara, if it's "Clair de Lune" you want, 387 00:19:33,750 --> 00:19:35,670 it's "Clair de Lune" you shall have. 388 00:19:53,190 --> 00:19:54,430 What... What's she doing? 389 00:19:55,630 --> 00:19:56,990 - Uh... - Brandy? 390 00:19:56,992 --> 00:19:58,069 What the hell? 391 00:19:58,070 --> 00:20:00,389 You didn't say it was a real piano. 392 00:20:00,390 --> 00:20:02,216 I thought you could play the real piano. 393 00:20:02,218 --> 00:20:03,229 No! 394 00:20:03,230 --> 00:20:05,103 But you played the piano in Zodiac Suite. 395 00:20:05,105 --> 00:20:06,828 That was a backing track. 396 00:20:07,910 --> 00:20:09,269 She can't stop. 397 00:20:09,270 --> 00:20:11,749 The piano playing sets up the inciting incident. 398 00:20:11,750 --> 00:20:15,229 Uh, Brandy, you gotta keep playing. That's the point of the scene. 399 00:20:15,230 --> 00:20:17,589 My God, she's doing "Chopsticks." 400 00:20:17,590 --> 00:20:19,589 Narrative integrity failing. 401 00:20:19,590 --> 00:20:21,389 We're heading for yellow here. 402 00:20:21,390 --> 00:20:23,349 I take it that means something bad. 403 00:20:23,350 --> 00:20:25,530 If that one hits red, it collapses. 404 00:20:25,532 --> 00:20:26,629 Oh, great. 405 00:20:26,630 --> 00:20:29,229 Mika, how far off base are we? 406 00:20:29,230 --> 00:20:30,509 So, in the original, 407 00:20:30,510 --> 00:20:33,589 the beautiful music makes Clara choke up with emotion. 408 00:20:33,590 --> 00:20:36,109 She steps outside. Alex follows. They talk. 409 00:20:36,110 --> 00:20:38,350 It's the encounter that sets the story rolling. 410 00:20:39,270 --> 00:20:41,669 Can we hit that plot point some other way? 411 00:20:41,670 --> 00:20:44,109 Maybe, but we've got an even bigger problem. 412 00:20:44,110 --> 00:20:45,309 Bigger than that? 413 00:20:45,310 --> 00:20:47,350 The poisoned cocktail. The Black Rose. 414 00:20:47,950 --> 00:20:49,390 Shit. 415 00:20:50,150 --> 00:20:51,250 Clara's supposed to have left before 416 00:20:51,251 --> 00:20:53,389 it makes it to the table, but now... 417 00:20:53,390 --> 00:20:54,670 She's just sitting there. 418 00:20:55,190 --> 00:20:56,630 And if she drinks it, she dies. 419 00:20:57,310 --> 00:20:59,069 - Correct. - And the whole thing's bollocksed. 420 00:20:59,070 --> 00:21:00,749 Narrative stress is rising, guys. 421 00:21:00,750 --> 00:21:03,270 Brandy, don't speak. 422 00:21:03,271 --> 00:21:05,789 I need you to follow some instructions to get us back on track. 423 00:21:05,790 --> 00:21:07,229 Stop playing the piano. 424 00:21:07,230 --> 00:21:09,669 Go sit next to Clara. Now. Go. Now. 425 00:21:14,910 --> 00:21:17,310 Apologize for your poor piano. 426 00:21:18,110 --> 00:21:20,189 I'm afraid I'm a little out of practice. 427 00:21:20,190 --> 00:21:21,790 It certainly sounded that way. 428 00:21:22,510 --> 00:21:25,750 On the bright side, you seem to have given Madam "Doglover" a headache. 429 00:21:26,270 --> 00:21:27,630 What a shame. 430 00:21:29,110 --> 00:21:30,390 One scotch. 431 00:21:33,190 --> 00:21:34,269 And a Black Rose. 432 00:21:34,270 --> 00:21:36,229 Just in time. I could use a tipple. 433 00:21:36,230 --> 00:21:38,229 Do not let her drink that. Improvise! 434 00:21:38,230 --> 00:21:40,149 - Oh my God. Look. - What? 435 00:21:40,150 --> 00:21:42,149 - Uh, the big... goose. - No. 436 00:21:42,150 --> 00:21:44,109 Get rid of the drink. 437 00:21:44,110 --> 00:21:47,269 - But I don't see anything. - Right there. See? Look. 438 00:21:47,270 --> 00:21:49,149 - Was there really a goose? - Yes. 439 00:21:49,150 --> 00:21:50,629 No. There wasn't. 440 00:21:50,630 --> 00:21:51,869 No, there wasn't. 441 00:21:51,870 --> 00:21:54,270 - Mm-mm. I was kidding. - I see. 442 00:21:56,550 --> 00:21:58,229 Another joke, I presume. 443 00:21:58,230 --> 00:21:59,590 Gotcha. 444 00:22:00,670 --> 00:22:02,629 I don't appreciate mockery, Dr. Palmer. 445 00:22:02,630 --> 00:22:05,429 I had quite enough of that in my school days. 446 00:22:05,430 --> 00:22:07,870 - Good luck with your talk. - Attraction falling, guys. 447 00:22:09,110 --> 00:22:10,190 Don't let her go. 448 00:22:11,510 --> 00:22:12,510 Follow her. 449 00:22:13,910 --> 00:22:14,910 Uh, wait! 450 00:22:15,510 --> 00:22:16,550 Uh, come back! 451 00:22:17,590 --> 00:22:18,950 Wait! I... I'm s... 452 00:22:19,990 --> 00:22:21,270 Dorothy! 453 00:22:23,990 --> 00:22:26,389 Clara! Her name is Clara. 454 00:22:26,390 --> 00:22:27,709 Divergence rising. 455 00:22:27,710 --> 00:22:29,110 Uh, Clara. 456 00:22:39,910 --> 00:22:41,629 Why did you call me Dorothy? 457 00:22:41,630 --> 00:22:42,910 Oh dear. 458 00:22:43,670 --> 00:22:46,669 Uh, you remind me of someone. 459 00:22:46,670 --> 00:22:48,750 Someone named Dorothy? 460 00:22:50,030 --> 00:22:51,150 Yeah. 461 00:22:52,190 --> 00:22:53,830 Why do I remind you of her? 462 00:22:54,550 --> 00:22:56,870 - They're way off script here. - Sh, sh! 463 00:22:58,430 --> 00:22:59,510 She was 464 00:23:01,030 --> 00:23:04,350 someone who the world looked at and 465 00:23:05,750 --> 00:23:08,190 assumed had everything, but 466 00:23:09,870 --> 00:23:12,030 on the inside, she was... 467 00:23:13,430 --> 00:23:14,430 Blue. 468 00:23:16,790 --> 00:23:17,790 I don't know. 469 00:23:18,870 --> 00:23:20,270 But I think so. 470 00:23:23,110 --> 00:23:25,630 Then it's no surprise I remind you of her. 471 00:23:28,910 --> 00:23:30,590 Follow her into the garden. 472 00:23:32,030 --> 00:23:33,189 Sit beside her. 473 00:23:33,190 --> 00:23:34,190 I was going to. 474 00:23:34,710 --> 00:23:35,710 Going to what? 475 00:23:36,670 --> 00:23:40,069 Oh, I was going to... to ask if you wanna talk about it? 476 00:23:40,070 --> 00:23:41,390 Oh, no. 477 00:23:42,430 --> 00:23:45,309 One should never unburden oneself to a stranger. 478 00:23:45,310 --> 00:23:46,629 Oh, it's no burden. 479 00:23:46,630 --> 00:23:48,349 Trust me, I'm a doctor. 480 00:23:48,350 --> 00:23:51,229 And I've given up on my dreams of piano playing. 481 00:23:51,230 --> 00:23:53,189 Well, I think that's wise. 482 00:23:55,630 --> 00:23:58,310 I would talk to my husband about it, but honestly, 483 00:23:58,830 --> 00:24:01,790 Claude stopped noticing my temperament some time ago. 484 00:24:02,990 --> 00:24:04,990 He's so consumed by the business. 485 00:24:05,510 --> 00:24:09,149 Papa used to joke that Claude was marrying the company 486 00:24:09,150 --> 00:24:10,590 rather than marrying me. 487 00:24:11,110 --> 00:24:13,310 If that's true, then Claude's crazy. 488 00:24:16,150 --> 00:24:17,270 You're sweet. 489 00:24:22,110 --> 00:24:23,910 Romantic interest rising. 490 00:24:25,990 --> 00:24:28,110 This Dorothy you mention, 491 00:24:28,870 --> 00:24:31,070 what's true of her is also true of me. 492 00:24:32,630 --> 00:24:34,200 You know, it's silly, but 493 00:24:34,201 --> 00:24:37,270 sometimes a sense of such wretchedness seizes me 494 00:24:38,270 --> 00:24:40,481 as though I'm connected to some fathomless sorrow 495 00:24:40,482 --> 00:24:41,510 reaching through time. 496 00:24:43,910 --> 00:24:46,309 Perhaps I was a tragic figure in some other life. 497 00:24:46,310 --> 00:24:48,830 I thought you said they weren't self-aware. 