﻿1
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♪ <i>I once knew a beautiful girl</i> ♪

2
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Go on.

3
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♪ <i>She had long blonde hair and a curl</i> ♪

4
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A curl?

5
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♪ <i>She looked after me
And I looked before her</i> ♪

6
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♪ <i>At that time, we hadn't a care</i> ♪

7
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A care?

8
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♪ <i>As time turned my head and my mind</i> ♪

9
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♪ <i>The pleasure seemed harder to find</i> ♪

10
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♪ <i>By then, it was such</i> ♪

11
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♪ <i>That I knew far too much</i> ♪

12
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♪ <i>Now I stay home and slowly unwind</i> ♪

13
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Didn't you get to bed last night, Glyn?

14
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Sorry. You just look this morning
like you didn't go at all.

15
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- Have you heard the "Octopus" one?
- No.

16
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You learned A minor, then?

17
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♪ <i>I'd like to be underneath the sea</i> ♪

18
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♪ <i>In an octopus's garden</i> ♪

19
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♪ <i>In the shade</i> ♪

20
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♪ <i>It would be nice</i> ♪

21
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♪ <i>In paradise</i> ♪

22
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♪ <i>In an octopus's garden</i> ♪

23
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♪ <i>In the shade</i> ♪

24
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That's all I've got.

25
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After the two times, the second time

26
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♪ <i>In an octopus's garden in the shade</i> ♪

27
00:02:05,083 --> 00:02:08,208
Then to get to the G one, a bit, uh

28
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Let's go from the beginning.

29
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- From the beginning.
- Right.

30
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♪ <i>In an octopus's garden</i> ♪

31
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♪ <i>In the shade</i> ♪

32
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♪ <i>It would be nice</i> ♪

33
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♪ <i>Paradise</i> ♪

34
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♪ <i>In an oc</i> ♪

35
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Then stay on F.

36
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♪ <i>In the shade</i> ♪

37
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Then that, then this, uh

38
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What one's that?

39
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Uh

40
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♪ <i>In an octopus's garden in the shade</i> ♪

41
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Just, I mean, something
to sort of get back to where you

42
00:03:02,166 --> 00:03:03,166
Where we started.

43
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♪ <i>Wouldn't it be nice</i> ♪

44
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♪ <i>Paradise</i> ♪

45
00:03:08,625 --> 00:03:12,333
♪ <i>In an octopus's garden in the shade</i> ♪

46
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It's a little bit

47
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♪ <i>So wouldn't it be nice</i> ♪

48
00:03:30,333 --> 00:03:31,541
♪ <i>Paradise</i> ♪

49
00:03:31,625 --> 00:03:35,541
♪ <i>In an octopus's garden
By the shade</i> ♪

50
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- So it resolves itself.
- Yeah.

51
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Well, I'll have to put words
in that bit, then.

52
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♪ <i>In the shade</i> ♪

53
00:03:43,750 --> 00:03:45,416
♪ <i>It would be nice</i> ♪

54
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♪ <i>Paradise</i> ♪

55
00:03:48,625 --> 00:03:52,500
♪ <i>In an octopus's garden in the shade</i> ♪

56
00:03:55,583 --> 00:03:56,750
♪ <i>Wouldn't it be nice</i> ♪

57
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♪ <i>Paradise</i> ♪

58
00:04:02,958 --> 00:04:04,625
Oh, drums, right.

59
00:04:04,708 --> 00:04:08,458
I think Paul would wanna do drums,
wouldn't he? With his strong left arm.

60
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I'm not getting on that kit
without a ciggy.

61
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I've never been up here before.

62
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♪ <i>I'd like to be</i> ♪

63
00:04:26,333 --> 00:04:28,250
♪ <i>Underneath the sea</i> ♪

64
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♪ <i>In an octopus's garden
By the shade</i> ♪

65
00:04:31,166 --> 00:04:32,625
Very strong one.

66
00:04:33,208 --> 00:04:34,750
Okay!

67
00:04:37,041 --> 00:04:40,458
- I'm a tame tiger. Meow.
- I'm cool with that.

68
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- Are you going to eat them?
- No!

69
00:04:46,416 --> 00:04:47,916
Lots of people do, you know.

70
00:04:51,083 --> 00:04:52,333
On toast?

71
00:04:52,416 --> 00:04:54,833
You put pastry around them,
and you have cat pie.

72
00:04:57,416 --> 00:04:59,583
You better wait a week or two
before you eat them.

73
00:05:00,708 --> 00:05:02,625
- That's very good.
- We'll put on the meat.

74
00:05:06,916 --> 00:05:09,416
Oh, you don't eat them
if they have black spots.

75
00:05:11,958 --> 00:05:14,208
You don't eat them
if they're like tigers, either.

76
00:05:17,666 --> 00:05:22,083
And anyway,
I'm just a pussycat that was just born.

77
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♪ <i>Oh, let it be</i> ♪

78
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♪ <i>Let it be</i> ♪

79
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♪ <i>Let it be
Let it be</i> ♪

80
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♪ <i>Whisper words of wisdom</i> ♪

81
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♪ <i>Let it be</i> ♪

82
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♪ <i>Yeah, let it be</i> ♪

83
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♪ <i>Let it be
Let it be</i> ♪

84
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♪ <i>Let it be</i> ♪

85
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♪ <i>There will be an answer
Let it be, yeah</i> ♪

86
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♪ <i>Let it be</i> ♪

87
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♪ <i>There will be an answer
Let it ♪</i>

88
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Kevin?

89
00:06:11,541 --> 00:06:14,416
What was the Do that old gospel ending.

90
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- Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.

91
00:06:17,416 --> 00:06:20,750
- And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.

92
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♪ <i>Be-e-e</i> ♪

93
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Yeah.

94
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We all was gonna do it.

95
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- We did it just fine. It was just that
- Yeah.

96
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♪ <i>Let it be, let it be</i> ♪

97
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♪ <i>Let it be, let it be</i> ♪

98
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♪ <i>There will be an answer</i> ♪

99
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♪ <i>Let it be</i> ♪

100
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I'll tell you one thing.

101
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Do it lighter. Don't do sort of

102
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Do it more

103
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♪ <i>Somewhere in the Himalayas</i> ♪

104
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And so a bit lighter offbeat, and maybe

105
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♪ <i>Lives a man called Babaji</i> ♪

106
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♪ <i>Singing words of wisdom</i> ♪

107
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♪ <i>Let it be</i> ♪

108
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♪ <i>Somewhere out in Weybridge</i> ♪

109
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Keep it light.
So it's not going heavy again.

110
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♪ <i>Lives the cat whose name is Babaji</i> ♪

111
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♪ <i>Singing words of wisdom</i> ♪

112
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♪ <i>Let it be, H, I, J, K</i> ♪

113
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I don't know what you are saying.

114
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Uh

115
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Hello.

116
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Is anybody

117
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Let me sing. Hello. Is anybody home?

118
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♪ <i>Aah</i> ♪

119
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♪ <i>I did it again
You got me again</i> ♪

120
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♪ <i>In love with me</i> ♪

121
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Hi.

122
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Aah!

123
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♪ <i>Aah</i> ♪

124
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Yoko!

125
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♪ <i>Aah</i> ♪

126
00:08:41,375 --> 00:08:43,666
♪ <i>Aah</i> ♪

127
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♪ <i>Come on, Heather</i> ♪

128
00:08:47,875 --> 00:08:50,791
♪ <i>Aah</i> ♪

129
00:08:50,875 --> 00:08:52,500
♪ <i>Yeah, yeah, yeah</i> ♪

130
00:08:52,583 --> 00:08:55,750
♪ <i>Aah</i> ♪

131
00:08:55,833 --> 00:08:58,416
♪ <i>Shake it up, baby, now</i> ♪

132
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♪ <i>Shake it up, baby, now</i> ♪

133
00:09:00,708 --> 00:09:03,125
♪ <i>Twist and shout</i> ♪

134
00:09:03,208 --> 00:09:05,625
♪ <i>Twist and shout</i> ♪

135
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♪ <i>Come on, twist and shout now</i> ♪

136
00:09:08,125 --> 00:09:09,833
- * <i>Come on</i> *
- * <i>Aah</i> *

137
00:09:09,916 --> 00:09:12,291
♪ <i>Come on and work it on out</i> ♪

138
00:09:12,375 --> 00:09:14,375
♪ <i>Come on and work it on out</i> ♪

139
00:09:15,708 --> 00:09:17,041
♪ <i>Well, can you dig it?</i> ♪

140
00:09:17,125 --> 00:09:18,208
♪ <i>Aah</i> ♪

141
00:09:18,291 --> 00:09:22,291
♪ <i>Can you dig it?
Yeah, dig it</i> ♪

142
00:09:22,375 --> 00:09:24,791
♪ <i>I like how you dig it</i> ♪

143
00:09:24,875 --> 00:09:26,958
♪ <i>Yeah, so dig it</i> ♪

144
00:09:27,625 --> 00:09:29,916
♪ <i>You can get it if you want it</i> ♪

145
00:09:30,000 --> 00:09:33,416
♪ <i>And if you want it you can get it
So come on</i> ♪

146
00:09:34,958 --> 00:09:37,125
♪ <i>If you want it
You can dig it, oh</i> ♪

147
00:09:37,208 --> 00:09:38,208
♪ <i>Come on</i> ♪

148
00:09:38,291 --> 00:09:41,375
♪ <i>Dig it up, dig it up, dig it up</i> ♪

149
00:09:41,458 --> 00:09:43,416
♪ <i>For Christ's sake, come on!</i> ♪

150
00:09:43,500 --> 00:09:45,708
♪ <i>Dig it up, dig it up</i> ♪

151
00:09:45,791 --> 00:09:47,083
♪ <i>Dig it up</i> ♪

152
00:09:47,166 --> 00:09:49,208
♪ <i>Dig it up, dig it up</i> ♪

153
00:09:49,291 --> 00:09:51,583
♪ <i>Dig it up, dig it up</i> ♪

154
00:09:51,666 --> 00:09:53,708
♪ <i>Oh, you dig it up again</i> ♪

155
00:09:53,791 --> 00:09:57,041
- * <i>If you want it you can dig it</i> *
- * <i>Like a rolling stone</i> *

156
00:09:57,125 --> 00:09:59,000
♪ <i>Dig it, dig it</i> ♪

157
00:09:59,083 --> 00:10:01,208
♪ <i>Like the FBI</i> ♪

158
00:10:02,083 --> 00:10:03,833
♪ <i>Dig it, dig it</i> ♪

159
00:10:03,916 --> 00:10:06,083
♪ <i>And the CIA</i> ♪

160
00:10:08,291 --> 00:10:10,750
♪ <i>And the BBC</i> ♪

161
00:10:13,583 --> 00:10:14,958
♪ <i>B.B. King</i> ♪

162
00:10:17,208 --> 00:10:18,708
♪ <i>And Doris Day</i> ♪

163
00:10:21,750 --> 00:10:23,708
♪ <i>Matt Busby</i> ♪

164
00:10:23,791 --> 00:10:28,000
♪ <i>Dig it, dig it, dig it, dig it</i> ♪

165
00:10:28,083 --> 00:10:30,125
♪ <i>If you want it you can dig it</i> ♪

166
00:10:30,208 --> 00:10:32,541
♪ <i>If you want it you can dig it up</i> ♪

167
00:10:32,625 --> 00:10:34,750
♪ <i>If you want it you can dig it</i> ♪

168
00:10:34,833 --> 00:10:38,458
♪ <i>If you want it you can dig it up</i> ♪

169
00:10:42,083 --> 00:10:43,583
Yeah!

170
00:10:48,291 --> 00:10:49,291
Oh, sorry.

171
00:10:50,000 --> 00:10:51,166
♪ <i>Oh</i> ♪

172
00:10:51,250 --> 00:10:52,791
Come on, let it be.

173
00:10:59,750 --> 00:11:01,125
What ones haven't you done yet?

174
00:11:01,208 --> 00:11:03,083
A little thing that goes
something like this.

175
00:11:03,166 --> 00:11:04,833
♪ <i>It's one for the money</i> ♪

176
00:11:05,625 --> 00:11:07,625
♪ <i>Two for the show</i> ♪

177
00:11:07,708 --> 00:11:10,208
♪ <i>Three to get ready
Now go, cat, go</i> ♪

178
00:11:10,291 --> 00:11:14,291
♪ <i>Well, don't you
Step on my blue suede shoes</i> ♪

179
00:11:15,875 --> 00:11:20,291
♪ <i>You can do anything
But lay off them blue suede shoes</i> ♪

180
00:11:22,166 --> 00:11:23,916
♪ <i>Well, you can knock me down</i> ♪

181
00:11:24,000 --> 00:11:25,541
♪ <i>Step on my face</i> ♪

182
00:11:25,625 --> 00:11:28,666
♪ <i>Slander my name
All over the place</i> ♪

183
00:11:28,750 --> 00:11:31,500
♪ <i>Do anything that you want to do</i> ♪

184
00:11:31,583 --> 00:11:34,333
♪ <i>Uh-uh, honey
Lay off of them shoes</i> ♪

185
00:11:34,416 --> 00:11:35,833
♪ <i>But don't you</i> ♪

186
00:11:46,416 --> 00:11:49,208
♪ <i>One-eyed cat
Peepin' in a seafood store</i> ♪

187
00:11:51,125 --> 00:11:55,041
♪ <i>I'm like a one-eyed cat
Peepin' in a seafood store</i> ♪

188
00:11:57,041 --> 00:12:00,250
♪ <i>And I'll do anything
Till you don't love me no more</i> ♪

189
00:12:01,958 --> 00:12:03,875
♪ <i>I said, shake, rattle and roll</i> ♪

190
00:12:04,708 --> 00:12:07,166
♪ <i>I said, shake, rattle and roll</i> ♪

191
00:12:07,250 --> 00:12:10,041
♪ <i>I said, shake, rattle and roll</i> ♪

192
00:12:10,125 --> 00:12:12,625
♪ <i>I said, shake, rattle and roll</i> ♪

193
00:12:13,125 --> 00:12:16,416
♪ <i>You never do a thing
To save your doggone soul</i> ♪

194
00:12:24,416 --> 00:12:26,000
♪ <i>A long, long time ago</i> ♪

195
00:12:27,958 --> 00:12:29,875
♪ <i>Don't leave me standing here</i> ♪

196
00:12:30,833 --> 00:12:32,250
♪ <i>Lead me to your door</i> ♪

197
00:12:39,791 --> 00:12:40,916
No. No.

198
00:12:41,000 --> 00:12:43,125
No, see,
you've gotta wait a lot longer than that.

199
00:13:05,750 --> 00:13:10,166
♪ <i>The long and winding road</i> ♪

200
00:13:11,416 --> 00:13:17,250
♪ <i>That leads to your door</i> ♪

201
00:13:20,375 --> 00:13:23,958
♪ <i>Will never disappear</i> ♪

202
00:13:27,708 --> 00:13:31,875
♪ <i>I've seen that road before</i> ♪

203
00:13:35,000 --> 00:13:38,458
♪ <i>Don't It always leads me here</i> ♪

204
00:13:38,541 --> 00:13:40,708
- You done left me.
- You done left me.

205
00:13:40,791 --> 00:13:45,958
♪ <i>Now lead me to your door</i> ♪

206
00:13:47,833 --> 00:13:51,791
♪ <i>The wild and windy night</i> ♪

207
00:13:53,708 --> 00:13:59,458
♪ <i>The rain washed away</i> ♪

208
00:14:04,125 --> 00:14:07,375
♪ <i>La, la, la, la, la, la</i> ♪

209
00:14:07,458 --> 00:14:09,708
There wouldn't be much drumming,
would there?

210
00:14:11,125 --> 00:14:12,708
Go around a bit, you know?

211
00:14:12,791 --> 00:14:13,791
What?

212
00:14:14,333 --> 00:14:16,708
It sounds a bit like
a sort of dance orchestra.

213
00:14:17,625 --> 00:14:19,750
And the slow foxtrot

214
00:14:19,833 --> 00:14:22,250
Like Rita and Thomas Williams.

215
00:14:23,750 --> 00:14:26,625
Rita is wearing a dark sombrero
and a beard.

216
00:14:26,708 --> 00:14:28,208
The chord there. I mean

217
00:14:30,750 --> 00:14:33,708
Her husband is wearing
a crinoline skirt which he made himself.

218
00:14:52,416 --> 00:14:53,916
Still no idea where I come in.

219
00:14:54,000 --> 00:14:56,791
- Off the top of your head.
- John, yours doesn't sound as much

220
00:14:57,375 --> 00:14:59,041
It sounds like
you're doing too many notes.

221
00:14:59,125 --> 00:15:01,875
- Yeah, all right. Well, it just gets
- It's too, sort of, regular.

222
00:15:02,541 --> 00:15:06,666
♪ <i>Dum, dum, dum</i> ♪

223
00:15:07,291 --> 00:15:08,791
But you're doing

224
00:15:08,875 --> 00:15:11,291
♪ <i>Dum, dum</i> ♪

225
00:15:11,375 --> 00:15:12,583
I've been going

226
00:15:12,666 --> 00:15:13,875
♪ <i>Dum, dum</i> ♪

227
00:15:13,958 --> 00:15:15,750
- You just want the one?
- Don't do that.

228
00:15:15,833 --> 00:15:18,250
No, but I mean, don't do any note there.
Just go

229
00:15:18,333 --> 00:15:19,416
♪ <i>Dum</i> ♪

230
00:15:19,500 --> 00:15:22,750
♪ <i>Dum, dum</i> ♪

231
00:15:24,125 --> 00:15:25,125
♪ <i>Dum</i> ♪

232
00:15:25,208 --> 00:15:27,125
That's what I'm really doing.
I've been going

233
00:15:27,708 --> 00:15:29,166
♪ <i>Dum</i> ♪

234
00:15:30,833 --> 00:15:31,833
Hello?

235
00:15:38,250 --> 00:15:39,250
Great!

236
00:15:53,041 --> 00:15:54,416
Amazing.

237
00:16:16,708 --> 00:16:20,333
♪ <i>The long and winding road</i> ♪

238
00:16:21,916 --> 00:16:25,041
♪ <i>Yes, Glyn Johns?</i> ♪

239
00:16:26,083 --> 00:16:27,083
♪ <i>What do you want?</i> ♪

240
00:16:30,875 --> 00:16:31,875
Okay.

241
00:16:33,875 --> 00:16:35,041
One.

242
00:16:36,125 --> 00:16:40,625
♪ <i>The long and winding road</i> ♪

243
00:16:41,750 --> 00:16:47,958
♪ <i>That leads to your door</i> ♪

244
00:16:51,291 --> 00:16:55,291
♪ <i>Will never disappear</i> ♪

245
00:16:58,250 --> 00:17:03,083
♪ <i>I've seen that road before</i> ♪

246
00:17:05,500 --> 00:17:10,250
♪ <i>It always leads me here</i> ♪

247
00:17:12,875 --> 00:17:17,666
♪ <i>Lead me to your door</i> ♪

248
00:17:17,750 --> 00:17:21,125
When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.

249
00:17:21,208 --> 00:17:22,333
I know what

250
00:17:32,458 --> 00:17:34,416
Paul, are you gonna have strings?

251
00:17:41,833 --> 00:17:43,416
- Yeah.
- Well, it's like

252
00:17:43,500 --> 00:17:44,500
Ooh!

253
00:17:44,583 --> 00:17:45,583
Yeah, there's parts

254
00:17:45,666 --> 00:17:48,791
There's only parts where
you can hear the electric piano properly,

255
00:17:48,875 --> 00:17:50,583
- or the piano properly.
- Yes.

256
00:17:50,666 --> 00:17:53,458
Most of the time, you know,
like, they mix together.

257
00:17:59,291 --> 00:18:01,916
Yeah. I think it needs,
like, a lot of, uh

258
00:18:02,000 --> 00:18:03,875
- Cleaning.
- Cleaning, yeah.

259
00:18:05,250 --> 00:18:07,416
Actually,
the thing is, it's a nice feel to it,

260
00:18:07,500 --> 00:18:09,416
but it's rather like
everything else we've done.

261
00:18:09,500 --> 00:18:11,041
And this particular song
doesn't need that.

262
00:18:12,958 --> 00:18:16,250
See, the only way I've ever heard it is,
like, in my head,

263
00:18:16,333 --> 00:18:19,166
- is, like, Ray Charles's band.
- I'm supposed to marry you.

264
00:18:19,250 --> 00:18:21,291
And I don't
I haven't really even listened to them.

265
00:18:21,375 --> 00:18:25,625
It would be nice with some brass
just doing the sustaining chord thing.

266
00:18:25,708 --> 00:18:27,708
Yeah.

267
00:18:27,791 --> 00:18:31,375
- Yeah.
- Moving and just holding notes.

268
00:18:33,875 --> 00:18:35,916
- Yeah. We probably, yeah
- If I pull yours up

269
00:18:36,000 --> 00:18:38,791
We were planning to do it anyway
for a couple of numbers,

270
00:18:38,875 --> 00:18:41,041
just to have
a bit of brass and bit of strings.

271
00:18:41,125 --> 00:18:42,583
That's what George was saying before.

272
00:18:42,666 --> 00:18:44,541
That's the bit
where The Raelettes'd sing it.

273
00:18:44,625 --> 00:18:49,000
♪ <i>The long and winding road</i> ♪

274
00:18:49,541 --> 00:18:54,958
♪ <i>That leads me to your door ♪</i>

275
00:18:56,166 --> 00:18:59,041
Great. Sorry, man. Oh, that's nice.

276
00:18:59,541 --> 00:19:01,125
That's nice of what?

277
00:19:01,208 --> 00:19:02,375
It's nice of you.

278
00:19:03,125 --> 00:19:04,875
- For what?
- Very nice of you.

279
00:19:04,958 --> 00:19:06,958
- For what?
- Just to come here.

280
00:19:07,875 --> 00:19:08,875
We're going home.

281
00:19:08,958 --> 00:19:10,458
- When?
- Now.

282
00:19:11,000 --> 00:19:12,000
No.

283
00:19:13,458 --> 00:19:15,166
Am I gonna eat now? I'm going back.

284
00:19:15,250 --> 00:19:17,958
She's so worried now.
"I gotta eat for three hours,

285
00:19:18,541 --> 00:19:20,458
then maybe go to bed around 1:00."

286
00:19:21,833 --> 00:19:24,375
You're just going back in your box.
That's where you're going.

287
00:19:24,458 --> 00:19:26,666
Don't tell. Don't tell.

288
00:19:26,750 --> 00:19:29,041
Aren't I gonna have anything to eat?

289
00:19:29,125 --> 00:19:31,041
Hey, I've got a present for you.

290
00:19:31,125 --> 00:19:33,375
- See you tomorrow.
- Bye.

291
00:19:33,458 --> 00:19:36,000
- Aren't you going, George?
- I said yes, George.

292
00:19:36,083 --> 00:19:38,708
♪ <i>I said shake, rattle and roll</i> ♪

293
00:19:38,791 --> 00:19:41,500
♪ <i>I said shake, rattle and roll</i> ♪

294
00:19:41,583 --> 00:19:44,208
♪ <i>I said shake, rattle and roll</i> ♪

295
00:19:44,291 --> 00:19:48,750
♪ <i>You never do a thing
To save your doggone soul</i> ♪

296
00:19:58,125 --> 00:20:01,416
♪ <i>One-eyed cat
Peepin' in a seafood store</i> ♪

297
00:20:03,125 --> 00:20:06,916
♪ <i>I'm like a one-eyed cat
Peepin' in a seafood store</i> ♪

298
00:20:08,666 --> 00:20:12,958
- * <i>I do believe</i> *
<i>- I never done, done before</i> *

299
00:20:14,458 --> 00:20:15,666
♪ <i>Goin' to Kansas City</i> ♪

300
00:20:18,250 --> 00:20:20,000
♪ <i>I might take a boat</i> ♪

301
00:20:20,083 --> 00:20:21,916
<i>I might take a train</i> *

302
00:20:22,000 --> 00:20:25,500
♪ <i>And if I have to walk
I'm gonna get there just the same</i> ♪

303
00:20:25,583 --> 00:20:26,750
♪ <i>Going to Kansas City</i> ♪

304
00:20:32,416 --> 00:20:35,416
♪ <i>Oh, Miss Ann</i> ♪

305
00:20:36,375 --> 00:20:38,625
♪ <i>You're doing something no one can</i> ♪

306
00:20:39,333 --> 00:20:44,083
♪ <i>Because believing and deceiving
Driving me to leave you now</i> ♪

307
00:20:44,666 --> 00:20:48,208
♪ <i>You can knock me down
Step on my face</i> ♪

308
00:20:48,291 --> 00:20:51,041
♪ <i>Slander my name all over the place</i> ♪

309
00:20:51,125 --> 00:20:53,791
♪ <i>Do anything that you wanna do</i> ♪

310
00:20:54,375 --> 00:20:57,041
♪ <i>Uh-uh, honey
Lay off of them shoes</i> ♪

311
00:20:57,125 --> 00:21:00,958
♪ <i>But don't you
Step on my blue suede shoes</i> ♪

312
00:21:02,916 --> 00:21:06,833
♪ <i>Well, you can do anything
But lay off them blue suede shoes</i> ♪

313
00:21:19,666 --> 00:21:21,333
I don't know.
You didn't get the other one?

