1
00:00:00,186 --> 00:00:03,041
- (austere music plays)
- LORD MASSEN: It came three years ago.

2
00:00:03,125 --> 00:00:05,070
SPEAKER 1: There are hundreds of unique,

3
00:00:05,148 --> 00:00:06,875
inexplicable afflictions.

4
00:00:07,375 --> 00:00:10,291
You're declaring the Touched
a direct threat

5
00:00:10,375 --> 00:00:11,732
against the empire.

6
00:00:12,875 --> 00:00:14,943
SPEAKER 2: Mrs. True runs the orphanage.

7
00:00:15,041 --> 00:00:17,397
Plenty of girls 
have shown a strangeness.

8
00:00:17,458 --> 00:00:18,875
PENANCE ADAIR: We've come to help.

9
00:00:18,959 --> 00:00:21,667
TUNNEL FOREMAN: Detective Mundy,
you're gonna wanna see this.

10
00:00:22,186 --> 00:00:24,500
- What, me?
- With your pagan sex club.

11
00:00:24,842 --> 00:00:29,038
With a certain investor, The Ferryman's
Club will become a phenomenon.

12
00:00:29,123 --> 00:00:30,164
(music ends abruptly)

13
00:00:30,202 --> 00:00:32,000
- (muffled screaming)
- (grunts)

14
00:00:32,083 --> 00:00:33,208
- (mechanism clicks)
- (drumbeats)

15
00:00:33,291 --> 00:00:35,000
Who's hunting the Touched, and why?

16
00:00:35,083 --> 00:00:36,542
(music swells)

17
00:00:36,679 --> 00:00:39,137
How are we gonna deal with those fellas?

18
00:00:39,542 --> 00:00:40,834
We're going to the opera.

19
00:00:40,859 --> 00:00:41,975
(blade swishing)

20
00:00:42,000 --> 00:00:44,834
(audience screaming, gasping)

21
00:00:44,859 --> 00:00:45,934
(gunfire)

22
00:00:45,959 --> 00:00:49,792
(eerie voice singing)

23
00:00:49,875 --> 00:00:51,000
(gasps)

24
00:00:52,017 --> 00:00:53,083
(distant screaming)

25
00:00:53,166 --> 00:00:54,333
Just let me have the girl.

26
00:00:54,417 --> 00:00:56,458
(echoing) <i>Just let me have the girl...</i>

27
00:00:56,542 --> 00:00:57,917
(music abruptly ends)

28
00:00:58,417 --> 00:01:00,225
PENANCE: We find Mary.
We get her singin'.

29
00:01:00,226 --> 00:01:01,225
(soft piano music plays)

30
00:01:01,250 --> 00:01:03,981
All of the Touched,
they'll all come to us.

31
00:01:04,006 --> 00:01:05,672
(music concludes)

32
00:01:14,775 --> 00:01:19,973
♪

33
00:01:20,059 --> 00:01:21,652
ROSA: <i>The Touched are everywhere.</i>

34
00:01:21,723 --> 00:01:23,514
<i>The whole city's talking about it.</i>

35
00:01:23,637 --> 00:01:26,446
The newspapers make money
by frightening people.

36
00:01:26,517 --> 00:01:28,267
There cannot be so many of them.

37
00:01:28,350 --> 00:01:30,100
But how are we knowing?

38
00:01:30,183 --> 00:01:31,517
They look normal.

39
00:01:31,658 --> 00:01:33,575
And anyhow, I wouldn't
hate to be Touched.

40
00:01:33,600 --> 00:01:36,558
- Oh, don't, don't...
- No, not like the Maladie,

41
00:01:36,642 --> 00:01:39,225
but with a nice, um, a "turn"?

42
00:01:39,308 --> 00:01:42,183
Make silk from cotton.

43
00:01:42,267 --> 00:01:45,725
Or to make Danny Kent
fall in love to you.

44
00:01:45,808 --> 00:01:48,142
(giggles softly)

45
00:01:48,225 --> 00:01:50,475
You promised not to say anything.

46
00:01:50,558 --> 00:01:53,058
And it's fall in love "with" me.

47
00:01:53,142 --> 00:01:57,267
Fall for, fall in love with,
make love to...

48
00:01:57,350 --> 00:02:00,017
I think love confuses the English.

49
00:02:00,100 --> 00:02:02,267
(speaking Italian)

50
00:02:02,350 --> 00:02:03,433
(chuckles)

51
00:02:06,558 --> 00:02:08,350
MR. OLDENHAM: Oh.

52
00:02:08,433 --> 00:02:10,433
Your gloves, Miss Cassini.

53
00:02:10,517 --> 00:02:12,350
- They are clean.
- Oh.

54
00:02:12,433 --> 00:02:13,933
But no longer white.

55
00:02:15,517 --> 00:02:18,725
Oh, yes. And rather threadbare.

56
00:02:18,823 --> 00:02:22,240
Jones & Jackson only provide
the first pair, you know.

57
00:02:22,308 --> 00:02:23,850
I am saving up.

58
00:02:23,933 --> 00:02:25,392
Yes.

59
00:02:25,475 --> 00:02:27,558
A few nights off the beef and pudding,

60
00:02:27,642 --> 00:02:30,392
help your appearance altogether.

61
00:02:30,475 --> 00:02:33,183
Although there is a little café

62
00:02:33,267 --> 00:02:34,850
on the Dalton Lane, if you...

63
00:02:34,933 --> 00:02:39,183
This is too gay. I'd like to
look at something more autumnal.

64
00:02:39,267 --> 00:02:40,850
The city is in mourning, you know.

65
00:02:40,933 --> 00:02:42,558
- Since the massacre?
- Of course. Of course.

66
00:02:42,642 --> 00:02:44,725
Miss Cassini.

67
00:02:44,808 --> 00:02:46,558
The feathers.

68
00:02:51,225 --> 00:02:52,308
(gasps softly)

69
00:03:00,350 --> 00:03:04,392
♪

70
00:03:10,058 --> 00:03:11,183
Oh!

71
00:03:11,267 --> 00:03:13,558
CUSTOMER: Oh, my God. She's Touched!

72
00:03:13,642 --> 00:03:15,558
- (soft indistinct chatter)
- CUSTOMER: She's one of them.

73
00:03:15,642 --> 00:03:17,642
- WOMAN 1: That girl's Touched.
- WOMAN 2: That one!

74
00:03:17,725 --> 00:03:20,017
MR. OLDENHAM: Stay there, Miss Cassini.

75
00:03:20,100 --> 00:03:22,558
Miss Cassini! Stay right there.

76
00:03:22,642 --> 00:03:24,392
Stop her! (grunts) Ooh!

77
00:03:25,975 --> 00:03:27,642
- Stop her!
- What's going on?

78
00:03:27,725 --> 00:03:30,975
♪

79
00:03:32,433 --> 00:03:33,808
(man grunts)

80
00:03:35,725 --> 00:03:38,808
(whimsical music playing)

81
00:03:42,225 --> 00:03:44,475
(yelling, screaming)

82
00:03:47,850 --> 00:03:49,892
(panting)

83
00:03:52,558 --> 00:03:53,975
(exhales)

84
00:03:57,517 --> 00:04:00,225
(panting)

85
00:04:03,767 --> 00:04:06,808
♪

86
00:04:09,892 --> 00:04:12,892
(theme music playing)

87
00:04:12,975 --> 00:04:15,017
♪

88
00:04:20,433 --> 00:04:22,683
- Right, let's go, boys!
- (whistle blowing)

89
00:04:22,767 --> 00:04:25,058
OFFICER: Stand back! Get out of the way!

90
00:04:27,475 --> 00:04:29,683
(cops shouting)

91
00:04:30,850 --> 00:04:31,933
(screams)

92
00:04:32,017 --> 00:04:32,892
(grunts)

93
00:04:32,975 --> 00:04:34,600
COP: Out of the way!

94
00:04:42,225 --> 00:04:44,475
Get out of the way. Get up.

95
00:04:44,558 --> 00:04:47,142
(indistinct shouting)

96
00:04:47,225 --> 00:04:48,725
COP: Everyone out!

97
00:04:52,683 --> 00:04:54,517
(distant shouting)

98
00:04:54,600 --> 00:04:56,517
COP: Check the workshop!

99
00:05:00,142 --> 00:05:02,683
(banging, clattering)

100
00:05:02,767 --> 00:05:05,183
- (grunting)
- (pounding)

101
00:05:05,267 --> 00:05:07,725
Did you wipe your feet?

102
00:05:07,808 --> 00:05:09,767
(speaks foreign languages)

103
00:05:09,850 --> 00:05:12,100
FRANK: Everyone just stay calm.

104
00:05:12,183 --> 00:05:14,017
- These men have been horrid.
- Whoa.

105
00:05:14,100 --> 00:05:16,392
- LUCY: Oh, Primrose!
- ORPHAN: What's happening?

106
00:05:16,475 --> 00:05:18,183
They were looking at my underthings.

107
00:05:18,267 --> 00:05:20,683
AMALIA: And what do they
expect to find there?

108
00:05:20,767 --> 00:05:22,058
You Amalia True?

109
00:05:22,142 --> 00:05:24,225
Why are your men looking through
a young lady's personals?

110
00:05:24,308 --> 00:05:27,183
It's common practice
among criminals to hide things

111
00:05:27,267 --> 00:05:29,142
where a decent person wouldn't look.

112
00:05:29,225 --> 00:05:30,767
You're not among criminals, Mister...

113
00:05:30,850 --> 00:05:34,017
Inspector Mundi. Scotland Yard.

114
00:05:34,100 --> 00:05:36,017
I have a warrant to search the premises,

115
00:05:36,100 --> 00:05:38,892
and I'll need the workshop
outside unlocked.

116
00:05:38,975 --> 00:05:40,600
Frankie Mundi.

117
00:05:40,683 --> 00:05:43,308
You're the one likes
knocking suspects about.

118
00:05:43,392 --> 00:05:46,142
Even though they's
as innocent as Christmas.

119
00:05:46,225 --> 00:05:48,600
What do they do to set you off?

120
00:05:48,683 --> 00:05:50,100
They call me "Frankie."

121
00:05:50,183 --> 00:05:51,808
We occupy three adjoining properties.

122
00:05:51,892 --> 00:05:54,767
This applies only to The Orphanage.
Not to the workshop.

123
00:05:54,850 --> 00:05:55,892
Shall we speak apart?

124
00:05:55,975 --> 00:05:57,975
- Do you need me?
- We're all right.

125
00:06:01,725 --> 00:06:04,850
You're with the Special Detail
hunting Maladie.

126
00:06:04,933 --> 00:06:08,267
Since you're here, I can assume
you're no closer to finding her.

127
00:06:08,350 --> 00:06:10,725
FRANK: She disappeared from
under the opera house,

128
00:06:10,808 --> 00:06:12,642
as did you.

129
00:06:12,725 --> 00:06:14,892
AMALIA: I tried to stop her. I failed.

130
00:06:14,975 --> 00:06:17,225
I didn't much feel like
talking about it.

131
00:06:18,308 --> 00:06:20,100
FRANK: Or retrieving your gown.

132
00:06:20,183 --> 00:06:22,100
It got caught on something.

133
00:06:22,183 --> 00:06:24,892
Like Cinderella's shoe.

134
00:06:24,975 --> 00:06:27,475
Please tell me you've been trying
it on every girl in the kingdom

135
00:06:27,558 --> 00:06:29,558
to see who it fits.

136
00:06:29,642 --> 00:06:33,975
Do you often engage in
public violence, Mrs. True?

137
00:06:34,058 --> 00:06:35,850
Would you give over violence?

138
00:06:35,933 --> 00:06:38,100
She put her life at risk
to save dozens of others.

139
00:06:38,183 --> 00:06:39,808
She handed you one of Maladie's gang.

140
00:06:39,892 --> 00:06:41,475
The great big rifleman.

141
00:06:41,558 --> 00:06:44,767
And followed Maladie out,

142
00:06:44,850 --> 00:06:47,100
without surprise.

143
00:06:47,183 --> 00:06:51,350
Or natural feminine restraint.

144
00:06:51,433 --> 00:06:53,308
We have this from a reliable witness.

145
00:06:53,392 --> 00:06:55,308
Would that be the man with his cock out?

146
00:06:57,433 --> 00:06:58,517
Probably.

147
00:06:58,600 --> 00:07:01,183
Is Lord Swann implying I'm in the gang?

148
00:07:01,267 --> 00:07:03,558
With Bonfire Annie nearly
settin' her hair ablaze?

149
00:07:03,642 --> 00:07:06,225
I prefer to talk to Mrs. True alone.

150
00:07:06,308 --> 00:07:08,058
So would I.

151
00:07:09,683 --> 00:07:11,642
Do you know...

152
00:07:11,725 --> 00:07:13,142
Mary Brighton?

153
00:07:14,350 --> 00:07:16,475
Then how come you tried to save her?

154
00:07:16,558 --> 00:07:18,558
I suspected no one else would.

155
00:07:18,642 --> 00:07:21,267
- Is Mary like you?
- Violent?

156
00:07:21,392 --> 00:07:22,808
Touched.

157
00:07:24,933 --> 00:07:26,808
You don't want her to be.

158
00:07:26,892 --> 00:07:29,683
Inspector, she is Touched,
but I can assure you,

159
00:07:29,767 --> 00:07:31,475
she is nothing like me. She's wonderful.

160
00:07:31,558 --> 00:07:33,642
- How are you not wonderful?
- What's her "turn"?

161
00:07:33,725 --> 00:07:35,392
I thought you were after Maladie.

162
00:07:36,517 --> 00:07:37,850
We all want Miss Brighton safe.

163
00:07:37,933 --> 00:07:40,100
- Work with us...
- Our men will find Maladie.

164
00:07:40,183 --> 00:07:41,808
In Primrose's drawers?

165
00:07:41,892 --> 00:07:44,475
What is Mary's "turn"?