498 00:24:49,350 --> 00:24:50,470 They're not. 499 00:24:51,070 --> 00:24:54,229 The... the only reality she's aware of is... is the story. 500 00:24:54,230 --> 00:24:56,390 Actually, I think she might be sensing some echoes. 501 00:24:58,270 --> 00:25:00,069 Well, our Clara AI 502 00:25:00,070 --> 00:25:03,390 is derived from the original performance by Dorothy Chambers. Uh... 503 00:25:04,150 --> 00:25:06,869 And Chambers drew on her own life. 504 00:25:06,870 --> 00:25:10,269 She sunk as much of herself as possible into the role of Clara. 505 00:25:10,270 --> 00:25:12,589 There's echoes of her running right through the data set. 506 00:25:12,590 --> 00:25:15,910 But when she heard her name, connected with that essence, 507 00:25:17,390 --> 00:25:18,870 she's grown a dimension. 508 00:25:19,550 --> 00:25:22,669 And... and it's not really built to accommodate that. 509 00:25:22,670 --> 00:25:25,229 Scene ending in T-minus 30 seconds, guys. 510 00:25:25,230 --> 00:25:27,190 This Dorothy, what happened to her? 511 00:25:29,350 --> 00:25:31,710 - We lost touch. - Oh. 512 00:25:33,390 --> 00:25:35,350 I hope she's happy somewhere. 513 00:25:36,350 --> 00:25:37,350 Me too. 514 00:25:39,270 --> 00:25:41,030 Look at me complaining about my life. 515 00:25:41,550 --> 00:25:43,189 You must think me so ungrateful. 516 00:25:43,190 --> 00:25:45,070 Oh, no. I've been there. 517 00:25:46,270 --> 00:25:48,470 - "Been there"? - I mean, I get it. 518 00:25:49,350 --> 00:25:50,549 Oh, you... you "get it." 519 00:25:50,550 --> 00:25:52,190 Yeah. You know, life shit. 520 00:25:52,790 --> 00:25:56,189 - No one says "shit" in the movie. - Oh my God. I mean, um... 521 00:25:56,190 --> 00:25:57,629 "Life shit"? 522 00:25:57,630 --> 00:25:58,989 She's saying it now. 523 00:25:58,990 --> 00:26:01,469 I... misspoke. 524 00:26:01,470 --> 00:26:03,830 No, I'm not... I'm not offended. 525 00:26:04,510 --> 00:26:06,310 If anything, it's refreshing. 526 00:26:07,590 --> 00:26:09,270 I've never met someone so 527 00:26:10,390 --> 00:26:11,470 differently alive. 528 00:26:14,110 --> 00:26:15,990 Romantic likelihood increasing. 529 00:26:19,030 --> 00:26:20,630 Good night, Dr. Palmer. 530 00:26:22,310 --> 00:26:23,310 Good night. 531 00:26:33,070 --> 00:26:35,070 Forecast good. We're back on track. 532 00:26:35,790 --> 00:26:37,429 Narrative stress falling. 533 00:26:37,430 --> 00:26:39,109 Interior. Lobby. 534 00:26:39,110 --> 00:26:40,150 Continuous. 535 00:26:40,870 --> 00:26:42,390 Gorgeous Claude. 536 00:26:45,590 --> 00:26:46,590 Darling. 537 00:26:47,590 --> 00:26:48,870 Claude. 538 00:26:49,470 --> 00:26:51,069 This is the scene with Claude. 539 00:26:51,070 --> 00:26:54,069 Brandy's not on screen for two minutes, so you're free to talk. 540 00:26:54,070 --> 00:26:55,950 Me too. I'm somewhat tired. 541 00:26:56,830 --> 00:26:59,149 Uh, think we're good. Brandy, thank you. 542 00:26:59,150 --> 00:27:01,989 Um, the camera's not on you right now, 543 00:27:01,990 --> 00:27:03,349 so catch your breath. 544 00:27:03,350 --> 00:27:05,229 Hey, you guys saw that, right? 545 00:27:05,230 --> 00:27:07,229 I mean, that was insane. 546 00:27:07,230 --> 00:27:09,949 Are you sure she's a... computer person or whatever? 547 00:27:09,950 --> 00:27:11,949 Because she... she touched me. 548 00:27:11,950 --> 00:27:14,069 - It was weird. I don't... - Uh, mm-hmm. 549 00:27:14,070 --> 00:27:17,669 I've just seen my wife, who is most terribly alive. 550 00:27:17,670 --> 00:27:19,909 You were supposed to serve that special Black Rose. 551 00:27:19,910 --> 00:27:20,949 Oh no. 552 00:27:20,950 --> 00:27:23,389 I did, boss, but she never drank it. 553 00:27:23,390 --> 00:27:24,629 Never drank it? 554 00:27:24,630 --> 00:27:26,990 Guys? Oi! 555 00:27:27,950 --> 00:27:28,989 What is it? 556 00:27:28,990 --> 00:27:30,910 Bonbon's drinking the cocktail. 557 00:27:31,430 --> 00:27:32,430 Oh. 558 00:27:33,150 --> 00:27:34,349 Shit! 559 00:27:34,350 --> 00:27:35,869 Just a moment, Brandy. 560 00:27:35,870 --> 00:27:36,870 Non ! 561 00:27:37,809 --> 00:27:38,949 Bonbon! 562 00:27:38,950 --> 00:27:40,710 Il est mort ! 563 00:27:41,310 --> 00:27:42,749 Dead dog confirmed. 564 00:27:42,750 --> 00:27:45,350 I repeat, dead dog confirmed. 565 00:27:47,310 --> 00:27:49,069 We have a plot hole forming. 566 00:27:49,070 --> 00:27:50,309 Can... can we plug it? 567 00:27:50,310 --> 00:27:53,152 Okay, so Madam Roban was supposed to steal 568 00:27:53,153 --> 00:27:54,629 the cocktail and drink the poison... 569 00:27:55,790 --> 00:27:57,269 This poor lady is dead. 570 00:27:57,270 --> 00:27:59,749 ... which means Inspector Lavigne gets called to the hotel 571 00:27:59,750 --> 00:28:01,956 and asks Alex to sign the death certificate. 572 00:28:02,990 --> 00:28:04,949 And Alex sees Inspector Lavigne sneezing 573 00:28:04,950 --> 00:28:07,709 and diagnoses him with allergies to his own cologne. 574 00:28:07,710 --> 00:28:09,050 Which sets up the beat for the final scene 575 00:28:09,051 --> 00:28:10,989 when the police burst in. 576 00:28:10,990 --> 00:28:14,029 Lavigne recognizes Alex and tells his men not to shoot. 577 00:28:14,030 --> 00:28:15,429 He diagnosed my allergy. 578 00:28:15,430 --> 00:28:18,829 - But then they won't have met before. - So the police will just shoot her. 579 00:28:18,830 --> 00:28:19,909 That's horrid. 580 00:28:19,910 --> 00:28:21,230 Yeah, I've got it here. 581 00:28:25,190 --> 00:28:27,390 Uh, so that's gonna tank the whole thing. 582 00:28:30,070 --> 00:28:31,549 So it's over, isn't it? 583 00:28:31,550 --> 00:28:34,149 No. We... we can reset. We can try it again. 584 00:28:34,150 --> 00:28:35,309 From scratch? 585 00:28:35,310 --> 00:28:36,469 No, we can't. 586 00:28:36,470 --> 00:28:37,869 There isn't any time. 587 00:28:37,870 --> 00:28:39,785 They've got to get in and start building 588 00:28:39,786 --> 00:28:42,269 some gargantuan toilet by noon. 589 00:28:42,270 --> 00:28:43,270 I'm sorry. 590 00:28:44,230 --> 00:28:45,830 Jack, pull her out. 591 00:28:48,490 --> 00:28:51,529 Okay, everybody. That's a wrap, I'm afraid. 592 00:28:51,530 --> 00:28:54,650 - Um, it's still going. - Jack, just pull her out, please. 593 00:28:55,250 --> 00:28:58,810 Uh, yeah, we may have an operational issue in that regard. 594 00:29:00,650 --> 00:29:01,769 What? 595 00:29:01,770 --> 00:29:04,289 Uh, well, the expansion of Clara's character 596 00:29:04,291 --> 00:29:05,823 seems to have triggered a stack overflow, 597 00:29:05,825 --> 00:29:08,848 causing the exit code to, um, misbehave. 598 00:29:08,850 --> 00:29:10,809 "Misbehave"? As in, how? 599 00:29:10,810 --> 00:29:13,009 The extraction routine is non-responsive at this time. 600 00:29:13,010 --> 00:29:14,689 - What?! - So you can't pull her out? 601 00:29:14,690 --> 00:29:17,809 Not until she gets to the end credits. If she gets to the credits. 602 00:29:17,810 --> 00:29:19,322 Well, the story's broken anyway. 603 00:29:19,323 --> 00:29:21,209 Why don't you just turn the machine off? 604 00:29:21,210 --> 00:29:23,209 No! No, no. Interrupting the simulation 605 00:29:23,210 --> 00:29:25,009 while her consciousness is marooned in there 606 00:29:25,010 --> 00:29:28,969 could cause a catastrophic synaptic failure in the subject. 