314
00:21:21,416 --> 00:21:22,416
- No.
- No.

315
00:21:22,500 --> 00:21:24,666
- Well, we'll remember that another day.
- Yeah.

316
00:21:24,750 --> 00:21:27,000
I'm just so high when I get in at night.

317
00:21:28,458 --> 00:21:29,458
I couldn't sleep.

318
00:21:38,875 --> 00:21:39,958
Tea or toast.

319
00:22:00,250 --> 00:22:02,000
Yeah.

320
00:22:02,083 --> 00:22:05,500
What's this chord, Billy? E with a C?

321
00:22:05,583 --> 00:22:07,500
Yeah. Just loading the E.

322
00:22:08,250 --> 00:22:09,625
- Yeah. That's like E7.
- Yeah.

323
00:22:09,708 --> 00:22:11,208
This one.

324
00:22:12,083 --> 00:22:14,416
Yeah. Um, E with a raised

325
00:22:15,958 --> 00:22:17,833
E with a C. E.

326
00:22:18,583 --> 00:22:21,375
- Yeah, E with a C.
- E with a C. What's that?

327
00:22:23,708 --> 00:22:26,208
I've had an E with an F,
which is pretty good.

328
00:22:30,500 --> 00:22:34,208
♪ <i>And now I'm stepping out
This old brown shoe</i> ♪

329
00:22:35,208 --> 00:22:37,291
♪ <i>And, baby, I'm in love with you</i> ♪

330
00:22:37,375 --> 00:22:39,958
♪ <i>And I'm so, so glad you came here</i> ♪

331
00:22:41,916 --> 00:22:44,083
♪ <i>And, baby, I'm in love with you</i> ♪

332
00:22:44,166 --> 00:22:47,583
♪ <i>And I'm so glad you came here
It won't be the same here</i> ♪

333
00:22:47,666 --> 00:22:49,000
♪ <i>I'm telling you</i> ♪

334
00:22:55,916 --> 00:23:00,583
♪ <i>You know you hold me up
From where some try to drag me down</i> ♪

335
00:23:05,750 --> 00:23:07,250
What's this chord then, Billy?

336
00:23:09,958 --> 00:23:14,250
- It's F, but raising the F to F sharp.
- Yeah. F sharp. Diminished.

337
00:23:14,333 --> 00:23:17,500
And then F with that, like the 7th.

338
00:23:18,708 --> 00:23:21,291
It's great on piano
'cause I don't know anything about it.

339
00:23:21,375 --> 00:23:22,276
Yeah.

340
00:23:22,291 --> 00:23:25,750
But it's great, because I wouldn't have
been able to do that on the guitar.

341
00:24:15,875 --> 00:24:19,166
- Yeah, sorry, that bit comes
- It does work, the bit

342
00:24:19,250 --> 00:24:20,875
- But it
- In the bit before that bit.

343
00:24:20,958 --> 00:24:24,958
Yeah, but then it's, uh
Then it stays too long on the other one.

344
00:24:25,041 --> 00:24:29,041
- But it's like a natural on there.
- Yeah. Well, you don't know

345
00:24:31,458 --> 00:24:34,416
♪ <i>Wearing rings on every finger</i> ♪

346
00:24:34,500 --> 00:24:38,291
♪ <i>Not worrying what they or you say</i> ♪

347
00:24:38,375 --> 00:24:41,583
♪ <i>I'll live and love and maybe some day</i> ♪

348
00:24:41,666 --> 00:24:46,250
♪ <i>Who knows, baby
You will comfort me</i> ♪

349
00:25:02,166 --> 00:25:05,000
Pianos are very difficult, aren't they?

350
00:25:05,083 --> 00:25:09,583
♪ <i>There will be the answer
Let it be</i> ♪

351
00:25:10,750 --> 00:25:13,708
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

352
00:25:13,791 --> 00:25:16,041
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

353
00:25:16,125 --> 00:25:18,041
Mal? Mal?

354
00:25:18,125 --> 00:25:19,750
The drums are on PA anyway.

355
00:25:19,833 --> 00:25:21,458
When we connect it, I could hear Ringo.

356
00:25:21,541 --> 00:25:23,041
The drums are on PA!

357
00:25:23,541 --> 00:25:26,166
- It's not my idea of a personal assistant.
- No.

358
00:25:26,250 --> 00:25:29,875
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

359
00:25:29,958 --> 00:25:32,958
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

360
00:25:50,791 --> 00:25:51,791
Hello? Hello?

361
00:25:54,583 --> 00:25:56,166
'Cause coming from the north of England,

362
00:25:56,250 --> 00:25:58,541
it doesn't come too easy, you know,
all the soul.

363
00:25:58,625 --> 00:26:00,166
Let's take one now.

364
00:26:00,250 --> 00:26:01,333
Yeah, right.

365
00:26:01,416 --> 00:26:04,166
♪ <i>Can we have our microphones?
Oh, mister, can we please?</i> ♪

366
00:26:04,250 --> 00:26:05,875
Ask 'em to put the mics on, will you?

367
00:26:05,958 --> 00:26:07,375
Hello.

368
00:26:07,458 --> 00:26:08,958
And get one for Billy too.

369
00:26:15,500 --> 00:26:17,541
- It's a bit ploddy.
- What?

370
00:26:18,500 --> 00:26:21,958
You know, just
It sort of plods along a bit. A bit much.

371
00:26:22,041 --> 00:26:25,375
- It's just mourning and slow, slow.
- Mourning and

372
00:26:25,458 --> 00:26:28,750
And a slow song.
It takes a long time to get out of it.

373
00:26:28,833 --> 00:26:31,375
Yeah.
That'll do for the time being.

374
00:26:31,458 --> 00:26:33,458
"The Wrong and Winding Box."

375
00:26:34,041 --> 00:26:38,750
♪ <i>But still they lead me back</i> ♪

376
00:26:39,833 --> 00:26:46,166
♪ <i>To the long winding road</i> ♪

377
00:26:49,625 --> 00:26:53,625
♪ <i>You left me waiting here</i> ♪

378
00:26:57,958 --> 00:27:00,416
All those little melodic things, you know?

379
00:27:00,500 --> 00:27:01,916
It's a It's a

380
00:27:02,750 --> 00:27:05,833
It's like the other one, you know.
They're sort of slow, ballady,

381
00:27:05,916 --> 00:27:07,708
and they're plodding a bit.

382
00:27:16,375 --> 00:27:19,708
See, that's the kind of thing. Yeah.
It needs to go like that.

383
00:27:32,416 --> 00:27:33,541
Oh, just a second.

384
00:27:33,625 --> 00:27:36,416
When it goes, um On that bit, it goes

385
00:27:36,500 --> 00:27:38,041
♪ <i>Has left a</i> ♪

386
00:27:38,125 --> 00:27:39,250
Hang on.

387
00:27:40,041 --> 00:27:42,166
Can we make the bridge

388
00:27:43,333 --> 00:27:44,333
heavy?

389
00:27:45,833 --> 00:27:48,541
I can't sort of think how to do
this one at all, you know.

390
00:27:48,625 --> 00:27:50,458
Just, mind's a blank on it.

391
00:27:50,541 --> 00:27:51,666
I don't know.

392
00:27:52,833 --> 00:27:54,250
I don't know.

393
00:27:55,083 --> 00:27:56,083
Give up.

394
00:27:56,750 --> 00:27:58,291
It's nice though.

395
00:27:58,375 --> 00:28:00,541
- Have you turned me down?
- No.

396
00:28:06,125 --> 00:28:08,458
It's funny though.
You can't hear the piano either.

397
00:28:13,416 --> 00:28:15,083
We only asked for the piano.

398
00:28:21,375 --> 00:28:23,166
No. I said, "Oh, Ringo is on PA."

399
00:28:25,291 --> 00:28:29,000
A great sound in here
will improve what we do.

400
00:28:29,708 --> 00:28:33,125
No, but I mean, it's like
when we played in clubs in Hamburg.

401
00:28:34,416 --> 00:28:35,833
We sounded great.

402
00:28:45,541 --> 00:28:46,541
So you get

403
00:28:53,583 --> 00:28:55,666
Let's do that.
It'll help you anyway to begin with.

404
00:28:55,750 --> 00:28:57,291
- Thank you, George.
- You're welcome.

405
00:28:57,833 --> 00:29:00,416
See, 'cause that'd be good
if we could get all that,

406
00:29:01,083 --> 00:29:03,083
get the sound in this room.

407
00:29:03,166 --> 00:29:06,166
It's, like, remember that night
we tried tape echo with George?

408
00:29:06,250 --> 00:29:07,500
On a bit of vocal.

409
00:29:28,250 --> 00:29:30,583
They have bloody big speakers
or something,

410
00:29:31,166 --> 00:29:32,375
to shout through.

411
00:29:33,083 --> 00:29:35,375
They should be
at least as big as a bass amp.

412
00:29:35,458 --> 00:29:36,458
- Yeah.
- Paul.

413
00:29:36,541 --> 00:29:37,708
Yeah.

414
00:29:41,250 --> 00:29:43,541
Thing is, they're both facing
each other for a kickoff.

415
00:29:43,625 --> 00:29:46,375
They're all facing
They're all right next to the amps.

416
00:29:53,000 --> 00:29:55,333
I mean, get them up there,
they come down to us.

417
00:29:55,416 --> 00:29:58,625
Nail 'em on them sticks up there
and shoot 'em down to us,

418
00:29:58,708 --> 00:30:02,125
and we'll all face that way if you like.
We'll face any way.

419
00:30:02,958 --> 00:30:05,583
Well, then, let's
I don't know who to tell to do that.

420
00:30:05,666 --> 00:30:07,375
Right, okay.
Yeah. I'll do something about it.

421
00:30:07,458 --> 00:30:09,875
Somehow if we can each hear
what the others are playing.

422
00:30:13,333 --> 00:30:15,666
Yes, it does.

423
00:30:15,750 --> 00:30:20,833
♪ <i>I'll never do you no harm</i> ♪

424
00:30:23,083 --> 00:30:25,875
- * <i>Believe me when I tell you</i> *
- * <i>Oh, I do!</i> *

425
00:30:28,000 --> 00:30:32,500
♪ <i>I'll never do you no harm</i> ♪

426
00:30:36,416 --> 00:30:40,291
- * <i>No, darling, no harm</i> *
- * <i>Yeah, yeah, yeah</i> *

427
00:30:43,583 --> 00:30:44,583
- Uh
- Ow!

428
00:30:45,166 --> 00:30:48,416
Just heard that Yoko's divorce
has just gone through.

429
00:30:49,916 --> 00:30:50,916
Free at last.

430
00:30:51,000 --> 00:30:52,541
♪ <i>I'm free</i> ♪

431
00:30:52,625 --> 00:30:54,208
♪ <i>Oh</i> ♪

432
00:30:55,875 --> 00:30:56,875
♪ <i>This morning</i> ♪

433
00:30:59,708 --> 00:31:03,041
♪ <i>My baby told the lawyer</i> ♪

434
00:31:03,750 --> 00:31:06,333
- * <i>It's okay</i> *
- * <i>Yeah, yeah</i> *

435
00:31:08,416 --> 00:31:12,458
♪ <i>Believe me when I tell you</i> ♪

436
00:31:13,000 --> 00:31:18,458
♪ <i>I'll never never do you no harm</i> ♪

437
00:31:22,541 --> 00:31:25,291
♪ <i>Yeah</i> ♪

438
00:31:25,375 --> 00:31:30,166
♪ <i>And if somebody ever loved me
Like she does</i> ♪

439
00:31:30,250 --> 00:31:31,500
Did we "And if"?

440
00:31:31,583 --> 00:31:32,583
Start again.

441
00:31:33,083 --> 00:31:38,125
♪ <i>And if somebody ever really loved me
Like she does ♪</i>

442
00:31:38,208 --> 00:31:41,291
I've just got written down here,
"If somebody ever loved me."

443
00:31:41,375 --> 00:31:45,291
Oh, I've got, "If somebody
ever really loved me, like as she do me."

444
00:31:45,375 --> 00:31:46,375
Ah.

445
00:31:46,458 --> 00:31:49,833
♪ <i>And if somebody ever loved me
Like she does</i> ♪

446
00:31:49,916 --> 00:31:53,041
Maybe we should have,
"I guess nobody ever loved me."

447
00:31:55,500 --> 00:31:59,250
♪ <i>I guess nobody ever really</i> ♪

448
00:31:59,333 --> 00:32:01,583
♪ <i>Done me, done me, done me</i> ♪

449
00:32:01,666 --> 00:32:03,166
♪ <i>Oh, she done me</i> ♪

450
00:32:04,750 --> 00:32:06,166
♪ <i>Yeah, she good</i> ♪

451
00:32:09,250 --> 00:32:12,083
♪ <i>Don't let me down, yeah</i> ♪

452
00:32:15,666 --> 00:32:18,250
♪ <i>Don't let me down</i> ♪

453
00:32:20,458 --> 00:32:22,208
♪ <i>Oh, Little Willy! Yeah!</i> ♪

454
00:32:33,791 --> 00:32:36,208
♪ <i>Don't let me down</i> ♪

455
00:32:39,833 --> 00:32:42,041
♪ <i>Please don't let me down</i> ♪

456
00:32:50,916 --> 00:32:52,875
George. George. George.

457
00:33:26,583 --> 00:33:29,416
The layout of the book's
really good, though, the way he's done it.

458
00:33:30,000 --> 00:33:31,541
This is it. Is this the layout?

459
00:33:31,625 --> 00:33:33,291
No, this is just the bit. That bit.

460
00:33:33,958 --> 00:33:38,708
"Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,

461
00:33:38,791 --> 00:33:41,416
'My marriage is over.
I am in love with Yoko.'"

462
00:33:41,500 --> 00:33:43,666
- It's amazing.
- Sinceriously.

463
00:33:43,750 --> 00:33:47,166
"How much does he love Yoko?
'Much more than I love the Queen.'"

464
00:33:58,625 --> 00:34:02,250
♪ <i>Well, let me take you down</i> ♪

465
00:34:02,333 --> 00:34:05,000
♪ <i>'Cause I'm going</i> ♪

466
00:34:06,541 --> 00:34:08,875
♪ <i>Strawberry Fields</i> ♪

467
00:34:13,000 --> 00:34:15,000
♪ <i>Nothing is real</i> ♪

468
00:34:17,791 --> 00:34:21,041
♪ <i>Nothing to get hung about</i> ♪

469
00:34:22,458 --> 00:34:25,666
♪ <i>Strawberry Fields forever</i> ♪

470
00:34:27,375 --> 00:34:30,125
Let's record it all this afternoon, now.

471
00:34:31,291 --> 00:34:34,708
The show on Wednesday,
which is up on the roof, we can get, uh,

472
00:34:34,791 --> 00:34:37,666
no worse than a 4-shot on the roof
out toward London,

473
00:34:38,291 --> 00:34:40,708
- which I think is worth it.
- Yes. How much does it cost?

474
00:34:42,500 --> 00:34:44,750
Well, just send the helicopter up.
No film.

475
00:34:44,833 --> 00:34:48,041
- It's too much, film and a
- Helicopter.

476
00:34:48,125 --> 00:34:49,541
Uh, what do you say, lads?

477
00:34:49,625 --> 00:34:51,000
- Have it on Paul!
- Yeah.

478
00:34:51,083 --> 00:34:52,375
- Yeah.
- Yes.

479
00:34:53,250 --> 00:34:54,833
- Is that a yes?
- That's a no-no.

480
00:34:54,916 --> 00:34:57,958
♪ <i>Sweet Loretta Fart
She thought she was a cleaner</i> ♪

481
00:34:58,041 --> 00:35:00,041
♪ <i>But she was a frying pan</i> ♪

482
00:35:00,125 --> 00:35:02,333
One, two, three, four.

483
00:35:10,125 --> 00:35:13,916
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

484
00:35:14,000 --> 00:35:16,625
♪ <i>But he knew it couldn't last</i> ♪

485
00:35:18,208 --> 00:35:21,208
Not too loud though.
It's nice, quiet. Oh, yeah.

486
00:35:21,291 --> 00:35:25,083
It settled into it, though, after where
we started in, but much, much faster.

487
00:35:25,166 --> 00:35:27,500
One, two, three, four.

488
00:35:35,083 --> 00:35:36,875
♪ <i>Jo Jo was a man ♪</i>

489
00:35:36,958 --> 00:35:38,833
Bit faster, do you think? Bit faster now.

490
00:35:39,541 --> 00:35:41,375
One, two, three, four.

491
00:35:45,500 --> 00:35:46,500
Hello.

492
00:35:49,041 --> 00:35:52,333
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

493
00:35:52,416 --> 00:35:55,250
♪ <i>But he knew it couldn't last</i> ♪

494
00:35:56,291 --> 00:36:00,125
♪ <i>Jo Jo left his home in Tucson, Arizona</i> ♪

495
00:36:00,208 --> 00:36:02,541
- Little bit slower.
- It seems it's picking up speed, I think.

496
00:36:02,625 --> 00:36:03,625
Yeah.

497
00:36:03,708 --> 00:36:05,833
'Cause I find myself starting off, going

498
00:36:05,916 --> 00:36:06,916
We get excited.

499
00:36:07,916 --> 00:36:09,083
And then ended up

500
00:36:15,833 --> 00:36:18,708
Ah, this here's the story
about Sweet Loretta Martin

501
00:36:19,458 --> 00:36:20,958
and Jo Jo McCartney.

502
00:36:23,291 --> 00:36:24,416
♪ <i>Oh, get back</i> ♪

503
00:36:25,333 --> 00:36:26,333
♪ <i>Oh, get back</i> ♪

504
00:36:27,500 --> 00:36:30,916
♪ <i>Get back to where you once belonged
Yeah</i> ♪

505
00:36:31,000 --> 00:36:36,625
♪ <i>Sweet Loretta Martin
Thought she was a woman</i> ♪

506
00:36:37,458 --> 00:36:40,833
♪ <i>But she was another man</i> ♪

507
00:36:42,833 --> 00:36:45,250
All right, boy. All right, John.
I've gotta call order, John.

508
00:36:45,333 --> 00:36:47,166
- All right, Paul.
- You know, valuable time here, son.

509
00:36:48,125 --> 00:36:49,291
Cool down, son.

510
00:36:49,375 --> 00:36:50,916
Don't let me down, babe.

511
00:36:52,791 --> 00:36:57,291
♪ <i>Take these chains
And set me free</i> ♪

512
00:36:58,500 --> 00:37:03,250
♪ <i>Take these chains away
And set me free</i> ♪

513
00:37:10,208 --> 00:37:13,166
- They can afford it.
- Costing EMI. We're EMI artists, man, no?

514
00:37:14,333 --> 00:37:17,666
♪ <i>Get back, get back</i> ♪

515
00:37:18,666 --> 00:37:21,833
♪ <i>Get back to where you once belonged</i> ♪

516
00:37:21,916 --> 00:37:23,208
♪ <i>Get back home Jo Jo</i> ♪

517
00:37:31,916 --> 00:37:34,458
- together at the beginning.
- You were very good, Bill.

518
00:37:34,541 --> 00:37:37,375
Bill, you were just great.

519
00:37:39,583 --> 00:37:40,708
What are you gonna do?

520
00:37:40,791 --> 00:37:42,500
- Play it again.
- Sing a bit.

521
00:37:42,583 --> 00:37:44,958
- J?
- Just keep 'em. Keep 'em.

522
00:37:45,041 --> 00:37:46,583
- Do another one?
- Yeah.

523
00:37:46,666 --> 00:37:48,916
Well, tell us if you think
we've got it, you know?

524
00:37:49,000 --> 00:37:50,208
Well, yeah.

525
00:37:50,291 --> 00:37:52,000
Let's keep doing them then, you know?

526
00:37:52,083 --> 00:37:54,416
'Cause if we keep doing that
and going in and then saying, "Oh."

527
00:37:54,500 --> 00:37:57,000
I think you ought to do
something else, 'cause I think you might

528
00:37:57,083 --> 00:37:58,791
If you keep doing it,
you'll go stale on it.

529
00:37:58,875 --> 00:38:00,708
- No, no. Let's do it.
- You can always go back to it.

530
00:38:00,791 --> 00:38:03,041
- Do you want your head kicked in?
- You know what I mean, though.

531
00:38:04,500 --> 00:38:06,875
- Do you wanna do it once more then?
- Yes, yes.

532
00:38:06,958 --> 00:38:10,125
At least once more.
We'll never get a chance to do it again.

533
00:38:10,208 --> 00:38:13,375
It is the final
performance. You've got an audience now.

534
00:38:13,458 --> 00:38:16,458
Okay, honeybunch.
Let's hit it one time, tutti-frutti.

535
00:38:17,041 --> 00:38:18,500
One, two

536
00:38:18,583 --> 00:38:21,833
♪ <i>Get back, get back</i> ♪

537
00:38:22,416 --> 00:38:25,583
♪ <i>Get back to where you once belonged</i> ♪

538
00:38:27,250 --> 00:38:29,083
That last take was extremely good though.

539
00:38:29,166 --> 00:38:31,250
Okay. Keep it extremely good then.
We'll carry on.

540
00:38:34,333 --> 00:38:38,041
♪ <i>Oh, get back, Loretta Martin, back</i> ♪

541
00:38:38,958 --> 00:38:41,583
♪ <i>Back to where you once belonged</i> ♪

542
00:38:41,666 --> 00:38:43,583
Why not go straight into
another number then?

543
00:38:43,666 --> 00:38:46,083
We were trying to go into
"Don't Let Me Down" if we made it,

544
00:38:46,166 --> 00:38:48,166
but we haven't made it once yet, you know?

545
00:38:48,250 --> 00:38:51,750
We think of everything and we're
even gonna go on to "I've Got a Fever."

546
00:38:51,833 --> 00:38:53,166
If we really know.

547
00:38:53,250 --> 00:38:55,041
In that case,
I'm gonna change tape.

548
00:38:55,125 --> 00:38:56,125
Are you? Okay.

549
00:39:04,166 --> 00:39:07,666
♪ <i>Sweet Loretta Martin
Thought she was a woman</i> ♪

550
00:39:07,750 --> 00:39:10,375
♪ <i>But she was another man</i> ♪

551
00:39:10,458 --> 00:39:12,458
Was the other one before better than that?

552
00:39:13,708 --> 00:39:17,250
Yes. There was one better than that
earlier on. Hang on, we'll just

553
00:39:17,333 --> 00:39:18,916
The one before this was better for me.

554
00:39:19,000 --> 00:39:21,333
Should we have another ciggy,
another cup of tea, or

555
00:39:21,416 --> 00:39:23,083
- Okay, yeah after this.
- ciggy after the wine.

556
00:39:23,166 --> 00:39:26,250
Oh, ready? One, two three, four.

557
00:39:34,125 --> 00:39:37,416
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

558
00:39:37,500 --> 00:39:38,958
There's one where everything was right

559
00:39:39,041 --> 00:39:41,166
- What's the next reel?
- except the last bit of my guitar solo.

560
00:39:41,250 --> 00:39:43,666
Well, remember the one before that
that we all said was all right?

561
00:39:43,750 --> 00:39:45,208
- Yeah.
- That's Take 11.

562
00:39:45,291 --> 00:39:46,333
You can always edit.

563
00:39:46,416 --> 00:39:48,666
- Yeah, I'm just getting it.
- Edit?

564
00:39:48,750 --> 00:39:50,416
You're talking to the Bootles.

565
00:39:57,916 --> 00:40:01,083
Yeah, right. Now, see the thing is,
we need another week to do it.

566
00:40:01,833 --> 00:40:03,458
♪ <i>Get back, Jo</i> ♪

567
00:40:18,750 --> 00:40:22,458
♪ <i>Sweet Loretta Martin
Thought she was a woman</i> ♪

568
00:40:22,541 --> 00:40:25,291
♪ <i>But she was another man</i> ♪

569
00:40:26,625 --> 00:40:30,500
♪ <i>All the girls around her
Say she's got it coming</i> ♪

570
00:40:30,583 --> 00:40:32,875
♪ <i>But she gets it while she can</i> ♪

571
00:40:34,000 --> 00:40:35,291
♪ <i>Oh, get back</i> ♪

572
00:40:36,166 --> 00:40:37,166
♪ <i>Get back</i> ♪

573
00:40:38,125 --> 00:40:41,125
♪ <i>Get back to where you once belonged</i> ♪

574
00:40:42,041 --> 00:40:43,083
♪ <i>Get back</i> ♪

575
00:40:43,958 --> 00:40:44,958
♪ <i>Get back</i> ♪

576
00:40:45,041 --> 00:40:46,291
♪ <i>Oh, yeah</i> ♪

577
00:40:48,583 --> 00:40:49,833
♪ <i>Oh, yeah</i> ♪

578
00:40:49,916 --> 00:40:51,416
Miles out, aren't we?