166
00:07:44,558 --> 00:07:46,642
(speaks foreign languages)

167
00:07:46,725 --> 00:07:48,975
Ladies, do not speak another word.

168
00:07:49,058 --> 00:07:51,100
This loathsome charade is over.

169
00:07:51,183 --> 00:07:53,933
Miss Bidlow. I'm here on a warrant,

170
00:07:54,017 --> 00:07:55,600
signed by Judge Ditton...

171
00:07:55,683 --> 00:07:56,975
The commissioner of police
was shocked to hear

172
00:07:57,058 --> 00:08:00,600
that Judge Ditton had
overstepped so egregiously.

173
00:08:00,683 --> 00:08:04,142
He seemed confident, however,
that neither you nor your men

174
00:08:04,225 --> 00:08:06,225
would bear the brunt of the blame.

175
00:08:10,767 --> 00:08:12,892
- Mrs. True.
- Inspector.

176
00:08:17,600 --> 00:08:19,433
<i>Arigato.</i>

177
00:08:20,933 --> 00:08:23,683
- How did you know the police...
- I had rather expected it.

178
00:08:23,767 --> 00:08:26,225
I was surprised it took them
all of two days.

179
00:08:26,308 --> 00:08:27,892
Did they really think we had Maladie

180
00:08:27,975 --> 00:08:29,475
sleepin' in a sock drawer?

181
00:08:30,892 --> 00:08:33,975
Three of the Touched
declared war on society.

182
00:08:34,058 --> 00:08:38,142
Right now, every one of us...
of you... is suspect.

183
00:08:38,225 --> 00:08:42,267
Lucy Best can break things
by touching them.

184
00:08:42,350 --> 00:08:44,517
- Primrose Chattoway...
- Primrose is a child,

185
00:08:44,600 --> 00:08:45,808
and meek as a kitten.

186
00:08:45,892 --> 00:08:48,975
When a kitten reaches 10 feet,
you call it a tiger.

187
00:08:49,058 --> 00:08:50,892
I shouldn't have to explain this to you.

188
00:08:50,975 --> 00:08:53,058
So who set the police on us?

189
00:08:53,142 --> 00:08:56,808
Inspector Mundi clearly has a
personal interest in Mary Brighton.

190
00:08:56,892 --> 00:08:59,933
He couldn't have authorized it himself.

191
00:09:00,017 --> 00:09:01,892
The superintendent
was pressured from above.

192
00:09:01,975 --> 00:09:03,725
But he wouldn't tell me by whom.

193
00:09:03,808 --> 00:09:06,100
What about Lord Massen?

194
00:09:06,183 --> 00:09:10,183
I didn't realize when we met
what a... name he was.

195
00:09:10,267 --> 00:09:12,433
"A voice of conservative Parliament."

196
00:09:12,517 --> 00:09:15,517
Anti-union, anti-Suffragism,
anti-Belgian...

197
00:09:15,600 --> 00:09:18,017
Gilbert Massen and I
agree on almost nothing.

198
00:09:18,100 --> 00:09:21,183
It is the bedrock of our friendship.

199
00:09:21,267 --> 00:09:24,100
But he's never mentioned my work here.

200
00:09:24,183 --> 00:09:27,183
Although, after Maladie's debut...

201
00:09:27,267 --> 00:09:29,183
Any luck tracking her down?

202
00:09:29,267 --> 00:09:30,767
I have people looking.

203
00:09:30,850 --> 00:09:33,017
I'd prefer to be one of them.

204
00:09:33,100 --> 00:09:34,892
LAVINIA: Well, I'm here
on a different mission.

205
00:09:34,975 --> 00:09:37,100
Not for you, but for Miss Adair.

206
00:09:38,850 --> 00:09:42,183
There is, in my circle,
a monthly charitable fete.

207
00:09:42,267 --> 00:09:44,808
There are philanthropists, lecturers...

208
00:09:44,892 --> 00:09:46,267
The best families attend.

209
00:09:46,350 --> 00:09:49,558
Men of influence,
with wives of actual influence.

210
00:09:49,642 --> 00:09:51,933
This afternoon, it's to be at my estate.

211
00:09:52,017 --> 00:09:53,600
I thought everyone was in a panic.

212
00:09:53,683 --> 00:09:55,808
It's society.

213
00:09:55,892 --> 00:09:57,725
Doing nothing is how we panic.

214
00:09:57,808 --> 00:10:00,767
And it presents a good opportunity
to put a pleasing face

215
00:10:00,850 --> 00:10:02,558
on London's new bogeyman.

216
00:10:02,642 --> 00:10:05,100
A few attractive girls
showing off their "turns,"

217
00:10:05,183 --> 00:10:07,933
and their good manners,
to society's elite.

218
00:10:09,392 --> 00:10:11,183
It may seem trite to you,

219
00:10:11,267 --> 00:10:13,558
but public opinion is a brush fire.

220
00:10:13,642 --> 00:10:16,767
And we must come to them
to stop them barging in on us.

221
00:10:16,850 --> 00:10:18,642
AMALIA: She's right.

222
00:10:18,725 --> 00:10:20,850
Besides, it's a party.

223
00:10:20,933 --> 00:10:23,308
Bring a few of your charges
to my estate,

224
00:10:23,392 --> 00:10:25,392
no later than 2:00.

225
00:10:25,475 --> 00:10:27,808
I assume your estate
is quite large, then?

226
00:10:27,892 --> 00:10:28,975
I suppose.

227
00:10:29,058 --> 00:10:31,475
Good. 'Cause I'll be bringing the tiger.

228
00:10:34,350 --> 00:10:38,017
General Pecking wants to make it
a military matter.

229
00:10:38,100 --> 00:10:40,392
Have the infantry patrolling the city.

230
00:10:40,475 --> 00:10:43,225
I'm exhausted by the ways
that would go wrong.

231
00:10:43,308 --> 00:10:45,225
(scoffs) At least the public would...

232
00:10:45,308 --> 00:10:47,850
This is not about saving face.

233
00:10:47,933 --> 00:10:49,600
Maladie has done us a favor.

234
00:10:49,683 --> 00:10:51,517
She turned sentiment
against the Touched,

235
00:10:51,600 --> 00:10:53,683
but keeps attention on herself.

236
00:10:53,767 --> 00:10:56,475
And the rest of the group
are firmly with you now.

237
00:10:56,558 --> 00:10:58,850
No one doubts we're under attack.

238
00:10:58,933 --> 00:11:00,350
LORD BROUGHTON:
The House is going to nominate

239
00:11:00,433 --> 00:11:02,183
a special committee on the Touched,

240
00:11:02,267 --> 00:11:05,267
which after careful vetting, will be us.

241
00:11:05,350 --> 00:11:08,017
Prime Minister's going to move
the motion himself.

242
00:11:08,100 --> 00:11:09,100
Good for him.

243
00:11:09,183 --> 00:11:11,683
How many nephews did we have to hire?

244
00:11:11,767 --> 00:11:14,058
(chuckles) Two.

245
00:11:14,142 --> 00:11:16,808
I'll keep a statement
on the shooting vague

246
00:11:16,892 --> 00:11:19,225
and wrothful.

247
00:11:19,308 --> 00:11:21,142
No mention of Amalia True.

248
00:11:21,225 --> 00:11:22,517
LORD BROUGHTON: Of course not.

249
00:11:22,600 --> 00:11:24,308
BROOME: Mrs. True made more
of an impression on you

250
00:11:24,392 --> 00:11:26,100
than Maladie did.

251
00:11:26,183 --> 00:11:27,808
LORD BROUGHTON:
Do you think she's at the root

252
00:11:27,892 --> 00:11:29,933
of our feminine plague?

253
00:11:30,017 --> 00:11:32,017
Or in league with whoever is?

254
00:11:32,100 --> 00:11:33,975
I don't know.

255
00:11:34,892 --> 00:11:37,517
But she's not a fool.

256
00:11:37,600 --> 00:11:40,433
And she's not a fucking baker.

257
00:11:43,642 --> 00:11:45,517
- (liquid pouring)
- Swann.

258
00:11:45,600 --> 00:11:47,058
Lord Massen.

259
00:11:47,142 --> 00:11:48,808
You're up early.

260
00:11:48,892 --> 00:11:52,308
I can leave my coffin by day,
if the smog's thick enough.

261
00:11:54,392 --> 00:11:55,933
You haven't read it?

262
00:11:56,017 --> 00:11:58,433
The Irishman, Bram Stoker.

263
00:11:58,517 --> 00:12:00,558
It's a clever epistolary fantasia,

264
00:12:00,642 --> 00:12:03,933
- all about...
- I heard an ugly rumor the other day.

265
00:12:04,017 --> 00:12:06,850
Well, all rumors are ugly, Massen.

266
00:12:06,933 --> 00:12:09,725
No one whispers about virtue.

267
00:12:09,808 --> 00:12:12,142
You're turning your Ferryman's Club

268
00:12:12,225 --> 00:12:14,475
into an actual business.

269
00:12:14,558 --> 00:12:18,600
Oh, this is awkward. Uh...

270
00:12:18,683 --> 00:12:21,142
I'm afraid there's already
a waiting list.

271
00:12:21,225 --> 00:12:23,100
- But if you like...
- And you have,

272
00:12:23,183 --> 00:12:26,725
among your entertainers,
a few of the afflicted.

273
00:12:26,808 --> 00:12:28,933
They're all in excellent health.

274
00:12:29,017 --> 00:12:32,267
But thank you for the concern.

275
00:12:35,100 --> 00:12:38,475
I realize that the unsavory antics

276
00:12:38,558 --> 00:12:40,392
at your loathsome soirées

277
00:12:40,475 --> 00:12:42,892
may have given you leverage
over several in our circle,

278
00:12:42,975 --> 00:12:45,933
but you cannot think
to operate in a public arena.

279
00:12:46,017 --> 00:12:47,392
Especially with the Touched.

280
00:12:47,475 --> 00:12:49,892
- Well, there's no law against them.
- (sighs)

281
00:12:49,975 --> 00:12:53,058
There's been a massacre, Swann.

282
00:12:53,142 --> 00:12:56,033
Society will not abide your pandering,
if it thinks that...

283
00:12:56,058 --> 00:12:57,975
Requests for membership
to the Ferryman's

284
00:12:58,058 --> 00:13:00,975
have doubled since the opera.

285
00:13:01,058 --> 00:13:04,683
Horror and fascination go arm in arm.

286
00:13:04,767 --> 00:13:08,100
(exhales) You should
have read the Stoker.

287
00:13:11,642 --> 00:13:13,808
If your father were to learn

288
00:13:13,892 --> 00:13:16,267
- that you...
- My father approved of the whole venture.

289
00:13:16,357 --> 00:13:18,982
- (liquid pouring)
- And then he put a jam roll in his pocket,

290
00:13:19,058 --> 00:13:21,767
and went looking for his childhood dog.

291
00:13:21,850 --> 00:13:23,350
(glass rattling)

292
00:13:24,350 --> 00:13:25,600
(breathing heavily)

293
00:13:25,683 --> 00:13:27,100
(exhales)

294
00:13:27,183 --> 00:13:31,183
I should warn you...
I play a lot of squash.

295
00:13:34,183 --> 00:13:37,975
Alastair Swann had one of
the finest minds in England.

296
00:13:38,058 --> 00:13:41,683
To make light of its tragic
dissolution is beneath even you.

297
00:13:41,767 --> 00:13:43,725
Oh, I remember his fine mind.

298
00:13:43,808 --> 00:13:46,892
And his fine fists.

299
00:13:46,975 --> 00:13:49,267
I may not be the fighter my brother was,

300
00:13:49,350 --> 00:13:51,600
but I've had my lessons.

301
00:13:52,933 --> 00:13:55,600
The Ferryman's opens tonight.

302
00:13:57,100 --> 00:14:00,058
And as for the Touched,

303
00:14:00,142 --> 00:14:02,725
well, they have a right
to earn a living.

304
00:14:02,808 --> 00:14:05,600
I doubt even you can change that.

305
00:14:09,225 --> 00:14:12,183
I used to think your father's
mind went to field

306
00:14:12,267 --> 00:14:14,142
because your brother Caleb drowned.

307
00:14:15,683 --> 00:14:16,975
(scoffs)

308
00:14:17,058 --> 00:14:19,183
More likely, it's because...

309
00:14:19,267 --> 00:14:20,767
you didn't.

310
00:14:23,850 --> 00:14:28,017
Well, I assure you, you're about to.

311
00:14:28,892 --> 00:14:31,517
(footsteps departing)

312
00:14:33,183 --> 00:14:34,808
(exhales)

313
00:14:36,808 --> 00:14:38,975
- (laughter, indistinct chatter)
- AMALIA: Harriet.

314
00:14:39,058 --> 00:14:41,225
Aye. Her "turn's" charming.

315
00:14:41,308 --> 00:14:44,142
Myrtle. Primrose never goes out.

316
00:14:44,225 --> 00:14:45,517
Shy about her stature.

317
00:14:45,600 --> 00:14:48,725
- Myrtle calms her.
- All right.

318
00:14:48,808 --> 00:14:51,017
- Wendy?
- Bendy Wendy.

319
00:14:51,100 --> 00:14:52,433
That's a rotten thing to...

320
00:14:52,517 --> 00:14:55,600
No, it, it's, it's fair. And it rhymes.

321
00:14:55,683 --> 00:14:57,642
I suppose her contorting's a bit...

322
00:14:57,725 --> 00:15:00,642
- Alarming?
- ...intimate for mixed company.

323
00:15:02,558 --> 00:15:03,850
AMALIA: Lucy.

324
00:15:03,933 --> 00:15:05,433
I'm not ruling out another attack,

325
00:15:05,517 --> 00:15:07,767
especially with Myrtle in the mix.

326
00:15:07,850 --> 00:15:10,933
I'm sure Lavinia has security,
but Lucy's ours.

327
00:15:11,017 --> 00:15:12,475
Do you ever wonder why Miss Bidlow

328
00:15:12,558 --> 00:15:15,933
started The Orphanage
that she's never comfortable in?