607 00:29:28,970 --> 00:29:31,849 He's saying Brandy's consciousness would be deleted, and she'd die. 608 00:29:31,850 --> 00:29:32,889 What? 609 00:29:32,890 --> 00:29:35,249 Uh, real Brandy Friday would die? 610 00:29:35,250 --> 00:29:38,530 Well, I mean, there's a 98% chance of fatality, yes. 611 00:29:39,930 --> 00:29:41,090 Oh, marvelous. 612 00:29:41,610 --> 00:29:44,649 Keyworth Pictures reinventing vintage movies, 613 00:29:44,650 --> 00:29:46,369 attracting Hollywood stars, 614 00:29:46,370 --> 00:29:47,889 and killing them. 615 00:29:47,890 --> 00:29:50,489 Hey, she's back on-screen in T-minus 90 seconds. 616 00:29:50,490 --> 00:29:51,769 Maybe we should get her... 617 00:29:51,770 --> 00:29:53,228 What about the Lavigne plot hole? 618 00:29:53,229 --> 00:29:54,929 They'll shoot Alex in the final scene. 619 00:29:54,930 --> 00:29:56,049 Oh Jesus. 620 00:29:56,050 --> 00:29:58,729 That's the end. We have 90 minutes to fix this. 621 00:29:58,730 --> 00:29:59,910 Crystal, can we find a workaround? 622 00:29:59,912 --> 00:30:02,776 Yeah, maybe. Will I get a story credit? 623 00:30:04,530 --> 00:30:07,610 No. We'll discuss that later. That's fine. Uh, I'll get to work. 624 00:30:08,690 --> 00:30:10,449 Brandy, we need to talk for a moment. 625 00:30:10,450 --> 00:30:13,609 Yeah, we do. I know I went off script, but so did she. 626 00:30:13,610 --> 00:30:15,489 I know I wasn't supposed to say shit. 627 00:30:15,490 --> 00:30:17,129 - But she kind of laughed. - Brandy. 628 00:30:17,130 --> 00:30:18,849 I just... I wasn't expecting it. 629 00:30:18,850 --> 00:30:21,809 I wasn't expecting her to feel so... so real. 630 00:30:21,810 --> 00:30:23,089 - I feel like... - Brandy. 631 00:30:23,090 --> 00:30:25,450 - We're gonna move on to the next scene. - Right. Uh... 632 00:30:26,370 --> 00:30:29,329 The next scene is, uh, Lavigne, the cop guy. 633 00:30:29,330 --> 00:30:32,449 - Whoa, whoa, whoa. - To sign the lady's death certificate. 634 00:30:32,450 --> 00:30:34,849 But he's sneezing. And then I'm supposed to... 635 00:30:34,850 --> 00:30:36,050 There's been a change of plan. 636 00:30:36,650 --> 00:30:37,689 Change of plan, how? 637 00:30:37,690 --> 00:30:38,690 Um... 638 00:30:39,570 --> 00:30:42,769 Madam Roban did not drink the cocktail. Her dog did. 639 00:30:42,770 --> 00:30:44,410 Oh, the dog died. 640 00:30:45,210 --> 00:30:47,230 Wait, the old French lady's still alive? 641 00:30:47,232 --> 00:30:48,289 Yes. 642 00:30:48,290 --> 00:30:50,814 Wait. So the cop guy scene can't happen? 643 00:30:50,816 --> 00:30:52,009 We're working on it. 644 00:30:52,010 --> 00:30:56,089 No, we gotta reset. We gotta start over. We gotta get the story right. 645 00:30:56,090 --> 00:30:59,410 So the thing about that is, um... we can't. 646 00:31:00,010 --> 00:31:01,169 Can't, how? 647 00:31:01,170 --> 00:31:05,409 We're experiencing a slight technical difficulty, 648 00:31:05,410 --> 00:31:08,250 um, which means that we can't extract you 649 00:31:08,251 --> 00:31:10,209 until the narrative arc is complete, 650 00:31:10,210 --> 00:31:11,409 as in, the credits roll. 651 00:31:11,410 --> 00:31:14,329 - I'm stuck here? - Until you bring the story to a close. 652 00:31:14,330 --> 00:31:16,329 So I have to make it to the end of the movie? 653 00:31:16,330 --> 00:31:20,009 Yes. You say to Clara your final line, "Yours forevermore," 654 00:31:20,010 --> 00:31:21,769 credits roll, we pull you on out. 655 00:31:21,770 --> 00:31:25,729 - What if I can't make it that far? - Let's focus on where we are. 656 00:31:25,730 --> 00:31:27,569 Uh, it's day two. Clock's a-tickin'. 657 00:31:27,570 --> 00:31:28,929 Day two? What does that... 658 00:31:28,930 --> 00:31:30,209 Clara goes sightseeing. 659 00:31:30,210 --> 00:31:31,609 You ask to accompany her. 660 00:31:31,610 --> 00:31:33,529 Okay, yeah. That's... 661 00:31:33,530 --> 00:31:36,169 Scene change in ten... 662 00:31:36,170 --> 00:31:37,849 New story day inbound. 663 00:31:37,850 --> 00:31:40,556 Brandy, you're gonna feel a time jump at any moment. 664 00:31:40,558 --> 00:31:41,668 Feel, how? 665 00:31:41,670 --> 00:31:43,289 It might be a bit of a rug pull. 666 00:31:43,290 --> 00:31:47,009 Time and space change instantly with the edit. Being, like, teleported. 667 00:31:47,010 --> 00:31:49,409 - What do you mean "teleported"? - New story day. 668 00:31:49,410 --> 00:31:51,489 Interior. Hotel lobby. Morning. 669 00:31:51,490 --> 00:31:54,329 The scene is on. It's fully populated. 670 00:31:54,330 --> 00:31:57,170 A lot of eyes on you. Blink twice if you understand. 671 00:31:58,810 --> 00:31:59,890 Clara's en route. 672 00:32:02,650 --> 00:32:04,770 Bump into her. Make it look natural. 673 00:32:07,370 --> 00:32:08,650 - Oh! Sorry! - Oh! 674 00:32:09,210 --> 00:32:11,049 - Hey, Clara! - Dr. Palmer. 675 00:32:11,050 --> 00:32:13,169 I'm in the habit of apologizing to you. 676 00:32:13,170 --> 00:32:15,170 Oh, it's quite all right. No harm done. 677 00:32:15,970 --> 00:32:17,249 You heading out? 678 00:32:17,250 --> 00:32:20,049 Well, I was planning on doing some sightseeing, 679 00:32:20,050 --> 00:32:22,249 but Claude's been called away on business, 680 00:32:22,250 --> 00:32:25,209 so it seems it's going to be rather a solitary affair. 681 00:32:25,210 --> 00:32:27,009 - Invite yourself along. - Unless you... 682 00:32:27,010 --> 00:32:29,383 I don't suppose... you would want 683 00:32:29,384 --> 00:32:31,130 to accompany me, would you, Dr. Palmer? 684 00:32:32,850 --> 00:32:35,289 - Palmer's supposed to ask her that. - Shit. 685 00:32:35,290 --> 00:32:37,490 I'm sorry. It's rather forward of me. 686 00:32:38,010 --> 00:32:39,289 She's gaining agency. 687 00:32:39,290 --> 00:32:41,410 What's wrong with that? Actors love agency. 688 00:32:43,290 --> 00:32:45,729 Yeah. I think it adds something to it. 689 00:32:45,730 --> 00:32:48,129 - So why did you say "shit"? - I said, "Shit, yeah." 690 00:32:48,130 --> 00:32:50,570 No, I'm just happy you asked. 691 00:32:51,850 --> 00:32:53,769 So what sights are we seeing? 692 00:32:53,770 --> 00:32:55,610 All that Cairo has to offer. 693 00:32:56,770 --> 00:32:59,329 Um, you're gonna experience some dissolves. 694 00:32:59,330 --> 00:33:02,809 Uh, there's a montage coming up. It might make you a little nauseous. 695 00:33:05,450 --> 00:33:08,570 - So looking forward to seeing Cairo. - I can't wait. 696 00:33:12,130 --> 00:33:13,409 Hang on in there. 697 00:33:13,410 --> 00:33:16,569 No, because then there's no time for the... the scene 698 00:33:16,570 --> 00:33:20,169 when, uh, Alex overhears Claude talking to Otto. 699 00:33:20,170 --> 00:33:21,170 Fuck! 700 00:33:21,730 --> 00:33:23,330 I could do this for hours. 701 00:33:32,730 --> 00:33:34,849 I had the most magical day. 702 00:33:34,850 --> 00:33:37,049 Yeah, that was a trip. 703 00:33:37,050 --> 00:33:39,010 You do say the funniest things. 704 00:33:39,610 --> 00:33:41,729 I couldn't have asked for a more agreeable companion. 705 00:33:41,730 --> 00:33:44,049 - Me either. - You mean "neither." 706 00:33:44,050 --> 00:33:45,569 But I said "either." 