579
00:40:51,500 --> 00:40:52,916
- Tune.
- Yeah.

580
00:40:53,000 --> 00:40:54,041
It was A, Bill.

581
00:40:54,125 --> 00:41:00,125
Billy, instead of giving us,
like, one note, give us a riff like

582
00:41:01,833 --> 00:41:03,666
That's easier to tune to.

583
00:41:22,458 --> 00:41:25,375
♪ <i>All these years
I've been wandering around</i> ♪

584
00:41:25,458 --> 00:41:28,416
♪ <i>Wondering how come nobody told me</i> ♪

585
00:41:28,500 --> 00:41:31,125
- Hold up. Hold up.
- Okay. Let me just

586
00:41:35,250 --> 00:41:38,333
Not giving 'em that!

587
00:41:38,416 --> 00:41:40,333
Oh, fucking right.

588
00:41:44,000 --> 00:41:46,458
Something happened.
I don't know what it was though.

589
00:41:47,083 --> 00:41:48,125
Something happened.

590
00:41:49,916 --> 00:41:50,916
♪ <i>Oh, yeah</i> ♪

591
00:41:52,166 --> 00:41:53,666
♪ <i>No, no, no</i> ♪

592
00:41:54,208 --> 00:41:56,291
♪ <i>Yeah</i> ♪

593
00:41:56,375 --> 00:41:59,583
♪ <i>I've got a feeling</i> ♪

594
00:42:04,583 --> 00:42:07,416
♪ <i>Well, all of these years
I've been wandering around</i> ♪

595
00:42:07,500 --> 00:42:10,416
♪ <i>Wondering how come nobody told me</i> ♪

596
00:42:10,500 --> 00:42:14,208
♪ <i>All that I've been looking for
Was somebody who looked like you</i> ♪

597
00:42:19,833 --> 00:42:22,250
- * <i>I've got a feeling</i> *
- * <i>Oh, yeah</i> *

598
00:42:22,333 --> 00:42:25,583
♪ <i>That keeps me on my toes
Oh, yeah</i> ♪

599
00:42:27,500 --> 00:42:28,833
♪ <i>Oh, yeah</i> ♪

600
00:42:31,500 --> 00:42:33,625
♪ <i>I've got a feeling</i> ♪

601
00:42:33,708 --> 00:42:36,625
♪ <i>I think that everybody knows</i> ♪

602
00:42:36,708 --> 00:42:38,166
- * <i>Oh, no</i> *
- * <i>Yeah</i> *

603
00:42:39,833 --> 00:42:41,375
♪ <i>Oh, yeah</i> ♪

604
00:42:42,625 --> 00:42:44,083
♪ <i>Oh, yeah</i> ♪

605
00:42:44,666 --> 00:42:46,916
♪ <i>Yeah</i> ♪

606
00:42:47,000 --> 00:42:50,541
♪ <i>Yeah, I've got a feeling</i> ♪

607
00:42:50,625 --> 00:42:52,291
♪ <i>Yeah, yeah, yeah</i> ♪

608
00:42:55,833 --> 00:42:58,041
♪ <i>Everybody had a hard year</i> ♪

609
00:42:59,000 --> 00:43:01,250
♪ <i>Everybody had a good time</i> ♪

610
00:43:02,083 --> 00:43:04,333
♪ <i>Everybody had a wet dream</i> ♪

611
00:43:05,166 --> 00:43:07,208
♪ <i>Everybody saw the sunshine</i> ♪

612
00:43:07,291 --> 00:43:09,041
- * <i>Oh, yeah</i> *
- * <i>Oh, yeah</i> *

613
00:43:09,125 --> 00:43:11,916
- * <i>Oh yeah, oh yeah</i> *
- * <i>Oh, yeah</i> *

614
00:43:14,375 --> 00:43:17,333
- * <i>Everybody had a good year</i> *
- * <i>Yeah</i> *

615
00:43:17,416 --> 00:43:20,375
- * <i>Everybody had their hair down</i> *
- * <i>Yeah</i> *

616
00:43:20,458 --> 00:43:23,333
- * <i>Everybody pulled their socks up</i> *
- * <i>Oh, yeah</i> *

617
00:43:23,416 --> 00:43:26,708
♪ <i>Everybody put their foot down
Oh, yeah</i> ♪

618
00:43:37,708 --> 00:43:40,166
Glyn? What does that sound like?

619
00:43:41,958 --> 00:43:43,875
Probably lucky

620
00:43:43,958 --> 00:43:45,000
- What?
- Yeah.

621
00:43:45,083 --> 00:43:46,125
- All right?
- Yeah.

622
00:44:02,083 --> 00:44:03,666
- Not bad.
- Got it.

623
00:44:05,000 --> 00:44:07,541
- Oh, the last two will do me.
- That's what I thought.

624
00:44:07,625 --> 00:44:10,083
- It was just about diabolical enough.
- You see, the thing is

625
00:44:10,166 --> 00:44:13,500
I don't feel as though
I'm singing it any good.

626
00:44:13,583 --> 00:44:16,041
- The other day I was singing better.
- 'Cause you're standing up.

627
00:44:16,125 --> 00:44:18,083
- And you're trying to do a thing.
- Maybe.

628
00:44:18,166 --> 00:44:19,416
You should sit down.

629
00:44:19,500 --> 00:44:20,666
- Enjoy yourself.
- Yeah.

630
00:44:21,583 --> 00:44:25,083
Maybe. No, but even so today,
I just feel as though

631
00:44:25,791 --> 00:44:26,916
Hobson's is a bit

632
00:44:28,166 --> 00:44:29,166
That reel on?

633
00:44:29,250 --> 00:44:31,666
We've still got a lot more songs
we haven't even rehearsed.

634
00:44:32,541 --> 00:44:37,000
The two slow ones we're doing,
"Mother Mary" and "Brother Jesus."

635
00:44:37,083 --> 00:44:38,708
Have we recorded?

636
00:44:38,791 --> 00:44:40,583
Have we recorded the "Mother Mary" one?

637
00:44:40,666 --> 00:44:41,916
Haven't happened yet, have they?

638
00:44:42,000 --> 00:44:43,000
- No.
- Haven't they?

639
00:44:43,083 --> 00:44:44,583
- One has. One has.
- Well

640
00:44:44,666 --> 00:44:46,375
- Which one?
- I can never get it.

641
00:44:46,458 --> 00:44:48,000
- "Long, Long, Winding"
- "Long and Winding Road"?

642
00:44:48,083 --> 00:44:49,166
"Long and Winding Scrotum."

643
00:44:49,250 --> 00:44:51,416
- Really?
- I think it's very tasty.

644
00:44:51,500 --> 00:44:52,583
<i>Tres</i> tasty, in fact.

645
00:44:52,666 --> 00:44:54,000
Oh, the little version we had

646
00:44:54,083 --> 00:44:56,083
- He's so good for your morale, this boy.
- Yeah, yeah.

647
00:44:56,166 --> 00:44:57,583
No, really.

648
00:44:57,666 --> 00:44:59,916
- We can do
- I'm not saying you can't do it better.

649
00:45:00,000 --> 00:45:01,458
But, I mean, it's very together.

650
00:45:02,166 --> 00:45:04,833
See, that's a bit like the old "Get Back."

651
00:45:04,916 --> 00:45:07,166
It's together
until you think you can do it better.

652
00:45:08,041 --> 00:45:10,250
We should arrange what's happening
around lunchtime tomorrow.

653
00:45:10,333 --> 00:45:12,500
John's got something at 1:30,
and so have I.

654
00:45:12,583 --> 00:45:15,458
I'll take these tonight.
You can have a mix of these tomorrow.

655
00:45:16,208 --> 00:45:18,166
- I'm meeting a fella.
- Oh, right.

656
00:45:19,375 --> 00:45:23,250
No, uh, at 1:30 though.
We're both going at 1:30, so can you

657
00:45:23,333 --> 00:45:26,833
We'll do something, all right.
I'll do Ringo at 1:30.

658
00:45:26,916 --> 00:45:29,333
Let's say 12:00.

659
00:45:29,416 --> 00:45:31,916
We'll be coming in before 1:30?

660
00:45:32,000 --> 00:45:34,000
- Yeah. Coming in at 11:00.
- Okay.

661
00:45:34,083 --> 00:45:35,083
Then work till 1:30.

662
00:45:35,166 --> 00:45:36,875
<i>Okay, honeybunch. Let's hit it one time.</i>

663
00:45:36,958 --> 00:45:39,041
- What time are you starting?
- 11:00.

664
00:45:39,625 --> 00:45:41,208
- 11:00 to 1:30?
- 10:30, yeah.

665
00:45:41,291 --> 00:45:42,625
<i>Dig, man.</i>

666
00:45:42,708 --> 00:45:44,958
And then how long
are you having off from 1:30?

667
00:45:45,041 --> 00:45:47,291
Till 3:00. Good night, everybody.

668
00:45:47,375 --> 00:45:49,416
- Good night, Rich.
- Good night, Richie.

669
00:45:49,500 --> 00:45:51,375
- I think I'm gonna go.
- Will you?

670
00:45:51,458 --> 00:45:53,333
I think the one you said was best

671
00:45:53,416 --> 00:45:54,666
- Nine?
- is best.

672
00:45:54,750 --> 00:45:56,833
Yeah. But it still doesn't make it.

673
00:45:57,708 --> 00:45:59,708
- We'll keep it anyway.
- Keep it in.

674
00:45:59,791 --> 00:46:03,208
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

675
00:46:03,291 --> 00:46:04,500
- Good?
- Yeah.

676
00:46:04,583 --> 00:46:08,583
Right. New reel.

677
00:46:08,666 --> 00:46:10,541
Well, the air-conditioning works.

678
00:46:11,541 --> 00:46:14,125
- God, feel like I'm in the army.
- It must be terrible.

679
00:46:14,208 --> 00:46:16,416
That was the only good thing
about being a girl.

680
00:46:16,500 --> 00:46:18,416
Can you imagine being drafted to Vietnam?

681
00:46:18,500 --> 00:46:20,583
George,
of the ones they've done so far,

682
00:46:20,666 --> 00:46:22,791
which do you think we can do on the roof?

683
00:46:22,875 --> 00:46:24,791
- Anything without the grand piano.
- Oh!

684
00:46:25,791 --> 00:46:27,791
- Morning.
- You're embarrassing me.

685
00:46:31,583 --> 00:46:33,833
Should we write down
what we could do on the roof?

686
00:46:34,375 --> 00:46:36,750
You haven't got
a concise list of titles, have we, Alan?

687
00:46:36,833 --> 00:46:39,000
- No. I can make one.
- Well, I

688
00:46:39,083 --> 00:46:41,000
One is "I Dig a Pony."
We can do that on the roof.

689
00:46:41,083 --> 00:46:42,083
"Let It Be."

690
00:46:42,666 --> 00:46:45,833
Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.

691
00:46:46,708 --> 00:46:48,208
Yeah, with the piano on that.

692
00:46:48,291 --> 00:46:49,291
♪ <i>Let it be</i> ♪

693
00:46:50,166 --> 00:46:52,875
Is anyone sort of
thinking of this like making an album

694
00:46:52,958 --> 00:46:55,333
or more like sort of
doing a lot of numbers then

695
00:46:55,416 --> 00:46:59,083
to be able to play them all
one after the other?

696
00:46:59,166 --> 00:47:00,208
Let's pick the five

697
00:47:06,125 --> 00:47:07,166
Uh

698
00:47:08,250 --> 00:47:09,750
I don't see much point in doing

699
00:47:09,833 --> 00:47:12,083
"Don't Let Me Down,"
"I've Got A Feeling" and that now.

700
00:47:13,083 --> 00:47:14,291
Yeah

701
00:47:14,375 --> 00:47:16,083
'Cause you lose it.

702
00:47:16,166 --> 00:47:18,666
So let's pick up on the ones
that are all in pieces.

703
00:47:19,666 --> 00:47:22,666
I'm trying to get us to do
one of George's for the first batch.

704
00:47:22,750 --> 00:47:24,500
Oh, ah. Yeah.

705
00:47:24,583 --> 00:47:27,833
♪ <i>What do you know now, Mr. Show?</i> ♪

706
00:47:29,291 --> 00:47:30,916
♪ <i>I don't know</i> ♪

707
00:47:32,500 --> 00:47:34,083
♪ <i>I don't know</i> ♪

708
00:47:34,166 --> 00:47:36,875
Then you can have the next one,
"Did you know, missed the show?"

709
00:47:36,958 --> 00:47:39,750
♪ <i>Do you know who missed the show?</i> ♪

710
00:47:41,791 --> 00:47:43,375
♪ <i>No, I don't know</i> ♪

711
00:47:44,416 --> 00:47:46,083
♪ <i>I don't know</i> ♪

712
00:47:46,166 --> 00:47:49,375
♪ <i>Dun, dun, dun
Dun, dun</i> ♪

713
00:47:49,458 --> 00:47:52,416
♪ <i>Do you know now, Mr. Joe?</i> ♪

714
00:47:53,625 --> 00:47:57,875
♪ <i>Something in the way she moves</i> ♪

715
00:48:00,541 --> 00:48:04,458
♪ <i>Attracts me like a moth to candlelight</i> ♪

716
00:48:06,541 --> 00:48:09,083
♪ <i>Something in the way</i> ♪

717
00:48:12,291 --> 00:48:13,833
What could it be, Paul?

718
00:48:13,916 --> 00:48:15,750
- "Something in the way she moves."
- Hmm?

719
00:48:15,833 --> 00:48:17,250
What attracted me at all?

720
00:48:17,333 --> 00:48:19,541
Just say whatever comes
into your head each time.

721
00:48:19,625 --> 00:48:22,875
"Attracts me like a cauliflower,"
until you get the word, you know?

722
00:48:22,958 --> 00:48:26,291
Yeah, but I've been through this one,
like, for about six months.

723
00:48:26,375 --> 00:48:29,041
♪ <i>Attracts me like a pomegranate</i> ♪

724
00:48:30,666 --> 00:48:31,666
♪ <i>Something in the</i> ♪

725
00:48:31,750 --> 00:48:34,666
We could have that.
"Attracts me like a pomegranate."

726
00:48:34,750 --> 00:48:39,083
♪ <i>Something in the way she moves</i> ♪

727
00:48:41,875 --> 00:48:44,708
♪ <i>Attracts me like a moth to candlelight
To pomegranate ♪</i>

728
00:48:44,791 --> 00:48:46,125
♪ <i>Pomegranate</i> ♪

729
00:48:46,208 --> 00:48:47,500
"Cauliflower" is better.

730
00:48:47,583 --> 00:48:52,875
♪ <i>Something in the way she woos me</i> ♪

731
00:48:53,875 --> 00:48:55,833
♪ <i>I don't want to leave her now</i> ♪

732
00:48:56,708 --> 00:48:58,875
♪ <i>You know I believe and how</i> ♪

733
00:49:07,583 --> 00:49:10,500
♪ <i>Da, da, da
Da, da, da</i> ♪

734
00:49:12,333 --> 00:49:13,500
♪ <i>I don't know</i> ♪

735
00:49:15,416 --> 00:49:16,875
♪ <i>Da, da, da</i> ♪

736
00:49:20,208 --> 00:49:23,041
♪ <i>Da, da, da
Da, da, da</i> ♪

737
00:49:24,708 --> 00:49:28,375
♪ <i>I don't know</i> ♪

738
00:49:28,458 --> 00:49:30,166
- Okay.
- What was that?

739
00:49:30,250 --> 00:49:33,041
Yeah, but say we got
a really good one of "Love Me Do."

740
00:49:33,125 --> 00:49:36,041
- Well, yeah. That's true.
- Yeah. Okay.

741
00:49:39,583 --> 00:49:42,083
♪ <i>Love, love me do</i> ♪

742
00:49:43,416 --> 00:49:46,000
♪ <i>You know I love you</i> ♪

743
00:49:47,166 --> 00:49:50,000
♪ <i>I'll always be true</i> ♪

744
00:49:50,958 --> 00:49:55,708
♪ <i>So please</i> ♪

745
00:49:56,916 --> 00:49:58,708
♪ <i>Love me do</i> ♪

746
00:49:58,791 --> 00:50:02,875
Is it 1:30? I've got this
to go to this meeting.

747
00:50:02,958 --> 00:50:03,958
So, can you do it?

748
00:50:04,625 --> 00:50:07,291
Will you ring down for us?
And we'll keep going through this.

749
00:50:07,375 --> 00:50:09,041
Yeah. Okay.

750
00:50:25,416 --> 00:50:26,583
Shall we do it?

751
00:50:28,000 --> 00:50:29,666
♪ <i>I've got a feeling</i> ♪

752
00:50:30,583 --> 00:50:32,916
♪ <i>A feeling deep inside</i> ♪

753
00:50:33,000 --> 00:50:34,166
♪ <i>Oh, yeah</i> ♪

754
00:50:35,541 --> 00:50:37,708
- Glyn?
- Send an engineer.

755
00:50:37,791 --> 00:50:38,791
Glyn.

756
00:50:40,458 --> 00:50:43,666
Can you come and fix my microphone?
It keeps falling down.

757
00:50:44,833 --> 00:50:47,791
♪ <i>Everybody had a hard year</i> ♪

758
00:50:47,875 --> 00:50:48,875
♪ <i>Everybody</i> ♪

759
00:50:58,416 --> 00:51:00,208
See, can I change from going

760
00:51:02,708 --> 00:51:05,208
Because I can't do it.
I go into that folk bit.

761
00:51:05,291 --> 00:51:06,375
Have a ciggy, Billy.

762
00:51:06,458 --> 00:51:08,291
♪ <i>I've got a feeling</i> ♪

763
00:51:09,083 --> 00:51:11,416
♪ <i>Everybody knows</i> ♪

764
00:51:11,500 --> 00:51:12,583
♪ <i>Oh, yeah</i> ♪

765
00:51:14,333 --> 00:51:15,416
♪ <i>Oh, yeah</i> ♪

766
00:51:17,916 --> 00:51:19,000
♪ <i>Yeah</i> ♪

767
00:51:22,958 --> 00:51:24,458
♪ <i>Oh, I've got a feeling</i> ♪

768
00:51:24,541 --> 00:51:25,875
Two, three, four.

769
00:51:27,583 --> 00:51:28,875
♪ <i>I've got a feeling</i> ♪

770
00:51:34,833 --> 00:51:37,625
♪ <i>All these years
I've been wandering around</i> ♪

771
00:51:37,708 --> 00:51:40,875
♪ <i>Wondering how come nobody told me</i> ♪

772
00:51:40,958 --> 00:51:44,291
♪ <i>All that I was looking for
Was somebody who looked like you</i> ♪

773
00:51:44,375 --> 00:51:45,541
♪ <i>You know that</i> ♪

774
00:51:51,375 --> 00:51:54,333
I'll sing it a bit different than that.
I'll sing

775
00:51:54,416 --> 00:51:57,708
♪ <i>Everybody had a good year
Everybody let their hair down</i> ♪

776
00:51:57,791 --> 00:51:58,791
- All that bit.
- Yeah.

777
00:51:58,875 --> 00:52:00,458
Okay.
Should we go from the last verse again?

778
00:52:00,541 --> 00:52:02,041
That's the bit still, isn't it?

779
00:52:02,125 --> 00:52:03,125
I still think that

780
00:52:03,208 --> 00:52:05,791
I'm not sure about that syncopation bit,
but leave that to Paul.

781
00:52:05,875 --> 00:52:10,416
Well, that's okay if we just do it
in between, you know, where the riff

782
00:52:10,500 --> 00:52:11,500
Uh

783
00:52:12,333 --> 00:52:14,291
It seems to be going
through every verse now.

784
00:52:14,375 --> 00:52:16,375
Yeah, that's the riff. Goes

785
00:52:17,000 --> 00:52:18,750
- I mean that
- It should change.

786
00:52:18,833 --> 00:52:20,500
No, that just comes at the end.

787
00:52:21,583 --> 00:52:23,208
Oh, in the middle of every verse?

788
00:52:23,291 --> 00:52:26,875
♪ <i>A feeling deep inside
Oh, yeah</i> ♪

789
00:52:36,208 --> 00:52:40,875
But also we need somebody that's gonna
tune everything in here to one pitch.

790
00:52:40,958 --> 00:52:42,500
Uh, the piano people do that.

791
00:52:42,583 --> 00:52:44,791
Okay, well,
we'll play about for a bit then.

792
00:52:44,875 --> 00:52:47,166
- How do you tune an electric piano?
- I don't know.

793
00:52:47,250 --> 00:52:49,000
♪ <i>How do you tune an electric piano</i> ♪

794
00:52:49,083 --> 00:52:51,500
There's got to be a way though.
Probably here somewhere.

795
00:52:53,291 --> 00:52:54,708
What did you wanna talk about?

796
00:52:54,791 --> 00:52:56,916
Uh, well,
just that I saw Klein, and that.

797
00:52:57,000 --> 00:52:58,666
- Oh, Klein?
- Yeah, yeah. Klein.

798
00:52:58,750 --> 00:53:00,083
- Allen Klein.
- Oh, I see.

799
00:53:00,166 --> 00:53:02,166
Yeah. And it's
You know, it's very interesting.

800
00:53:02,250 --> 00:53:03,250
Yeah.

801
00:53:03,333 --> 00:53:05,458
- You know, from a lot of angles.
- Hmm.

802
00:53:05,541 --> 00:53:09,375
And the But I want to tell you
all at once, you know, so as it's not

803
00:53:10,666 --> 00:53:14,083
But just, um
I just think he's fantastic.

804
00:53:14,166 --> 00:53:15,583
- Really?
- Yeah.

805
00:53:16,833 --> 00:53:19,833
A lot of interesting news
that we don't know half about,

806
00:53:19,916 --> 00:53:21,291
- just about
- About us?

807
00:53:21,375 --> 00:53:24,708
Well, I'll tell You know,
he'll tell you all that, 'cause it's

808
00:53:24,791 --> 00:53:26,791
You know,
he knows everything about everything.

809
00:53:26,875 --> 00:53:28,000
Very interesting guy.

810
00:53:28,083 --> 00:53:30,791
- I was there till 2:00 in the morning.
- Oh, you went last night?

811
00:53:30,875 --> 00:53:34,125
I went there thinking, "Well, I've got
to see him. I put it off last time."

812
00:53:34,208 --> 00:53:35,458
You know?

813
00:53:35,541 --> 00:53:37,416
I keep hearing about him all these years.

814
00:53:37,500 --> 00:53:40,375
Things that you just
you can't believe, you know.

815
00:53:40,458 --> 00:53:44,125
Right down to where where it's gone,

816
00:53:45,500 --> 00:53:46,666
and how to get it.

817
00:53:47,958 --> 00:53:51,666
So, I, you know Well, I didn't
really wanna say it to sort of half o'ya.

818
00:53:51,750 --> 00:53:54,416
I thought,
"He's gonna look after me, whatever."

819
00:53:54,500 --> 00:53:56,041
That's it's just like that.

820
00:53:58,083 --> 00:54:00,875
And he knows
He even knows what we're like, you know?

821
00:54:00,958 --> 00:54:03,375
The way he described each one of us,
you know,

822
00:54:03,458 --> 00:54:05,833
and what we've done
and what we're gonna do and that.

823
00:54:05,916 --> 00:54:09,125
But just, like,
he knows me as much as you do.

824
00:54:10,791 --> 00:54:12,125
Incredible guy.

825
00:54:12,625 --> 00:54:14,875
He's got a great idea for Biafra.

826
00:54:14,958 --> 00:54:16,833
He's like
He says, "I'm a practical man."

827
00:54:16,916 --> 00:54:19,875
And his thing
You know The Stones' Circus we did?

828
00:54:19,958 --> 00:54:21,833
- So he arranges those things for them.
- Yeah.

829
00:54:21,916 --> 00:54:27,041
All we heard about that
and the the the royalty from way back

830
00:54:27,125 --> 00:54:28,875
- Yeah.
- they get much more than us.

831
00:54:28,958 --> 00:54:31,375
However many we sell, they cop.

832
00:54:32,000 --> 00:54:35,833
You know, so, The Stones show,
he's gonna make an LP out of it.

833
00:54:35,916 --> 00:54:38,166
They're making a book of it
and everything, of course, you know?