329
00:15:16,017 --> 00:15:18,308
I'm not sure she's comfortable anywhere.

330
00:15:18,392 --> 00:15:20,058
She didn't pick this cause out of a hat.

331
00:15:20,142 --> 00:15:22,225
She knows what
it's like to be dismissed.

332
00:15:22,308 --> 00:15:23,725
Couple of new things,

333
00:15:23,808 --> 00:15:26,267
in case you find Maladie before
we're back from Lavinia's party.

334
00:15:26,350 --> 00:15:28,642
- Think someone already invented these.
- Mmm.

335
00:15:28,725 --> 00:15:31,183
- (inhales sharply)
- (blinder pops)

336
00:15:33,642 --> 00:15:34,892
(sighs) I'm hoping they'll work

337
00:15:34,975 --> 00:15:36,933
against Maladie's awful
eye glow. Can't say, but...

338
00:15:37,017 --> 00:15:38,975
AMALIA: Until we understand
her "turn," it can't hurt.

339
00:15:39,058 --> 00:15:41,517
Besides, these are wonderful.

340
00:15:42,642 --> 00:15:45,725
Now this is for Bonfire Annie.

341
00:15:45,808 --> 00:15:47,100
She gets all fired up,

342
00:15:47,183 --> 00:15:48,767
- she gets this.
- (machine charging)

343
00:15:48,850 --> 00:15:50,183
(vibrating)

344
00:15:50,267 --> 00:15:52,058
- (pops)
- Oh!

345
00:15:53,767 --> 00:15:55,433
Evildoers beware.

346
00:15:55,517 --> 00:15:57,808
It's, it's only a prototype.

347
00:15:57,892 --> 00:16:00,475
(power whirring)

348
00:16:01,392 --> 00:16:02,808
(murmurs, yells)

349
00:16:02,892 --> 00:16:05,600
- (Penance whimpering)
- (powering down)

350
00:16:07,683 --> 00:16:09,517
- ROSA: Elisabetta!
- (gasps)

351
00:16:09,600 --> 00:16:12,975
(both speaking Italian)

352
00:16:29,517 --> 00:16:31,933
- (distant horn honks)
- (running footsteps)

353
00:16:32,017 --> 00:16:34,017
- (exhales)
- She's in here!

354
00:16:34,100 --> 00:16:35,892
(cops yelling, chattering)

355
00:16:35,975 --> 00:16:37,517
ROSA: In the back!

356
00:16:37,600 --> 00:16:39,725
- She's getting away!
- COP: Come on!

357
00:16:39,808 --> 00:16:42,267
- (crates thudding)
- (yelling, commotion)

358
00:16:45,142 --> 00:16:47,350
(engine roaring)

359
00:16:48,433 --> 00:16:50,850
(light music playing)

360
00:16:50,933 --> 00:16:53,017
♪

361
00:16:56,642 --> 00:16:58,892
(birds chirping)

362
00:16:58,975 --> 00:17:03,558
♪

363
00:17:09,017 --> 00:17:14,892
(majestic music playing)

364
00:17:14,975 --> 00:17:18,183
Between demonstrations,
you are free to move about.

365
00:17:18,267 --> 00:17:23,142
Mingle, but don't
put yourselves forward.

366
00:17:23,225 --> 00:17:26,142
Miss Chattoway,
I think you will be best served

367
00:17:26,225 --> 00:17:28,475
to stay by the stairs, so as not to...

368
00:17:28,558 --> 00:17:30,017
overwhelm.

369
00:17:30,100 --> 00:17:33,850
Of course, all your "turns"
will be used to minimal effect.

370
00:17:33,933 --> 00:17:37,142
The mission is to amuse. Not alarm.

371
00:17:37,225 --> 00:17:38,975
I know we'll make a good impression.

372
00:17:39,058 --> 00:17:40,517
I have every faith.

373
00:17:40,600 --> 00:17:43,558
You'll also be wearing these.

374
00:17:43,642 --> 00:17:46,017
So people can comfortably identify you.

375
00:17:48,767 --> 00:17:50,183
- Excuse me.
- Oh.

376
00:17:55,517 --> 00:17:57,975
This doesn't go with my dress at all.

377
00:17:58,808 --> 00:18:03,142
♪

378
00:18:03,225 --> 00:18:05,725
- (horse neighing)
- (indistinct chatter)

379
00:18:07,433 --> 00:18:08,725
Right.

380
00:18:10,475 --> 00:18:11,808
There we go.

381
00:18:11,892 --> 00:18:13,517
Right. Let me look at you.

382
00:18:16,225 --> 00:18:17,767
(knocking)

383
00:18:18,683 --> 00:18:21,392
(panting) Morning.

384
00:18:21,475 --> 00:18:23,600
Is this where the strange women go?

385
00:18:27,808 --> 00:18:31,100
DÉSIRÉE: And we'll need
a room of our own.

386
00:18:32,392 --> 00:18:35,558
- I'm sorry, Miss...
- Désirée.

387
00:18:36,642 --> 00:18:37,892
Désirée Blodgett.

388
00:18:37,975 --> 00:18:39,475
I usually just go by the first name,

389
00:18:39,558 --> 00:18:40,975
if you're wondering where
you've heard of me.

390
00:18:41,850 --> 00:18:43,350
I haven't.

391
00:18:43,433 --> 00:18:45,933
Désirée, Diva of Desire.

392
00:18:46,017 --> 00:18:48,975
No? Well, I'm a whore.

393
00:18:49,058 --> 00:18:52,017
A bit renowned. I've cultivated
an impressive clientèle.

394
00:18:52,100 --> 00:18:55,308
Especially given that I'm not
exactly Mitzi Dalti, am I?

395
00:18:55,392 --> 00:18:57,350
(sighs) Men.

396
00:18:57,433 --> 00:18:59,517
They like talking to me.

397
00:18:59,600 --> 00:19:01,267
It's part of the job, sure, listening,

398
00:19:01,350 --> 00:19:04,100
but last few years,
I get more and more clients.

399
00:19:04,183 --> 00:19:05,933
Men of stature. Real flash.

400
00:19:06,017 --> 00:19:09,058
And while we fuck... Oh... Nigel!

401
00:19:09,142 --> 00:19:11,017
Hat!

402
00:19:11,100 --> 00:19:13,183
Anyway, while we fuck,
they all gotta talk.

403
00:19:13,267 --> 00:19:16,850
You know? Things they done,
or want, or mean to do,

404
00:19:16,933 --> 00:19:19,017
and they ain't exactly priests.
Well, a couple.

405
00:19:19,100 --> 00:19:22,142
But they feel so relieved
gettin' it all out.

406
00:19:22,225 --> 00:19:24,933
Except now, they're not so relieved.

407
00:19:25,017 --> 00:19:27,142
Me hearing everything from everyone.

408
00:19:27,225 --> 00:19:29,558
And yesternight, I find out
that one of me regulars...

409
00:19:29,642 --> 00:19:32,350
the sweetest little man...
is planning on having me killed.

410
00:19:32,433 --> 00:19:34,767
- How do you know?
- He told me.

411
00:19:34,850 --> 00:19:36,475
During.

412
00:19:36,558 --> 00:19:38,725
Crying so hard I thought
he was gonna propose.

413
00:19:38,808 --> 00:19:40,517
They do sometimes.

414
00:19:40,600 --> 00:19:43,642
And you have information on these men?

415
00:19:43,725 --> 00:19:46,350
Oh, fuck, no. I can't remember a word.

416
00:19:46,433 --> 00:19:49,892
I just need a place for me and
Nige till the heat's come off.

417
00:19:51,933 --> 00:19:54,558
Who sent you?

418
00:19:54,642 --> 00:19:56,850
It's just, you're here
at a delicate time,

419
00:19:56,933 --> 00:19:59,308
and I'm curious who said to come.

420
00:19:59,392 --> 00:20:02,808
Uh, my friend. Well, he's a client.

421
00:20:02,892 --> 00:20:05,558
I mean, we all talk about this place.

422
00:20:05,642 --> 00:20:07,100
Which client, exactly?

423
00:20:07,183 --> 00:20:09,392
I'd rather not say.

424
00:20:10,308 --> 00:20:12,850
And I don't remember?

425
00:20:12,933 --> 00:20:16,308
- Do they think I'm an idiot?
- (laughs) They?

426
00:20:16,392 --> 00:20:17,517
We've just been raided,

427
00:20:17,600 --> 00:20:20,392
and you come here
to get away from "the heat."

428
00:20:20,475 --> 00:20:22,517
It doesn't really make sense, does it?

429
00:20:22,600 --> 00:20:24,558
Though these days, what does?
I am an idiot.

430
00:20:24,642 --> 00:20:27,142
I'm trying to find someone
the Beggar King can't trace

431
00:20:27,225 --> 00:20:29,308
by looking at fucking street plans.

432
00:20:29,392 --> 00:20:30,683
I'm not from here.

433
00:20:30,767 --> 00:20:33,017
And everyone wants to see. The cops,

434
00:20:33,100 --> 00:20:35,142
Bidlow's bridge cronies. Now you.

435
00:20:35,225 --> 00:20:36,475
So friendly. On the run.

436
00:20:36,558 --> 00:20:38,267
The kid's a bit much,
but I like the commitment.

437
00:20:38,350 --> 00:20:41,600
And Maladie's got no idea
what Mary's "turn" can do.

438
00:20:41,683 --> 00:20:43,933
Mary is the voice of the Galan...

439
00:20:47,267 --> 00:20:48,808
Oh.

440
00:20:48,892 --> 00:20:50,058
Huh.

441
00:20:51,017 --> 00:20:54,433
- It's not just men.
- No.

442
00:20:54,517 --> 00:20:56,308
I'm sorry, you was very worked up,

443
00:20:56,392 --> 00:20:58,058
and that's when my "turn"
works on people.

444
00:20:58,142 --> 00:21:00,433
- When they're upset.
- Put on your coat.

445
00:21:00,517 --> 00:21:02,642
Oh, just a couple of nights. Please.

446
00:21:02,725 --> 00:21:04,683
I forget everything, personal guarantee,

447
00:21:04,767 --> 00:21:06,183
and Nigel don't speak ever.

448
00:21:06,267 --> 00:21:08,600
- I'm begging you...
- Put on your coat.

449
00:21:08,683 --> 00:21:11,225
- (indistinct chatter)
- (typewriters clacking)

450
00:21:19,142 --> 00:21:20,683
Why are you leaning on us?

451
00:21:20,767 --> 00:21:24,642
She was fucking Touched.
She was attacking us.

452
00:21:24,725 --> 00:21:26,517
She made me lonely.

453
00:21:26,600 --> 00:21:28,100
With her mind.

454
00:21:28,183 --> 00:21:31,058
COP: Wasn't her mind you
was grabbin' at, was it?

455
00:21:31,142 --> 00:21:33,642
- (indistinct chatter)
- (typewriter keys clacking)

456
00:21:33,725 --> 00:21:35,683
MAN: It's just not good enough, is it?

457
00:21:35,767 --> 00:21:38,558
Mundi. Two lovely ladies to see you.

458
00:21:38,642 --> 00:21:41,475
I'm off to drink lunch. Come in.

459
00:21:42,808 --> 00:21:44,017
Mrs. True.

460
00:21:46,100 --> 00:21:49,267
I hope this means you have
something useful to say.

461
00:21:49,350 --> 00:21:51,558
That depends.

462
00:21:51,642 --> 00:21:54,017
- (gasps)
- Do you feel like talking?

463
00:21:56,933 --> 00:21:59,267
I feel like talking about you

464
00:21:59,350 --> 00:22:01,683
spendin' a week in a cell.

465
00:22:01,767 --> 00:22:03,517
AMALIA: Who's in the picture with Mary?

466
00:22:03,600 --> 00:22:06,558
So, so you're the detective now?

467
00:22:08,850 --> 00:22:10,892
Yeah. All right. It's me.

468
00:22:10,975 --> 00:22:15,100
It's over. It's half a
year since I seen her.

469
00:22:15,183 --> 00:22:18,892
The lads thought Maladie might
have taken Mary 'cause of me,

470
00:22:18,975 --> 00:22:20,850
- but...
- It wasn't you.

471
00:22:20,933 --> 00:22:23,058
But you still feel responsible for Mary.

472
00:22:23,142 --> 00:22:24,850
Still have that picture.

473
00:22:24,933 --> 00:22:28,017
- Did she call it off?
- (laughs softly)

474
00:22:28,100 --> 00:22:31,058
What, you, you, you think
I'd tell you that?

475
00:22:31,142 --> 00:22:34,308
Just trot out me personal affairs, yeah?

476
00:22:34,392 --> 00:22:36,308
What, give me a whack 'round the face,

477
00:22:36,392 --> 00:22:38,850
and I'll paint you a picture
of me last summer,

478
00:22:38,933 --> 00:22:42,892
standing at the altar with
a flower in me button hole,

479
00:22:42,975 --> 00:22:44,308
and no fucking bride.

480
00:22:44,392 --> 00:22:46,683
Mmm? Engaged for more than a year.

481
00:22:46,767 --> 00:22:49,433
But she waits, she waits
till me whole family's...

482
00:22:49,517 --> 00:22:52,058
Oh, no, no, no. Don't you
judge her, though. (tutting)

483
00:22:52,142 --> 00:22:56,017
Don't you judge her.
Mary is a kind, caring woman.

484
00:22:56,100 --> 00:22:57,517
She's just...

485
00:22:57,600 --> 00:23:00,142
Oh, Christ, I wouldn't...
I wouldn't marry me, either.

486
00:23:00,225 --> 00:23:01,350
Yeah, she... Mary knew.

487
00:23:01,433 --> 00:23:03,100
She knew the job would take the toll,

488
00:23:03,183 --> 00:23:04,350
but there's worse things.

489
00:23:04,433 --> 00:23:06,100
- Yeah, there's things you...
- Stop.