707 00:33:45,570 --> 00:33:47,050 Don't debate grammar. 708 00:33:47,570 --> 00:33:49,809 Thanks for asking me along. 709 00:33:49,810 --> 00:33:51,290 There's no need to thank me. 710 00:33:52,010 --> 00:33:53,290 At all. 711 00:33:56,090 --> 00:33:57,930 Here's where she twists her ankle. 712 00:33:59,210 --> 00:34:00,410 Oh God! 713 00:34:01,650 --> 00:34:03,329 - Oh God. - God. Are you okay? 714 00:34:03,330 --> 00:34:04,969 Damn my damned heels. 715 00:34:04,970 --> 00:34:06,089 Help her to her room. 716 00:34:06,090 --> 00:34:07,169 I know! 717 00:34:07,170 --> 00:34:10,809 I know you'll need help getting to your room. 718 00:34:10,810 --> 00:34:11,810 - Oh. - Here. 719 00:34:12,370 --> 00:34:13,729 Seduction scene next. 720 00:34:13,730 --> 00:34:16,170 Oh, not at all. 721 00:34:18,530 --> 00:34:21,649 Okay, so here's where, uh, you ask to check her leg, 722 00:34:21,650 --> 00:34:24,210 and things get a little... heated. 723 00:34:25,410 --> 00:34:27,490 That was quite the fall you took. 724 00:34:28,930 --> 00:34:30,690 Maybe I should check if it's swollen? 725 00:34:31,570 --> 00:34:34,370 Um, well, go gently on me. 726 00:34:35,090 --> 00:34:36,730 I'll do my best. 727 00:34:59,570 --> 00:35:01,410 How does this feel? 728 00:35:02,090 --> 00:35:03,970 Oh, that doesn't feel bad at all. 729 00:35:04,930 --> 00:35:06,570 That's a good sign. 730 00:35:07,370 --> 00:35:09,690 Will I still be able to join the Bolshoi? 731 00:35:13,090 --> 00:35:14,409 I think so. 732 00:35:14,410 --> 00:35:17,370 Perhaps to make certain, you might try a little bit higher. 733 00:35:22,970 --> 00:35:24,690 Like... here? 734 00:35:26,570 --> 00:35:27,610 That's good. 735 00:35:30,610 --> 00:35:32,250 How about here? 736 00:35:34,530 --> 00:35:35,530 Is that 737 00:35:36,490 --> 00:35:37,490 tender? 738 00:35:38,210 --> 00:35:39,210 Ever so tender. 739 00:35:39,650 --> 00:35:42,330 A tad fruitier than the original. 740 00:35:46,170 --> 00:35:48,809 Uh, that'll be the ice I ordered for the swelling. 741 00:35:48,810 --> 00:35:49,810 Mm. 742 00:35:53,250 --> 00:35:55,090 Second murder attempt imminent. 743 00:35:56,730 --> 00:35:58,770 I swear I just ordered the ice. 744 00:36:00,570 --> 00:36:03,010 Well, it would be a shame to waste it. 745 00:36:03,536 --> 00:36:04,609 Are you sure? 746 00:36:04,610 --> 00:36:08,289 Champagne in my room with a stranger. I'd never survive the scandal. 747 00:36:09,610 --> 00:36:12,130 Gosh, how I yearn to be free. 748 00:36:14,010 --> 00:36:15,849 This is your scorpion moment. 749 00:36:15,850 --> 00:36:17,470 Don't move. 750 00:36:17,472 --> 00:36:18,569 Hmm? 751 00:36:21,010 --> 00:36:22,850 Oh my goodness! 752 00:36:24,410 --> 00:36:26,580 Oh, I daren't even think what might have happened 753 00:36:26,581 --> 00:36:27,770 if you hadn't been here. 754 00:36:28,930 --> 00:36:29,930 Oh, Alex. 755 00:36:43,170 --> 00:36:45,490 Romance levels peaking. 756 00:36:46,410 --> 00:36:48,890 Uh, yeah, that... that is peaking. 757 00:36:58,290 --> 00:37:00,930 She wasn't like this with Ralphy. 758 00:37:01,690 --> 00:37:03,210 No. 759 00:37:04,450 --> 00:37:05,490 Oh shit! 760 00:37:07,970 --> 00:37:09,809 - Data feed down. - We've lost picture. 761 00:37:09,810 --> 00:37:11,889 - Time code borked. - Live feed down. 762 00:37:11,890 --> 00:37:13,009 No! Fuck! 763 00:37:13,010 --> 00:37:14,061 I'm sorry. 764 00:37:14,063 --> 00:37:15,769 The coffee, Jack. The fucking... 765 00:37:20,370 --> 00:37:22,090 My heart is pounding like a drum. 766 00:37:23,490 --> 00:37:26,370 I feel as if the whole world has somehow stopped turning. 767 00:37:27,490 --> 00:37:28,650 So do I. 768 00:37:30,730 --> 00:37:31,770 What is it? 769 00:37:32,530 --> 00:37:33,530 Do you hear that? 770 00:37:35,690 --> 00:37:37,010 It's silent. 771 00:37:38,330 --> 00:37:39,330 So it is. 772 00:37:40,250 --> 00:37:43,810 - I'm sorry! I spilled my coffee. - Brandy! Brandy, can you hear me? 773 00:37:44,810 --> 00:37:45,810 Brandy! 774 00:37:46,290 --> 00:37:47,609 God damn it! 775 00:37:49,570 --> 00:37:51,410 - Oh. - Who is that? 776 00:37:55,370 --> 00:37:56,370 It's Otto. 777 00:37:57,410 --> 00:38:00,170 Your husband's henchman kind of guy. Oh, wait. 778 00:38:00,690 --> 00:38:03,809 You're not supposed to know that. Forget I said that. 779 00:38:03,810 --> 00:38:05,610 Claude doesn't have henchmen. 780 00:38:09,170 --> 00:38:11,049 Why isn't he moving? 781 00:38:11,050 --> 00:38:12,490 They must be resetting. 782 00:38:13,323 --> 00:38:14,449 "They"? 783 00:38:14,450 --> 00:38:16,569 - No, no. I... - Can you fix this? 784 00:38:16,570 --> 00:38:19,209 - Can I have... Towel! - I told you about the coffee, dude. 785 00:38:19,210 --> 00:38:21,010 I don't understand. 786 00:38:22,850 --> 00:38:23,890 Kimmy? 787 00:38:24,850 --> 00:38:26,690 - Alex? - Kimmy? 788 00:38:28,370 --> 00:38:29,410 Alex, I... 789 00:38:32,770 --> 00:38:33,930 Wait. 790 00:38:44,290 --> 00:38:46,210 - What's going on? - We've lost connection. 791 00:38:46,890 --> 00:38:48,081 But it's still running. 792 00:38:48,082 --> 00:38:50,410 Sure, but she is stuck in the simulation. 793 00:38:51,210 --> 00:38:54,009 So she could die? Be honest. 794 00:38:54,010 --> 00:38:55,010 - No. - Maybe. 795 00:38:56,930 --> 00:38:58,769 If you had to put a percentage on it? 796 00:38:58,770 --> 00:39:01,129 Fifty-fifty? 797 00:39:01,130 --> 00:39:02,410 She said be honest! 798 00:39:07,610 --> 00:39:08,610 Hello? 799 00:39:09,530 --> 00:39:10,530 Guys? 800 00:39:12,490 --> 00:39:13,529 Hello? 801 00:39:13,530 --> 00:39:15,050 Kimmy, can you hear me? 802 00:39:20,810 --> 00:39:21,810 Guys? 803 00:39:23,130 --> 00:39:24,130 Kimmy? 804 00:39:24,530 --> 00:39:26,210 Who's Kimmy? 805 00:39:27,970 --> 00:39:31,529 Madam Roban. She's... she's still alive. 806 00:39:31,530 --> 00:39:35,289 She's supposed to be dead, and the story's all messed up now. 807 00:39:35,290 --> 00:39:37,409 - You're... you're frightening me. - Guys? 808 00:39:37,410 --> 00:39:38,810 G-Guys? 809 00:39:39,890 --> 00:39:43,010 Kimmy, it's not cool to leave me hanging like this. 810 00:39:44,090 --> 00:39:46,490 - Please tell me what's happening. - Guys? 811 00:39:49,490 --> 00:39:52,050 - Alex? - I'm not fucking Alex! 812 00:39:56,290 --> 00:39:57,929 I need to speak to Kimmy, okay? 813 00:39:57,930 --> 00:40:00,930 I'd... I'd explain, but you won't get it. 814 00:40:02,570 --> 00:40:04,249 How do you know what I won't get? 815 00:40:04,250 --> 00:40:08,089 The world's broken, and they're gonna have to reset it. 816 00:40:08,090 --> 00:40:10,970 You... probably won't remember any of this. 817 00:40:11,610 --> 00:40:15,089 The movie is over. I repeat, the movie is over! 818 00:40:15,090 --> 00:40:16,649 - What movie? - The... 819 00:40:16,650 --> 00:40:20,130 Oh my God. This whole world's a movie. 820 00:40:21,330 --> 00:40:23,410 No, it's not. 821 00:40:25,410 --> 00:40:26,770 Look around. 822 00:40:27,570 --> 00:40:29,370 Yeah. It's not even in color. 823 00:40:30,210 --> 00:40:31,610 I don't know what you mean. 824 00:40:37,210 --> 00:40:38,210 See this banana? 825 00:40:39,650 --> 00:40:40,650 Not yellow. 826 00:40:43,010 --> 00:40:44,010 This orange? 