834
00:54:38,250 --> 00:54:39,916
Like, everybody is into that.

835
00:54:40,000 --> 00:54:45,083
And he's gonna, uh, make an LP of it,
of everybody that was on

836
00:54:45,791 --> 00:54:48,541
to buy food for Biafra.

837
00:54:48,625 --> 00:54:50,625
Yeah, I was telling him
about your idea for that film.

838
00:54:50,708 --> 00:54:51,958
- Oh, yeah.
- The thing is,

839
00:54:52,041 --> 00:54:55,875
I mean, if we took the food to that place,
with the money we've all earned

840
00:54:55,958 --> 00:54:57,958
He'd do it completely himself,
arrange it all.

841
00:54:58,041 --> 00:55:01,458
I didn't mean to get into all this,
but he's so fascinating.

842
00:55:04,791 --> 00:55:06,791
Do you want to do this one more time?

843
00:55:06,875 --> 00:55:08,250
- Yeah.
- Eh?

844
00:55:08,916 --> 00:55:11,916
'Cause I'd like to learn
"On the Road to Marrakesh" or something.

845
00:55:14,625 --> 00:55:15,791
Or "Mr. Mustard."

846
00:55:16,333 --> 00:55:18,791
Must do another number, I've decided.

847
00:55:18,875 --> 00:55:23,125
♪ <i>I want a short-haired girl
Who sometimes wears it twice as long</i> ♪

848
00:55:25,541 --> 00:55:29,208
♪ <i>Now I'm steppin' out
This old brown shoe</i> ♪

849
00:55:31,625 --> 00:55:34,750
Mal, what was the name of that
shoe shop somebody said is in Bond Street?

850
00:55:34,833 --> 00:55:37,458
The good one.
Do you know a good shoe shop near?

851
00:55:37,541 --> 00:55:39,541
There's a lot of shoe shops
in Bond Street.

852
00:55:39,625 --> 00:55:44,041
Yeah. But I just want, you know,
like ordinary black leather shoes.

853
00:55:44,625 --> 00:55:47,875
It's just that I never get any, you know,
'cause I'm never in shoe shops.

854
00:55:48,625 --> 00:55:50,458
Do you want me
to bring the bloke over?

855
00:55:50,541 --> 00:55:52,708
If you can con somebody into coming

856
00:55:52,791 --> 00:55:56,750
with, you know, a selection
of black slip-on size eights.

857
00:55:56,833 --> 00:55:57,875
Yeah, okay.

858
00:55:57,958 --> 00:56:01,291
♪ <i>I'm so glad you came here
It won't be the same now</i> ♪

859
00:56:01,375 --> 00:56:02,458
♪ <i>I'm telling you</i> ♪

860
00:56:04,333 --> 00:56:05,333
♪ <i>Yeah</i> ♪

861
00:56:07,583 --> 00:56:08,708
♪ <i>Dun, de, da, dun</i> ♪

862
00:56:08,791 --> 00:56:11,708
♪ <i>Now I'm steppin' out
This old brown shoe</i> ♪

863
00:56:12,416 --> 00:56:14,291
♪ <i>Baby, I'm in love with you</i> ♪

864
00:56:14,375 --> 00:56:16,375
♪ <i>I'm so glad you came here</i> ♪

865
00:56:28,083 --> 00:56:32,875
♪ <i>I like a love that's right
When right is only half of what's wrong</i> ♪

866
00:56:35,250 --> 00:56:39,875
♪ <i>I want a short-haired girl
Who sometimes wears it twice as long</i> ♪

867
00:56:41,791 --> 00:56:45,541
♪ <i>Now I'm steppin' out
This old brown shoe</i> ♪

868
00:56:45,625 --> 00:56:47,875
What?

869
00:56:47,958 --> 00:56:50,166
Where's it from? Who makes it?

870
00:56:50,250 --> 00:56:51,666
- Wow.
- Japanese?

871
00:56:51,750 --> 00:56:53,833
I saw it on the television.

872
00:56:56,166 --> 00:56:58,000
Too much! Whoo.

873
00:56:59,208 --> 00:57:00,208
Nice sound.

874
00:57:00,291 --> 00:57:02,541
- Could you transpose that to D?
- Yeah.

875
00:57:02,625 --> 00:57:05,916
- All on one note, huh?
- Yeah, you can change it.

876
00:57:10,000 --> 00:57:12,000
One at a time. It's a little organ.

877
00:57:15,541 --> 00:57:16,541
That's better.

878
00:57:17,083 --> 00:57:19,625
Yeah. It's too much, man.

879
00:57:53,916 --> 00:57:56,416
I love that song.
That's beautiful. I couldn't

880
00:57:56,500 --> 00:57:57,500
You've won a prize.

881
00:57:57,583 --> 00:57:59,666
Couldn't have asked for
better. Can we have something else now?

882
00:57:59,750 --> 00:58:01,541
Another song, right. Okay, George?

883
00:58:02,208 --> 00:58:04,708
How about, uh
What have you got up your sleeve, John?

884
00:58:05,916 --> 00:58:07,250
How about "Love Me Do" again?

885
00:58:07,333 --> 00:58:09,750
What about "Don't Let Me Down"?
That's a bloody good one, that.

886
00:58:09,833 --> 00:58:12,250
Very high though. But never mind.
We'll practice the backing.

887
00:58:12,333 --> 00:58:13,416
- What is it now?
- Just

888
00:58:13,500 --> 00:58:16,083
"And if somebody ever loved me
like she does," that's all.

889
00:58:16,166 --> 00:58:17,416
Just the "really" out.

890
00:58:18,875 --> 00:58:24,708
♪ <i>And if somebody ever loved me
Like she does</i> ♪

891
00:58:25,916 --> 00:58:27,625
♪ <i>Ooh, she does</i> ♪

892
00:58:29,125 --> 00:58:31,541
♪ <i>Yes, she does</i> ♪

893
00:58:32,250 --> 00:58:33,250
Same guitar?

894
00:58:33,333 --> 00:58:34,458
♪ <i>I'm in love for the</i> ♪

895
00:58:42,750 --> 00:58:44,166
Okay, George. Come on.

896
00:58:45,000 --> 00:58:46,375
One

897
00:58:46,458 --> 00:58:48,375
The Krishna chronicle.

898
00:58:49,458 --> 00:58:50,958
The Krishna Christmas club.

899
00:58:53,583 --> 00:58:55,333
A little bit of a tune-up, I think.

900
00:58:55,416 --> 00:58:56,833
No, I don't think so, George.

901
00:58:56,916 --> 00:58:58,750
Yeah, John. Don't, John. Don't.

902
00:58:58,833 --> 00:59:01,208
I've had some wine, you know?
Remember Bob Wooler.

903
00:59:01,291 --> 00:59:03,000
Fucking right.

904
00:59:03,083 --> 00:59:04,166
Peace on Earth.

905
00:59:04,791 --> 00:59:07,583
"Don't Let Me Down the Road Again Blues."

906
00:59:07,666 --> 00:59:10,083
"Short, fat Fanny, you're my desire."

907
00:59:11,791 --> 00:59:14,041
One, two, three, four.

908
00:59:18,833 --> 00:59:21,583
♪ <i>Don't let me down</i> ♪

909
00:59:25,000 --> 00:59:27,833
♪ <i>Don't let me down</i> ♪

910
00:59:30,791 --> 00:59:34,125
♪ <i>Don't let me down</i> ♪

911
00:59:37,208 --> 00:59:39,875
♪ <i>Don't let me down</i> ♪

912
00:59:42,333 --> 00:59:46,708
♪ <i>Nobody ever loved me like she does</i> ♪

913
00:59:48,250 --> 00:59:50,791
♪ <i>Ooh, she does</i> ♪

914
00:59:50,875 --> 00:59:53,333
♪ <i>Yes, she does</i> ♪

915
00:59:53,416 --> 00:59:55,208
♪ <i>I need you</i> ♪

916
00:59:56,458 --> 00:59:58,916
♪ <i>I need you so bad</i> ♪

917
01:00:00,083 --> 01:00:01,333
♪ <i>I need you</i> ♪

918
01:00:02,625 --> 01:00:06,083
♪ <i>I need you so bad
It's driving me mad</i> ♪

919
01:00:06,166 --> 01:00:08,166
♪ <i>It's driving me mad</i> ♪

920
01:00:10,166 --> 01:00:13,500
♪ <i>Oh, oh, oh, oh</i> ♪

921
01:00:13,583 --> 01:00:16,333
♪ <i>Half a pound of greasepaint
On your face</i> ♪

922
01:00:16,416 --> 01:00:19,000
♪ <i>That's the life
Let's face it, chums</i> ♪

923
01:00:19,541 --> 01:00:21,583
♪ <i>All the rest are a gang of bums</i> ♪

924
01:00:21,666 --> 01:00:24,208
♪ <i>Oh, half a pound of greasepaint
On your face</i> ♪

925
01:00:24,291 --> 01:00:27,208
♪ <i>Get your togs and get in quick</i> ♪

926
01:00:27,291 --> 01:00:32,166
♪ <i>Get that pancake on your head
And get out on the boards</i> ♪

927
01:00:32,750 --> 01:00:35,250
♪ <i>Sock it to 'em, sock it to 'em
One more time</i> ♪

928
01:00:35,333 --> 01:00:37,875
♪ <i>Till the closing curtain falls</i> ♪

929
01:00:37,958 --> 01:00:40,916
♪ <i>Go and do your act
And get it right</i> ♪

930
01:00:41,000 --> 01:00:43,708
♪ <i>Don't let 'em down
In the old limelight</i> ♪

931
01:00:43,791 --> 01:00:46,458
♪ <i>Oh, half a pound of greasepaint
On your face</i> ♪

932
01:00:46,541 --> 01:00:48,833
♪ <i>That's a little kind of thing
You can't erase</i> ♪

933
01:00:48,916 --> 01:00:51,833
♪ <i>It gets in your blood
It gets in your stream</i> ♪

934
01:00:51,916 --> 01:00:54,541
♪ <i>So get onto the boards
And let 'em hear you scream</i> ♪

935
01:00:56,708 --> 01:00:58,458
♪ <i>Half a pound of greasepaint</i> ♪

936
01:00:59,500 --> 01:01:00,916
♪ <i>Half a pound of greasepaint</i> ♪

937
01:01:02,291 --> 01:01:03,458
♪ <i>Mr. Show</i> ♪

938
01:01:05,666 --> 01:01:09,916
♪ <i>Oh, go into song and dances</i> ♪

939
01:01:11,291 --> 01:01:15,458
♪ <i>Oh, go into funny prances</i> ♪

940
01:01:16,750 --> 01:01:21,208
♪ <i>Let me hear you do the new
Oh, newest dance</i> ♪

941
01:01:21,291 --> 01:01:22,958
♪ <i>And in the greasepaint pants</i> ♪

942
01:01:23,916 --> 01:01:25,625
♪ <i>The man in the greasepaint pants</i> ♪

943
01:01:26,291 --> 01:01:27,500
Allen Klein's here.

944
01:01:28,458 --> 01:01:29,916
Where's he gonna be?

945
01:01:30,708 --> 01:01:32,291
Should we go up to our room?

946
01:01:32,375 --> 01:01:34,458
- Yeah.
- Oh, fuck it.

947
01:01:36,833 --> 01:01:39,208
♪ <i>I want you so bad</i> ♪

948
01:01:46,125 --> 01:01:47,833
- Morning, Michael.
- Morning, R.S.

949
01:01:47,916 --> 01:01:51,000
How many numbers do you think
you'll have by tomorrow at 1:00

950
01:01:51,083 --> 01:01:52,750
- before you go up on the roof?
- About six.

951
01:01:53,625 --> 01:01:54,791
Yes, it's gonna be great.

952
01:02:27,625 --> 01:02:28,625
Yeah.

953
01:02:29,375 --> 01:02:30,875
But strange, man.

954
01:02:37,250 --> 01:02:38,250
Yes.

955
01:02:59,625 --> 01:03:00,625
Mmm.

956
01:03:00,708 --> 01:03:03,958
Tomorrow, with the nine cameras,
if we do tomorrow,

957
01:03:04,041 --> 01:03:05,958
there is a kind of,
"Something will happen."

958
01:03:06,041 --> 01:03:08,000
No, it's the best bit of us,

959
01:03:08,083 --> 01:03:09,875
always has been and always will be,

960
01:03:09,958 --> 01:03:12,875
is when we've got
when we're backs against the wall

961
01:03:12,958 --> 01:03:14,916
and we've been rehearsing,
rehearsing, rehearsing.

962
01:03:15,000 --> 01:03:17,583
And he knows it's a take on the dub.
And he does it great.

963
01:03:17,666 --> 01:03:20,791
No, the organization
has gotta come from either you

964
01:03:20,875 --> 01:03:22,000
or from you doing an audience.

965
01:03:22,083 --> 01:03:24,708
But that's not true, you see?
There is a difference.

966
01:03:24,791 --> 01:03:27,375
- Like when we came here from Twickenham.
- Mmm.

967
01:03:27,458 --> 01:03:29,083
It's a whole other thing, you know?

968
01:03:30,041 --> 01:03:34,458
If we went into a TV studio now,
in one of those big, bare TV studios

969
01:03:34,541 --> 01:03:36,833
and you sat us down,
just with our songs and amps,

970
01:03:36,916 --> 01:03:38,500
we'd do 'em and we'd do 'em great.

971
01:03:39,541 --> 01:03:41,500
I think what we need is
an audience of some sort.

972
01:03:41,583 --> 01:03:43,083
Either a surprise audience

973
01:03:43,666 --> 01:03:46,000
Tomorrow, or, uh I'll light my cigar.

974
01:03:52,791 --> 01:03:56,166
If we've got like everything set for
tomorrow, we just go ahead and do it and

975
01:03:56,250 --> 01:03:58,416
The roof is like too far out.

976
01:03:58,500 --> 01:03:59,833
If we do an open air thing

977
01:04:00,583 --> 01:04:03,208
That's that's really all
I can say about this whole scene.

978
01:04:03,291 --> 01:04:05,916
We should learn all the numbers.
All of them.

979
01:04:06,000 --> 01:04:07,875
All the ones that are gonna be
on the album.

980
01:04:07,958 --> 01:04:09,791
I know it literally takes a bit more time.

981
01:04:09,875 --> 01:04:11,750
That's why I wanna
go through with you today, the ones

982
01:04:11,833 --> 01:04:14,041
But we haven't got the end thing.

983
01:04:14,125 --> 01:04:17,000
I've got a feeling that
we're gonna just, sort of, go off

984
01:04:18,083 --> 01:04:19,083
♪ <i>Got a feeling</i> ♪

985
01:04:19,166 --> 01:04:22,000
We're just gonna go off like we did
after the end of the last album.

986
01:04:22,625 --> 01:04:25,375
And just sort of think,
"Oh, not another fucking album."

987
01:04:25,458 --> 01:04:27,791
You know? Because this is
this is what this is, you know.

988
01:04:27,875 --> 01:04:30,333
- I can't wait to work it, you know?
- Yeah.

989
01:04:30,416 --> 01:04:33,833
But it's like we got much better takes
after we moved from Twickenham to here.

990
01:04:33,916 --> 01:04:36,291
Oh, yeah,
but I mean here I like. It's like home.

991
01:04:36,375 --> 01:04:41,833
But, like, we still haven't got
any aim for it, except an album again.

992
01:04:41,916 --> 01:04:44,791
- Yeah.
- Our only aim ever is an album, you know?

993
01:04:44,875 --> 01:04:47,083
Which is like a very nonvisual thing.

994
01:04:47,166 --> 01:04:49,416
But albums is
what we're doing at the moment.

995
01:04:49,500 --> 01:04:51,208
I mean,
you gotta be sneaky with The Beatles,

996
01:04:51,291 --> 01:04:53,916
or else we'll just go on forever
in a circle, you know?

997
01:04:54,000 --> 01:04:56,750
Whenever we talk about it,
we have certain rules.

998
01:04:56,833 --> 01:05:00,291
Like George saying, "What do you
wanna do?" And he says, "No films."

999
01:05:00,375 --> 01:05:02,958
You know, but it's wrong, that.
It's very wrong, that.

1000
01:05:03,041 --> 01:05:04,708
Because you don't know.

1001
01:05:04,791 --> 01:05:07,833
He says What he means is,
no <i>Help</i>, Hard Day's Night.

1002
01:05:07,916 --> 01:05:10,375
'Cause this is a film.
And he now he doesn't mind this.

1003
01:05:10,458 --> 01:05:12,416
It's us going silly again.

1004
01:05:14,375 --> 01:05:16,833
See, it's like when we came
back from Hamburg,

1005
01:05:16,916 --> 01:05:20,666
and did Leicester, De Montfort Hall
and we had the worst first night thing,

1006
01:05:20,750 --> 01:05:22,750
and we're all nervous,
and it was terrible.

1007
01:05:22,833 --> 01:05:25,375
Then we played another the next night.
We just went right into it.

1008
01:05:25,458 --> 01:05:28,000
We're good at that
once we get over the nervousness.

1009
01:05:28,083 --> 01:05:31,625
But it's like there's the hurdle
of that nervousness is there now.

1010
01:05:36,958 --> 01:05:40,125
Yes, but for who is
tomorrow the day? Not for me.

1011
01:05:40,208 --> 01:05:42,000
You know, it's like there's this thing

1012
01:05:42,083 --> 01:05:45,708
where there is a show to be had
out of what we've got here,

1013
01:05:45,791 --> 01:05:48,791
which is just so incredible.
That's unbelievable.

1014
01:05:48,875 --> 01:05:51,666
And you don't have to go on the roof.
You don't have to go anywhere.

1015
01:05:51,750 --> 01:05:53,875
- You really only have to sing 'em.
- Well, even if we stay here

1016
01:05:53,958 --> 01:05:56,375
This business of
a deadline though is up to you really,

1017
01:05:56,458 --> 01:05:58,083
because we've given you deadlines already.

1018
01:05:58,166 --> 01:06:01,250
Yeah, well, that's why
I'm talking to John, not you.

1019
01:06:02,541 --> 01:06:07,458
The easiest way to finish the show,
is just to sit here for another few days

1020
01:06:07,541 --> 01:06:10,958
and start rehearsing them one after
the other and do three numbers at a time.

1021
01:06:11,041 --> 01:06:13,708
And like George said, get a program
of where we're gonna do 'em,

1022
01:06:13,791 --> 01:06:15,625
what's gonna follow what.

1023
01:06:15,708 --> 01:06:17,625
And just start playing them right through.

1024
01:06:17,708 --> 01:06:19,416
And then just knock it off.

1025
01:06:19,500 --> 01:06:22,375
Like you used to, and have
all your titles on your guitar, you know.

1026
01:06:22,458 --> 01:06:24,791
Yes, yes. I mean,
I thought that's what we're doing.

1027
01:06:24,875 --> 01:06:26,333
It's just that
you say you're not ready.

1028
01:06:26,416 --> 01:06:27,791
We're not ready, yeah, sure.

1029
01:06:27,875 --> 01:06:29,333
We're not ready to do 14.

1030
01:06:29,416 --> 01:06:33,375
See, the only trouble is, we really have
to want to do a show at the end of it.

1031
01:06:33,458 --> 01:06:35,250
That's the thing. That's the trouble.

1032
01:06:35,333 --> 01:06:37,208
None of us have an aim.

1033
01:06:37,291 --> 01:06:39,750
We don't have a thing
at the end of it that we wanna do.

1034
01:06:39,833 --> 01:06:42,083
We could have had a De Montfort Hall show

1035
01:06:42,166 --> 01:06:43,708
This would have been De Montfort Hall

1036
01:06:43,791 --> 01:06:46,666
if we'd have done
the dress rehearsal here.

1037
01:06:46,750 --> 01:06:48,958
And get over the nervousness
of an audience,

1038
01:06:49,041 --> 01:06:52,291
and stop, sort of, playing to show off
to them and

1039
01:06:53,000 --> 01:06:54,291
Just play it.

1040
01:06:55,083 --> 01:06:56,291
Yeah. Yeah.

1041
01:06:56,375 --> 01:06:59,250
The voices are going in my head,
which way we're gonna which way we are

1042
01:06:59,333 --> 01:07:04,166
What's your, sort of, practical answer
to the problem now, regarding tomorrow?

1043
01:07:07,541 --> 01:07:09,958
I think we'd be daft just not to do it

1044
01:07:10,041 --> 01:07:12,208
- Well, try and do something tomorrow
- Sorry I'm late.

1045
01:07:12,291 --> 01:07:16,416
even if it's a grand dress rehearsal,
and see how it went.

1046
01:07:16,500 --> 01:07:18,750
- Morning, George.
- And then, you know

1047
01:07:19,708 --> 01:07:22,041
I mean, if we had another six weeks

1048
01:07:27,541 --> 01:07:29,458
Six weeks.

1049
01:07:30,833 --> 01:07:33,833
I mean, you know,
if we had another month to play with

1050
01:07:33,916 --> 01:07:39,500
to really, I think,
get 14 straight off, it'd be nice,

1051
01:07:39,583 --> 01:07:41,625
you know, to still do the seven we've got.

1052
01:07:42,541 --> 01:07:45,541
- Do you plan on playing the
- What, what?

1053
01:07:45,625 --> 01:07:48,750
I just don't You know, I think
it's gonna take months doing it like that.

1054
01:07:49,916 --> 01:07:52,250
So how do you think we should do it then?

1055
01:07:52,333 --> 01:07:54,625
You can film some
while we're recording them

1056
01:07:54,708 --> 01:07:56,500
at the same time, okay, but

1057
01:07:56,583 --> 01:07:58,750
Yeah, see,
that's what I wanna get in me head.

1058
01:07:58,833 --> 01:08:02,416
Is it a documentary of us
doing another album? Which it is.

1059
01:08:02,500 --> 01:08:05,125
Except,
we're doing them one after the other.

1060
01:08:05,208 --> 01:08:07,958
No, but, I mean, we're not doing a payoff.

1061
01:08:08,041 --> 01:08:13,291
We're not doing the 11 numbers
straight off for an album.

1062
01:08:13,375 --> 01:08:15,500
We're gonna have to, sort off, join 'em.

1063
01:08:15,583 --> 01:08:18,208
I agree with that.
I think it's disappointing but, all right,

1064
01:08:18,291 --> 01:08:20,666
we've only got to seven. Let's do seven.

1065
01:08:23,416 --> 01:08:24,416
Yeah.

1066
01:08:24,916 --> 01:08:27,375
'Cause otherwise
We haven't enough time to do 14,

1067
01:08:27,458 --> 01:08:29,458
'cause Ringo's gotta go, you know?

1068
01:08:29,541 --> 01:08:32,833
But we might be able to get another seven
off by the end of two weeks.

1069
01:08:33,500 --> 01:08:34,666
I mean, we will, but

1070
01:08:34,750 --> 01:08:37,250
The only trouble is that the only people,

1071
01:08:37,333 --> 01:08:40,750
like, who need to agree on what it is
we're doing is the four of us,

1072
01:08:40,833 --> 01:08:43,333
and we're the only ones
who haven't even talked about it.

1073
01:08:43,416 --> 01:08:46,375
Because we had the meeting
before all this and said, "TV show."

1074
01:08:46,458 --> 01:08:47,833
That's what I've gotta get in my head.

1075
01:08:47,916 --> 01:08:49,208
It's an album.

1076
01:08:49,291 --> 01:08:52,375
All that footage of film
which could make about half a dozen films.

1077
01:08:52,458 --> 01:08:54,791
Yeah. It's a film of us making an album.

1078
01:08:54,875 --> 01:08:56,458
Yeah, but that's visual.

1079
01:08:56,541 --> 01:08:58,166
Yes. Yeah.

1080
01:08:58,250 --> 01:09:01,583
Yeah. I've got no complaints about it.
But I just gotta get that in my head.

1081
01:09:10,041 --> 01:09:13,333
This TV show was supposed
to be a TV show of the last album.

1082
01:09:14,416 --> 01:09:15,708
- The last album?
- Yes.

1083
01:09:15,791 --> 01:09:18,708
But when we came to do it we said,
"We'll write new songs."

1084
01:09:18,791 --> 01:09:20,041
'Cause that's it, you see.
We always

1085
01:09:20,125 --> 01:09:22,291
We never
We always get ahead of ourselves.

1086
01:09:22,375 --> 01:09:26,125
The thing is that, like, yesterday,
which wasn't a particularly good day,

1087
01:09:26,208 --> 01:09:28,041
and the day before, which wasn't
a particularly good day either.

1088
01:09:28,125 --> 01:09:29,125
Mmm.

1089
01:09:29,208 --> 01:09:31,208
The reason is obviously
the fact that you're playing

1090
01:09:31,291 --> 01:09:34,708
the same three or four songs
for a week or whatever,

1091
01:09:34,791 --> 01:09:36,083
you know,
and you're flogging them to death.