490
00:23:07,267 --> 00:23:09,100
Please. Stop.

491
00:23:16,392 --> 00:23:17,892
(gun cocks)

492
00:23:19,433 --> 00:23:20,475
(exhales)

493
00:23:20,558 --> 00:23:22,142
Don't make me take that away from you.

494
00:23:22,225 --> 00:23:24,308
Fuck did she just do to me?

495
00:23:24,392 --> 00:23:26,517
I'm going to find Maladie.

496
00:23:26,600 --> 00:23:27,725
I've seen it happening.

497
00:23:27,808 --> 00:23:29,600
What I don't know is if I find her

498
00:23:29,683 --> 00:23:32,600
before or after Mary's dead.

499
00:23:32,683 --> 00:23:36,142
I needed to be sure you care
more about saving Mary

500
00:23:36,225 --> 00:23:37,558
than catching Maladie.

501
00:23:37,642 --> 00:23:40,683
'Cause I'll bet you that bullet
your orders say different.

502
00:23:42,350 --> 00:23:44,267
You Touched...

503
00:23:45,892 --> 00:23:50,225
You're worse than the fucking toffs.

504
00:23:50,226 --> 00:23:51,274
(gun clicks)

505
00:23:51,299 --> 00:23:54,183
The order is to eliminate
Maladie at any cost.

506
00:23:54,267 --> 00:23:58,392
No matter who gets hurt.
You win a bullet.

507
00:23:58,475 --> 00:24:01,058
Mary dies... (sniffles)

508
00:24:01,142 --> 00:24:02,892
- (gun clicks)
- you win six.

509
00:24:06,183 --> 00:24:07,975
A song.

510
00:24:08,058 --> 00:24:09,808
That's Mary's "turn."

511
00:24:09,892 --> 00:24:12,683
A song only the Touched can hear.

512
00:24:15,892 --> 00:24:17,475
What's it about?

513
00:24:18,267 --> 00:24:19,475
Hope.

514
00:24:19,558 --> 00:24:21,475
(train rumbling)

515
00:24:21,558 --> 00:24:23,392
I want to hear it.

516
00:24:23,475 --> 00:24:24,558
(chains rattling)

517
00:24:24,642 --> 00:24:28,100
You sang for Maladie. Now sing for me.

518
00:24:28,183 --> 00:24:30,600
If you sing, and I hear it,

519
00:24:30,683 --> 00:24:33,517
it means I'm finally Touched.

520
00:24:33,600 --> 00:24:35,600
It means I'm worthy.

521
00:24:35,683 --> 00:24:37,267
I can't.

522
00:24:38,350 --> 00:24:39,933
And you're not.

523
00:24:40,933 --> 00:24:43,725
Oh, Miss High and Mighty.

524
00:24:43,808 --> 00:24:46,808
I'm working for my "turn."

525
00:24:47,767 --> 00:24:49,683
Sacrifice.

526
00:24:49,767 --> 00:24:51,142
You know?

527
00:24:53,058 --> 00:24:56,933
I sacrificed my little toe.

528
00:24:59,433 --> 00:25:00,725
(retching)

529
00:25:00,808 --> 00:25:03,433
- But that wasn't enough.
- (coughing)

530
00:25:03,517 --> 00:25:06,517
But every inch is
an inch closer to being...

531
00:25:06,600 --> 00:25:08,267
CLARA & COLONEL: Gifted by God.

532
00:25:08,350 --> 00:25:12,017
Mmm. Chattering magpies,
while I do all the work.

533
00:25:12,100 --> 00:25:14,392
Well, as it happens,

534
00:25:14,475 --> 00:25:17,392
we did have some turkey left over.

535
00:25:18,558 --> 00:25:20,475
None for me, Colonel?

536
00:25:23,100 --> 00:25:27,183
(Clara and Colonel chuckling evilly)

537
00:25:27,267 --> 00:25:28,517
(shrieks)

538
00:25:28,600 --> 00:25:29,892
- BONFIRE ANNIE: Hey!
- Aah!

539
00:25:29,975 --> 00:25:31,933
Maladie said not to play with this one.

540
00:25:32,017 --> 00:25:33,892
She never said that.

541
00:25:33,975 --> 00:25:35,558
You're not a believer, anyway.

542
00:25:35,642 --> 00:25:37,267
You're just hired...

543
00:25:37,350 --> 00:25:39,225
Bonfire Annie.

544
00:25:41,475 --> 00:25:45,142
As it happens, Clara,
we're late for church.

545
00:25:46,558 --> 00:25:48,350
CLARA: You're lucky
we're late for church.

546
00:25:48,433 --> 00:25:50,142
- Are we late for church?
- Yes.

547
00:25:53,850 --> 00:25:56,183
Psst. Annie.

548
00:25:56,267 --> 00:25:58,100
We missed you.

549
00:25:58,183 --> 00:26:00,017
We've got the name.

550
00:26:00,100 --> 00:26:03,225
Mrs. Amalia True. And the address.

551
00:26:03,308 --> 00:26:04,767
What good's an address?

552
00:26:04,850 --> 00:26:06,433
In terms of arson, it's fairly crucial.

553
00:26:06,517 --> 00:26:08,975
Yeah, but I'm not looking for her.
I'm looking for her.

554
00:26:09,058 --> 00:26:12,975
The entire of her. The fuckin' soul, eh?

555
00:26:13,058 --> 00:26:14,933
Get me something I could shake at her.

556
00:26:15,017 --> 00:26:16,392
A dolly. A pretty dolly.

557
00:26:16,475 --> 00:26:18,058
All of London looking for us,
and you want me to...

558
00:26:18,142 --> 00:26:20,267
Well, wear a fuckin' bonnet!

559
00:26:20,350 --> 00:26:23,350
No! No, no, no, no, no, no, no, no, no.

560
00:26:23,433 --> 00:26:26,642
Don't be cross, eh?

561
00:26:26,725 --> 00:26:28,975
We'll do a proper job after this, yeah?

562
00:26:29,058 --> 00:26:30,517
Yeah?

563
00:26:30,600 --> 00:26:33,142
I don't mind crazy, boss.

564
00:26:33,225 --> 00:26:35,808
I can't work with stupid.

565
00:26:36,808 --> 00:26:38,392
(sighs)

566
00:26:38,475 --> 00:26:39,975
(huffs)

567
00:26:46,933 --> 00:26:48,808
Oh...

568
00:26:48,892 --> 00:26:52,267
Now then... why'd you sing?

569
00:26:54,017 --> 00:26:55,475
I'm...

570
00:26:55,558 --> 00:26:57,142
- I'm not sure.
- T'other night.

571
00:26:57,225 --> 00:26:58,933
- Pretty ditty, eh?
- (grunts)

572
00:26:59,017 --> 00:27:00,267
Why?

573
00:27:01,642 --> 00:27:05,183
I was afraid more people would get hurt.

574
00:27:05,267 --> 00:27:07,808
It comes when I'm afraid. When I'm sad.

575
00:27:07,892 --> 00:27:09,642
The song. It...

576
00:27:10,642 --> 00:27:13,850
It... it helps.

577
00:27:16,017 --> 00:27:18,100
I knew that you would hear it,

578
00:27:18,183 --> 00:27:20,642
and maybe...

579
00:27:20,725 --> 00:27:23,600
It might be a reassurance.

580
00:27:23,683 --> 00:27:29,225
A sense that you needn't
act only from pain.

581
00:27:31,433 --> 00:27:33,433
No. I just meant...

582
00:27:33,517 --> 00:27:36,725
have you always wanted
to be in the theater?

583
00:27:38,558 --> 00:27:40,267
(camera bulb pops)

584
00:27:40,350 --> 00:27:43,975
- (indistinct chatter)
- (lively violin music playing)

585
00:27:46,142 --> 00:27:47,308
(partygoers exclaiming)

586
00:27:47,392 --> 00:27:50,600
(applause and laughter)

587
00:28:01,850 --> 00:28:04,142
PRIMROSE: We had such
a lovely time there.

588
00:28:04,225 --> 00:28:06,767
Of course, my father is much
called away by his work.

589
00:28:06,850 --> 00:28:08,767
They're in Zurich for the season.

590
00:28:08,850 --> 00:28:11,558
Your mother has found
a very cunning tailor, dear.

591
00:28:11,642 --> 00:28:15,392
Vernal lace. Hard to find by the yard.

592
00:28:15,475 --> 00:28:17,267
Oh, it's not yards.

593
00:28:17,350 --> 00:28:18,475
Do we smile, or...

594
00:28:18,558 --> 00:28:20,225
(horrified gasp) perhaps?

595
00:28:20,308 --> 00:28:22,808
Don't be an ass, Carl.

596
00:28:22,892 --> 00:28:23,975
(pops)

597
00:28:25,350 --> 00:28:27,267
(indistinct chatter)

598
00:28:29,808 --> 00:28:31,017
Miss Adair.

599
00:28:31,100 --> 00:28:33,475
Mr. Bidlow.

600
00:28:33,558 --> 00:28:37,683
Miss Adair. Oh, no.
I, I just, I said that. Um...

601
00:28:37,767 --> 00:28:40,267
(chuckles)

602
00:28:40,350 --> 00:28:42,850
(exhales) It's good of you to come.

603
00:28:42,933 --> 00:28:45,642
Excuse me. Uh,
Augustus Bidlow, Lucy Best.

604
00:28:45,725 --> 00:28:48,350
Augie. Very kind to meet you.

605
00:28:48,433 --> 00:28:50,600
It's a thrill, ain't it?
(sniffs, clears throat)

606
00:28:52,100 --> 00:28:55,558
(exhales) It's... it's a lovely broach.

607
00:28:56,767 --> 00:28:58,183
Elephant.

608
00:28:58,267 --> 00:28:59,975
Penance made it for me.

609
00:29:00,058 --> 00:29:01,517
'Memorate my mum.

610
00:29:01,600 --> 00:29:04,600
She ran with the Forty Elephants
back in the day.

611
00:29:04,683 --> 00:29:05,933
The gang?

612
00:29:06,975 --> 00:29:08,767
Oh. How enterprising...

613
00:29:08,850 --> 00:29:12,225
- Did you have something you...
- Uh, uh... T-There are some paintings

614
00:29:12,308 --> 00:29:14,183
- that I thought...
- From when I said how I like...

615
00:29:14,267 --> 00:29:16,433
- paintings.
- Paintings. Yes, yes.

616
00:29:16,517 --> 00:29:18,308
Uh, next room. Yes, yes.

617
00:29:21,892 --> 00:29:23,517
Toff.

618
00:29:29,600 --> 00:29:32,142
Oh, excuse me, sir.
Do you know Vickers Square?

619
00:29:32,225 --> 00:29:34,308
Why don't you try Italy?

620
00:29:42,433 --> 00:29:47,725
So... Should I be wearing
one of those ribbons?

621
00:29:47,808 --> 00:29:49,183
Should we?

622
00:29:50,308 --> 00:29:51,600
Hmm.

623
00:29:53,183 --> 00:29:56,225
Did you know? Before the opera?

624
00:29:56,892 --> 00:29:59,475
Uh, not...

625
00:30:00,517 --> 00:30:04,475
I mean, I've had moments, where...

626
00:30:06,517 --> 00:30:10,600
You see, I've always
been keen on birds, you know.

627
00:30:10,683 --> 00:30:12,475
Like, um, particularly corvids.

628
00:30:12,558 --> 00:30:16,058
That's crows and magpies and jays.

629
00:30:16,142 --> 00:30:17,808
Do you know, they are often overlooked,

630
00:30:17,892 --> 00:30:21,142
'cause people think
they're plain. Or, um...

631
00:30:22,975 --> 00:30:24,433
Sorry.

632
00:30:26,475 --> 00:30:28,433
I dreamt I was a crow.

633
00:30:30,183 --> 00:30:32,517
A few times.

634
00:30:32,600 --> 00:30:35,017
My, my, my wings out, just...

635
00:30:35,100 --> 00:30:37,392
soaring over the countryside.

636
00:30:40,725 --> 00:30:44,100
And then it happened
when I wasn't asleep.

637
00:30:44,183 --> 00:30:47,433
In, um... church.

638
00:30:47,517 --> 00:30:49,517
Oh, dear.

639
00:30:49,600 --> 00:30:52,975
- It was a very dull sermon.
- I get so mad when they're dull.

640
00:30:53,058 --> 00:30:55,475
You've got all the scripture
and you can't spin a tale.

641
00:30:55,558 --> 00:30:57,517
- Exactly.
- (both chuckle)

642
00:30:57,600 --> 00:31:00,308
Yes. But I...

643
00:31:00,392 --> 00:31:02,892
I didn't nod off. I just...
I was in the pew,

644
00:31:02,975 --> 00:31:05,892
and then suddenly I was also in the sky.

645
00:31:05,975 --> 00:31:10,433
Just racing over hills
and forests, and...

646
00:31:10,517 --> 00:31:12,642
And I was controlling it.

647
00:31:14,100 --> 00:31:16,475
Left and right.

648
00:31:16,558 --> 00:31:18,725
Have you ever... Sorry.

649
00:31:18,808 --> 00:31:20,225
Is that how it works? I don't...

650
00:31:20,308 --> 00:31:23,100
Well, there's no two people
who have the same "turn." It...

651
00:31:23,183 --> 00:31:25,267
- (indistinct chatter outside)
- Right.

652
00:31:27,933 --> 00:31:29,392
But, um...

653
00:31:32,600 --> 00:31:35,183
It's a feminine trait, isn't it?

654
00:31:35,267 --> 00:31:37,517
Oh, there's men that have it.

655
00:31:37,600 --> 00:31:39,517
So where does it lead?

656
00:31:42,142 --> 00:31:47,267
What if I'm soaring about
every Sunday to come?

657
00:31:49,100 --> 00:31:51,600
What if it happens,

658
00:31:51,683 --> 00:31:53,225
and I can't come back?