827 00:40:44,970 --> 00:40:46,209 Un-orange. 828 00:40:46,210 --> 00:40:48,209 That's a perfectly normal orange. 829 00:40:51,170 --> 00:40:52,849 So what color is this apple? 830 00:40:52,850 --> 00:40:54,729 The same color an apple always is. 831 00:40:54,730 --> 00:40:56,170 Red or green? 832 00:40:59,530 --> 00:41:02,210 See? None of this is real. 833 00:41:03,210 --> 00:41:04,450 You're not real. 834 00:41:05,810 --> 00:41:08,209 I... No, I'm... I'm as real as you are. 835 00:41:11,570 --> 00:41:13,410 Do you remember being a kid? 836 00:41:13,930 --> 00:41:16,410 Do you have any childhood memories at all? 837 00:41:17,023 --> 00:41:18,089 I... 838 00:41:18,090 --> 00:41:19,530 You mentioned your dad earlier. 839 00:41:20,290 --> 00:41:22,290 Can you describe what he looks like? 840 00:41:22,810 --> 00:41:24,010 Anything about him? 841 00:41:26,210 --> 00:41:27,410 - You can't. - I... 842 00:41:28,330 --> 00:41:31,330 You don't even know his face because he's not in this movie. 843 00:41:32,210 --> 00:41:35,129 I don't... I don't like this game. 844 00:41:35,130 --> 00:41:37,010 No, that... that's exactly it. 845 00:41:37,383 --> 00:41:38,529 It's a game. 846 00:41:38,530 --> 00:41:40,969 It's... "let's pretend." It's a performance. 847 00:41:40,970 --> 00:41:42,210 You're a performance! 848 00:41:44,090 --> 00:41:45,090 No. 849 00:41:45,850 --> 00:41:47,009 Stop it. I'm... 850 00:41:47,010 --> 00:41:50,010 When I called you Dorothy earlier, she wasn't someone I knew. 851 00:41:50,650 --> 00:41:51,969 She was you. 852 00:41:51,970 --> 00:41:53,250 The real you. 853 00:41:54,210 --> 00:41:55,290 She's an actress. 854 00:41:55,930 --> 00:41:58,170 Or... was an actress. 855 00:41:59,850 --> 00:42:01,130 Dorothy Chambers? 856 00:42:03,770 --> 00:42:05,049 You're a role she played. 857 00:42:09,570 --> 00:42:10,570 No. 858 00:42:11,290 --> 00:42:12,970 No, no. 859 00:42:19,730 --> 00:42:20,730 Shit. 860 00:43:07,050 --> 00:43:08,050 Hey. 861 00:43:10,730 --> 00:43:14,649 Uh, I'm sorry I yelled at you back there. 862 00:43:14,650 --> 00:43:19,210 This... whole thing's just really hard to explain. 863 00:43:21,090 --> 00:43:23,530 This is all a story 864 00:43:24,690 --> 00:43:25,970 in a computer. 865 00:43:26,490 --> 00:43:27,490 Or, uh... 866 00:43:28,810 --> 00:43:32,490 Or I... I guess think of it like a play 867 00:43:33,650 --> 00:43:36,290 in the brain of a machine. 868 00:43:37,530 --> 00:43:40,770 For now, the movie's stopped... 869 00:43:42,770 --> 00:43:43,809 for the moment. 870 00:43:43,810 --> 00:43:44,850 I don't know why. 871 00:43:46,250 --> 00:43:48,130 Maybe some technical problem. 872 00:43:53,290 --> 00:43:56,130 I know I said you weren't real. 873 00:43:59,050 --> 00:44:00,730 But I'm kind of not either. 874 00:44:05,490 --> 00:44:08,610 My name's not Alex. It's Brandy. 875 00:44:09,450 --> 00:44:11,410 I'm like you. 876 00:44:12,530 --> 00:44:13,570 I'm an actor. 877 00:44:15,490 --> 00:44:17,210 They... they hired me to... 878 00:44:19,210 --> 00:44:21,930 recast this whole thing. 879 00:44:26,570 --> 00:44:27,770 I don't know if 880 00:44:29,010 --> 00:44:31,970 any of this makes any sense to you? 881 00:44:44,330 --> 00:44:45,610 But, um... 882 00:44:48,610 --> 00:44:49,770 I'm really sorry. 883 00:45:21,210 --> 00:45:24,169 Wait. So the story's on hold, but time's still advancing? 884 00:45:24,170 --> 00:45:26,569 Yeah, the chronographic tempo's way out of whack. 885 00:45:26,570 --> 00:45:27,649 Which means? 886 00:45:27,650 --> 00:45:29,510 It means time in there for her is running 887 00:45:29,511 --> 00:45:31,370 a lot faster than it is for us out here. 888 00:45:32,850 --> 00:45:34,009 Faster, as in? 889 00:45:34,010 --> 00:45:37,010 As in six, seven hours a second. 890 00:45:37,650 --> 00:45:40,170 Does that mean we have to pay her for more days? 891 00:45:50,730 --> 00:45:53,529 - Clara? - I thought you said I was Dorothy. 892 00:45:53,530 --> 00:45:55,809 Sleeping in the lobby makes you look like a hobo. 893 00:45:55,810 --> 00:45:57,889 I tried the doors. None of them have insides. 894 00:45:57,890 --> 00:46:00,529 They're not part of the story. Where are you going? 895 00:46:00,530 --> 00:46:02,169 To find a way out. 896 00:46:02,170 --> 00:46:03,970 - I'll come with you. - No, you won't. 897 00:47:04,770 --> 00:47:06,530 Something just breached the fringe. 898 00:47:07,216 --> 00:47:08,329 What? 899 00:47:27,690 --> 00:47:28,770 There it is again. 900 00:47:29,530 --> 00:47:30,849 Is it Brandy? 901 00:48:07,410 --> 00:48:09,490 I think it might be Clara. 902 00:48:10,490 --> 00:48:12,130 - Clara? - Yeah. 903 00:48:13,490 --> 00:48:16,089 She... she would've been exposed to the full data pool. 904 00:48:16,090 --> 00:48:17,090 I guess. 905 00:48:18,090 --> 00:48:20,290 Do we think that's... bad? 906 00:48:21,370 --> 00:48:23,250 Yeah. Yeah, that's... 907 00:48:24,650 --> 00:48:25,650 Oh no. 908 00:48:27,050 --> 00:48:29,650 - You seriously have to fix this. - You seriously have to let me. 909 00:50:53,130 --> 00:50:54,170 Stop. 910 00:50:57,130 --> 00:51:00,929 Look, I may not be real, and you may not be who you say you are, 911 00:51:00,930 --> 00:51:05,770 and this entire existence might be a meaningless pantomime, but 912 00:51:07,530 --> 00:51:09,649 if you and I are going to be stuck here together, 913 00:51:09,650 --> 00:51:13,570 then I'm not going to let you defile that piano one moment longer. 914 00:51:14,770 --> 00:51:15,810 Go on, budge. 915 00:51:16,570 --> 00:51:18,450 Sit over there. Watch and learn. 916 00:51:22,570 --> 00:51:24,409 Come on, come on, come on! 917 00:51:24,410 --> 00:51:26,769 I think I've got something. 918 00:51:26,770 --> 00:51:27,809 Uh... 919 00:51:27,810 --> 00:51:29,729 - Oh my God. - Whoa. What's that? 920 00:51:29,730 --> 00:51:30,794 - Clara... - Okay. 921 00:51:30,796 --> 00:51:32,476 Why is Clara at the piano? 922 00:51:33,490 --> 00:51:35,889 - That's not in the script. - What is that? 923 00:51:35,890 --> 00:51:37,250 What is she doing? 924 00:51:37,890 --> 00:51:39,209 Oh, uh... 925 00:51:39,210 --> 00:51:41,650 - What? - What? Oh God. 926 00:51:43,810 --> 00:51:45,890 - Ready? - I'm ready. 927 00:54:47,890 --> 00:54:50,050 - Morning. - Morning. 928 00:54:58,250 --> 00:54:59,250 I love you. 929 00:55:02,130 --> 00:55:03,130 Mm-hmm. 930 00:55:04,530 --> 00:55:05,769 "Mm-hmm"? 931 00:55:07,890 --> 00:55:09,569 You know I do too. I... 932 00:55:09,570 --> 00:55:10,929 Phew. 933 00:55:12,970 --> 00:55:13,970 I just... 934 00:55:15,330 --> 00:55:16,330 I wonder... 935 00:55:16,770 --> 00:55:17,930 What do you wonder? 936 00:55:19,730 --> 00:55:23,170 Do you think you love me because 937 00:55:25,050 --> 00:55:26,450 Clara was written 938 00:55:27,410 --> 00:55:28,610 to feel that way? 939 00:55:29,970 --> 00:55:32,290 About this person she met, this... 940 00:55:34,690 --> 00:55:35,930 this Alex Palmer. 941 00:55:40,850 --> 00:55:42,530 But you're not Alex Palmer. 942 00:55:56,970 --> 00:55:59,450 - We have got a save state! - Thank God! 943 00:56:00,450 --> 00:56:02,489 Chronographic tempo restored. 