1092
01:09:36,166 --> 01:09:37,708
Obviously you're getting bored
with them, you know, like,

1093
01:09:37,791 --> 01:09:39,583
- it can't be any other way.
- Yeah.

1094
01:09:39,666 --> 01:09:42,000
That was why George and I were trying
to get you yesterday

1095
01:09:42,083 --> 01:09:45,541
to do three in one go,
straight through, so you had to think,

1096
01:09:45,625 --> 01:09:48,000
"Oh, yeah, what's the key?
Why isn't it right?"

1097
01:09:48,083 --> 01:09:50,333
How many have we
already recorded good enough?

1098
01:09:50,416 --> 01:09:51,416
None.

1099
01:09:51,500 --> 01:09:55,458
None? Well, what about all those
times we've done "Get Back"?

1100
01:09:55,541 --> 01:09:57,416
Oh, well, I mean,
one of them's all right, isn't it?

1101
01:09:57,500 --> 01:09:59,333
There's that one of yours we did.

1102
01:10:00,000 --> 01:10:01,291
And "Get Back."

1103
01:10:01,375 --> 01:10:04,291
But they're at a stage
where it's dress rehearsal stage,

1104
01:10:04,375 --> 01:10:06,000
- Yes.
- Where if you did a performance,

1105
01:10:06,083 --> 01:10:07,166
it probably would be it.

1106
01:10:08,500 --> 01:10:10,833
- Yes.
- Yesterday you got terribly close to it

1107
01:10:10,916 --> 01:10:13,041
on a couple of the numbers
you were trying to do.

1108
01:10:13,125 --> 01:10:16,666
- One more take and you've had it.
- It's just physical tiredness on my part.

1109
01:10:16,750 --> 01:10:18,083
You know, it took great strain

1110
01:10:18,166 --> 01:10:20,750
to get through "Don't Let Me Down"
and the other one.

1111
01:10:20,833 --> 01:10:23,625
Just physically singing at that pace,
I'm being so tired.

1112
01:10:23,708 --> 01:10:25,916
Well, that's the thing,
if you're planning on working up

1113
01:10:26,000 --> 01:10:29,291
till Ringo does the film,
doing it like this,

1114
01:10:29,375 --> 01:10:31,041
you know, we're just gonna drop.

1115
01:10:32,291 --> 01:10:34,291
I think I think yesterday

1116
01:10:36,125 --> 01:10:39,041
- At least we could've recorded all those.
- Was the result of not having the weekend.

1117
01:10:39,125 --> 01:10:42,000
If we hadn't had the weekend, we wouldn't
have been able to even attempt yesterday.

1118
01:10:42,083 --> 01:10:43,333
That's the paradox.

1119
01:10:43,416 --> 01:10:45,666
But if we had just
been recording them, you know

1120
01:10:45,750 --> 01:10:48,583
And at the moment
the documentary is really like <i>No Exit</i>.

1121
01:10:48,666 --> 01:10:51,375
It's just going around and around
and around with no payoff.

1122
01:10:51,458 --> 01:10:52,458
There's no story.

1123
01:10:52,541 --> 01:10:54,875
There's a lot of good stuff
that we shot in the documentary,

1124
01:10:54,958 --> 01:10:56,250
but there's no story yet.

1125
01:10:56,333 --> 01:11:01,666
Now I know how to get
this TV show together in about a week.

1126
01:11:01,750 --> 01:11:04,291
But I can't do it with you.
I can't produce you.

1127
01:11:04,375 --> 01:11:06,375
- Neither can anybody else.
- No, right.

1128
01:11:06,458 --> 01:11:08,083
'Cause we don't allow it, you know.

1129
01:11:08,666 --> 01:11:10,958
We don't allow people
to come and say, "You do that."

1130
01:11:11,041 --> 01:11:13,750
That's why I'm creating
artificial frameworks for us to do it

1131
01:11:13,833 --> 01:11:16,500
We've got a lot of good stuff,
like with some of the days at Twickenham.

1132
01:11:16,583 --> 01:11:19,500
We've got great stuff, counterpoint thing.
But at the moment haven't got an ending.

1133
01:11:19,583 --> 01:11:20,875
See, 'cause they've got the film,
you know.

1134
01:11:20,958 --> 01:11:22,375
- I just wanna get out now.
- Yes.

1135
01:11:22,458 --> 01:11:25,458
We've done the film.
We've done the numbers enough, you know?

1136
01:11:25,541 --> 01:11:26,666
And we begin together

1137
01:11:26,750 --> 01:11:29,250
But, I mean, if George wants to think
while we're doing it

1138
01:11:29,333 --> 01:11:30,500
that he's making a record.

1139
01:11:30,583 --> 01:11:33,166
- Yes.
- And you wanna think we're rehearsing.

1140
01:11:33,250 --> 01:11:34,458
It makes no odds, you know.

1141
01:11:34,541 --> 01:11:35,750
So we've gotta decide

1142
01:11:35,833 --> 01:11:38,166
that we mustn't then go on "Get Back"
for three hours.

1143
01:11:42,458 --> 01:11:45,291
Or else I really feel like
I'm trying to produce The Beatles,

1144
01:11:45,375 --> 01:11:46,958
and I know it's hopeless.

1145
01:11:47,041 --> 01:11:48,333
I just can't do it, you know.

1146
01:11:48,416 --> 01:11:49,625
And no one can do it

1147
01:11:49,708 --> 01:11:52,916
'cause the four individuals
are too strong individually.

1148
01:11:53,000 --> 01:11:55,916
- Yes, we know.
- So you want us to record these songs?

1149
01:11:56,000 --> 01:11:59,583
Yeah. Get it together now
instead of talking about the show.

1150
01:11:59,666 --> 01:12:01,416
Get it, so that we've got 14 songs.

1151
01:12:01,500 --> 01:12:04,166
We're talking about
this abstract thing we hope to get,

1152
01:12:04,250 --> 01:12:05,833
and by talking about,
we're not getting it.

1153
01:12:05,916 --> 01:12:07,000
Okay, let's do it.

1154
01:12:07,083 --> 01:12:09,958
But, man, physically, yesterday
we tried to learn the next half.

1155
01:12:10,041 --> 01:12:11,375
But physically we were too tired.

1156
01:12:11,458 --> 01:12:13,000
- That's all it was.
- Yeah, that's right.

1157
01:12:13,083 --> 01:12:14,541
And we're trying to do what you're saying,

1158
01:12:14,625 --> 01:12:17,166
and we might have done
what he was saying at the same time,

1159
01:12:17,250 --> 01:12:18,791
but we couldn't do it 'cause we're tired.

1160
01:12:18,875 --> 01:12:19,875
- That's all.
- Yeah.

1161
01:12:19,958 --> 01:12:22,083
So we had
We might have had a bit more sleep

1162
01:12:22,166 --> 01:12:26,000
You mean you're still expecting us to be
on the chimney with a lot of people,

1163
01:12:26,083 --> 01:12:27,333
or something like that?

1164
01:12:27,416 --> 01:12:29,875
Well, anyway, we won't worry
about that. Don't give us that one.

1165
01:12:29,958 --> 01:12:32,041
"Expecting" is not a word we use anymore.

1166
01:12:32,125 --> 01:12:33,125
Uh, "thinking about."

1167
01:12:33,208 --> 01:12:35,458
- "Praying"?
- "Praying. Hoping."

1168
01:12:36,500 --> 01:12:38,375
Uh well, now,
what about the roof tomorrow?

1169
01:12:38,458 --> 01:12:40,250
- Do you wanna collectively do it or not?
- No, let's

1170
01:12:40,333 --> 01:12:43,625
Let's Let's decide on that,
sort of, a bit later.

1171
01:12:43,708 --> 01:12:45,708
Let's us keep off that.

1172
01:12:45,791 --> 01:12:47,333
We'll do the numbers, you know?

1173
01:12:47,416 --> 01:12:48,791
We're the band.

1174
01:12:48,875 --> 01:12:51,416
"You're fucking right."

1175
01:12:51,500 --> 01:12:54,041
No, you know, I You know, whatever.

1176
01:12:54,125 --> 01:12:56,166
I'll do it if we've got to go on the roof.

1177
01:12:56,250 --> 01:12:57,625
- You're the band now
- You know, I mean

1178
01:13:04,583 --> 01:13:05,750
You would like to?

1179
01:13:08,875 --> 01:13:10,708
Very diverse people.

1180
01:13:10,791 --> 01:13:13,000
- One second.
- But, I mean if See, I don't mind

1181
01:13:13,083 --> 01:13:16,000
- That's all right. We won't discuss it.
- if anybody doesn't wanna go on it.

1182
01:13:16,083 --> 01:13:18,125
- It wasn't that I
- So what songs have we got?

1183
01:13:18,208 --> 01:13:20,541
Have we got a sort of list
of what we've got, 'cause

1184
01:13:20,625 --> 01:13:23,291
A lot of them are
I mean, there's too much of a list there.

1185
01:13:23,375 --> 01:13:25,666
- But there's certainly everything here.
- Okay.

1186
01:13:25,750 --> 01:13:28,708
"I've Got a Feeling,"
"Don't Let Me Down," "Get Back."

1187
01:13:28,791 --> 01:13:31,583
- Don't know what that is.
- "I'd Like a Love That's Right."

1188
01:13:31,666 --> 01:13:32,791
♪ <i>I'd like a love that</i> ♪

1189
01:13:34,166 --> 01:13:36,750
"Long and Winding Road,"
"Let it Be," "For You Blue."

1190
01:13:41,333 --> 01:13:44,500
- I love "Yer Blue."
- "Two of Us," "All I Want is You,"

1191
01:13:44,583 --> 01:13:46,875
"Across The Universe,"
"Maxwell's Silver Hammer."

1192
01:13:46,958 --> 01:13:49,250
- "Route 999."
- "One After 909."

1193
01:13:49,333 --> 01:13:50,875
"One After 909."

1194
01:13:50,958 --> 01:13:52,916
Listen, there's no surprise numbers
even in this.

1195
01:13:53,000 --> 01:13:54,000
Surprises?

1196
01:13:54,083 --> 01:13:56,541
I mean, there's nothing that'd throw us
to do it straight.

1197
01:13:56,625 --> 01:13:58,500
"Bathroom Window," "Teddy Boy."

1198
01:13:58,583 --> 01:14:00,583
We haven't gone through
"Maxwell's" since Twickenham.

1199
01:14:00,666 --> 01:14:03,500
No. "All Things Must Pass."
That's lucky 13.

1200
01:14:03,583 --> 01:14:05,458
There's "Dig It", as well,
which is very long.

1201
01:14:06,875 --> 01:14:08,958
It's like all these new ones
we've gotta do

1202
01:14:09,041 --> 01:14:11,375
to make up the number don't exist.

1203
01:14:11,458 --> 01:14:12,458
- Right.
- Great.

1204
01:14:12,541 --> 01:14:13,791
We've got 'em all.

1205
01:14:13,875 --> 01:14:15,083
And you've got the live album.

1206
01:14:15,166 --> 01:14:16,958
- Yeah.
- If you wanna do it, if we just find out

1207
01:14:17,041 --> 01:14:18,875
We should just collect
all the thoughts on these

1208
01:14:18,958 --> 01:14:20,541
and just check through every song,

1209
01:14:20,625 --> 01:14:24,416
like to know, say, make sure you know
all the chords, I know all the bass notes.

1210
01:14:26,041 --> 01:14:27,875
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1211
01:14:27,958 --> 01:14:29,416
♪ <i>Don't Let Me Down</i> ♪

1212
01:14:29,500 --> 01:14:31,916
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1213
01:14:32,000 --> 01:14:33,041
♪ <i>Get Back</i> ♪

1214
01:14:33,125 --> 01:14:35,708
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1215
01:14:35,791 --> 01:14:37,375
♪ <i>I've Got A Feeling</i> ♪

1216
01:14:37,458 --> 01:14:40,041
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1217
01:14:40,125 --> 01:14:42,000
♪ <i>Two Of Us</i> ♪

1218
01:14:42,083 --> 01:14:44,208
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1219
01:14:44,291 --> 01:14:47,041
♪ <i>All I Want Is You, Teddy Boy</i> ♪

1220
01:14:48,416 --> 01:14:50,583
♪ <i>One After 909</i> ♪

1221
01:14:50,666 --> 01:14:52,750
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1222
01:14:52,833 --> 01:14:54,750
♪ <i>All Things Must Pass</i> ♪

1223
01:14:54,833 --> 01:14:56,875
♪ <i>Oh</i> ♪

1224
01:14:56,958 --> 01:14:58,791
♪ <i>Well Can You Dig It</i> ♪

1225
01:15:01,708 --> 01:15:03,291
♪ <i>Let It Be</i> ♪

1226
01:15:04,958 --> 01:15:07,416
♪ <i>The Long And Winding Road</i> ♪

1227
01:15:09,333 --> 01:15:11,416
♪ <i>Also, For You Blue</i> ♪

1228
01:15:11,500 --> 01:15:13,041
♪ <i>Oh</i> ♪

1229
01:15:13,125 --> 01:15:15,333
♪ <i>Across The Universe</i> ♪

1230
01:15:17,416 --> 01:15:20,083
♪ <i>With Maxwell's Silver Hammer</i> ♪

1231
01:15:22,666 --> 01:15:24,083
♪ <i>I Me Mine</i> ♪

1232
01:15:25,833 --> 01:15:28,333
♪ <i>Through the Bathroom Window</i> ♪

1233
01:15:30,166 --> 01:15:31,375
♪ <i>I'd Like a Life</i> ♪

1234
01:15:31,458 --> 01:15:35,750
♪ <i>B, C, D, F, G, A-flat, A</i> ♪

1235
01:15:35,833 --> 01:15:38,916
♪ <i>A, C, D, F, G, A-flat, A</i> ♪

1236
01:15:42,791 --> 01:15:46,000
♪ <i>Dig it, dig it, dig it, dig it
Dig it, dig it, dig it, dig it</i> ♪

1237
01:15:46,083 --> 01:15:47,916
♪ <i>Dig it, dig it, dig it, dig it, dig it</i> ♪

1238
01:15:55,666 --> 01:15:56,875
Are we having lunch soon?

1239
01:15:58,291 --> 01:16:00,375
- See you later.
- Ta-ra, girls.

1240
01:16:00,458 --> 01:16:01,458
See ya.

1241
01:16:07,916 --> 01:16:10,791
John, I'll tell you
what I'd like to do.

1242
01:16:11,500 --> 01:16:12,625
Um

1243
01:16:12,708 --> 01:16:17,250
You know, I've got so many songs
that I've got me, like,

1244
01:16:17,333 --> 01:16:22,666
my quota of tunes
for the next ten years or albums.

1245
01:16:23,291 --> 01:16:29,625
I'd just like to maybe do
an album of songs.

1246
01:16:30,541 --> 01:16:31,625
- Yeah.
- Yeah.

1247
01:16:31,708 --> 01:16:34,708
But, I mean,
I'd like it so that if, uh

1248
01:16:38,125 --> 01:16:41,791
'Cause it would be nice. It would be nice
to mainly get them all out the way.

1249
01:16:41,875 --> 01:16:42,875
Yes.

1250
01:16:44,166 --> 01:16:48,791
And secondly, just to hear
what all mine are like all together.

1251
01:16:53,250 --> 01:16:58,875
Yeah, but it'd be nice if
any of us can do separate things as well.

1252
01:16:58,958 --> 01:17:04,625
That way it also preserves this,
the Beatle bit of it, more.

1253
01:17:04,708 --> 01:17:05,708
Because then

1254
01:17:05,791 --> 01:17:07,916
Have an outlet
for every little note you want.

1255
01:17:08,000 --> 01:17:10,458
You know,
'cause all these songs of mine,

1256
01:17:10,541 --> 01:17:12,916
I could give to people
who could do 'em good.

1257
01:17:13,000 --> 01:17:15,625
But I suddenly realized,
"You know, fuck all that.

1258
01:17:15,708 --> 01:17:18,708
I'm just gonna do me for a bit. You know?"

1259
01:17:18,791 --> 01:17:21,000
- That's the real thing.
- It's great. That's a good idea.

1260
01:17:21,083 --> 01:17:22,625
And, you know

1261
01:17:23,416 --> 01:17:25,291
♪ <i>I had a dream</i> ♪

1262
01:17:26,750 --> 01:17:29,791
♪ <i>I had a good dream</i> ♪

1263
01:17:30,958 --> 01:17:32,583
♪ <i>I had a dream</i> ♪

1264
01:17:34,166 --> 01:17:36,083
♪ <i>I had a good dream</i> ♪

1265
01:17:36,166 --> 01:17:40,416
♪ <i>You're Black or you're white
Do you wanna go right</i> ♪

1266
01:17:43,083 --> 01:17:44,583
♪ <i>I had a dream</i> ♪

1267
01:17:46,291 --> 01:17:48,333
♪ <i>A very good dream last night</i> ♪

1268
01:17:49,791 --> 01:17:52,041
♪ <i>I said I got a dream</i> ♪

1269
01:17:54,041 --> 01:18:00,208
♪ <i>I said wrong or right, Black or white
We all deserve our equal rights</i> ♪

1270
01:18:02,083 --> 01:18:03,875
♪ <i>I had a dream</i> ♪

1271
01:18:05,041 --> 01:18:07,708
- * <i>A very good dream</i> *
- * <i>Yes, I did</i> *

1272
01:18:09,291 --> 01:18:10,875
♪ <i>I had a dream</i> ♪

1273
01:18:12,625 --> 01:18:15,291
♪ <i>A very good dream, y'all</i> ♪

1274
01:18:16,541 --> 01:18:18,750
♪ <i>I had a dream</i> ♪

1275
01:18:19,625 --> 01:18:22,583
♪ <i>A very good dream
Every man born deserves a dream</i> ♪

1276
01:18:22,666 --> 01:18:24,791
♪ <i>If you're Black or white
We want equal rights</i> ♪

1277
01:18:24,875 --> 01:18:27,125
- * <i>Yeah</i> *
- * <i>It's very hard to get those words in</i> *

1278
01:19:35,375 --> 01:19:36,375
This one.

1279
01:19:37,000 --> 01:19:40,666
♪ <i>You and I have memories</i> ♪

1280
01:19:41,625 --> 01:19:46,125
♪ <i>Longer than the road that stretches</i> ♪

1281
01:19:46,208 --> 01:19:49,083
♪ <i>Out ahead</i> ♪

1282
01:19:50,458 --> 01:19:53,916
- * <i>Two of us wearing raincoats</i> *
- * <i>You and me wearing raincoats</i> *

1283
01:19:54,000 --> 01:19:59,250
♪ <i>Standing solo in the sun</i> ♪

1284
01:20:00,708 --> 01:20:03,958
♪ <i>You and me chasing paper</i> ♪

1285
01:20:04,041 --> 01:20:06,125
♪ <i>Getting nowhere</i> ♪

1286
01:20:06,208 --> 01:20:11,375
♪ <i>On our way back home</i> ♪

1287
01:20:12,666 --> 01:20:15,333
♪ <i>We're on our way home</i> ♪

1288
01:20:16,000 --> 01:20:18,250
♪ <i>We're on our way home</i> ♪

1289
01:20:19,333 --> 01:20:22,208
♪ <i>We're going home</i> ♪

1290
01:20:22,291 --> 01:20:23,541
- Take it.
- Yes, sir.

1291
01:20:24,500 --> 01:20:28,125
♪ <i>You and I have memories</i> ♪

1292
01:20:29,250 --> 01:20:33,916
♪ <i>Longer than the road that stretches</i> ♪

1293
01:20:34,000 --> 01:20:35,125
♪ <i>Out ahead</i> ♪

1294
01:20:35,208 --> 01:20:38,083
♪ <i>Gottle of geer
Gottle of geer, gottle of geer</i> ♪

1295
01:20:38,166 --> 01:20:41,250
♪ <i>Two of us wearing raincoats</i> ♪

1296
01:20:41,333 --> 01:20:43,666
♪ <i>Standing solo</i> ♪

1297
01:20:43,750 --> 01:20:46,958
♪ <i>In the sun</i> ♪

1298
01:20:48,291 --> 01:20:51,291
♪ <i>You and me chasing paper</i> ♪

1299
01:20:51,375 --> 01:20:53,750
♪ <i>Getting nowhere</i> ♪

1300
01:20:53,833 --> 01:20:59,291
♪ <i>On our way back home</i> ♪

1301
01:21:00,291 --> 01:21:02,375
♪ <i>We're on our way home</i> ♪

1302
01:21:03,666 --> 01:21:05,833
♪ <i>We're on our way home</i> ♪

1303
01:21:07,000 --> 01:21:10,333
♪ <i>We're going home</i> ♪

1304
01:21:15,625 --> 01:21:16,625
I'm going home.

1305
01:21:19,666 --> 01:21:20,666
♪ <i>Goodbye</i> ♪

1306
01:21:20,750 --> 01:21:21,916
♪ <i>Goodbye</i> ♪

1307
01:21:23,833 --> 01:21:25,750
A, B, C, D, E, F, G,

1308
01:21:25,833 --> 01:21:28,375
- H, I, J, K, L, M, N, O, P
- Greta Garbo.

1309
01:21:28,458 --> 01:21:31,208
- Q, S, R, T.
- Greta Garbo. Greta Garbo.

1310
01:21:31,291 --> 01:21:32,291
Greta Garbo.

1311
01:21:33,750 --> 01:21:35,083
No, that's not.

1312
01:21:37,708 --> 01:21:39,958
Put the ones we know in a hat.

1313
01:21:40,041 --> 01:21:42,416
Shuffle them out
to see which order we do 'em in.

1314
01:21:44,791 --> 01:21:46,666
We'll all be here bright and early.

1315
01:21:46,750 --> 01:21:48,000
11:30.

1316
01:21:48,083 --> 01:21:50,750
We're all sleeping at George's tonight.
Get in the mood.

1317
01:21:50,833 --> 01:21:52,458
We're all ready for tomorrow.

1318
01:21:52,541 --> 01:21:54,375
So you're doing the show
on the roof tomorrow?

1319
01:21:57,000 --> 01:22:00,250
Oh, sure, Albert Hall.
Sure. Five o'clock. See you there.

1320
01:22:01,416 --> 01:22:02,416
Mm-hmm.

1321
01:22:09,666 --> 01:22:11,458
- You'll go as well?
- Yeah.

1322
01:22:11,541 --> 01:22:14,291
I think John and, uh, Ringo
are on the roof.

1323
01:22:16,166 --> 01:22:18,125
In a green bag on the roof.

1324
01:22:20,833 --> 01:22:22,208
Who knows, Yoko?

1325
01:22:24,750 --> 01:22:26,791
Supposed to be, yeah. Yeah.

1326
01:22:28,833 --> 01:22:30,750
- Okay.
- Oh, yeah. Let's do that.

1327
01:22:30,833 --> 01:22:32,000
Go on the roof.

1328
01:22:32,083 --> 01:22:34,333
- Good night, Mike.
- Good night.

1329
01:22:34,416 --> 01:22:36,500
- Seven come 11. Good night.
- The others are from

1330
01:22:36,583 --> 01:22:37,708
- Good night.
- Good night.

1331
01:22:37,791 --> 01:22:39,500
Good night!

1332
01:22:39,583 --> 01:22:40,583
From your show.

1333
01:22:40,666 --> 01:22:42,416
- Night, George.
- Good night, George!

1334
01:22:43,166 --> 01:22:44,666
Good night, Sir Richard.

1335
01:22:44,750 --> 01:22:47,000
I'll be here tomorrow
to film in the church.

1336
01:22:59,958 --> 01:23:02,208
And then Tony and I
are gonna split downstairs.

1337
01:23:40,208 --> 01:23:43,041
Yeah?

1338
01:23:48,833 --> 01:23:50,833
Would you like to go up
when you're ready?

1339
01:23:51,625 --> 01:23:54,208
- What time is he expecting you?
- You can give them to Debbie.

1340
01:23:54,291 --> 01:23:57,333
You know, it's exclusive.
It's gotta work for whoever does it.

1341
01:23:59,083 --> 01:24:00,208
Thank you.

1342
01:24:08,875 --> 01:24:11,208
Let's get a camera
down in the hall now too.

1343
01:24:19,958 --> 01:24:21,458
Yeah, I heard about that.

1344
01:24:34,375 --> 01:24:36,208
- Yes.
- Is that the same kind of

1345
01:24:39,291 --> 01:24:40,458
Okay, hold it.

1346
01:24:41,750 --> 01:24:44,333
Three, two, one. All right.

1347
01:24:53,541 --> 01:24:54,791
Hi. Can we come in?

1348
01:24:55,708 --> 01:24:58,166
- Who you here for?
- Tony Richmond. Is he

1349
01:25:06,500 --> 01:25:08,125
There's a special lead
that goes under.