659
00:31:53,308 --> 00:31:54,767
(snickers)

660
00:31:54,850 --> 00:31:56,433
I'm sorry. I'm sorry.

661
00:31:56,517 --> 00:31:58,433
Um, I didn't, um... I just thought

662
00:31:58,517 --> 00:32:00,433
if you're up there,
then pity the poor magpie

663
00:32:00,517 --> 00:32:03,017
that would be stuck listening
to that sermon.

664
00:32:04,392 --> 00:32:06,725
- Oh!
- (both laugh)

665
00:32:06,808 --> 00:32:09,017
- Oh, no. No.
- (laughing)

666
00:32:09,892 --> 00:32:12,558
Dear. So cruel. Poor bird.

667
00:32:12,642 --> 00:32:14,350
(laughs)

668
00:32:14,433 --> 00:32:15,642
I am a monster.

669
00:32:15,725 --> 00:32:18,225
You know you're not, though.

670
00:32:20,267 --> 00:32:21,392
I don't...

671
00:32:21,475 --> 00:32:24,142
- I mean, a person doesn't...
- How does it feel?

672
00:32:25,558 --> 00:32:26,892
To fly?

673
00:32:29,850 --> 00:32:31,808
It feels like flying.

674
00:32:37,392 --> 00:32:39,767
(indistinct chatter)

675
00:32:42,892 --> 00:32:46,308
(panting)

676
00:32:46,392 --> 00:32:49,600
Hey. You there. Girl.

677
00:32:49,683 --> 00:32:51,642
You one of them?

678
00:32:51,725 --> 00:32:54,267
Now you brush right off, young man.

679
00:32:54,350 --> 00:32:55,683
Come on in.

680
00:32:58,433 --> 00:33:00,683
Aw, you've had a time of it,
haven't you?

681
00:33:00,767 --> 00:33:02,767
- We'll get you some tea.
- Thank you.

682
00:33:03,933 --> 00:33:05,642
- (growling)
- (screams)

683
00:33:05,725 --> 00:33:07,017
(heavy slam)

684
00:33:11,225 --> 00:33:13,725
MARY: Well, I sang pretty
much anywhere. Um...

685
00:33:15,725 --> 00:33:18,683
But some of the pubs were pretty grim.

686
00:33:18,767 --> 00:33:22,350
But this bloke said that
he'd put me on the stage, and...

687
00:33:22,433 --> 00:33:24,350
for once, that's what he meant.

688
00:33:24,433 --> 00:33:26,475
Yeah, but it's not workin' out.

689
00:33:27,392 --> 00:33:28,600
What?

690
00:33:28,683 --> 00:33:30,558
You're a little fuckin' old

691
00:33:30,642 --> 00:33:32,808
to be stuffed back in the chorus.

692
00:33:32,892 --> 00:33:36,517
Brayin' in time with nine girls
nine years your junior.

693
00:33:37,433 --> 00:33:40,308
Eh? All... all this...

694
00:33:40,392 --> 00:33:43,433
And never the brio
to make yourself heard.

695
00:33:43,517 --> 00:33:45,183
What hobbled you?

696
00:33:45,267 --> 00:33:47,683
- Were you harvested early, eh?
- (grunts)

697
00:33:47,767 --> 00:33:49,808
Uncle or pastor got you still green?

698
00:33:49,892 --> 00:33:53,142
Hey. There is many a lass that
never finds her voice then...

699
00:33:53,225 --> 00:33:55,808
- What is it you're after?
- Thorns!

700
00:33:57,475 --> 00:34:00,142
All I see is a crown.

701
00:34:02,225 --> 00:34:04,642
God made me see.

702
00:34:08,392 --> 00:34:10,725
He made me remember the day He came.

703
00:34:10,808 --> 00:34:12,975
Me alone.

704
00:34:13,058 --> 00:34:16,683
How He sent His angels
in their white smocks

705
00:34:16,767 --> 00:34:19,267
to unhouse my flesh.

706
00:34:19,350 --> 00:34:21,850
Teach me glorious pain.

707
00:34:21,933 --> 00:34:24,683
And I thought I'd been chosen
'cause I was special.

708
00:34:24,767 --> 00:34:28,100
My agony's made me special, but you...

709
00:34:28,183 --> 00:34:30,225
You're nothing.

710
00:34:30,308 --> 00:34:33,933
You're pleasant,
and He fills your throat.

711
00:34:34,017 --> 00:34:35,767
Lets you make my pain little.

712
00:34:35,850 --> 00:34:39,475
- Don't you sing it!
- (groans) I can't. I can't. I...

713
00:34:40,725 --> 00:34:43,100
I can't feel it.

714
00:34:43,183 --> 00:34:45,767
God, He mocks me with that song.

715
00:34:45,850 --> 00:34:49,808
He mocks me, and He sends
a demon after me.

716
00:34:50,850 --> 00:34:52,267
Demon?

717
00:34:54,975 --> 00:34:57,892
The woman who sheds her skin.

718
00:35:00,725 --> 00:35:02,225
Oh, she's coming.

719
00:35:02,308 --> 00:35:03,892
She wants His song.

720
00:35:03,975 --> 00:35:07,392
But you don't. So why don't...

721
00:35:07,475 --> 00:35:09,725
You could make her pay a ransom.

722
00:35:09,808 --> 00:35:12,142
Look, my, my family,
we have a little put by,

723
00:35:12,225 --> 00:35:14,183
and you, you would, you would
come out of it with a profit...

724
00:35:14,267 --> 00:35:15,600
Then everyone gets what they want?

725
00:35:15,683 --> 00:35:17,142
- (punches)
- (yells)

726
00:35:17,225 --> 00:35:20,308
(groaning)

727
00:35:20,392 --> 00:35:22,475
MALADIE: You fuckin' child.

728
00:35:22,558 --> 00:35:25,892
I don't want what I want.

729
00:35:25,975 --> 00:35:29,892
Go out in the world and show me
this magical symmetry.

730
00:35:29,975 --> 00:35:33,433
It's broken. It's designed to be broken.

731
00:35:33,517 --> 00:35:37,558
Gears crushing gears.
He means for this to hurt.

732
00:35:37,642 --> 00:35:40,392
I don't know where my song comes from.

733
00:35:44,683 --> 00:35:46,892
But God doesn't want us to hurt.

734
00:35:50,350 --> 00:35:52,350
They say you shit when you hang.

735
00:35:55,392 --> 00:35:57,808
FRANK: So, these ripplings.

736
00:35:57,892 --> 00:35:59,308
They let you see the future,

737
00:35:59,392 --> 00:36:03,475
but you can't control
when they come, or...

738
00:36:03,558 --> 00:36:06,517
- what you see, or why.
- (door closes)

739
00:36:06,600 --> 00:36:08,017
Every day's an adventure.

740
00:36:08,100 --> 00:36:11,017
Can you change it? Can, can you...

741
00:36:11,100 --> 00:36:13,433
see the beach, then go to the woods?

742
00:36:14,058 --> 00:36:16,017
No.

743
00:36:16,100 --> 00:36:18,475
So all you know is
you're punching Maladie.

744
00:36:19,892 --> 00:36:21,683
- Do you feel anything?
- (liquid pouring)

745
00:36:21,767 --> 00:36:26,600
Rage, or victory maybe, or failure?

746
00:36:27,392 --> 00:36:29,308
Mostly I feel calm.

747
00:36:29,392 --> 00:36:30,933
I know where I am in a fight.

748
00:36:31,017 --> 00:36:33,475
It's one of the few times I do.

749
00:36:33,558 --> 00:36:36,058
I know what you mean.

750
00:36:36,142 --> 00:36:39,933
I don't get the part where
you know what you mean.

751
00:36:40,017 --> 00:36:43,308
I've had more experience with violence

752
00:36:43,392 --> 00:36:45,183
than I would have liked.

753
00:36:45,267 --> 00:36:46,975
Your late husband?

754
00:36:48,475 --> 00:36:50,058
It doesn't...

755
00:36:50,142 --> 00:36:51,725
It's, it's not pertinent,

756
00:36:51,808 --> 00:36:54,225
unless it gives you
an understanding of Maladie

757
00:36:54,308 --> 00:36:55,517
we don't have.

758
00:36:55,600 --> 00:36:58,558
Well, it's clear she was abused.

759
00:36:58,642 --> 00:37:00,558
By a doctor, or doctors.

760
00:37:01,808 --> 00:37:03,725
And probably as a child, as well.

761
00:37:05,017 --> 00:37:08,725
The confusion of pain with pleasure...

762
00:37:08,808 --> 00:37:10,600
the fierce religiosity.

763
00:37:10,683 --> 00:37:12,642
Religious?

764
00:37:12,725 --> 00:37:14,850
Uh, this is beyond blasphemy.

765
00:37:14,933 --> 00:37:18,725
- She, she's mocking God.
- AMALIA: No. She loves Him.

766
00:37:18,808 --> 00:37:20,558
Fears Him.

767
00:37:20,642 --> 00:37:23,558
Every powerful figure
who ever made her afraid,

768
00:37:23,642 --> 00:37:25,433
made her helpless...

769
00:37:25,517 --> 00:37:28,100
they're her understanding of God.

770
00:37:28,183 --> 00:37:30,142
She'd do anything to please Him.

771
00:37:31,183 --> 00:37:33,392
How does Mary fit in?

772
00:37:35,433 --> 00:37:37,100
I don't think she does.

773
00:37:38,642 --> 00:37:41,892
Mary makes you feel love. Feel loved.

774
00:37:41,975 --> 00:37:44,183
Which is terrifying.

775
00:37:44,267 --> 00:37:45,642
For someone who...

776
00:37:46,933 --> 00:37:48,767
Someone like her.

777
00:37:50,517 --> 00:37:54,892
Maladie felt a power greater than pain.

778
00:37:57,350 --> 00:38:00,392
Do you think Mary might cure her?

779
00:38:01,475 --> 00:38:03,308
Is it ever that simple?

780
00:38:05,933 --> 00:38:08,475
PENANCE: You see, people think
the electricity is in the wire.

781
00:38:08,558 --> 00:38:10,767
But it's everywhere.
The air's thick with it,

782
00:38:10,850 --> 00:38:13,267
and it, it moves. It circles.

783
00:38:13,350 --> 00:38:15,850
And not just in the circuit,
but all across the air.

784
00:38:15,933 --> 00:38:17,017
It's like a murmuration.

785
00:38:17,100 --> 00:38:20,433
Um, a great horde of birds.

786
00:38:20,517 --> 00:38:22,350
They're all moving as one,
and then suddenly...

787
00:38:22,433 --> 00:38:24,183
- (makes whooshing sound)
- Oh, I've seen that!

788
00:38:24,267 --> 00:38:25,634
Oh, I could watch for hours,

789
00:38:25,728 --> 00:38:27,797
- how they wheel about.
- HARRIET: Penance?

790
00:38:27,892 --> 00:38:29,100
Miss Adair,

791
00:38:29,183 --> 00:38:32,267
some of the gentlemen
have begun wagering on...

792
00:38:32,350 --> 00:38:35,850
On whether Lucy can break the
statue of Aphrodite in the garden.

793
00:38:35,933 --> 00:38:38,267
Oh, no, no. Uh, please, I need to...

794
00:38:38,392 --> 00:38:40,725
No, of course. Go. Go, go, go.

795
00:38:40,808 --> 00:38:42,808
- Go. (chuckles)
- (laughs softly)

796
00:38:57,808 --> 00:39:01,475
Oh. Uh... you're in here.

797
00:39:01,558 --> 00:39:03,308
You were missed at the party.

798
00:39:03,392 --> 00:39:06,392
Oh, well, that would be a first.

799
00:39:06,475 --> 00:39:09,808
People saw you walking away
with Miss Adair.

800
00:39:09,892 --> 00:39:12,225
It was commented upon.

801
00:39:12,308 --> 00:39:14,808
But they're our guests.

802
00:39:14,892 --> 00:39:16,433
LAVINIA: No, they're not our guests.

803
00:39:16,517 --> 00:39:18,683
They are my charity.

804
00:39:18,767 --> 00:39:20,392
I brought them here to help them.

805
00:39:20,475 --> 00:39:22,392
To prove that the Touched
are not a threat.

806
00:39:22,475 --> 00:39:24,892
Yet you seem determined
to prove that they are.

807
00:39:24,975 --> 00:39:27,433
Miss Adair is every inch a lady.

808
00:39:27,517 --> 00:39:28,433
She'd never overstep.

809
00:39:28,517 --> 00:39:30,183
Is it every inch then?

810
00:39:30,267 --> 00:39:31,850
(scoffs)

811
00:39:31,933 --> 00:39:34,642
You cannot complete a sentence
without exposing yourself.

812
00:39:34,725 --> 00:39:37,100
If the guests suspect that Miss Adair

813
00:39:37,183 --> 00:39:40,225
has social ambitions,
or is using a "turn"

814
00:39:40,308 --> 00:39:43,350
to bewitch a weak-minded bachelor,

815
00:39:43,433 --> 00:39:46,808
the reports of this event
could be disastrous for us,

816
00:39:46,892 --> 00:39:49,142
and possibly dangerous for her!

817
00:39:49,225 --> 00:39:53,392
(exhales) You always assume
the worst of everybody.

818
00:39:54,392 --> 00:39:56,100
They seldom disappoint.

819
00:39:58,975 --> 00:40:00,517
I am at fault.

820
00:40:02,017 --> 00:40:04,058
You've been acting oddly
since the opera,

821
00:40:04,142 --> 00:40:05,642
and I failed to notice why.

822
00:40:05,725 --> 00:40:09,183
Well... all the murders...

823
00:40:09,267 --> 00:40:11,392
There is a path that cannot be trodden.

824
00:40:12,600 --> 00:40:14,058
A private indiscretion is one thing,

825
00:40:14,142 --> 00:40:16,933
but you are not clever enough
to keep a mistress.

826
00:40:17,017 --> 00:40:20,767
And we cannot have
a girl who is Touched,

827
00:40:20,850 --> 00:40:23,725
and Irish, bear the Bidlow name.