944 00:56:02,490 --> 00:56:04,209 I think we can reinstate comms too. 945 00:56:04,210 --> 00:56:05,849 - I can talk to her? - Voice only. 946 00:56:05,850 --> 00:56:07,890 We won't have a visual until we reset. 947 00:56:08,410 --> 00:56:09,410 Brandy? 948 00:56:10,730 --> 00:56:11,730 Brandy? 949 00:56:12,250 --> 00:56:14,049 - Kimmy? - Oh, thank God! 950 00:56:14,050 --> 00:56:15,889 Brandy? What is it? 951 00:56:15,890 --> 00:56:16,890 It's them. 952 00:56:17,770 --> 00:56:19,530 - Them? - As in "them." 953 00:56:20,290 --> 00:56:22,449 You mean the people on the outside? 954 00:56:22,450 --> 00:56:24,449 Look, we had a hardware issue. 955 00:56:24,450 --> 00:56:26,610 We're just gonna have to pick it up from where we were. 956 00:56:27,570 --> 00:56:29,209 Where we were? As in... 957 00:56:29,210 --> 00:56:31,409 The... the scene in Clara's hotel suite. 958 00:56:31,410 --> 00:56:32,809 The kiss after the scorpion. 959 00:56:32,810 --> 00:56:34,290 Bit of time has passed for her. 960 00:56:35,130 --> 00:56:37,009 Wait, we're going back to... 961 00:56:37,010 --> 00:56:39,050 Resetting the scorpion scene, yes. 962 00:56:41,730 --> 00:56:46,330 Uh, wait, Clara's here, and she knows who I am, and we've been... 963 00:56:47,050 --> 00:56:48,529 No, don't worry. 964 00:56:48,530 --> 00:56:51,889 Um, she won't remember anything that occurred after the save point. 965 00:56:51,890 --> 00:56:52,970 Okay. Save state prepped. 966 00:56:54,210 --> 00:56:55,569 She won't remember? 967 00:56:55,570 --> 00:56:58,009 No, just back to the film like nothing happened. 968 00:56:58,010 --> 00:56:59,290 What won't I remember? 969 00:56:59,810 --> 00:57:01,489 Um, you ready? 970 00:57:01,490 --> 00:57:05,089 Reloading save state in five. Four. 971 00:57:05,090 --> 00:57:06,850 - Link reestablished. - Three. 972 00:57:08,450 --> 00:57:09,569 Two. 973 00:57:09,570 --> 00:57:11,489 - One. - Wait! No, no, no, no! 974 00:57:14,490 --> 00:57:16,330 My heart is pounding like a drum. 975 00:57:16,930 --> 00:57:18,209 - Yes! - Great. 976 00:57:18,210 --> 00:57:19,370 Oh, thank God. 977 00:57:25,490 --> 00:57:27,170 She's got dialogue here. 978 00:57:29,290 --> 00:57:30,290 Brandy? 979 00:57:31,090 --> 00:57:32,930 You're supposed to say, "As is mine." 980 00:57:34,650 --> 00:57:35,650 Brandy? 981 00:57:36,890 --> 00:57:38,130 As is mine. 982 00:57:39,450 --> 00:57:41,810 I feel as though the whole world has stopped turning. 983 00:57:42,330 --> 00:57:43,330 "So do I." 984 00:57:43,810 --> 00:57:45,250 The line is, "So do I." 985 00:57:47,930 --> 00:57:49,289 So do I. 986 00:57:49,290 --> 00:57:50,490 Oh my word. 987 00:57:54,850 --> 00:57:56,210 I'm a married woman. 988 00:57:57,850 --> 00:57:59,850 I mustn't behave this way. I can't 989 00:58:01,170 --> 00:58:02,210 feel this way. 990 00:58:07,330 --> 00:58:08,330 "Feel what way?" 991 00:58:10,610 --> 00:58:11,650 Feel what way? 992 00:58:14,170 --> 00:58:15,490 Don't make me say it. 993 00:58:21,810 --> 00:58:23,449 Um, okay, so your line here is... 994 00:58:23,450 --> 00:58:25,450 You don't have to say anything you don't want to. 995 00:58:26,930 --> 00:58:27,970 That's not the line. 996 00:58:28,730 --> 00:58:30,570 - What? - What's going on? 997 00:58:32,130 --> 00:58:33,210 You must go. 998 00:58:36,450 --> 00:58:38,290 You heard her. You gotta go. 999 00:58:39,610 --> 00:58:40,769 I don't want to. 1000 00:58:40,770 --> 00:58:42,609 Jesus Christ! 1001 00:58:42,610 --> 00:58:44,009 Oh, but you must. 1002 00:58:44,010 --> 00:58:46,130 Yes, Brandy. You really must! 1003 00:58:46,650 --> 00:58:48,090 It's part of the story. 1004 00:58:50,010 --> 00:58:52,610 I'm so sorry, Dr. Palmer. 1005 00:58:57,370 --> 00:58:58,370 So am I. 1006 00:59:05,370 --> 00:59:06,809 How we doing in there? 1007 00:59:08,730 --> 00:59:09,850 Um, Brandy? 1008 00:59:10,450 --> 00:59:11,530 You... you can talk to me. 1009 00:59:13,490 --> 00:59:14,490 I'm here. 1010 00:59:14,970 --> 00:59:16,169 I need you to focus. 1011 00:59:16,170 --> 00:59:17,610 Can you focus? 1012 00:59:19,370 --> 00:59:21,649 Look, all you need to do is keep the arc going 1013 00:59:21,650 --> 00:59:23,929 and say your final line at the right time. 1014 00:59:23,930 --> 00:59:25,170 Trigger the end credits. 1015 00:59:25,690 --> 00:59:28,610 When the credits roll, we can extract you. You got it? 1016 00:59:30,090 --> 00:59:31,850 What... what if I don't say it? 1017 00:59:32,776 --> 00:59:33,889 What? 1018 00:59:33,890 --> 00:59:36,770 What happens if I don't say the final line? 1019 00:59:37,450 --> 00:59:40,850 Um, well, you'd be stuck in there. 1020 00:59:41,770 --> 00:59:43,689 - For how long? - Forever. 1021 00:59:43,690 --> 00:59:45,690 Mm. 1022 00:59:47,850 --> 00:59:51,010 And, listen, Brandy, if that happens, 1023 00:59:51,810 --> 00:59:53,770 your actual body out here, 1024 00:59:55,130 --> 00:59:56,370 that would die. 1025 00:59:56,970 --> 00:59:58,850 But... but my spirit, 1026 01:00:00,170 --> 01:00:02,290 consciousness, whatever, that would... 1027 01:00:03,650 --> 01:00:04,890 that would stay here? 1028 01:00:05,770 --> 01:00:06,770 With her? 1029 01:00:09,890 --> 01:00:11,490 Brandy, what are you asking me? 1030 01:00:15,836 --> 01:00:16,929 Nothing. 1031 01:00:16,930 --> 01:00:19,290 Good. Don't lose it now. 1032 01:00:19,970 --> 01:00:21,930 I won't. What happens next? 1033 01:00:22,530 --> 01:00:25,249 Courtyard scene. You head out for a smoke, 1034 01:00:25,250 --> 01:00:27,330 overhear Otto tell Claude about the scorpion. 1035 01:00:28,730 --> 01:00:30,489 - We good? - Sure. 1036 01:00:30,490 --> 01:00:33,729 Uh, head out, light my cigarette, overhear the bad guys. 1037 01:00:36,730 --> 01:00:38,290 What is going on with her? 1038 01:00:38,810 --> 01:00:40,529 I... don't know. 1039 01:00:40,530 --> 01:00:43,490 Scene 63. Alex smoking in the garden. 1040 01:00:44,010 --> 01:00:46,649 Well, is my problem taken care of? 1041 01:00:46,650 --> 01:00:48,610 No, boss. 1042 01:00:49,170 --> 01:00:52,169 The doctor trapped it in a glass. 1043 01:00:52,170 --> 01:00:53,529 Wait. What doctor? 1044 01:00:53,530 --> 01:00:55,330 The one attending to her. 1045 01:00:55,890 --> 01:00:58,289 Earlier, she fell and twisted her ankle. 1046 01:00:58,290 --> 01:01:00,569 If only she'd snapped her neck. 1047 01:01:00,570 --> 01:01:04,609 Look surprised as you overhear them. This is fresh information to you. 1048 01:01:04,610 --> 01:01:06,730 She dies tonight. 1049 01:01:07,410 --> 01:01:10,089 Great. Now beat it back to Clara's suite 1050 01:01:10,090 --> 01:01:12,849 before the assholes start discussing the rooftop plot. 1051 01:01:12,850 --> 01:01:14,250 Let's try plan C. 1052 01:01:16,050 --> 01:01:18,569 Did you sabotage the railing as we agreed? 1053 01:01:18,570 --> 01:01:20,609 Loosened up nicely, boss. 1054 01:01:20,610 --> 01:01:21,730 Excellent. 1055 01:01:22,410 --> 01:01:25,649 I'll invite her up there to take in the view, 1056 01:01:25,650 --> 01:01:27,689 then a quick shove, 1057 01:01:27,690 --> 01:01:30,209 then my troubles are over. 1058 01:01:32,650 --> 01:01:34,529 - Hey. - Alex. 1059 01:01:34,530 --> 01:01:36,043 Your husband's trying to kill you. 1060 01:01:36,045 --> 01:01:38,233 If this is another of your absurd japes... 