1350
01:25:10,291 --> 01:25:11,541
Tony's ready, isn't he?

1351
01:25:13,166 --> 01:25:14,500
Uh, with cameras?

1352
01:25:14,583 --> 01:25:16,291
- Yeah.
- Yeah.

1353
01:25:24,833 --> 01:25:26,416
Okay. Let's go.

1354
01:25:27,541 --> 01:25:29,125
- Is it running?
- Yes.

1355
01:25:29,208 --> 01:25:30,666
- We're running.
- Running.

1356
01:25:30,750 --> 01:25:32,083
- What's going on?
- All right.

1357
01:25:33,041 --> 01:25:34,666
All cameras, take one!

1358
01:25:36,208 --> 01:25:37,958
Where's the best way
out of the way?

1359
01:25:38,041 --> 01:25:39,166
Over here, I think.

1360
01:25:39,250 --> 01:25:41,250
- Yeah, you would think that.
- With Maureen.

1361
01:25:42,250 --> 01:25:44,250
See, you can never tell
what he's doing.

1362
01:25:45,458 --> 01:25:46,458
Sorry.

1363
01:25:47,291 --> 01:25:49,000
- Hey.
- You know you're around back.

1364
01:25:51,458 --> 01:25:52,708
Which is you here.

1365
01:25:54,958 --> 01:25:56,458
- We may find
- All right, yeah?

1366
01:25:56,541 --> 01:25:58,458
- It's a bit cold, isn't it?
- What's going on?

1367
01:25:58,541 --> 01:26:00,375
It's, uh, great.

1368
01:26:05,041 --> 01:26:07,125
- You're all right playing there?
- I don't know.

1369
01:26:10,875 --> 01:26:12,416
- Good shot there.
- Yeah.

1370
01:26:13,000 --> 01:26:14,083
Where's the instruments?

1371
01:26:15,166 --> 01:26:17,083
Mal?

1372
01:26:17,166 --> 01:26:18,916
Nailed me down in the wrong place.

1373
01:26:19,458 --> 01:26:21,041
That's the last of it, yeah.

1374
01:26:21,708 --> 01:26:23,958
The three First, second and third.

1375
01:26:24,916 --> 01:26:27,416
- First of all, that seems to
- I think if we have some

1376
01:26:28,250 --> 01:26:29,375
Are you sure?

1377
01:26:29,458 --> 01:26:31,375
We've worked that out.

1378
01:26:31,875 --> 01:26:33,375
- Let's set them up.
- Yeah.

1379
01:26:39,041 --> 01:26:41,833
There's piping along there.
That's where you put them back in.

1380
01:26:45,625 --> 01:26:46,791
Yeah, well that goes in here.

1381
01:26:46,875 --> 01:26:48,416
- That should do it, really.
- Yeah.

1382
01:26:50,416 --> 01:26:52,750
- What's that? A perfect fit.
- Yeah, man.

1383
01:26:56,458 --> 01:26:57,541
What is it?

1384
01:26:59,416 --> 01:27:00,916
Hands are getting the feel of it.

1385
01:27:02,083 --> 01:27:03,458
It's gotta be like it is.

1386
01:27:03,541 --> 01:27:05,208
Just record the song.

1387
01:27:08,666 --> 01:27:10,416
Glyn, are you getting this down there?

1388
01:27:12,583 --> 01:27:14,208
- Oh, it's right-handed.
- Is it?

1389
01:27:14,291 --> 01:27:15,958
- Yeah.
- Kevin?

1390
01:27:16,625 --> 01:27:19,458
I missed the start. George

1391
01:27:19,541 --> 01:27:22,083
- Just look down. Must have had a few.
- Well, they're gonna hear it.

1392
01:27:24,250 --> 01:27:26,541
- Final checks. Roll sound.
- Right.

1393
01:27:26,625 --> 01:27:28,500
One, two, three, four

1394
01:27:40,708 --> 01:27:43,541
♪ <i>Get back, get back</i> ♪

1395
01:27:44,708 --> 01:27:47,708
♪ <i>Get back to where you once belonged</i> ♪

1396
01:27:48,291 --> 01:27:51,000
♪ <i>Get back, get back</i> ♪

1397
01:27:51,791 --> 01:27:54,791
♪ <i>Get back to where you once belonged</i> ♪

1398
01:27:57,708 --> 01:27:58,916
Rolling.

1399
01:27:59,875 --> 01:28:01,666
- * <i>Jo Jo was a man</i> *
- Rolling. Is the door shut?

1400
01:28:01,750 --> 01:28:03,000
- Come on.
- We're good to go.

1401
01:28:03,083 --> 01:28:04,416
- Glyn, this one?
- No.

1402
01:28:04,500 --> 01:28:06,250
The one at the bottom of the spirals.

1403
01:28:06,333 --> 01:28:08,083
It's gotta be wedged.

1404
01:28:08,166 --> 01:28:10,416
- Get the clapper.
- Come on, you idiot.

1405
01:28:10,500 --> 01:28:11,875
Get the clapper here.

1406
01:28:11,958 --> 01:28:13,291
- Okay?
- Okay.

1407
01:28:18,416 --> 01:28:19,458
Okay.

1408
01:28:19,541 --> 01:28:21,041
One, two, three, four

1409
01:28:22,791 --> 01:28:23,791
Yeah.

1410
01:28:28,875 --> 01:28:32,333
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

1411
01:28:32,416 --> 01:28:35,250
♪ <i>But he knew it couldn't last</i> ♪

1412
01:28:36,250 --> 01:28:40,083
♪ <i>Jo Jo left his home in Tucson, Arizona</i> ♪

1413
01:28:40,166 --> 01:28:42,791
♪ <i>For some California grass</i> ♪

1414
01:28:43,666 --> 01:28:46,666
♪ <i>Get back, get back</i> ♪

1415
01:28:47,583 --> 01:28:50,583
♪ <i>Get back to where you once belonged</i> ♪

1416
01:28:51,416 --> 01:28:54,250
♪ <i>Get back, get back</i> ♪

1417
01:28:55,000 --> 01:28:58,250
♪ <i>Get back to where you once belonged</i> ♪

1418
01:28:58,333 --> 01:28:59,333
♪ <i>Get back, Jo Jo</i> ♪

1419
01:29:05,250 --> 01:29:06,583
♪ <i>Go home</i> ♪

1420
01:29:14,625 --> 01:29:17,458
♪ <i>Get back, get back</i> ♪

1421
01:29:18,500 --> 01:29:21,416
♪ <i>Get back to where you once belonged</i> ♪

1422
01:29:22,375 --> 01:29:24,458
♪ <i>Get back, yeah</i> ♪

1423
01:29:24,541 --> 01:29:26,125
♪ <i>Get back</i> ♪

1424
01:29:26,208 --> 01:29:29,250
♪ <i>Get back to where you once belonged</i> ♪

1425
01:29:31,541 --> 01:29:32,625
♪ <i>Get back, Jo</i> ♪

1426
01:29:38,833 --> 01:29:40,666
♪ <i>Whoo, get back!</i> ♪

1427
01:29:47,833 --> 01:29:51,458
♪ <i>Sweet Loretta Martin
Thought she was a woman</i> ♪

1428
01:29:51,541 --> 01:29:54,208
♪ <i>But she was another man</i> ♪

1429
01:29:55,333 --> 01:29:59,208
♪ <i>All the girls around her
Say she's got it coming</i> ♪

1430
01:29:59,291 --> 01:30:01,916
♪ <i>But she get it while she can</i> ♪

1431
01:30:02,916 --> 01:30:05,750
♪ <i>Get back, get back</i> ♪

1432
01:30:06,791 --> 01:30:10,000
♪ <i>Get back to where you once belonged</i> ♪

1433
01:30:10,500 --> 01:30:13,541
♪ <i>Oh, get back, yeah
Get back</i> ♪

1434
01:30:14,791 --> 01:30:17,083
♪ <i>Get back to where you once belonged</i> ♪

1435
01:30:17,166 --> 01:30:18,458
♪ <i>Get back, Loretta</i> ♪

1436
01:30:24,875 --> 01:30:27,958
♪ <i>Go home
Your mommy's waiting for you</i> ♪

1437
01:30:30,291 --> 01:30:32,583
♪ <i>In her high-heel shoes
And her low-neck sweater</i> ♪

1438
01:30:32,666 --> 01:30:33,916
♪ <i>Get back, Loretta!</i> ♪

1439
01:30:34,000 --> 01:30:37,000
♪ <i>Get back, yeah
Get back</i> ♪

1440
01:30:37,833 --> 01:30:40,833
♪ <i>Get back to where you once belonged</i> ♪

1441
01:30:41,500 --> 01:30:44,666
♪ <i>Oh, get back, get back</i> ♪

1442
01:30:45,541 --> 01:30:49,041
♪ <i>Get back to where you once belonged</i> ♪

1443
01:30:50,791 --> 01:30:52,875
♪ <i>Ooh, ooh, ow!</i>

1444
01:30:57,875 --> 01:30:59,291
♪ <i>Go home</i> ♪

1445
01:31:00,750 --> 01:31:01,916
♪ <i>She's waiting for you</i> ♪

1446
01:31:04,166 --> 01:31:05,458
♪ <i>The tea's on</i> ♪

1447
01:31:05,541 --> 01:31:07,375
♪ <i>Oh, get back</i> ♪

1448
01:31:08,750 --> 01:31:09,750
♪ <i>Get back</i> ♪

1449
01:31:10,583 --> 01:31:13,375
♪ <i>Get back to where you once belonged</i> ♪

1450
01:31:14,291 --> 01:31:18,083
♪ <i>Oh, get back, get back
Get back</i> ♪

1451
01:31:18,625 --> 01:31:21,208
♪ <i>Get back to where you once belonged</i> ♪

1452
01:31:22,375 --> 01:31:23,875
Whoo-hoo!

1453
01:31:26,916 --> 01:31:28,791
- Thank you very much.
- Thank you very much.

1454
01:31:28,875 --> 01:31:31,416
It looks like
Ted Dexter has scored another.

1455
01:31:31,500 --> 01:31:33,833
We've had a request
from Martin and Luther.

1456
01:31:33,916 --> 01:31:35,958
We need more voice on the PA, yes, Glyn?

1457
01:31:36,041 --> 01:31:39,708
- No, we don't need any more.
- That's all right. Hello? Hello?

1458
01:31:39,791 --> 01:31:43,041
Glyn, any more voice on the Fenders?

1459
01:31:44,208 --> 01:31:45,916
<i>Do it there.</i>

1460
01:31:46,000 --> 01:31:48,166
- What?
<i>- Do it from up there.</i>

1461
01:31:48,250 --> 01:31:50,000
No, they would have had
to turn off the whole roof.

1462
01:31:50,083 --> 01:31:51,083
Okay, cut it.

1463
01:31:51,166 --> 01:31:52,208
♪ <i>Get back!</i> ♪

1464
01:31:52,291 --> 01:31:53,375
<i>Mike, have you cut?</i>

1465
01:31:53,458 --> 01:31:55,083
- * <i>Get back</i> *
- Yeah, we'll cut.

1466
01:31:55,166 --> 01:31:56,708
Where's the noise coming from?

1467
01:31:56,791 --> 01:31:58,333
It's coming from the roof.

1468
01:31:58,416 --> 01:31:59,625
Do you know who it is?

1469
01:31:59,708 --> 01:32:01,958
Yeah, The Beatles, ain't it?
Yeah.

1470
01:32:02,041 --> 01:32:03,166
You like it?

1471
01:32:03,250 --> 01:32:04,333
Yeah, it's okay.

1472
01:32:04,416 --> 01:32:06,250
What do you think of it?
It's The Beatles.

1473
01:32:06,333 --> 01:32:08,041
Oh, I think jolly good.

1474
01:32:08,125 --> 01:32:09,125
Enjoying it?

1475
01:32:09,208 --> 01:32:12,625
Yeah, very much. Nice, bright thing
to see at the end of the day.

1476
01:32:12,708 --> 01:32:14,041
Do you like the idea?

1477
01:32:14,125 --> 01:32:16,000
I don't know
what they're supposed to be doing.

1478
01:32:16,083 --> 01:32:18,541
- Right, stop
- All cameras, three!

1479
01:32:18,625 --> 01:32:20,083
Okay. When you're ready, guys.

1480
01:32:20,166 --> 01:32:21,166
All right, Billy.

1481
01:32:21,750 --> 01:32:23,458
One, two, three, four.

1482
01:32:31,250 --> 01:32:34,833
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

1483
01:32:34,916 --> 01:32:37,666
♪ <i>But he knew it couldn't last</i> ♪

1484
01:32:38,708 --> 01:32:42,541
♪ <i>Jo Jo left his home in Tucson, Arizona</i> ♪

1485
01:32:42,625 --> 01:32:45,708
♪ <i>For some California grass</i> ♪

1486
01:32:46,291 --> 01:32:49,125
♪ <i>Get back, get back</i> ♪

1487
01:32:49,916 --> 01:32:53,083
♪ <i>Get back to where you once belonged</i> ♪

1488
01:32:53,750 --> 01:32:56,666
♪ <i>Get back, get back</i> ♪

1489
01:32:57,625 --> 01:33:00,041
♪ <i>Get back to where you once belonged</i> ♪

1490
01:33:00,625 --> 01:33:01,625
Get back, Jo Jo.

1491
01:33:08,125 --> 01:33:09,208
Go home.

1492
01:33:12,625 --> 01:33:13,625
Yeah.

1493
01:33:18,833 --> 01:33:20,875
You could say so, yes.
I think they're great.

1494
01:33:20,958 --> 01:33:23,708
♪ <i>Get back to where you once belonged</i> ♪

1495
01:33:24,375 --> 01:33:27,166
♪ <i>Get back, get back</i> ♪

1496
01:33:28,208 --> 01:33:31,291
♪ <i>Get back to where you once belonged</i> ♪

1497
01:33:32,791 --> 01:33:34,458
♪ <i>Oh, get back, Jo</i> ♪

1498
01:33:49,333 --> 01:33:52,916
♪ <i>Sweet Loretta Martin
Thought she was a woman</i> ♪

1499
01:33:53,000 --> 01:33:55,125
♪ <i>But she was another man</i> ♪

1500
01:33:56,500 --> 01:34:00,625
♪ <i>All the girls around her
Say she's got it coming</i> ♪

1501
01:34:00,708 --> 01:34:03,333
♪ <i>But she gets it while she can</i> ♪

1502
01:34:04,083 --> 01:34:07,250
♪ <i>Well, get back, get back</i> ♪

1503
01:34:12,375 --> 01:34:14,666
♪ <i>Oh, get back, get back</i> ♪

1504
01:34:15,500 --> 01:34:18,666
♪ <i>Get back to where you once belonged</i> ♪

1505
01:34:18,750 --> 01:34:20,125
Get back, Loretta.

1506
01:34:20,208 --> 01:34:21,208
♪ <i>Oh!</i> ♪

1507
01:34:26,458 --> 01:34:27,708
Yeah, go home.

1508
01:34:30,458 --> 01:34:32,125
Your mommy's waiting.

1509
01:34:32,208 --> 01:34:34,208
In her high-heel shoes
and her low-neck sweater.

1510
01:34:34,291 --> 01:34:35,500
Get back, Loretta!

1511
01:34:35,583 --> 01:34:37,583
♪ <i>Get back, get back</i> ♪

1512
01:34:37,666 --> 01:34:38,666
Whoo!

1513
01:34:38,750 --> 01:34:41,333
♪ <i>Get back to where you once belonged</i> ♪

1514
01:34:42,208 --> 01:34:43,375
♪ <i>Oh, get back</i> ♪

1515
01:34:44,500 --> 01:34:45,500
♪ <i>Get back</i> ♪

1516
01:34:47,791 --> 01:34:49,208
I think it's marvelous. Yes.

1517
01:34:50,750 --> 01:34:51,791
Beatles, I think.

1518
01:34:58,916 --> 01:35:01,583
Oh, get back home.

1519
01:35:04,083 --> 01:35:05,916
Never more to roam.

1520
01:35:09,125 --> 01:35:10,333
On the roof?

1521
01:35:11,250 --> 01:35:14,166
♪ <i>Get back to where you once belonged</i> ♪

1522
01:35:14,791 --> 01:35:16,250
♪ <i>Yeah, get back</i> ♪

1523
01:35:16,916 --> 01:35:18,083
♪ <i>Get back</i> ♪

1524
01:35:21,083 --> 01:35:22,583
It's The Beatles, isn't it? Yeah.

1525
01:35:22,666 --> 01:35:25,625
It's Paul McCartney singing now.
Well, it was. Yeah.

1526
01:35:25,708 --> 01:35:28,375
Okay. Well, thank you,
ladies and gentlemen.

1527
01:35:28,458 --> 01:35:30,791
We've had a request
from Daisy, Morris and Tommy.

1528
01:35:37,166 --> 01:35:38,791
- "Don't Let Me Down."
- Okay.

1529
01:35:38,875 --> 01:35:40,333
♪ <i>Don't let me down</i> ♪

1530
01:35:48,375 --> 01:35:50,875
♪ <i>Don't let me down</i> ♪

1531
01:35:54,041 --> 01:35:56,708
♪ <i>Don't let me down</i> ♪

1532
01:36:00,250 --> 01:36:02,833
♪ <i>Don't let me down</i> ♪

1533
01:36:06,125 --> 01:36:08,625
♪ <i>Don't let me down</i> ♪

1534
01:36:10,916 --> 01:36:15,083
♪ <i>Nobody ever loved me like she does</i> ♪

1535
01:36:16,708 --> 01:36:18,416
♪ <i>Oh, she does</i> ♪

1536
01:36:19,541 --> 01:36:21,041
♪ <i>Yes, she does</i> ♪

1537
01:36:23,083 --> 01:36:25,500
This type of music
is all right in its place,

1538
01:36:25,583 --> 01:36:28,541
but I think it's a bit of an imposition.
First of all, it's too loud.

1539
01:36:29,458 --> 01:36:30,791
♪ <i>Oh, she does</i> ♪

1540
01:36:32,250 --> 01:36:33,916
♪ <i>Yes, she does</i> ♪

1541
01:36:37,458 --> 01:36:39,916
♪ <i>Don't let me down</i> ♪

1542
01:36:43,458 --> 01:36:45,833
♪ <i>Don't let me down</i> ♪

1543
01:36:49,375 --> 01:36:51,791
♪ <i>Don't let me down</i> ♪

1544
01:36:51,875 --> 01:36:54,333
Absolutely disrupts all the business
in this area.

1545
01:36:54,416 --> 01:36:56,291
I think it's great!
Who is this? The Beatles?

1546
01:36:56,375 --> 01:36:57,541
♪ <i>Don't let me down</i> ♪

1547
01:36:57,625 --> 01:36:58,833
I think it's fantastic.

1548
01:37:00,333 --> 01:37:03,583
♪ <i>I'm in love for the first time</i> ♪

1549
01:37:06,416 --> 01:37:09,500
♪ <i>Don't you know it's gonna last</i> ♪

1550
01:37:12,500 --> 01:37:14,875
♪ <i>It's a love that lasts forever</i> ♪

1551
01:37:18,291 --> 01:37:21,750
♪ <i>It's a love that has no past</i> ♪

1552
01:37:24,833 --> 01:37:27,250
♪ <i>Don't let me down</i> ♪

1553
01:37:30,666 --> 01:37:32,958
♪ <i>Don't let me down</i> ♪

1554
01:37:36,500 --> 01:37:38,958
♪ <i>Don't let me down</i> ♪

1555
01:37:42,125 --> 01:37:44,666
♪ <i>Don't let me down</i> ♪

1556
01:37:52,666 --> 01:37:53,875
♪ <i>Oh, she does</i> ♪

1557
01:37:55,333 --> 01:37:57,125
♪ <i>Yeah, she does</i> ♪

1558
01:37:59,583 --> 01:38:04,041
♪ <i>I guess nobody ever really done me</i> ♪

1559
01:38:05,375 --> 01:38:06,833
♪ <i>Ooh, she done me</i> ♪

1560
01:38:08,166 --> 01:38:09,666
♪ <i>She done me good</i> ♪

1561
01:38:13,500 --> 01:38:15,791
♪ <i>Don't let me down</i> ♪

1562
01:38:19,291 --> 01:38:21,625
♪ <i>Don't let me down</i> ♪

1563
01:38:25,083 --> 01:38:27,416
♪ <i>Don't let me down</i> ♪

1564
01:38:30,833 --> 01:38:33,208
♪ <i>Don't let me down</i> ♪

1565
01:38:36,791 --> 01:38:39,416
♪ <i>Please</i> ♪

1566
01:38:42,625 --> 01:38:44,916
♪ <i>Please</i> ♪

1567
01:38:48,250 --> 01:38:50,458
♪ <i>Please</i> ♪

1568
01:38:53,958 --> 01:38:56,083
♪ <i>Please</i> ♪

1569
01:38:59,708 --> 01:39:00,875
Don't let me down.

1570
01:39:07,375 --> 01:39:08,958
♪ <i>I've got a feeling</i> ♪

1571
01:39:09,833 --> 01:39:13,041
♪ <i>A feeling deep inside
Oh, yeah</i> ♪

1572
01:39:15,041 --> 01:39:16,541
♪ <i>Oh, yeah</i> ♪

1573
01:39:16,625 --> 01:39:17,791
That's right.

1574
01:39:19,625 --> 01:39:21,666
♪ <i>I've got a feeling</i> ♪

1575
01:39:21,750 --> 01:39:25,625
♪ <i>A feeling I can't hide
Oh, no, no</i> ♪

1576
01:39:54,791 --> 01:39:58,625
♪ <i>And if you leave me
I won't be late again</i> ♪

1577
01:39:58,708 --> 01:39:59,708
♪ <i>Oh, no</i> ♪

1578
01:40:21,416 --> 01:40:22,625
♪ <i>nobody told me</i> ♪

1579
01:40:22,708 --> 01:40:26,291
♪ <i>All that I've looking for
Was somebody who looked like you</i> ♪

1580
01:40:32,416 --> 01:40:33,875
♪ <i>I've got a feeling</i> ♪

1581
01:40:33,958 --> 01:40:36,208
♪ <i>That keeps me on my toes</i> ♪

1582
01:40:36,291 --> 01:40:37,458
♪ <i>Oh, yeah</i> ♪

1583
01:40:39,541 --> 01:40:40,875
- * <i>Oh, yeah</i> *
- * <i>Oh, yeah</i> *

1584
01:40:43,458 --> 01:40:47,958
♪ <i>I've got a feeling
I think that everybody knows</i> ♪

1585
01:40:48,041 --> 01:40:49,125
♪ <i>Oh, yeah</i> ♪

1586
01:40:51,041 --> 01:40:52,291
- * <i>Oh, yeah</i> *
- * <i>Oh, yeah</i> *

1587
01:40:53,875 --> 01:40:55,583
♪ <i>Oh, yeah</i> ♪

1588
01:40:55,666 --> 01:40:58,541
♪ <i>Yeah, yeah</i> ♪

1589
01:40:59,416 --> 01:41:01,666
♪ <i>I have got a feeling
Yeah</i> ♪

1590
01:41:06,583 --> 01:41:08,666
♪ <i>Everybody had a hard year</i> ♪

1591
01:41:09,500 --> 01:41:11,500
♪ <i>Everybody had a good time</i> ♪

1592
01:41:12,416 --> 01:41:14,958
♪ <i>Everybody had a wet dream</i> ♪

1593
01:41:15,041 --> 01:41:18,083
♪ <i>Everybody saw the sun shine
Oh, yeah</i> ♪

1594
01:41:18,166 --> 01:41:21,083
- * <i>Oh, yeah</i> *
- * <i>Oh, yeah, oh, yeah</i> *

1595
01:41:23,916 --> 01:41:25,916
♪ <i>Everybody had a good year</i> ♪

1596
01:41:26,833 --> 01:41:28,916
♪ <i>Everybody let their hair down</i> ♪

1597
01:41:29,708 --> 01:41:32,583
♪ <i>Everybody pulled their socks up</i> ♪

1598
01:41:32,666 --> 01:41:35,666
♪ <i>Everybody put their foot down
Oh, yeah</i> ♪

1599
01:41:45,041 --> 01:41:46,666
Whoo-hoo!

1600
01:41:46,750 --> 01:41:49,416
- * <i>I've got a feeling</i> *
- * <i>Everybody had a good year</i> *

1601
01:41:49,500 --> 01:41:52,958
- * <i>A feeling deep inside, oh, yeah</i> *
- * <i>Everybody had a hard time</i> *

1602
01:41:53,041 --> 01:41:55,750
- * <i>Everybody had a wet dream</i> *
- * <i>Oh, yeah</i> *

1603
01:41:55,833 --> 01:41:58,208
♪ <i>Everybody saw the sun shine</i> ♪

1604
01:41:58,291 --> 01:42:00,958
- * <i>Everybody had a good year</i> *
- * <i>I've got a feeling</i> *

1605
01:42:01,041 --> 01:42:04,458
♪ <i>A feeling I can't hide, oh no</i> ♪

1606
01:42:30,375 --> 01:42:32,916
♪ <i>Oh, my soul</i> ♪

1607
01:42:33,000 --> 01:42:34,916
That was so hard.