828
00:40:26,600 --> 00:40:28,767
If you regard Miss Adair,

829
00:40:28,850 --> 00:40:31,433
you must think more of her reputation,

830
00:40:31,517 --> 00:40:34,350
and less of her...

831
00:40:34,433 --> 00:40:36,642
every inch.

832
00:40:40,183 --> 00:40:41,308
(pops)

833
00:40:43,225 --> 00:40:45,558
(popping)

834
00:40:45,642 --> 00:40:47,933
LUCY: I'd never go about breaking
the Bidlow's precious things,

835
00:40:48,017 --> 00:40:49,308
even for 50 quid.

836
00:40:49,392 --> 00:40:50,850
You'd have to put it up to a hundred.

837
00:40:50,933 --> 00:40:53,100
Oh, I don't think that's, um...

838
00:40:53,183 --> 00:40:54,558
Oh, um...

839
00:40:56,308 --> 00:40:57,808
There was never a danger.

840
00:40:57,892 --> 00:40:59,933
Just your friends having a joke.

841
00:41:01,017 --> 00:41:02,142
Yes.

842
00:41:02,225 --> 00:41:03,558
I, I did... I did think of another,

843
00:41:03,642 --> 00:41:04,975
um, example of how your blackbirds...

844
00:41:05,058 --> 00:41:07,142
Miss Adair, I think we're all done.

845
00:41:08,058 --> 00:41:09,475
Sorry?

846
00:41:11,517 --> 00:41:13,850
Your girls.

847
00:41:13,933 --> 00:41:16,267
Everybody's seen all your tricks, and...

848
00:41:16,350 --> 00:41:17,808
I think they'd like to spend some time

849
00:41:17,892 --> 00:41:19,433
without the entertainment.

850
00:41:21,267 --> 00:41:22,600
Oh. Oh.

851
00:41:25,267 --> 00:41:28,142
I enjoyed our conversation, but, um...

852
00:41:28,225 --> 00:41:32,058
I'm neglecting my real friends, so...
excuse me.

853
00:41:33,600 --> 00:41:36,183
(footsteps departing)

854
00:41:40,725 --> 00:41:42,058
Um...

855
00:41:46,475 --> 00:41:48,142
Do you mind if we go?

856
00:41:48,225 --> 00:41:50,058
Prim's getting tired.

857
00:41:50,142 --> 00:41:52,183
Yeah, I guess. Let's... yeah.

858
00:41:53,308 --> 00:41:55,267
Why don't you scupper off?

859
00:41:55,350 --> 00:41:59,392
Eh? We can get a ride home with Prim.

860
00:41:59,475 --> 00:42:00,975
Go on.

861
00:42:05,142 --> 00:42:07,767
(speaks foreign languages)

862
00:42:09,683 --> 00:42:12,475
- (continues speaking foreign languages)
- Ooh, ooh, ooh, ooh!

863
00:42:12,558 --> 00:42:14,808
That was German.
Something with, with horses.

864
00:42:14,892 --> 00:42:16,350
<i>Sí, sí, ja.</i>

865
00:42:17,725 --> 00:42:19,683
- (tires screeching)
- (engine straining)

866
00:42:22,017 --> 00:42:25,308
♪

867
00:42:39,683 --> 00:42:42,558
♪

868
00:42:45,267 --> 00:42:46,808
(cawing)

869
00:42:54,392 --> 00:42:58,392
♪

870
00:42:58,475 --> 00:43:00,308
(guests laughing)

871
00:43:01,183 --> 00:43:03,017
(crow cawing)

872
00:43:12,267 --> 00:43:15,642
♪

873
00:43:22,269 --> 00:43:23,946
(door closes)

874
00:43:23,971 --> 00:43:25,725
Are these the murder scenes
where the doctors were killed?

875
00:43:25,808 --> 00:43:28,100
No. Where the gang holed up.

876
00:43:28,183 --> 00:43:29,683
They move about at random.

877
00:43:29,767 --> 00:43:31,017
Never the same place twice.

878
00:43:31,100 --> 00:43:33,642
Warehouses. Church cellars.

879
00:43:33,725 --> 00:43:34,850
Claridge's.

880
00:43:34,933 --> 00:43:38,808
They kept the honeymoon suite
for three weeks.

881
00:43:38,892 --> 00:43:42,225
The Colonel's "turn" is to make
you believe anything he says.

882
00:43:42,315 --> 00:43:45,107
Kept telling the manager
he was the Prince of Wales.

883
00:43:45,183 --> 00:43:47,475
(scoffs) I might become
an acolyte if that's how...

884
00:43:47,558 --> 00:43:49,975
- (blows landing)
- (Maladie laughing evilly)

885
00:43:50,058 --> 00:43:52,017
(panting)

886
00:43:56,725 --> 00:43:58,058
Something happen?

887
00:43:58,558 --> 00:43:59,808
Not yet.

888
00:44:04,808 --> 00:44:07,267
Is there a ladies' washroom nearby?

889
00:44:07,350 --> 00:44:11,142
- Three confessions in a row?
- It's called police work...

890
00:44:11,225 --> 00:44:14,350
- Oh!
- Inspector Mundi will come looking for me

891
00:44:14,433 --> 00:44:15,517
in about 10 minutes.

892
00:44:15,600 --> 00:44:18,600
Give him this. Tell him
to keep his men quiet.

893
00:44:18,683 --> 00:44:20,350
See you at home.

894
00:44:20,433 --> 00:44:23,017
(footsteps departing)

895
00:44:24,392 --> 00:44:26,600
(indistinct chatter)

896
00:44:28,517 --> 00:44:30,683
- (barrel thuds)
- (exhales)

897
00:44:34,725 --> 00:44:36,142
(sighs)

898
00:44:38,892 --> 00:44:40,308
(horn blowing)

899
00:44:41,392 --> 00:44:43,350
(horse neighs)

900
00:44:45,225 --> 00:44:48,642
HAGUE: (clears throat) ♪ <i>Oh</i> ♪

901
00:44:48,725 --> 00:44:52,017
♪ Do you have a doll for sale ♪

902
00:44:52,100 --> 00:44:56,892
♪ With hair so blond and skin so pale ♪

903
00:44:56,975 --> 00:44:59,933
♪ I've got the ring, I've got the veil ♪

904
00:45:00,017 --> 00:45:03,392
♪ I only need my doll ♪

905
00:45:03,475 --> 00:45:05,100
You are a very special person.

906
00:45:05,183 --> 00:45:07,183
You know why? (laughs)

907
00:45:07,267 --> 00:45:09,475
Neither do I. (giggles)

908
00:45:09,558 --> 00:45:11,600
I keep looking for that spark.

909
00:45:11,683 --> 00:45:12,933
The Touch.

910
00:45:13,017 --> 00:45:14,350
But darn it...

911
00:45:14,433 --> 00:45:16,558
(speaking Italian)

912
00:45:19,433 --> 00:45:22,183
(speaking Italian)

913
00:45:22,267 --> 00:45:25,017
Maybe your darkness is part of her plan.

914
00:45:25,100 --> 00:45:27,517
I mean His. But she's in on it.

915
00:45:27,600 --> 00:45:29,725
We're silly. This will be unbearable.

916
00:45:29,808 --> 00:45:31,183
- (machine whining)
- (whimpering)

917
00:45:31,267 --> 00:45:33,850
ASSISTANT: Dr. Hague.
You're wanted at the site.

918
00:45:33,933 --> 00:45:35,933
- (powers down)
- Another change?

919
00:45:36,017 --> 00:45:37,267
ASSISTANT: No.

920
00:45:37,350 --> 00:45:38,725
- The boss is coming to see us.
- HAGUE: Yeah, but I'm...

921
00:45:38,808 --> 00:45:40,767
I've given you facts that I have.

922
00:45:41,850 --> 00:45:43,642
How soon?

923
00:45:43,725 --> 00:45:46,725
♪

924
00:45:53,642 --> 00:45:55,100
(thuds open)

925
00:46:01,058 --> 00:46:04,058
(machine clanking)

926
00:46:17,850 --> 00:46:20,975
- (exotic music playing)
- (indistinct chatter)

927
00:46:26,392 --> 00:46:28,642
(people laughing)

928
00:46:42,642 --> 00:46:45,392
(machinery rumbling)

929
00:46:51,100 --> 00:46:53,350
(distant laughter)

930
00:47:03,100 --> 00:47:05,767
- (flames roaring)
- BONFIRE ANNIE: Wrong way, dear.

931
00:47:08,892 --> 00:47:12,392
(exotic music playing)

932
00:47:13,892 --> 00:47:17,017
WOMAN (whispers echoing):
<i>Find... Find me...</i>

933
00:47:17,100 --> 00:47:20,600
Find me inside me.

934
00:47:20,683 --> 00:47:23,433
(whispers echoing): <i>Can it be all...
Can it be all...</i>

935
00:47:24,808 --> 00:47:27,517
(indistinct chatter)

936
00:47:27,600 --> 00:47:29,892
- (Maladie laughing)
- (running footsteps)

937
00:47:36,433 --> 00:47:39,058
(flames roaring)

938
00:47:39,142 --> 00:47:41,267
You could have just put up signs.

939
00:47:43,433 --> 00:47:47,558
HUGO: Augustus Cyril Aspinal Bidlow.

940
00:47:47,642 --> 00:47:49,350
(laughs)

941
00:47:49,433 --> 00:47:52,558
Augustus was an emperor.

942
00:47:52,642 --> 00:47:54,558
He conquered Egypt.

943
00:47:54,642 --> 00:47:59,892
And he was never described
as a weak-minded bachelor.

944
00:48:01,558 --> 00:48:03,642
I've had a spot of brandy.

945
00:48:03,725 --> 00:48:06,350
A spot? You've had the whole Dalmatian.

946
00:48:06,433 --> 00:48:09,058
This is the finest party
I've been to all day.

947
00:48:09,142 --> 00:48:10,433
(laughs)

948
00:48:10,517 --> 00:48:12,183
Well, what sort of sport do we think

949
00:48:12,267 --> 00:48:14,183
would suit you, chum? Hmm?

950
00:48:14,267 --> 00:48:16,642
- I...
- Greta over there can make both of her...

951
00:48:16,725 --> 00:48:19,183
Oh, look. Look. She's doing it now.

952
00:48:19,267 --> 00:48:21,017
Oh...

953
00:48:21,100 --> 00:48:24,308
- (people laughing, clapping)
- She's... Touched.

954
00:48:24,392 --> 00:48:26,392
By greatness, I'd say.

955
00:48:28,392 --> 00:48:29,558
I thought...

956
00:48:29,642 --> 00:48:32,767
I, I thought you didn't
know anything about the Touched.

957
00:48:32,850 --> 00:48:35,767
Oh, no. No. The, the day,
the day of the opera...

958
00:48:35,850 --> 00:48:39,350
Was a revelation.
Thank God you made me come.

959
00:48:39,433 --> 00:48:41,100
The Touched are the future.

960
00:48:41,183 --> 00:48:43,892
Particularly, your future.

961
00:48:43,975 --> 00:48:45,850
What do you... Well, I'm certainly...

962
00:48:45,933 --> 00:48:47,558
Massen thinks the Touched are a plague.

963
00:48:47,642 --> 00:48:51,892
I think they're a goldmine.
One that I have dug out.

964
00:48:51,975 --> 00:48:55,975
All I need is a small,
uh, investment. Ha.

965
00:48:57,725 --> 00:48:59,225
How much?

966
00:48:59,308 --> 00:49:05,142
Well, to get started,
shall we say, uh, nothing?

967
00:49:05,225 --> 00:49:06,808
Augie, I don't need money.

968
00:49:06,892 --> 00:49:08,933
It's your name I find fetching.

969
00:49:09,017 --> 00:49:10,392
Bidlow on the contracts...

970
00:49:10,475 --> 00:49:14,517
It lends a legitimacy.
Keeps the legal woes at bay.

971
00:49:14,600 --> 00:49:19,267
More importantly, we can be partners.

972
00:49:19,350 --> 00:49:22,142
We are forever second sons, you and I.

973
00:49:22,225 --> 00:49:25,600
Worse, my older brother is dead,
and yours is a woman.

974
00:49:25,683 --> 00:49:28,142
It's time we made our mark.

975
00:49:29,933 --> 00:49:33,017
The Touched are the future.

976
00:49:33,100 --> 00:49:36,308
(moaning)

977
00:49:36,392 --> 00:49:39,850
And these two lovely girls
are the present.

978
00:49:39,933 --> 00:49:42,933
AUGIE: Oh, no, Hugo. No, I can't.

979
00:49:43,017 --> 00:49:45,808
Sorry. So sorry. I don't mean to...
Oh...

980
00:49:47,267 --> 00:49:49,058
(giggling)

981
00:49:57,308 --> 00:50:01,183
Oh, no! You found me.

982
00:50:01,267 --> 00:50:03,183
You did put up a sign.

983
00:50:04,225 --> 00:50:07,225
- Where's Mary?
- First you have to shed.

984
00:50:07,308 --> 00:50:09,058
- Shed?
- MALADIE: Ugh!

985
00:50:09,142 --> 00:50:11,267
- I have to do everything myself.
- (electricity charging)

986
00:50:11,350 --> 00:50:13,100
- (explodes)
- (Maladie yells, grunts)

987
00:50:13,183 --> 00:50:15,933
- (punching)
- (grunting)

988
00:50:17,558 --> 00:50:20,517
- (punching)
- (yelling)

989
00:50:20,600 --> 00:50:22,058
Aah!

990
00:50:24,017 --> 00:50:25,642
- (crashes)
- (steam hissing)

991
00:50:26,308 --> 00:50:27,517
(thwacks)

992
00:50:27,600 --> 00:50:30,100
(punching, grunting)

993
00:50:33,058 --> 00:50:36,517
(gears grinding)

994
00:50:37,600 --> 00:50:39,683
(panting)

995
00:50:46,475 --> 00:50:49,600
There's a German philosopher... (pants)

996
00:50:49,683 --> 00:50:51,350
Very well-respected...