1061 01:01:39,010 --> 01:01:43,209 My husband may have many faults, Dr. Palmer, but a murderer he is not. 1062 01:01:43,210 --> 01:01:44,770 Darling. 1063 01:01:46,130 --> 01:01:47,409 - Who are you? - Bran... 1064 01:01:47,410 --> 01:01:49,249 - Alex Palmer. - Crystal, how we doing? 1065 01:01:49,250 --> 01:01:51,343 Okay. I have a pitch for the third act. 1066 01:01:51,345 --> 01:01:52,381 Uh-huh. 1067 01:01:52,383 --> 01:01:55,169 So, at the end of this scene, uh, Alex leaves the room, 1068 01:01:55,170 --> 01:01:56,809 spots Otto, threatens him. 1069 01:01:56,810 --> 01:01:59,289 So then Otto tells Alex about the loosened railing. 1070 01:01:59,290 --> 01:02:01,169 But Alex already knows they'll be on the roof, 1071 01:02:01,170 --> 01:02:03,129 so that beat's actually sort of redundant. 1072 01:02:03,130 --> 01:02:04,130 That's right. 1073 01:02:04,530 --> 01:02:07,209 So what if, instead of chasing Otto, 1074 01:02:07,210 --> 01:02:09,849 Alex runs across the street to the police station, 1075 01:02:09,850 --> 01:02:12,529 warns them about Claude, then she can meet Lavigne? 1076 01:02:12,530 --> 01:02:15,409 - And diagnose his allergies there. - Great. 1077 01:02:15,410 --> 01:02:16,570 Do I get a credit? 1078 01:02:16,921 --> 01:02:18,129 If it works. 1079 01:02:18,130 --> 01:02:19,210 Okay. 1080 01:02:19,890 --> 01:02:22,369 - Will it work? - Don't ask me. You called it "great." 1081 01:02:22,370 --> 01:02:23,649 There's no time for notes. 1082 01:02:23,650 --> 01:02:25,969 Is there anything I can help you with, my good doctor? 1083 01:02:25,970 --> 01:02:29,850 The doctor was just leaving. I'll show you out, Dr. Palmer. 1084 01:02:34,010 --> 01:02:36,529 - I swear that's the voice I heard. - That's enough. 1085 01:02:36,530 --> 01:02:38,609 - Please, I... - I want you to leave this room. 1086 01:02:38,610 --> 01:02:41,130 And you can leave this damned hotel for all I care. 1087 01:02:41,770 --> 01:02:43,410 I never want to see you again. 1088 01:02:49,050 --> 01:02:50,050 My darling. 1089 01:02:53,490 --> 01:02:56,249 Okay, so this is where you'd usually turn left. 1090 01:02:56,250 --> 01:02:58,431 Yeah, spot Otto, give chase, 1091 01:02:58,432 --> 01:02:59,889 get the info about the rooftop. I've got it. 1092 01:02:59,890 --> 01:03:02,650 No, no, no. We have a rewrite. Uh, new pages. 1093 01:03:03,703 --> 01:03:04,809 Okay. 1094 01:03:04,810 --> 01:03:07,690 So you have to make a right and head to the police station. 1095 01:03:07,692 --> 01:03:08,929 Across the street? 1096 01:03:08,930 --> 01:03:10,729 Demand to speak to the highest-ranking cop. 1097 01:03:10,730 --> 01:03:12,569 - Uh, Lavigne. - Correct. 1098 01:03:12,570 --> 01:03:15,329 All you have to do is tell him Clara's husband is plotting something. 1099 01:03:15,330 --> 01:03:18,089 - He won't believe you, but... - But he'll sneeze. 1100 01:03:18,090 --> 01:03:19,979 I'll diagnose his cologne allergy, 1101 01:03:19,980 --> 01:03:22,089 and he'll remember me for the finale. 1102 01:03:22,090 --> 01:03:23,569 - Yeah, that works. - But hurry, okay? 1103 01:03:23,570 --> 01:03:25,369 Okay, it's creating a new scene. 1104 01:03:25,370 --> 01:03:28,409 Interior. Police station. Night. 1105 01:03:31,090 --> 01:03:33,009 Just a dog? 1106 01:03:33,010 --> 01:03:35,250 Bonbon was not just a dog. 1107 01:03:35,930 --> 01:03:37,769 And he was murdered. 1108 01:03:37,770 --> 01:03:39,569 Oh no, Madam Roban! 1109 01:03:39,570 --> 01:03:41,209 I forgot she was still in play. 1110 01:03:41,210 --> 01:03:42,369 - Oh. - Damn it! 1111 01:03:42,370 --> 01:03:45,610 Brandy, just ignore the French lady. Jump the line. 1112 01:03:46,290 --> 01:03:49,409 I need to speak to your most senior inspector here. 1113 01:03:49,410 --> 01:03:51,689 Please wait your turn. Madam was here first. 1114 01:03:51,690 --> 01:03:53,730 And I am reporting a murder. 1115 01:03:54,250 --> 01:03:56,610 Yes, of your poor sweet dog. 1116 01:03:57,210 --> 01:03:58,863 - That's right. - That's why I'm here. 1117 01:03:58,865 --> 01:04:00,009 It is? 1118 01:04:00,010 --> 01:04:01,049 No, it isn't. 1119 01:04:01,050 --> 01:04:04,530 Yes, I know the man responsible for murdering Bonbon. 1120 01:04:05,050 --> 01:04:06,929 - Bonbon? - Madam's dog. 1121 01:04:06,930 --> 01:04:08,009 You do? 1122 01:04:08,010 --> 01:04:11,129 Yes. The most dangerous maniac. 1123 01:04:11,130 --> 01:04:12,569 And who is this maniac? 1124 01:04:12,570 --> 01:04:15,329 I'll only tell your most senior inspector here. 1125 01:04:15,330 --> 01:04:17,610 What's all this? Explain yourself. 1126 01:04:20,250 --> 01:04:21,290 Four minutes. 1127 01:04:21,970 --> 01:04:23,849 Brandy, just summarize and split. 1128 01:04:23,850 --> 01:04:26,209 This woman's dog has been murdered by Claude Ryce-Lechere. 1129 01:04:26,210 --> 01:04:28,690 He's about to kill his wife. He's been trying for days. 1130 01:04:29,370 --> 01:04:31,289 What are you talking about? 1131 01:04:32,530 --> 01:04:34,769 Also, I'm a doctor. You're allergic to your cologne. 1132 01:04:34,770 --> 01:04:36,649 Change it, and you'll stop sneezing. 1133 01:04:36,650 --> 01:04:39,249 Okay, listen out for gunshots, okay? 1134 01:04:39,250 --> 01:04:40,690 And remember this face. 1135 01:04:42,770 --> 01:04:45,170 Final murder attempt imminent. 1136 01:04:48,730 --> 01:04:49,730 Oh, Claude. 1137 01:04:50,130 --> 01:04:51,610 Oh, it's so romantic. 1138 01:04:52,410 --> 01:04:53,929 Is everything all right? 1139 01:04:53,930 --> 01:04:56,250 Yes. It's just, um, 1140 01:04:56,970 --> 01:04:58,570 you've been so busy. 1141 01:04:59,810 --> 01:05:03,209 I thought it was high time you got what you deserve. 1142 01:05:03,210 --> 01:05:04,210 Darling. 1143 01:05:08,843 --> 01:05:10,209 Was that enough? 1144 01:05:10,210 --> 01:05:11,410 Uh, mm... 1145 01:05:12,010 --> 01:05:14,009 - We think so. - You can't tell? 1146 01:05:14,010 --> 01:05:15,369 Three minutes remaining. 1147 01:05:15,370 --> 01:05:16,490 Just head to the roof. 1148 01:05:18,810 --> 01:05:20,330 How confident are we? 1149 01:05:21,210 --> 01:05:22,689 4.5. 1150 01:05:22,690 --> 01:05:23,850 Out of... 1151 01:05:25,130 --> 01:05:26,374 I'll tell you later. 1152 01:05:26,376 --> 01:05:27,689 Seven minutes until end credits. 1153 01:05:27,690 --> 01:05:29,249 I chose this spot 1154 01:05:29,250 --> 01:05:34,009 so you could enjoy the finest vantage point in all of Cairo. 1155 01:05:34,010 --> 01:05:35,289 You do think of everything. 1156 01:05:35,290 --> 01:05:36,410 Indeed, I have. 1157 01:05:37,010 --> 01:05:38,010 Why, 1158 01:05:38,450 --> 01:05:41,810 oh, look at the pretty oil lamps of the street vendors. 1159 01:05:42,890 --> 01:05:44,330 I can't make them out. 1160 01:05:44,850 --> 01:05:47,409 Come a little closer. Lean over the railing. 1161 01:05:47,410 --> 01:05:49,930 I... It looks a bit dirty. 1162 01:05:50,450 --> 01:05:51,570 I don't know. 1163 01:05:53,010 --> 01:05:56,009 But it... it also looks quite unsafe. 