1608
01:42:35,000 --> 01:42:37,000
Hey! All right!

1609
01:42:38,291 --> 01:42:40,291
No, no, no, no.

1610
01:42:42,583 --> 01:42:44,208
Peace on Earth!

1611
01:42:54,500 --> 01:42:56,500
Alan.

1612
01:42:58,750 --> 01:42:59,750
<i>Ringo?</i>

1613
01:42:59,833 --> 01:43:01,458
- Are the cameras still running?
- Yeah.

1614
01:43:01,541 --> 01:43:03,750
<i>Just stick your snare drum mic
back over the snare drum.</i>

1615
01:43:05,083 --> 01:43:08,166
Sir, we must have
your comment. What do you think of it?

1616
01:43:08,250 --> 01:43:09,250
What's going on?

1617
01:43:09,333 --> 01:43:11,833
- It's The Beatles.
- What gives? What's happening?

1618
01:43:11,916 --> 01:43:13,958
They decided to play
for the public for nothing.

1619
01:43:14,041 --> 01:43:15,250
Well, that's great.

1620
01:43:15,333 --> 01:43:17,208
It's a bloody stupid place
to have a concert.

1621
01:43:17,291 --> 01:43:19,833
Nice to have something for free
in this country at the moment, isn't it?

1622
01:43:19,916 --> 01:43:22,541
- Don't you like The Beatles?
- No.

1623
01:43:22,625 --> 01:43:24,166
- No?
- No.

1624
01:43:24,250 --> 01:43:25,583
Not at all?

1625
01:43:25,666 --> 01:43:28,041
Not now. They've changed completely.

1626
01:43:28,125 --> 01:43:30,541
The Beatles are doing
a free concert on the roof.

1627
01:43:30,625 --> 01:43:32,500
- Now?
- Yeah. What do you think of it?

1628
01:43:33,041 --> 01:43:35,083
I think it's very good.
Why aren't they doing it in the street?

1629
01:43:35,166 --> 01:43:36,833
They just thought you'd wanna hear it.

1630
01:43:36,916 --> 01:43:38,625
Yeah, well, we'd also like to see them.

1631
01:43:38,708 --> 01:43:41,166
I just can't see that it makes sense.

1632
01:43:41,791 --> 01:43:43,500
Well, I think it's a very good thing.

1633
01:43:43,583 --> 01:43:46,750
It woke me up from my sleep,
and I don't like it.

1634
01:43:51,750 --> 01:43:53,416
All cameras, four!

1635
01:43:54,666 --> 01:43:56,166
One, two, three.

1636
01:44:04,791 --> 01:44:08,041
♪ <i>My baby says she's traveling
On the one after 909</i> ♪

1637
01:44:09,750 --> 01:44:13,166
♪ <i>I said move over, honey
I'm traveling on that line</i> ♪

1638
01:44:14,833 --> 01:44:18,208
♪ <i>I said move over once
Move over twice</i> ♪

1639
01:44:18,291 --> 01:44:20,708
♪ <i>Come on, baby
Don't be cold as ice</i> ♪

1640
01:44:20,791 --> 01:44:23,708
♪ <i>She said she's traveling
On the one after 909</i> ♪

1641
01:44:25,750 --> 01:44:28,916
♪ <i>I begged her not to go
And I begged her on my bended knee</i> ♪

1642
01:44:31,166 --> 01:44:34,166
♪ <i>You're only fooling 'round
You're fooling 'round with me</i> ♪

1643
01:44:36,041 --> 01:44:38,666
♪ <i>I said move over once
Move over twice</i> ♪

1644
01:44:52,125 --> 01:44:53,500
♪ <i>Railman said</i> ♪

1645
01:44:54,416 --> 01:44:56,500
♪ <i>You've got the wrong location</i> ♪

1646
01:44:57,875 --> 01:44:59,000
♪ <i>Pick up my bag</i> ♪

1647
01:45:00,250 --> 01:45:01,333
♪ <i>Run right home</i> ♪

1648
01:45:02,625 --> 01:45:06,458
♪ <i>Then I find
I've got the number wrong</i> ♪

1649
01:45:07,041 --> 01:45:11,208
♪ <i>Well, she said she's traveling
On the one after 909</i> ♪

1650
01:45:12,958 --> 01:45:16,750
♪ <i>I said move over, honey
I'm traveling on that line</i> ♪

1651
01:45:18,333 --> 01:45:21,541
♪ <i>I said move over once
Move over twice</i> ♪

1652
01:45:21,625 --> 01:45:24,208
♪ <i>Come on, baby
Don't be cold as ice</i> ♪

1653
01:45:24,291 --> 01:45:27,083
♪ <i>She said she's traveling
On the one after 909</i> ♪

1654
01:45:28,250 --> 01:45:29,458
♪ <i>Yeah!</i> ♪

1655
01:45:41,958 --> 01:45:43,375
♪ <i>Whoo!</i> ♪

1656
01:45:50,458 --> 01:45:51,791
♪ <i>Pick up my bag</i> ♪

1657
01:45:53,208 --> 01:45:55,000
♪ <i>Run to the station</i> ♪

1658
01:45:55,541 --> 01:45:57,666
♪ <i>Railman said</i> ♪

1659
01:45:57,750 --> 01:45:59,666
♪ <i>You've got the wrong location</i> ♪

1660
01:45:59,750 --> 01:46:02,375
♪ <i>Yeah
Pick up my bag</i> ♪

1661
01:46:03,500 --> 01:46:05,000
♪ <i>Run right home</i> ♪

1662
01:46:06,208 --> 01:46:07,541
♪ <i>Then I find</i> ♪

1663
01:46:08,375 --> 01:46:09,875
♪ <i>I've got the number wrong</i> ♪

1664
01:46:09,958 --> 01:46:14,833
♪ <i>Well, she said she's traveling
On the one after 909</i> ♪

1665
01:46:16,500 --> 01:46:19,916
♪ <i>I said move over, honey
I'm traveling on that line</i> ♪

1666
01:46:21,750 --> 01:46:24,958
♪ <i>I said move over once
Move over twice</i> ♪

1667
01:46:25,041 --> 01:46:27,666
♪ <i>Come on, baby
Don't be cold as ice</i> ♪

1668
01:46:27,750 --> 01:46:30,291
♪ <i>She said she's traveling
On the one after 9-0</i> ♪

1669
01:46:30,375 --> 01:46:32,708
♪ <i>She said she's traveling
On the one after 9-0</i> ♪

1670
01:46:32,791 --> 01:46:36,208
♪ <i>She said she's traveling
On the one after 909</i> ♪

1671
01:46:39,916 --> 01:46:42,458
♪ <i>Oh, Danny Boy</i> ♪

1672
01:46:42,541 --> 01:46:44,916
♪ <i>The old savanna calling</i> ♪

1673
01:46:45,000 --> 01:46:46,500
Make sure you don't lean on that.

1674
01:46:49,166 --> 01:46:51,500
I can't see what to do.

1675
01:46:55,875 --> 01:46:57,166
- Oh.
- "Dig A Pony."

1676
01:46:57,250 --> 01:46:58,708
I'll have to get the words then.

1677
01:46:58,791 --> 01:47:00,375
- "Dig A Pony."
<i>- "Dig A Pony."</i>

1678
01:47:09,125 --> 01:47:12,250
- I don't know. It's just, uh
- Just ask Mal to hold 'em.

1679
01:47:12,333 --> 01:47:13,333
Yeah.

1680
01:47:13,416 --> 01:47:14,833
- Kev.
- Kevin?

1681
01:47:15,416 --> 01:47:16,708
Come here.

1682
01:47:20,416 --> 01:47:22,833
Can you hang on?
Well, I'll ring you back later, all right?

1683
01:48:16,625 --> 01:48:17,833
Thank you very much.

1684
01:48:20,000 --> 01:48:21,458
We can't use City One Reserve.

1685
01:48:23,625 --> 01:48:25,250
Charming, innit?

1686
01:48:25,333 --> 01:48:26,416
- Jimmy?
- Hmm?

1687
01:48:26,500 --> 01:48:27,875
Have a Sweet Afton.

1688
01:48:29,000 --> 01:48:30,875
Thank you. Don't mind if I do.

1689
01:49:10,041 --> 01:49:11,041
Rolling.

1690
01:49:15,333 --> 01:49:16,666
Are you all ready?

1691
01:49:16,750 --> 01:49:18,541
Yeah? Okay. Are we rolling?

1692
01:49:18,625 --> 01:49:19,708
- Yeah.
- Okay.

1693
01:49:19,791 --> 01:49:21,458
- One, two, three!
- Hold it!

1694
01:49:25,500 --> 01:49:26,958
One, two, three

1695
01:49:38,125 --> 01:49:41,250
♪ <i>All I want is</i> ♪

1696
01:49:41,333 --> 01:49:45,083
♪ <i>I, a-hi-hi, a-hi-hi</i> ♪

1697
01:49:46,791 --> 01:49:48,791
♪ <i>Dig a pony</i> ♪

1698
01:49:49,583 --> 01:49:52,583
♪ <i>Well, you can celebrate
Anything you want</i> ♪

1699
01:49:54,500 --> 01:49:58,333
♪ <i>Yes, you can celebrate
Anything you want</i> ♪

1700
01:49:59,791 --> 01:50:01,333
♪ <i>Oh</i> ♪

1701
01:50:01,416 --> 01:50:05,333
♪ <i>I, a-hi-hi, a-hi-hi</i> ♪

1702
01:50:07,083 --> 01:50:08,958
♪ <i>Do a road hog</i> ♪

1703
01:50:10,166 --> 01:50:12,791
♪ <i>Well, you can penetrate
Any place you go</i> ♪

1704
01:50:14,875 --> 01:50:18,875
♪ <i>Yes, you can penetrate
Any place you go</i> ♪

1705
01:50:23,916 --> 01:50:25,375
♪ <i>All I want is you</i> ♪

1706
01:50:27,375 --> 01:50:33,625
♪ <i>Everything has got to be
Just like you want it to</i> ♪

1707
01:50:33,708 --> 01:50:35,958
♪ <i>Because</i> ♪

1708
01:50:37,208 --> 01:50:41,125
♪ <i>I, a-hi-hi, a-hi-hi</i> ♪

1709
01:50:42,875 --> 01:50:44,791
♪ <i>Pick a moon dog</i> ♪

1710
01:50:45,833 --> 01:50:48,833
♪ <i>Well, you can radiate
Everything you are</i> ♪

1711
01:50:50,583 --> 01:50:51,750
♪ <i>Yes, you can radiate</i> ♪

1712
01:50:51,833 --> 01:50:54,833
Yeah, so why is it on the top of the roof?

1713
01:50:57,833 --> 01:51:00,541
All that money they've got?

1714
01:51:03,333 --> 01:51:05,541
No, I have no idea.
But it sounds really wonderful.

1715
01:51:06,541 --> 01:51:07,541
Yes.

1716
01:51:12,333 --> 01:51:13,333
Yes.

1717
01:51:14,583 --> 01:51:15,583
Oh, yes.

1718
01:51:16,458 --> 01:51:19,875
- Yes, I do. Yes.
- Yeah, I think it's a good idea.

1719
01:51:22,291 --> 01:51:23,500
Yes.

1720
01:51:23,583 --> 01:51:29,416
♪ <i>Everything has got to be
Just like you want it to</i> ♪

1721
01:51:29,958 --> 01:51:31,958
- * <i>Because</i> *
- * <i>Whoo!</i> *

1722
01:51:32,541 --> 01:51:33,541
♪ <i>Oh!</i> ♪

1723
01:51:51,541 --> 01:51:53,000
♪ <i>Oh, now</i> ♪

1724
01:51:53,083 --> 01:51:56,750
♪ <i>I, a-hi-hi, a-hi-hi</i> ♪

1725
01:51:58,500 --> 01:52:00,875
♪ <i>Feel the wind blow</i> ♪

1726
01:52:01,666 --> 01:52:04,916
♪ <i>But you can indicate
Everything you see</i> ♪

1727
01:52:06,333 --> 01:52:10,791
♪ <i>Yes, you can indicate
Everything you see</i> ♪

1728
01:52:11,708 --> 01:52:13,333
♪ <i>Oh, now</i> ♪

1729
01:52:13,416 --> 01:52:17,333
♪ <i>I, a-hi-hi, a-hi-hi</i> ♪

1730
01:52:19,041 --> 01:52:21,125
♪ <i>I'm cold and lonely</i> ♪

1731
01:52:22,083 --> 01:52:25,833
♪ <i>Well, you can syndicate
Any boat you row</i> ♪

1732
01:52:26,916 --> 01:52:31,500
♪ <i>Yeah, you can syndicate
Any boat you row</i> ♪

1733
01:52:32,083 --> 01:52:33,791
♪ <i>I told you so</i> ♪

1734
01:52:33,875 --> 01:52:37,791
♪ <i>All I want is you</i> ♪

1735
01:52:39,916 --> 01:52:45,958
♪ <i>Everything has got to be
Just like you want it to</i> ♪

1736
01:52:46,041 --> 01:52:47,833
♪ <i>Because</i> ♪

1737
01:53:01,125 --> 01:53:07,041
♪ <i>All I want is you</i> ♪

1738
01:53:10,583 --> 01:53:12,000
Thank you, brothers.

1739
01:53:12,791 --> 01:53:15,208
My hands are getting too cold
to play a chord now.

1740
01:53:15,291 --> 01:53:16,916
- Turn on the PA too.
- Okay.

1741
01:53:17,000 --> 01:53:18,708
Shall we do "Can You Dig It"?

1742
01:53:18,791 --> 01:53:21,000
- "Can You Dig It"?
- I don't know.

1743
01:53:41,708 --> 01:53:43,125
What's happening?

1744
01:53:52,041 --> 01:53:53,375
The Beatles, obviously.

1745
01:54:01,041 --> 01:54:04,208
- Fabulous. Lovely.
- Definitely. Fantastic.

1746
01:54:08,625 --> 01:54:11,916
- They're all a few lads.
- Yeah. Get around, don't they?

1747
01:54:13,083 --> 01:54:14,708
I said they get around.

1748
01:54:34,541 --> 01:54:36,708
"Misery."
That's the one, I think.

1749
01:54:38,041 --> 01:54:40,000
- That it?
- That's it. Lovely.

1750
01:54:40,083 --> 01:54:42,583
Anywhere where I could
have a listen to this?

1751
01:54:44,958 --> 01:54:46,250
Yes. Very much. Yes.

1752
01:54:47,166 --> 01:54:48,166
Yeah. It's great.

1753
01:54:49,625 --> 01:54:51,583
Um, I think Ringo.

1754
01:54:55,625 --> 01:54:56,625
No.

1755
01:54:57,291 --> 01:54:58,291
No.

1756
01:55:01,083 --> 01:55:02,666
Yeah.

1757
01:55:02,750 --> 01:55:04,000
Yeah. I think they're good.

1758
01:55:30,291 --> 01:55:32,541
Okay. Glynny.
Are you ready, Glyn?

1759
01:55:32,625 --> 01:55:33,958
<i>- Running.</i>
- Turnover, Mike.

1760
01:55:34,041 --> 01:55:35,541
Can we scratch that?

1761
01:55:35,625 --> 01:55:37,541
- Tuning.
- Running. Ready?

1762
01:55:40,291 --> 01:55:41,458
Okay, okay.

1763
01:55:47,500 --> 01:55:49,083
♪ <i>I've got a feeling</i> ♪

1764
01:55:49,875 --> 01:55:52,125
♪ <i>A feeling deep inside</i> ♪

1765
01:55:52,208 --> 01:55:53,250
♪ <i>Oh, yeah</i> ♪

1766
01:55:55,041 --> 01:55:56,208
♪ <i>Oh, yeah</i> ♪

1767
01:55:59,083 --> 01:56:00,666
♪ <i>I've got a feeling</i> ♪

1768
01:56:01,458 --> 01:56:04,708
♪ <i>A feeling I can't hide
No, no</i> ♪

1769
01:56:04,791 --> 01:56:06,166
♪ <i>No</i> ♪

1770
01:56:06,708 --> 01:56:07,791
♪ <i>Oh, no</i> ♪

1771
01:56:09,541 --> 01:56:10,541
♪ <i>No, no</i> ♪

1772
01:56:12,791 --> 01:56:14,125
Not in the street, no.

1773
01:56:16,833 --> 01:56:19,250
- Oh, yes. Yes. Very much.
- You do?

1774
01:56:20,875 --> 01:56:22,458
No, my son does.

1775
01:56:22,541 --> 01:56:24,083
Oh, yes. My daughter does.

1776
01:56:24,791 --> 01:56:27,833
My son would.
He likes all that, but not me.

1777
01:56:27,916 --> 01:56:29,041
♪ <i>Oh, yeah</i> ♪

1778
01:56:30,333 --> 01:56:31,416
♪ <i>Oh, yeah</i> ♪

1779
01:56:34,375 --> 01:56:38,958
♪ <i>And if you leave me
I won't be late again</i> ♪

1780
01:56:39,041 --> 01:56:40,125
♪ <i>Oh, no</i> ♪

1781
01:56:41,958 --> 01:56:43,041
♪ <i>Oh, no</i> ♪

1782
01:56:44,916 --> 01:56:46,583
♪ <i>Oh, no</i> ♪

1783
01:56:46,666 --> 01:56:50,291
♪ <i>Oh, yeah</i> ♪

1784
01:56:50,375 --> 01:56:52,416
♪ <i>I've got a feeling
Yeah</i> ♪

1785
01:56:57,250 --> 01:57:00,083
♪ <i>All these years
I've been wandering around</i> ♪

1786
01:57:00,166 --> 01:57:03,083
♪ <i>Wondering how come nobody told me</i> ♪

1787
01:57:03,166 --> 01:57:06,833
♪ <i>All that I've been looking for
Was somebody who looked like you</i> ♪

1788
01:57:11,083 --> 01:57:12,333
♪ <i>Hey</i> ♪

1789
01:57:12,416 --> 01:57:14,666
♪ <i>I've got a feeling</i> ♪

1790
01:57:14,750 --> 01:57:18,166
♪ <i>That keeps me on my toes
Oh, yeah</i> ♪

1791
01:57:20,166 --> 01:57:21,250
♪ <i>Oh, yeah</i> ♪

1792
01:57:24,208 --> 01:57:26,125
♪ <i>I've got a feeling</i> ♪

1793
01:57:26,208 --> 01:57:29,583
♪ <i>I think that everybody knows
Oh, yeah</i> ♪

1794
01:57:31,875 --> 01:57:32,958
♪ <i>Oh, yeah</i> ♪

1795
01:57:34,208 --> 01:57:35,541
Do you want to go upstairs?

1796
01:57:36,541 --> 01:57:37,875
Yeah, we'll come upstairs.

1797
01:57:40,291 --> 01:57:42,375
♪ <i>I've got a feeling</i> ♪

1798
01:57:46,333 --> 01:57:47,708
♪ <i>Oh, yeah</i> ♪

1799
01:57:47,791 --> 01:57:49,791
♪ <i>Everybody had a hard year</i> ♪

1800
01:57:50,583 --> 01:57:52,500
♪ <i>Everybody had a head dream</i> ♪

1801
01:57:53,500 --> 01:57:55,916
♪ <i>Everybody saw the sun shine</i> ♪

1802
01:57:56,500 --> 01:57:58,500
♪ <i>Everybody gotten obscene</i> ♪

1803
01:57:58,583 --> 01:57:59,875
- * <i>Oh, yeah</i> *
- * <i>Oh, yeah</i> *

1804
01:57:59,958 --> 01:58:01,208
♪ <i>Oh, yeah</i> ♪

1805
01:58:01,291 --> 01:58:02,625
- * <i>Oh, yeah</i> *
- * <i>Oh, yeah?</i> *

1806
01:58:05,166 --> 01:58:07,833
♪ <i>Everybody had a good year</i> ♪

1807
01:58:07,916 --> 01:58:10,416
♪ <i>Everybody let their hair down</i> ♪

1808
01:58:11,041 --> 01:58:13,958
- * <i>Everybody pulled their socks up</i> *
- * <i>Yeah</i> *

1809
01:58:14,041 --> 01:58:17,000
- * <i>Everybody put their foot down</i> *
- * <i>Oh, yeah</i> *

1810
01:58:28,666 --> 01:58:31,083
- * <i>Everybody had a hard year</i> *
- * <i>I've got a feeling</i> *

1811
01:58:31,166 --> 01:58:34,583
- * <i>A feeling deep inside, oh yeah</i> *
- * <i>Everybody had a good time</i> *

1812
01:58:34,666 --> 01:58:37,583
- * <i>Everybody had a wet dream</i> *
- * <i>Oh, yeah</i> *

1813
01:58:37,666 --> 01:58:39,833
♪ <i>Everybody saw the sun shine</i> ♪

1814
01:58:40,666 --> 01:58:43,000
- * <i>Everybody had a good year</i> *
- * <i>I've got a feeling</i> *

1815
01:58:43,083 --> 01:58:45,500
- * <i>A feeling I can't hide</i> *
- * <i>Everybody let their hair down</i> *

1816
01:58:45,583 --> 01:58:48,791
- * <i>Oh, no</i> *
- * <i>Everybody pulled their socks up</i> *

1817
01:58:48,875 --> 01:58:51,458
- * <i>Oh, no</i> *
- * <i>Everybody put their foot down</i> *

1818
01:58:51,541 --> 01:58:52,791
- * <i>Oh, yeah</i> *
- * <i>Yeah, yeah</i> *

1819
01:58:53,958 --> 01:58:56,833
♪ <i>Ooh yeah, ooh yeah</i> ♪

1820
01:58:56,916 --> 01:58:59,500
♪ <i>Ooh, ooh yeah</i> ♪

1821
01:59:00,666 --> 01:59:03,083
♪ <i>I've got a feeling
Yeah</i> ♪

1822
01:59:05,125 --> 01:59:07,583
♪ <i>I've got a feeling
Yeah</i> ♪

1823
01:59:08,208 --> 01:59:09,625
♪ <i>Whoo-hoo!</i> ♪

1824
01:59:13,958 --> 01:59:17,500
♪ <i>A pretty girl is like a melody</i> ♪

1825
01:59:20,833 --> 01:59:21,958
Yeah.

1826
01:59:22,041 --> 01:59:24,166
- One, two, three, four.
- "And For The First Time."

1827
01:59:24,250 --> 01:59:26,666
- Oh!
- No, no, "Don't Let Me Down." Sorry.

1828
01:59:28,166 --> 01:59:30,625
♪ <i>Don't let me down</i> ♪

1829
01:59:30,708 --> 01:59:32,250
Rock and roll!

1830
01:59:32,333 --> 01:59:33,500
You too!

1831
01:59:34,666 --> 01:59:37,250
Whoo!

1832
01:59:41,916 --> 01:59:44,333
♪ <i>Don't let me down</i> ♪

1833
01:59:47,500 --> 01:59:50,250
♪ <i>Don't let me down</i> ♪

1834
01:59:53,708 --> 01:59:56,166
♪ <i>Don't let me down</i> ♪

1835
01:59:58,458 --> 01:59:59,458
Whoo!

1836
01:59:59,541 --> 02:00:02,041
♪ <i>Don't let me down</i> ♪

1837
02:00:04,916 --> 02:00:08,583
♪ <i>And from the first time
That she really loved me</i> ♪

1838
02:00:10,083 --> 02:00:11,583
♪ <i>Ooh, she loved me</i> ♪

1839
02:00:13,041 --> 02:00:14,458
♪ <i>Yes, she does</i> ♪

1840
02:00:17,041 --> 02:00:21,458
♪ <i>And if somebody ever really loved me</i> ♪

1841
02:00:22,791 --> 02:00:24,375
♪ <i>Ooh, she loves me</i> ♪

1842
02:00:25,750 --> 02:00:27,500
♪ <i>Yes, she does</i> ♪

1843
02:00:30,875 --> 02:00:33,291
♪ <i>Don't let me down</i> ♪

1844
02:00:36,625 --> 02:00:39,250
♪ <i>Don't let me down</i> ♪

1845
02:00:42,666 --> 02:00:45,083
♪ <i>Don't let me down</i> ♪

1846
02:00:48,250 --> 02:00:51,000
♪ <i>Don't let me down</i> ♪

1847
02:00:53,625 --> 02:00:56,791
♪ <i>I'm in love for the first time</i> ♪

1848
02:00:59,666 --> 02:01:02,750
♪ <i>Don't you know it's gonna last</i> ♪

1849
02:01:05,708 --> 02:01:08,541
♪ <i>It's a love that lasts forever</i> ♪

1850
02:01:11,583 --> 02:01:15,166
♪ <i>It's a love that has no past</i> ♪

1851
02:01:15,250 --> 02:01:16,250
Whoo!