997
00:50:51,433 --> 00:50:53,058
(pants)

998
00:50:53,142 --> 00:50:55,100
Said a say about all the things...

999
00:50:55,183 --> 00:50:57,725
- (thwacks)
- (groans)

1000
00:50:57,808 --> 00:50:59,558
That don't kill you...

1001
00:51:06,225 --> 00:51:08,517
Would you like to beat me some more?

1002
00:51:14,350 --> 00:51:17,433
All your pain. Your rage.

1003
00:51:19,392 --> 00:51:21,725
At some point, it's what you are.

1004
00:51:23,850 --> 00:51:26,392
And pain despises hope. I know.

1005
00:51:26,475 --> 00:51:28,892
But Mary's song isn't just hope.

1006
00:51:28,975 --> 00:51:30,392
We can gather people like us,

1007
00:51:30,475 --> 00:51:33,517
and make sure your angels
can't hurt anyone else.

1008
00:51:33,600 --> 00:51:36,558
But I don't care about anyone else.

1009
00:51:36,642 --> 00:51:39,183
No, wait. You...

1010
00:51:39,267 --> 00:51:41,058
don't care about anyone else.

1011
00:51:41,142 --> 00:51:42,725
I care about Mary.

1012
00:51:42,808 --> 00:51:44,683
Oh, is she your new best friend?

1013
00:51:44,767 --> 00:51:47,142
Is she your new best friend?

1014
00:51:47,225 --> 00:51:48,392
I don't know how to do this.

1015
00:51:48,475 --> 00:51:50,933
This riddle-me shit. It's beneath you.

1016
00:51:51,017 --> 00:51:52,308
Well, uh...

1017
00:51:52,392 --> 00:51:54,183
(panting) No, it isn't.

1018
00:51:54,267 --> 00:51:57,058
(lights clicking)

1019
00:51:59,058 --> 00:52:01,767
(dramatic music playing)

1020
00:52:03,142 --> 00:52:06,475
She can drop, and you can shed.

1021
00:52:06,558 --> 00:52:09,267
You're the woman who sheds her skin.

1022
00:52:09,350 --> 00:52:11,933
- You mean my dress.
- I mean, your friends.

1023
00:52:12,017 --> 00:52:15,517
I mean, well, you know,
"A friend's the one you trust

1024
00:52:15,600 --> 00:52:17,350
to trust you back."

1025
00:52:22,475 --> 00:52:23,975
Molly.

1026
00:52:29,017 --> 00:52:30,308
Sarah.

1027
00:52:33,058 --> 00:52:36,017
Sarah, I didn't...

1028
00:52:36,100 --> 00:52:37,892
Oh, God, I didn't know
what happened to you.

1029
00:52:37,975 --> 00:52:41,475
- I thought...
- What happened? You fed me to them.

1030
00:52:41,558 --> 00:52:45,558
I woke up every morning
in their teeth that chewed me.

1031
00:52:45,642 --> 00:52:49,100
Cut me. Raped me into tiny
bits and then put me back

1032
00:52:49,183 --> 00:52:51,142
and then ground me up
and then put me back.

1033
00:52:51,225 --> 00:52:53,142
And then two whole years of screaming

1034
00:52:53,225 --> 00:52:55,225
while you dined on beef and ground it up

1035
00:52:55,308 --> 00:52:56,892
and never cared and never looked.

1036
00:52:56,975 --> 00:52:58,850
You said you were my friend!

1037
00:53:02,142 --> 00:53:04,517
I'm sorry. I didn't have a choice.

1038
00:53:04,600 --> 00:53:07,142
(sobs) Because you had a mission.

1039
00:53:07,225 --> 00:53:11,058
Yeah. Well, God gave me a mission, too.

1040
00:53:11,142 --> 00:53:12,767
So now you do have a choice.

1041
00:53:12,850 --> 00:53:16,933
If Mary is your new best friend,
you must be done with that one.

1042
00:53:17,017 --> 00:53:18,767
(whimpering)

1043
00:53:28,017 --> 00:53:30,892
Annie and the boys fetched her.

1044
00:53:30,975 --> 00:53:35,350
She heard you're supposed
to be inseparable.

1045
00:53:36,683 --> 00:53:38,350
But we know you.

1046
00:53:43,100 --> 00:53:45,100
See how they's connected?

1047
00:53:47,683 --> 00:53:51,933
One drops, the other goes, too.
Like friends.

1048
00:53:54,058 --> 00:53:56,142
Shoot one, you get to keep the other.

1049
00:53:56,225 --> 00:53:59,642
(chuckles) Shoot me, well, obviously...

1050
00:53:59,725 --> 00:54:01,225
(imitates choking)

1051
00:54:01,308 --> 00:54:03,600
(giggles)

1052
00:54:11,142 --> 00:54:12,892
I do have a mission.

1053
00:54:14,308 --> 00:54:17,142
I didn't ask for it.
I'm not cut out for it.

1054
00:54:20,642 --> 00:54:22,267
But it matters.

1055
00:54:25,100 --> 00:54:26,350
(crying)

1056
00:54:29,683 --> 00:54:31,892
(crying)

1057
00:54:31,975 --> 00:54:34,017
And it requires sacrifice.

1058
00:54:34,100 --> 00:54:36,058
- (gunshot)
- (thuds)

1059
00:54:36,142 --> 00:54:37,933
- (whimpering)
- MALADIE (screams): No! No!

1060
00:54:38,017 --> 00:54:40,350
No. Not this. This is a cheat!

1061
00:54:40,433 --> 00:54:43,142
No. I can't hurt you if you leave me.

1062
00:54:43,225 --> 00:54:45,475
The mission, Sarah.

1063
00:54:45,558 --> 00:54:47,058
Needs them.

1064
00:54:47,142 --> 00:54:49,225
- Come on...
- Not me.

1065
00:54:51,017 --> 00:54:53,058
- MALADIE: No...
- And not you.

1066
00:54:54,183 --> 00:54:55,767
- (gunshot)
- (thuds)

1067
00:54:55,850 --> 00:54:58,267
(panting)

1068
00:55:02,683 --> 00:55:04,517
(distant whistles blowing)

1069
00:55:05,183 --> 00:55:06,767
Close in. Now.

1070
00:55:06,850 --> 00:55:08,642
(clamoring)

1071
00:55:08,725 --> 00:55:10,058
- (punches)
- (grunts)

1072
00:55:10,142 --> 00:55:11,642
MALADIE: Time to go.

1073
00:55:12,558 --> 00:55:13,475
Mrs. True.

1074
00:55:13,558 --> 00:55:16,100
COP: Back off!

1075
00:55:16,183 --> 00:55:17,600
FRANK: Mrs. True, can you hear me?

1076
00:55:17,683 --> 00:55:19,975
Dr. Cousens! Dr. Horatio Cousens.

1077
00:55:20,058 --> 00:55:22,933
45 Beckett Lane, now! Now!

1078
00:55:29,767 --> 00:55:33,975
(energy humming)

1079
00:55:50,558 --> 00:55:53,058
Mary?

1080
00:55:53,142 --> 00:55:55,100
HORATIO: She's fine.

1081
00:55:55,183 --> 00:55:56,642
Okay.

1082
00:55:56,725 --> 00:55:58,267
Good job. Thank you both.

1083
00:55:58,350 --> 00:56:00,725
You nearly died, you great idiot!

1084
00:56:00,808 --> 00:56:02,100
You nearly died.

1085
00:56:02,183 --> 00:56:04,225
But not by my own hand!

1086
00:56:04,308 --> 00:56:05,683
There's not a place in Heaven

1087
00:56:05,767 --> 00:56:08,225
for them who scorn the gift of life.

1088
00:56:10,475 --> 00:56:14,225
I knew Horatio would have time
to sew me back up.

1089
00:56:14,308 --> 00:56:16,058
I missed the vital organs, silly.

1090
00:56:16,142 --> 00:56:19,517
- No, you didn't!
- No, you didn't.

1091
00:56:19,600 --> 00:56:23,183
- Oh. I thought...
- Either you don't know anatomy,

1092
00:56:23,267 --> 00:56:25,892
or you don't know how to aim.

1093
00:56:25,975 --> 00:56:30,100
Well, it was a bad gun.

1094
00:56:30,933 --> 00:56:32,808
You rest up now.

1095
00:56:33,725 --> 00:56:35,058
You, too.

1096
00:56:38,392 --> 00:56:40,058
All right, girls.

1097
00:56:40,142 --> 00:56:42,683
You can bother Mrs. True
in a couple of days.

1098
00:56:44,517 --> 00:56:46,892
- Days.
- I know. I promise.

1099
00:56:52,267 --> 00:56:55,350
♪

1100
00:57:03,267 --> 00:57:05,892
(breathes deeply, exhales)

1101
00:57:05,975 --> 00:57:08,142
There's something
about Maladie that I...

1102
00:57:08,225 --> 00:57:11,558
No. There's loads I'll need explained,

1103
00:57:11,642 --> 00:57:14,142
but let's just be alive for awhile.

1104
00:57:23,225 --> 00:57:25,600
FRANK: You sure about staying here?

1105
00:57:26,933 --> 00:57:28,975
Maladie's still about.

1106
00:57:29,058 --> 00:57:33,475
Well, they seem to be the people
best prepared to handle her.

1107
00:57:33,558 --> 00:57:35,683
Yeah, but...

1108
00:57:35,767 --> 00:57:38,308
Don't you think it's all a bit...

1109
00:57:38,392 --> 00:57:40,142
They're odd.

1110
00:57:41,392 --> 00:57:43,267
I'm odd.

1111
00:57:43,350 --> 00:57:45,308
It's odd, what I do.

1112
00:57:46,683 --> 00:57:48,808
I've been ignoring it, Frank.

1113
00:57:50,433 --> 00:57:52,558
Ignored a lot of things.

1114
00:57:52,642 --> 00:57:54,642
Which you know that I do.

1115
00:57:59,225 --> 00:58:01,475
Being Touched...

1116
00:58:05,467 --> 00:58:06,547
Is that why...

1117
00:58:06,612 --> 00:58:09,197
- you didn't go through with the wed...
- Please, Frank.

1118
00:58:09,267 --> 00:58:11,225
I'm so tired.

1119
00:58:14,933 --> 00:58:16,183
Of course.

1120
00:58:20,642 --> 00:58:22,392
Can I call on ya?

1121
00:58:23,933 --> 00:58:25,433
I mean, I have to.

1122
00:58:25,517 --> 00:58:27,850
Official questions, you know, and...

1123
00:58:27,933 --> 00:58:30,892
- Unless you'd prefer someone else...
- No, no, no. No.

1124
00:58:31,892 --> 00:58:33,642
You can call.

1125
00:58:35,642 --> 00:58:38,308
♪

1126
00:58:40,725 --> 00:58:45,058
I'm sorry for your terrible day.

1127
00:58:45,142 --> 00:58:47,058
You know, I always thought
that I'd be the one

1128
00:58:47,142 --> 00:58:48,850
saying that to you.

1129
00:58:52,642 --> 00:58:55,267
- (door closes)
- (exhales)

1130
00:58:57,225 --> 00:58:58,183
(shovels clanging)

1131
00:58:58,267 --> 00:59:00,892
Not a word about
why it had to be tonight?

1132
00:59:00,975 --> 00:59:02,558
ASSISTANT: I'm sorry, Doctor.

1133
00:59:02,642 --> 00:59:05,017
I can discern emotion when I see a face.

1134
00:59:05,100 --> 00:59:07,225
But telephones...

1135
00:59:07,308 --> 00:59:10,183
Angry people get louder,
but also quieter.

1136
00:59:10,267 --> 00:59:15,600
Ah, you are an incomplete machine.

1137
00:59:15,683 --> 00:59:18,350
All people are. That's how it works.

1138
00:59:18,433 --> 00:59:20,808
(makes whooshing sound) Aah!

1139
00:59:20,892 --> 00:59:23,183
No, what matter the time,

1140
00:59:23,267 --> 00:59:25,392
this has to be seen.

1141
00:59:25,475 --> 00:59:27,683
A little miracle.

1142
00:59:27,767 --> 00:59:31,017
- Three days ago...
- (distant clanging)

1143
00:59:33,475 --> 00:59:35,433
Wait, go, go, go.

1144
00:59:39,350 --> 00:59:41,433
- (metal bangs)
- (clattering)

1145
00:59:45,683 --> 00:59:47,350
HAGUE: Aah.

1146
00:59:47,433 --> 00:59:50,058
I was just saying, a few days ago,

1147
00:59:50,142 --> 00:59:53,392
dark as the day we found it, and now...

1148
00:59:53,475 --> 00:59:56,183
Ain't we got fun?

1149
01:00:01,725 --> 01:00:05,183
♪

1150
01:00:05,267 --> 01:00:07,183
You are an American,

1151
01:00:07,267 --> 01:00:10,517
and confounded by the mother tongue.

1152
01:00:10,600 --> 01:00:12,350
This is not fun.

1153
01:00:15,600 --> 01:00:17,267
This is war.

1154
01:00:22,683 --> 01:00:25,100
(shovels digging)

1155
01:00:30,683 --> 01:00:34,725
♪

1156
01:00:39,267 --> 01:00:43,267
♪

1157
01:00:45,933 --> 01:00:47,267
(growling)

1158
01:00:47,350 --> 01:00:49,350
(lively violins playing)

1159
01:00:49,433 --> 01:00:52,558
♪

1160
01:01:05,225 --> 01:01:08,350
<font color="#0080ff">- Subs by kinglouisxx -</font>
<font color="#d6f305">for www.addic7ed.com</font>

1161
01:02:58,000 --> 01:02:59,554
AMALIA TRUE: Everyone keeps secrets.

1162
01:03:00,959 --> 01:03:02,750
Every Touched keeps a great deal more.