1164 01:05:56,010 --> 01:05:58,089 Nonsense. Lean against it. 1165 01:05:58,090 --> 01:06:00,649 - I re... I really don't want to. - I said lean! 1166 01:06:00,650 --> 01:06:02,329 Claude, what has got into you? 1167 01:06:06,690 --> 01:06:08,969 Just do as I say. 1168 01:06:08,970 --> 01:06:11,930 - No, please, no! - Lean over the railing. Lean! 1169 01:06:12,483 --> 01:06:13,569 What? 1170 01:06:13,570 --> 01:06:15,649 - Get away from her! - Not one step closer. 1171 01:06:15,650 --> 01:06:18,129 The police station is across the street. 1172 01:06:18,130 --> 01:06:20,169 Pull that trigger, they'll come running. 1173 01:06:20,170 --> 01:06:23,930 Well, that's a chance I'm willing to take. 1174 01:06:25,090 --> 01:06:26,809 Alex, no! 1175 01:06:32,490 --> 01:06:35,010 Come here. 1176 01:06:37,610 --> 01:06:40,409 I knew something was amiss with you. 1177 01:06:40,410 --> 01:06:42,329 Huh? The good doctor. 1178 01:06:42,330 --> 01:06:43,970 Well... 1179 01:06:44,970 --> 01:06:46,969 The story arc really doesn't like this. 1180 01:06:46,970 --> 01:06:49,249 This is the end for you both. 1181 01:06:56,570 --> 01:06:58,609 You? 1182 01:07:00,730 --> 01:07:02,090 What did she do that for? 1183 01:07:02,730 --> 01:07:04,850 - I don't... - Claude's not meant to die. 1184 01:07:06,050 --> 01:07:07,409 No, he's not. 1185 01:07:07,410 --> 01:07:09,050 Police inbound. 1186 01:07:10,090 --> 01:07:11,969 Shit, they'll arrest Clara. 1187 01:07:11,970 --> 01:07:13,529 What will happen if they do that? 1188 01:07:13,530 --> 01:07:17,929 So they cuff Clara, and they haul her away on a murder charge. 1189 01:07:17,930 --> 01:07:20,489 But Alex can still say the last line as they drag Clara away. 1190 01:07:20,490 --> 01:07:24,249 - That should trigger the credits. - So it... it becomes a tearjerker? 1191 01:07:24,250 --> 01:07:27,329 Young love destroyed when one of them winds up in the slammer? 1192 01:07:27,330 --> 01:07:29,410 I... I don't know. It's different, but it works. 1193 01:07:30,010 --> 01:07:33,289 - A bit ahead of its time. - It gets her out of there. 1194 01:07:33,290 --> 01:07:35,009 I killed him. 1195 01:07:35,010 --> 01:07:36,769 - Brandy, new ending. - I killed him. 1196 01:07:36,770 --> 01:07:39,449 - The cops are coming. - The police are coming. 1197 01:07:39,450 --> 01:07:41,089 - They'll arrest her. - They'll arrest you. 1198 01:07:41,090 --> 01:07:43,209 - Let them. - Yes, let them. 1199 01:07:43,210 --> 01:07:44,569 And then what happens? 1200 01:07:44,570 --> 01:07:46,009 She goes to jail. So what? 1201 01:07:46,010 --> 01:07:48,809 - For how long? - From her perspective, forever. 1202 01:07:48,810 --> 01:07:50,969 But she's not fucking real, so who cares, Brandy? 1203 01:07:50,970 --> 01:07:53,530 I was born in a cage. I should die in a cage. 1204 01:07:54,050 --> 01:07:55,129 I... 1205 01:07:55,130 --> 01:07:56,249 No! 1206 01:07:59,970 --> 01:08:02,090 - Uh... - What are you doing? 1207 01:08:02,590 --> 01:08:04,224 We tell the police I shot your husband. 1208 01:08:04,225 --> 01:08:05,689 - No. - They'll arrest me. 1209 01:08:05,690 --> 01:08:07,329 - No. - Believe me. It is the best way. 1210 01:08:07,330 --> 01:08:08,449 I won't let them. 1211 01:08:08,450 --> 01:08:09,450 Story arc is critical. 1212 01:08:14,250 --> 01:08:15,290 I love you. 1213 01:08:17,730 --> 01:08:18,850 And I love you. 1214 01:08:32,650 --> 01:08:33,650 Forgive me. 1215 01:08:35,290 --> 01:08:36,930 Clara, no! 1216 01:08:37,770 --> 01:08:39,410 - What are you doing? - Stop! 1217 01:08:40,010 --> 01:08:41,410 Stop, or I shoot. 1218 01:08:42,290 --> 01:08:43,409 Drop your weapon. 1219 01:08:43,410 --> 01:08:45,290 Wait. I know this person. 1220 01:08:46,330 --> 01:08:47,450 He's a doctor. He... 1221 01:08:48,970 --> 01:08:50,210 No! 1222 01:08:50,850 --> 01:08:51,850 Oh God. 1223 01:09:00,010 --> 01:09:01,409 No! 1224 01:09:07,690 --> 01:09:09,049 No. No. 1225 01:09:13,250 --> 01:09:14,530 Don't cry for me. 1226 01:09:19,250 --> 01:09:20,370 Remember me. 1227 01:09:26,090 --> 01:09:27,129 Arc closing? 1228 01:09:32,250 --> 01:09:33,890 Her body's going into shock. 1229 01:09:34,690 --> 01:09:37,650 I can't extract till she cues titles. She's gotta say the line. 1230 01:09:38,970 --> 01:09:40,010 Say the line, Brandy. 1231 01:09:41,290 --> 01:09:42,290 Say the line. 1232 01:09:43,850 --> 01:09:45,210 No! 1233 01:09:55,530 --> 01:09:56,810 Brandy. 1234 01:09:58,450 --> 01:09:59,770 Brandy, say the line. 1235 01:10:01,410 --> 01:10:02,849 Say the line, Brandy. 1236 01:10:06,650 --> 01:10:07,850 I'll be yours 1237 01:10:09,450 --> 01:10:10,770 forevermore. 1238 01:10:28,130 --> 01:10:30,050 - We have an ending. - Extracting. 1239 01:10:31,170 --> 01:10:33,409 Do you think it worked? The ending? 1240 01:10:33,410 --> 01:10:34,850 Did it for me. 1241 01:10:36,370 --> 01:10:37,370 Roll credits. 1242 01:11:03,810 --> 01:11:05,410 Not a dry eye in the house. 1243 01:11:24,450 --> 01:11:25,769 Last century, 1244 01:11:25,770 --> 01:11:28,930 Keyworth Pictures invited guests to Hotel Reverie. 1245 01:11:29,450 --> 01:11:33,089 Now, with the help of ReDream and our friends at Streamberry, 1246 01:11:33,090 --> 01:11:34,890 we'd like to welcome you back. 1247 01:11:36,250 --> 01:11:39,489 You might notice a few changes in the old place. 1248 01:11:39,490 --> 01:11:44,529 Renowned Dr. Alex Palmer encounters tragic heiress Clara Ryce. 1249 01:11:44,530 --> 01:11:47,489 Waiter, another scotch, please. And for yourself? 1250 01:11:47,490 --> 01:11:49,210 Thank you. A Black Rose. 1251 01:11:49,810 --> 01:11:50,890 A rose for a rose. 1252 01:11:54,810 --> 01:11:57,970 A piano standing silent always makes me so melancholy. 1253 01:11:58,490 --> 01:11:59,609 It's silly, I know. 1254 01:11:59,610 --> 01:12:03,209 If it's "Clair de Lune" you want, it's "Clair de Lune" you shall have. 1255 01:12:03,210 --> 01:12:05,689 Yet, even as their affection grows, 1256 01:12:05,690 --> 01:12:09,049 the pair are unaware of Clara's fiendish husband, Claude, 1257 01:12:09,050 --> 01:12:10,529 plotting her death. 1258 01:12:10,530 --> 01:12:13,969 My accursed wife has more lives than a damn cat. 1259 01:12:13,970 --> 01:12:15,596 She dies tonight. 1260 01:12:15,598 --> 01:12:16,649 Don't move. 1261 01:12:16,650 --> 01:12:18,809 Oh my goodness! 1262 01:13:26,370 --> 01:13:29,210 So I... I just pretend it's a normal telephone call? 1263 01:13:30,450 --> 01:13:31,649 Well, yes. 1264 01:13:31,650 --> 01:13:34,449 Right you are, Capt. Keyworth. 1265 01:13:35,770 --> 01:13:38,209 I'm... I'm here waiting for it to ring. It... 1266 01:13:38,210 --> 01:13:39,889 but it's not connected, is it? 1267 01:13:39,890 --> 01:13:41,650 No. 1268 01:14:00,330 --> 01:14:03,250 Hello, Ryce-Lechere residence. 1269 01:14:05,930 --> 01:14:06,930 Hi. 1270 01:14:07,490 --> 01:14:08,490 Who's this? 1271 01:14:10,450 --> 01:14:11,890 A... friend? 1272 01:14:13,730 --> 01:14:14,770 Do I know you? 1273 01:14:17,210 --> 01:14:19,250 Yes and no. 1274 01:14:22,210 --> 01:14:23,570 What an intriguing answer. 1275 01:14:24,370 --> 01:14:25,770 Well, tell me more. 1276 01:14:27,650 --> 01:14:29,250 How much time do you have? 1277 01:14:30,370 --> 01:14:32,130 Since you've got a kind voice... 1278 01:14:34,290 --> 01:14:36,090 I've got all the time in the world. 1279 01:14:37,623 --> 01:14:40,695 Sync and corrections by solfieri www.addic7ed.com