1852
02:01:18,000 --> 02:01:20,583
♪ <i>Don't let me down</i> ♪

1853
02:01:22,458 --> 02:01:23,875
♪ <i>Please</i> ♪

1854
02:01:23,958 --> 02:01:26,666
♪ <i>Don't let me down</i> ♪

1855
02:01:29,583 --> 02:01:32,208
♪ <i>Don't let me down</i> ♪

1856
02:01:35,500 --> 02:01:37,916
♪ <i>Don't let me down</i> ♪

1857
02:01:40,250 --> 02:01:44,583
♪ <i>And from the first time
That she really done me</i> ♪

1858
02:01:46,166 --> 02:01:47,625
♪ <i>Ooh, she done me</i> ♪

1859
02:01:48,583 --> 02:01:50,333
♪ <i>She done me good</i> ♪

1860
02:01:50,916 --> 02:01:52,083
Yeah, that's right.

1861
02:01:57,208 --> 02:01:58,208
Yes.

1862
02:02:11,208 --> 02:02:12,500
Yeah.

1863
02:02:12,583 --> 02:02:15,125
♪ <i>Don't let me down</i> ♪

1864
02:02:18,250 --> 02:02:20,958
♪ <i>Don't let me down</i> ♪

1865
02:02:24,000 --> 02:02:26,500
♪ <i>Don't let me down</i> ♪

1866
02:02:29,708 --> 02:02:32,541
♪ <i>Please</i> ♪

1867
02:02:35,666 --> 02:02:38,416
♪ <i>Please</i> ♪

1868
02:02:41,291 --> 02:02:43,708
♪ <i>Please</i> ♪

1869
02:02:45,083 --> 02:02:46,250
♪ <i>Oh</i> ♪

1870
02:02:46,750 --> 02:02:48,958
♪ <i>Please</i> ♪

1871
02:03:02,541 --> 02:03:06,250
♪ <i>Jo Jo was a man
Who thought he was a loner</i> ♪

1872
02:03:06,333 --> 02:03:08,916
♪ <i>But he knew it couldn't last</i> ♪

1873
02:03:10,125 --> 02:03:13,875
♪ <i>Jo Jo left his home in Tucson, Arizona</i> ♪

1874
02:03:13,958 --> 02:03:16,583
♪ <i>For some California grass</i> ♪

1875
02:03:17,416 --> 02:03:20,541
♪ <i>Get back, get back</i> ♪

1876
02:03:21,458 --> 02:03:22,958
♪ <i>Get back to where you once belonged</i> ♪

1877
02:03:23,041 --> 02:03:24,125
It's off.

1878
02:03:27,000 --> 02:03:28,708
♪ <i>Get back</i> ♪

1879
02:03:28,791 --> 02:03:32,166
♪ <i>Get back to where you once belonged</i> ♪

1880
02:03:32,250 --> 02:03:34,083
♪ <i>Get back, Jo Jo
Yeah</i> ♪

1881
02:03:48,000 --> 02:03:50,666
♪ <i>Get back, get back</i> ♪

1882
02:03:51,541 --> 02:03:54,541
♪ <i>Get back to where you once belonged</i> ♪

1883
02:03:55,583 --> 02:03:57,958
♪ <i>Get back, whoo!
Get back</i> ♪

1884
02:03:59,166 --> 02:04:01,833
♪ <i>Get back to where you once belonged</i> ♪

1885
02:04:04,083 --> 02:04:05,500
♪ <i>Get back, Jo</i> ♪

1886
02:04:06,291 --> 02:04:07,375
Whoo!

1887
02:04:10,208 --> 02:04:12,791
♪ <i>Oh, yeah
Get back</i> ♪

1888
02:04:13,416 --> 02:04:14,416
Whoo!

1889
02:04:15,583 --> 02:04:16,583
Yeah!

1890
02:04:20,416 --> 02:04:24,000
♪ <i>Sweet Loretta Martin
Thought she was a woman</i> ♪

1891
02:04:24,083 --> 02:04:26,666
♪ <i>But she was another man</i> ♪

1892
02:04:27,958 --> 02:04:31,458
♪ <i>All the girls around her
Say she's got it coming</i> ♪

1893
02:04:31,541 --> 02:04:34,208
♪ <i>But she gets it while she can</i> ♪

1894
02:04:34,916 --> 02:04:38,250
♪ <i>Get back, get back</i> ♪

1895
02:04:39,166 --> 02:04:41,916
♪ <i>Get back to where you once belonged</i> ♪

1896
02:04:42,750 --> 02:04:45,833
♪ <i>Get back, get back</i> ♪

1897
02:04:46,625 --> 02:04:49,541
♪ <i>Get back to where you once belonged</i> ♪

1898
02:04:49,625 --> 02:04:51,083
♪ <i>Get back, Loretta
Get back home</i> ♪

1899
02:04:51,166 --> 02:04:52,833
♪ <i>Come on, come on</i> ♪

1900
02:04:55,625 --> 02:04:58,083
♪ <i>Oh, come on, go home
Your mommy's waiting</i> ♪

1901
02:04:59,375 --> 02:05:01,708
♪ <i>In her high-heel shoes
And her low-neck sweater, get back</i> ♪

1902
02:05:21,833 --> 02:05:23,083
Whoo!

1903
02:05:25,041 --> 02:05:26,625
♪ <i>Yeah, get back</i> ♪

1904
02:05:28,791 --> 02:05:31,875
♪ <i>You've been out too long, Loretta
You've been playing on the roofs again</i> ♪

1905
02:05:31,958 --> 02:05:35,166
♪ <i>And that's no good, 'cause you know
Your mommy doesn't like that</i> ♪

1906
02:05:35,750 --> 02:05:38,125
♪ <i>Oh, she gets angry
She's gonna have you arrested</i> ♪

1907
02:05:38,208 --> 02:05:39,208
♪ <i>Get back</i> ♪

1908
02:05:39,291 --> 02:05:40,708
♪ <i>Oh, get back</i> ♪

1909
02:05:41,666 --> 02:05:43,916
♪ <i>Oh, yeah
Yeah, yeah, yeah</i> ♪

1910
02:05:44,750 --> 02:05:47,916
♪ <i>Get back, get back</i> ♪

1911
02:05:48,666 --> 02:05:51,625
♪ <i>Get back to where you once belonged</i> ♪

1912
02:05:54,083 --> 02:05:55,083
Get back.

1913
02:06:00,583 --> 02:06:02,250
- Thanks, Mo.
- I'd like to say thank you

1914
02:06:02,333 --> 02:06:04,125
on behalf of the group and ourselves.

1915
02:06:04,208 --> 02:06:05,833
I hope we passed the audition.

1916
02:06:08,541 --> 02:06:11,625
All right, boys.
Get in here. Step aside, there.

1917
02:06:14,583 --> 02:06:15,750
You all right?

1918
02:06:18,375 --> 02:06:20,416
Come. Get in there. Come on. In there.

1919
02:06:20,500 --> 02:06:22,166
What's the matter? Everything all right?

1920
02:06:25,791 --> 02:06:28,541
Get some more cover there.
Film through the office windows.

1921
02:06:28,625 --> 02:06:29,625
Okay.

1922
02:06:30,250 --> 02:06:31,750
People on the roof. Everything.

1923
02:06:31,833 --> 02:06:33,625
Stay there, girls. Stay there.

1924
02:06:43,541 --> 02:06:44,625
Thank you.

1925
02:06:44,708 --> 02:06:47,416
Okay. As soon as
you got the cover, that's a wrap.

1926
02:06:49,958 --> 02:06:52,500
Let's keep it moving please.

1927
02:06:52,583 --> 02:06:55,125
Step off the road, please.
Move along!

1928
02:06:56,791 --> 02:06:58,375
Move along, please.

1929
02:07:01,625 --> 02:07:02,875
Move along, please.

1930
02:07:08,208 --> 02:07:09,541
Off the road, please.

1931
02:07:11,083 --> 02:07:13,000
Come on. Move along.

1932
02:07:13,083 --> 02:07:16,083
What's the law say that you
why you can't do that?

1933
02:07:16,166 --> 02:07:18,666
- 'Cause of the PA speakers.
- Disturbing the peace.

1934
02:07:18,750 --> 02:07:22,333
- Well, how "Disturbing the peace"?
- Peace means like noise.

1935
02:07:22,416 --> 02:07:23,666
As Mike was saying,

1936
02:07:23,750 --> 02:07:26,708
this is a very good dry run
for something else too.

1937
02:07:26,791 --> 02:07:29,083
Apart from the value of this as it stands.

1938
02:07:29,166 --> 02:07:30,166
Yeah.

1939
02:07:30,250 --> 02:07:32,250
- Yeah, for taking over London.
- Yeah.

1940
02:07:32,333 --> 02:07:33,333
You see, because

1941
02:07:35,250 --> 02:07:36,916
Blasting out the sound in their power.

1942
02:07:37,000 --> 02:07:39,208
- Fantastic.
- Every rock group in the world,

1943
02:07:39,291 --> 02:07:41,750
in London, all on the top of buildings.

1944
02:07:41,833 --> 02:07:44,375
- Playing the same tune.
- Also on a platform of loudspeakers.

1945
02:07:44,458 --> 02:07:47,958
So you're just sort of strapped in
to little boxes in this structure.

1946
02:07:48,041 --> 02:07:49,458
♪ <i>Well, get back</i> ♪

1947
02:07:49,541 --> 02:07:52,333
♪ <i>Loretta Martin
Thought she was a woman</i> ♪

1948
02:07:52,416 --> 02:07:55,041
♪ <i>But she was another man</i> ♪

1949
02:07:56,083 --> 02:08:00,000
♪ <i>All the girls around her
Said she's got it coming</i> ♪

1950
02:08:00,083 --> 02:08:02,708
♪ <i>But she get it while she can</i> ♪

1951
02:08:03,500 --> 02:08:04,541
♪ <i>Oh, get back</i> ♪

1952
02:08:05,666 --> 02:08:07,333
♪ <i>Get back</i> ♪

1953
02:08:07,416 --> 02:08:10,416
♪ <i>Get back to where you once belonged</i> ♪

1954
02:08:11,291 --> 02:08:14,375
♪ <i>Oh, get back, yeah
Get back</i> ♪

1955
02:08:15,500 --> 02:08:18,083
♪ <i>Get back to where you once belonged</i> ♪

1956
02:08:18,166 --> 02:08:19,416
♪ <i>Get back, Loretta</i> ♪

1957
02:08:20,750 --> 02:08:21,750
♪ <i>Hey!</i> ♪

1958
02:08:25,583 --> 02:08:26,583
♪ <i>Go home</i> ♪

1959
02:08:27,208 --> 02:08:29,041
♪ <i>Your mommy's waiting for you</i> ♪

1960
02:08:34,750 --> 02:08:36,000
♪ <i>Ooh, she does</i> ♪

1961
02:08:37,500 --> 02:08:39,083
♪ <i>Yes, she does</i> ♪

1962
02:08:41,583 --> 02:08:46,083
♪ <i>I guess nobody ever really done me</i> ♪

1963
02:08:47,416 --> 02:08:49,500
♪ <i>Ooh, she done me</i> ♪

1964
02:08:50,458 --> 02:08:52,625
♪ <i>Oh, please believe me</i> ♪

1965
02:08:52,708 --> 02:08:56,208
♪ <i>I'd hate to miss the train
Oh, yeah</i> ♪

1966
02:08:58,041 --> 02:08:59,375
♪ <i>Oh, yeah</i> ♪

1967
02:09:02,041 --> 02:09:06,875
♪ <i>And if you leave me
I won't be late again</i> ♪

1968
02:09:06,958 --> 02:09:07,958
♪ <i>Oh, no</i> ♪

1969
02:09:09,833 --> 02:09:10,916
♪ <i>Oh, no</i> ♪

1970
02:09:12,916 --> 02:09:14,000
♪ <i>Oh, no</i> ♪

1971
02:09:14,583 --> 02:09:18,208
♪ <i>No, yeah</i> ♪

1972
02:09:18,291 --> 02:09:20,791
♪ <i>I've got a feeling
Yeah</i> ♪

1973
02:09:23,375 --> 02:09:25,458
♪ <i>I've got the number wrong</i> ♪

1974
02:09:25,541 --> 02:09:29,291
♪ <i>Well, she said she's traveling
On the one after 909</i> ♪

1975
02:09:31,125 --> 02:09:34,625
♪ <i>I said move over, honey
I'm traveling on that line</i> ♪

1976
02:09:36,416 --> 02:09:39,333
♪ <i>I said move over once
Move over twice</i> ♪

1977
02:09:39,416 --> 02:09:40,666
♪ <i>Come on, baby
Don't be</i> ♪

1978
02:09:40,750 --> 02:09:43,708
♪ <i>All I want is</i> ♪

1979
02:09:43,791 --> 02:09:47,791
♪ <i>I, a-hi, hi, a-hi, hi</i> ♪

1980
02:09:49,375 --> 02:09:51,375
♪ <i>Dig a pony</i> ♪

1981
02:09:52,458 --> 02:09:55,291
♪ <i>Well, you can celebrate
Anything you want</i> ♪

1982
02:09:57,166 --> 02:10:01,166
♪ <i>Yes, you can celebrate
Anything you want</i> ♪

1983
02:10:02,375 --> 02:10:04,000
What are you feeling about today?

1984
02:10:04,083 --> 02:10:05,916
- You wanna work more today or not?
- Yeah.

1985
02:10:06,000 --> 02:10:07,916
We should record the others now.

1986
02:10:08,000 --> 02:10:10,083
Gotta get the stuff down first.

1987
02:10:10,166 --> 02:10:12,666
- Let's have a break for a bit.
- We'll have lunch and that.

1988
02:10:12,750 --> 02:10:15,333
And then we record the other stuff
that we didn't do.

1989
02:10:15,416 --> 02:10:17,583
- Right.
- Up there. The acoustic stuff.

1990
02:10:17,666 --> 02:10:19,500
- Up there?
- No, down here now.

1991
02:10:19,583 --> 02:10:21,250
- When I
- There won't be more rooftops.

1992
02:10:21,333 --> 02:10:22,333
No. No more rooftop.

1993
02:10:22,416 --> 02:10:23,750
- That was the rooftop.
- It was really bad.

1994
02:10:23,833 --> 02:10:25,375
- Oh, right.
- So, it's like

1995
02:10:25,458 --> 02:10:27,416
You know, you're doing this
and we're taking it

1996
02:10:27,500 --> 02:10:29,750
If we got the police,
we could pretend in the film

1997
02:10:29,833 --> 02:10:31,625
that we had to get down because of them.

1998
02:10:31,708 --> 02:10:33,875
- And here we are
- Just the way it happened then.

1999
02:10:33,958 --> 02:10:35,666
That'll just be it, you know.

2000
02:10:45,208 --> 02:10:48,833
This is B camera roll, 1,150.

2001
02:10:48,916 --> 02:10:53,291
Slate 500, take one. Slate 500, take one.

2002
02:10:53,375 --> 02:10:54,625
Roll mic.

2003
02:10:54,708 --> 02:10:58,250
It might have been You know.
I don't like to throw things away.

2004
02:10:58,333 --> 02:10:59,416
Okay. Ready?

2005
02:10:59,500 --> 02:11:01,208
- Okay, turnover cameras.
- Clap it.

2006
02:11:01,291 --> 02:11:02,583
Turnover cameras.

2007
02:11:03,500 --> 02:11:06,000
♪ <i>Take it to the captain</i> ♪

2008
02:11:07,166 --> 02:11:10,083
♪ <i>Take this hammer</i> ♪

2009
02:11:10,791 --> 02:11:13,666
♪ <i>Take it to the captain</i> ♪

2010
02:11:13,750 --> 02:11:17,375
♪ <i>You and me Sunday driving</i> ♪

2011
02:11:17,458 --> 02:11:19,791
♪ <i>Not arriving</i> ♪

2012
02:11:19,875 --> 02:11:23,208
♪ <i>On our way</i> ♪

2013
02:11:23,291 --> 02:11:26,958
♪ <i>If you're ever in a jam
Here I am</i> ♪

2014
02:11:29,125 --> 02:11:32,541
♪ <i>If you're ever in the shit
Grab my tit</i> ♪

2015
02:11:34,125 --> 02:11:37,708
♪ <i>it's gonna make it stop</i> ♪

2016
02:11:38,291 --> 02:11:40,458
♪ <i>How high's the water, mama?</i> ♪

2017
02:11:41,875 --> 02:11:44,041
♪ <i>Daddy's gonna tell on</i> ♪

2018
02:11:44,125 --> 02:11:47,208
♪ <i>Rather see you dead, little girl</i> ♪

2019
02:11:47,291 --> 02:11:50,125
♪ <i>Than to be with another man</i> ♪

2020
02:11:51,458 --> 02:11:54,791
♪ <i>You better watch your head
Little girl</i> ♪

2021
02:11:54,875 --> 02:11:57,583
♪ <i>Or you won't know where I am</i> ♪

2022
02:11:58,333 --> 02:12:00,750
♪ <i>You'd better run for your life
If you can</i> ♪

2023
02:12:00,833 --> 02:12:01,833
Okay.

2024
02:12:01,916 --> 02:12:03,541
- Running.
- Turn over.

2025
02:12:03,625 --> 02:12:06,041
- Did I ever tell you when I had the
- Take Take ten.

2026
02:12:06,875 --> 02:12:08,583
I don't think
I wanna hear that, Dick.

2027
02:12:09,750 --> 02:12:11,083
Okay, Jim.

2028
02:12:12,750 --> 02:12:14,500
- Good night, Paul.
- Say good night, John.

2029
02:12:14,583 --> 02:12:16,375
- Good night, Paul.
- Good night.

2030
02:12:25,291 --> 02:12:28,541
♪ <i>Two of us riding nowhere</i> ♪

2031
02:12:28,625 --> 02:12:33,541
♪ <i>Spending someone's hard-earned pay</i> ♪

2032
02:12:35,000 --> 02:12:38,166
♪ <i>You and me Sunday driving</i> ♪

2033
02:12:38,250 --> 02:12:40,375
♪ <i>Not arriving</i> ♪

2034
02:12:40,458 --> 02:12:45,458
♪ <i>On our way back home</i> ♪

2035
02:12:46,750 --> 02:12:48,666
♪ <i>We're on our way home</i> ♪

2036
02:12:49,875 --> 02:12:51,958
♪ <i>We're on our way home</i> ♪

2037
02:12:53,125 --> 02:12:55,958
♪ <i>We're going home</i> ♪

2038
02:13:09,875 --> 02:13:12,708
♪ <i>I suddenly discovered
I was halfway out of tune</i> ♪

2039
02:13:12,791 --> 02:13:15,625
♪ <i>But I continued playing
Because I'm no goon</i> ♪

2040
02:13:17,375 --> 02:13:19,875
Take Take Take 17!

2041
02:13:20,541 --> 02:13:25,166
♪ <i>The long and winding road</i> ♪

2042
02:13:26,291 --> 02:13:32,541
♪ <i>That leads to your door</i> ♪

2043
02:13:33,416 --> 02:13:35,541
Okay, start again.

2044
02:13:38,250 --> 02:13:39,333
♪ <i>The long</i> ♪

2045
02:13:42,583 --> 02:13:43,750
F-stop.

2046
02:13:45,083 --> 02:13:46,125
♪ <i>The long</i> ♪

2047
02:13:46,208 --> 02:13:47,875
We'll need one more, actually.

2048
02:13:49,708 --> 02:13:50,708
Take 18.

2049
02:13:54,083 --> 02:13:55,541
Now what's the chord you play

2050
02:13:57,750 --> 02:14:02,583
♪ <i>The wild and windy night</i> ♪

2051
02:14:03,625 --> 02:14:09,666
♪ <i>That the rain washed away</i> ♪

2052
02:14:13,416 --> 02:14:18,250
♪ <i>Has left a pool of tears</i> ♪

2053
02:14:20,750 --> 02:14:25,000
♪ <i>Crying for the day</i> ♪

2054
02:14:26,083 --> 02:14:28,375
Running.

2055
02:14:28,458 --> 02:14:29,958
- Running, Col? Running, Mike?
- Yeah.

2056
02:14:30,041 --> 02:14:31,833
- Running, yeah.
- Nice and quiet. Mark it.

2057
02:14:31,916 --> 02:14:32,916
Take 25.

2058
02:14:46,541 --> 02:14:50,083
♪ <i>When I find myself in times of trouble</i> ♪

2059
02:14:50,166 --> 02:14:53,041
♪ <i>Mother Mary comes to me</i> ♪

2060
02:14:53,125 --> 02:14:55,708
♪ <i>Speaking words of wisdom</i> ♪

2061
02:14:55,791 --> 02:14:57,208
♪ <i>Let it be</i> ♪

2062
02:14:59,416 --> 02:15:02,000
♪ <i>And in my hour of darkness</i> ♪

2063
02:15:02,083 --> 02:15:05,666
♪ <i>She is standing right in front of me</i> ♪

2064
02:15:05,750 --> 02:15:08,458
♪ <i>Speaking words of wisdom</i> ♪

2065
02:15:08,541 --> 02:15:10,625
♪ <i>Let it be</i> ♪

2066
02:15:11,541 --> 02:15:16,583
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

2067
02:15:18,083 --> 02:15:20,375
What the shittin' hell is going on here?

2068
02:15:28,250 --> 02:15:30,958
<i>Eins, zwei, viertel nach drei.</i>

2069
02:15:36,333 --> 02:15:38,583
♪ <i>Whisper words of wisdom</i> ♪

2070
02:15:39,958 --> 02:15:41,625
What the fuck's going on?

2071
02:15:41,708 --> 02:15:44,208
I'll never get "Maggie Mae" done
if we go on like this.

2072
02:15:49,500 --> 02:15:51,333
Are we supposed to giggle in the solo?

2073
02:15:51,416 --> 02:15:52,666
- Yeah.
- Okay.

2074
02:15:52,750 --> 02:15:56,666
♪ <i>And when the broken-hearted people</i> ♪

2075
02:15:56,750 --> 02:15:59,208
Get off, you bum!

2076
02:16:11,541 --> 02:16:14,000
- I lost a bass note somewhere.
- Oh.

2077
02:16:25,375 --> 02:16:28,750
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

2078
02:16:28,833 --> 02:16:32,166
♪ <i>Let it be, yeah
Let it be</i> ♪

2079
02:16:32,250 --> 02:16:35,250
♪ <i>There will be an answer</i> ♪

2080
02:16:35,333 --> 02:16:37,041
♪ <i>Let it be</i> ♪

2081
02:16:39,416 --> 02:16:43,166
♪ <i>When I find myself in times of trouble</i> ♪

2082
02:16:43,250 --> 02:16:46,166
♪ <i>Mother Mary comes to me</i> ♪

2083
02:16:46,250 --> 02:16:50,250
♪ <i>Speaking words of wisdom
Let it be</i> ♪

2084
02:16:50,333 --> 02:16:51,500
Let it be.

2085
02:16:52,583 --> 02:16:58,666
♪ <i>And in my hour of darkness
She is standing right in front of me</i> ♪

2086
02:16:58,750 --> 02:17:01,416
♪ <i>Speaking words of wisdom</i> ♪

2087
02:17:01,500 --> 02:17:02,958
♪ <i>Let it be</i> ♪

2088
02:17:04,208 --> 02:17:07,875
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

2089
02:17:07,958 --> 02:17:11,125
- * <i>Let it be, let it be</i> *
- * <i>Ooh</i> *

2090
02:17:12,166 --> 02:17:14,708
♪ <i>Whisper words of wisdom</i> ♪

2091
02:17:14,791 --> 02:17:16,541
♪ <i>Let it be</i> ♪

2092
02:17:30,125 --> 02:17:33,583
- Is that the best one?
- I think that was rather grand.

2093
02:17:34,083 --> 02:17:35,833
I'd take one home with me.

2094
02:17:37,625 --> 02:17:38,666
Yeah, that was fine.

2095
02:17:39,291 --> 02:17:41,208
Don't kid us, Glyn.

2096
02:17:42,083 --> 02:17:44,125
Give it to us straight.

2097
02:17:45,333 --> 02:17:47,416
- Get me off this bass.
- Was that good enough?

2098
02:17:47,500 --> 02:17:50,750
- Yes.
- We'll do one more to cover ourselves.

2099
02:17:50,833 --> 02:17:53,500
We'll just do one more
'cause we know we've got it now.

2100
02:17:54,208 --> 02:17:56,125
We've got so many of the bastards.