1163
01:03:02,834 --> 01:03:04,333
(dramatic music plays)

1164
01:03:04,542 --> 01:03:06,294
I want you to join us at the Orphanage.

1165
01:03:06,387 --> 01:03:08,794
Is that the mission you were
going on about?

1166
01:03:08,875 --> 01:03:12,193
Mary brings in all the Touched,
then we overthrow the monarchy?

1167
01:03:13,166 --> 01:03:16,580
Nothing that grand, or that small.

1168
01:03:17,458 --> 01:03:19,275
So, what is Mrs. True up to now?

1169
01:03:20,500 --> 01:03:21,959
She has a purpose.

1170
01:03:23,500 --> 01:03:24,917
And now she has Mary.

1171
01:03:25,667 --> 01:03:28,164
MARY BRIGHTON: I've asked
the girls what this case is,

1172
01:03:28,250 --> 01:03:29,750
they all have different answers.

1173
01:03:31,347 --> 01:03:32,418
(grunting)

1174
01:03:32,472 --> 01:03:34,799
You want me to sing so then
more people will come here?

1175
01:03:37,417 --> 01:03:39,750
Maybe I'm struggling because
I don't know if they should.

1176
01:03:40,208 --> 01:03:43,208
(slow, dramatic outro plays)

1177
01:03:47,171 --> 01:03:49,103
(dark orchestral music plays)

1178
01:03:49,590 --> 01:03:51,382
The gala is a charitable event

1179
01:03:51,458 --> 01:03:54,667
which is intended to demonstrate
to polite society

1180
01:03:54,750 --> 01:03:56,792
how presentable and well-mannered

1181
01:03:56,875 --> 01:03:59,166
- the Touched can be.
- (ceramic shatters)

1182
01:03:59,792 --> 01:04:01,041
(applause)

1183
01:04:01,500 --> 01:04:02,917
It's this kind of charity

1184
01:04:03,000 --> 01:04:06,458
which is now considered
politically incorrect.

1185
01:04:09,250 --> 01:04:10,667
ANNA DEVLIN: Initially, the gala

1186
01:04:10,750 --> 01:04:14,328
is to kind of try and integrate
the Touched

1187
01:04:14,375 --> 01:04:16,883
into the London social life.

1188
01:04:16,959 --> 01:04:19,458
ANN SKELLY: There's not a lot
understood about the Touched,

1189
01:04:19,542 --> 01:04:22,584
so I think there's a lot of fear
and ignorance

1190
01:04:22,625 --> 01:04:24,809
towards people who are Touched.

1191
01:04:24,834 --> 01:04:28,291
The gala is to try and give
a feeling back to society

1192
01:04:28,367 --> 01:04:30,283
that, whatever they may have seen,

1193
01:04:30,375 --> 01:04:31,779
or whatever the papers may be saying,

1194
01:04:31,804 --> 01:04:34,387
actually, these people are okay.

1195
01:04:34,924 --> 01:04:38,549
Of course, all your turns
will be used to minimal effect.

1196
01:04:39,000 --> 01:04:40,709
The mission is to amuse.

1197
01:04:41,417 --> 01:04:43,125
You'll also be wearing these...

1198
01:04:44,667 --> 01:04:46,500
so people can comfortably identify you.

1199
01:04:48,083 --> 01:04:50,917
KIRAN SONIA SAWAR: As Touched people,
some of our powers aren't visible.

1200
01:04:51,000 --> 01:04:52,250
- (glassy tinkling)
- (audience gasping)

1201
01:04:52,458 --> 01:04:53,625
Harriet's definitely not happy

1202
01:04:53,709 --> 01:04:55,291
about having to wear the ribbons.

1203
01:04:55,375 --> 01:04:57,308
It's actually quite dark.

1204
01:04:57,333 --> 01:05:00,041
OLIVIA WILLIAMS: All the women
just want to be normal,

1205
01:05:00,125 --> 01:05:02,934
and want to be at a party
and wear a pretty dress

1206
01:05:02,959 --> 01:05:05,642
and be considered normal parts
of society,

1207
01:05:05,667 --> 01:05:09,083
and society insists
on compartmentalizing them

1208
01:05:09,166 --> 01:05:10,392
and separating them.

1209
01:05:10,417 --> 01:05:12,417
SKELLY: I don't think they think
too much of it.

1210
01:05:12,500 --> 01:05:15,058
It's just another way of othering us.

1211
01:05:15,083 --> 01:05:18,733
DEVLIN: They turn from people
into amusements.

1212
01:05:18,758 --> 01:05:21,508
They're there to be funny now,
and not to be scary.

1213
01:05:21,583 --> 01:05:23,225
You can wonder at them.

1214
01:05:23,250 --> 01:05:26,392
Do we smile? Or... (gasps) Perhaps?

1215
01:05:26,417 --> 01:05:28,041
Don't be an ass, Carl.

1216
01:05:28,125 --> 01:05:30,010
There's a lot of green-screen...

1217
01:05:30,542 --> 01:05:32,308
in the making of Primrose.

1218
01:05:32,333 --> 01:05:34,250
There's also a platform

1219
01:05:34,333 --> 01:05:36,083
that I have to stand on
quite a lot of the time

1220
01:05:36,166 --> 01:05:38,709
that actually brings me up
to Primrose height,

1221
01:05:38,917 --> 01:05:42,208
but we also have a Primrose doll,

1222
01:05:42,291 --> 01:05:45,250
which is my exact proportions

1223
01:05:45,500 --> 01:05:47,141
but Primrose size.

1224
01:05:47,166 --> 01:05:51,417
It's strange enough just to see
myself, like, in a picture,

1225
01:05:51,507 --> 01:05:54,257
but then to see a model
of myself, but double,

1226
01:05:54,542 --> 01:05:56,542
is quite scary.

1227
01:05:57,375 --> 01:05:58,917
JOHNNY HAN: So, to achieve
the Primrose effect,

1228
01:05:59,031 --> 01:06:02,239
we've got a whole bag
of different tricks.

1229
01:06:02,542 --> 01:06:05,291
When she's getting photographed
at the party,

1230
01:06:05,500 --> 01:06:08,500
we actually use two cameras
simultaneously,

1231
01:06:08,583 --> 01:06:11,250
where we had one camera
as a master camera

1232
01:06:11,458 --> 01:06:14,500
showing she's standing
against a staircase,

1233
01:06:14,750 --> 01:06:17,959
and there're these spectators
who are taking a photo with her.

1234
01:06:18,208 --> 01:06:20,917
And then, we have another camera
on Primrose,

1235
01:06:21,375 --> 01:06:23,500
who is still standing there
in front of them,

1236
01:06:23,583 --> 01:06:24,834
but she's at her normal height.

1237
01:06:24,917 --> 01:06:28,583
But the second camera is half
the distance closer to her

1238
01:06:28,667 --> 01:06:32,000
and half the height.
So, we have her on green screen,

1239
01:06:32,083 --> 01:06:34,417
and then, with our video mixing team,

1240
01:06:34,500 --> 01:06:36,458
in real time, they're compositing it

1241
01:06:36,542 --> 01:06:38,333
so that the director and the DOP

1242
01:06:38,417 --> 01:06:40,291
and all of us can watch on monitors,

1243
01:06:40,625 --> 01:06:43,667
seeing Primrose in real time,
looking like a giant

1244
01:06:44,083 --> 01:06:46,208
from camera one's point of view.

1245
01:06:46,625 --> 01:06:47,792
I gotta hand it to Anna.

1246
01:06:47,875 --> 01:06:51,834
She's amazing,
dealing with visual effects

1247
01:06:52,125 --> 01:06:54,834
and the process that we put her through.

1248
01:06:56,542 --> 01:06:59,125
- CREWMEMBER: And roll camera!
- CREWMEMBER 2: Rolling!

1249
01:06:59,208 --> 01:07:02,625
GEMMA JACKSON: The Bidlow Estate is a
pretty fabulous place in its own right.

1250
01:07:03,083 --> 01:07:05,375
What was really nice
about using West Wickham,

1251
01:07:05,458 --> 01:07:06,809
which is where that one was,

1252
01:07:06,834 --> 01:07:09,750
was that the lovely staircase,
it was perfect for Primrose

1253
01:07:09,959 --> 01:07:11,542
and having the photographs
taken and everything.

1254
01:07:11,625 --> 01:07:12,959
It was just spot-on.

1255
01:07:13,458 --> 01:07:16,542
The interiors of this place
are sort of legendary

1256
01:07:16,625 --> 01:07:17,875
in architectural history.

1257
01:07:18,125 --> 01:07:20,750
And then, the sets were beautiful.

1258
01:07:21,000 --> 01:07:24,083
The flowers, the food. I mean,
the heartbreaking thing is,

1259
01:07:24,166 --> 01:07:26,792
you know, if you actually try
to eat any of this stuff,

1260
01:07:26,875 --> 01:07:29,667
you'd be poisoned,
but it looked beautiful.

1261
01:07:30,208 --> 01:07:34,417
The house lent itself to
some beautiful autumnal colors

1262
01:07:34,500 --> 01:07:38,417
of flowers, which we spiraled
around the marble columns

1263
01:07:38,500 --> 01:07:40,291
and had climbing up the stairway.

1264
01:07:40,375 --> 01:07:42,417
JACKSON: We just went to town,
Tina and myself.

1265
01:07:42,500 --> 01:07:44,709
It just begs to be dressed, really.

1266
01:07:45,500 --> 01:07:47,417
CHRISTINE BLUNDELL: All of the
people that went to the gala

1267
01:07:47,500 --> 01:07:50,709
basically had people at home
that would help curl their hair,

1268
01:07:50,792 --> 01:07:52,125
but the girls from the orphanage

1269
01:07:52,208 --> 01:07:56,083
were styled pretty much how
they are on an everyday look.

1270
01:07:56,166 --> 01:07:57,583
You know, they kind of all
help each other out

1271
01:07:57,667 --> 01:07:59,625
with their hair and things.
We worked that out early on.

1272
01:08:00,166 --> 01:08:02,583
MICHELE CLAPTON: We had a lot of
costumes made for the Bidlow House,

1273
01:08:02,667 --> 01:08:05,291
'cause I wanted the palette
to be so precise.

1274
01:08:05,375 --> 01:08:08,041
The class system was rife then
in Victorian times.

1275
01:08:08,333 --> 01:08:12,083
The best way to illustrate it
in some ways is palette.

1276
01:08:12,333 --> 01:08:15,208
We wanted pale and beautiful,
not too sugary,

1277
01:08:15,291 --> 01:08:17,959
but sort of lovely
pale pistachios and peach,

1278
01:08:18,041 --> 01:08:20,792
and just this lightness and this beauty.

1279
01:08:21,166 --> 01:08:24,250
Then, into that, we bring the Touched,

1280
01:08:24,583 --> 01:08:26,583
who look a bit drab by comparison

1281
01:08:27,125 --> 01:08:30,166
except for Penance,
who we wanted to make

1282
01:08:30,417 --> 01:08:32,041
look rather pretty...

1283
01:08:33,041 --> 01:08:35,500
but actually rather dated,
so her silhouette,

1284
01:08:35,583 --> 01:08:38,208
it's not really of the time.

1285
01:08:38,291 --> 01:08:40,375
It's something that was
obviously handed down to her,

1286
01:08:40,458 --> 01:08:42,166
but she still look gorgeous.

1287
01:08:42,792 --> 01:08:44,041
Did you have something you...

1288
01:08:44,125 --> 01:08:45,083
Uh, uh... yeah.

1289
01:08:45,375 --> 01:08:47,000
There are some paintings
I thought that you would be...

1290
01:08:47,083 --> 01:08:49,417
- From when I said how I like paintings.
- Paintings. Yes.

1291
01:08:49,667 --> 01:08:53,375
TOM RILEY: Augie's most excited
to see Penance

1292
01:08:53,750 --> 01:08:55,558
at the gala because

1293
01:08:55,583 --> 01:08:59,208
not only was he very taken
with her at the opera,

1294
01:08:59,291 --> 01:09:00,583
but in locking eyes with her

1295
01:09:00,667 --> 01:09:03,291
at the very moment
that he realized he was Touched,

1296
01:09:03,375 --> 01:09:06,375
she, too, witnessed who he truly was.

1297
01:09:06,834 --> 01:09:09,792
And she is very willing and open

1298
01:09:10,000 --> 01:09:13,125
and prepared
to hear his thoughts and listen,

1299
01:09:13,208 --> 01:09:15,083
in a way that other people
won't listen to him.

1300
01:09:15,166 --> 01:09:16,250
I am a monster.

1301
01:09:16,709 --> 01:09:17,875
You know you're not, though.

1302
01:09:17,959 --> 01:09:19,875
SKELLY: It is Penance's job
a lot of the time

1303
01:09:19,959 --> 01:09:23,125
to help people understand,
what's happened to them

1304
01:09:23,208 --> 01:09:26,041
is okay, and it's actually...
can be a good thing.

1305
01:09:26,125 --> 01:09:28,959
But the one thing
that really surprises her

1306
01:09:29,041 --> 01:09:31,709
is that they have a mutual passion

1307
01:09:31,792 --> 01:09:33,625
in different ways, like,
their turns come from

1308
01:09:33,709 --> 01:09:35,875
a passion they have. Like,
she loves inventing things,

1309
01:09:35,959 --> 01:09:38,709
and he loves, you know, birds,
and they really bond over that.

1310
01:09:38,792 --> 01:09:41,458
So, I think Penance gets to step
out of the role of therapist,

1311
01:09:41,667 --> 01:09:44,625
and they actually share more
than just, like, a little spark.

1312
01:09:44,709 --> 01:09:45,792
Like a murmuration.

1313
01:09:46,458 --> 01:09:48,667
Um... a great horde of birds...

1314
01:09:49,083 --> 01:09:51,166
they're all moving as one,
and then suddenly,

1315
01:09:52,145 --> 01:09:54,106
Oh, I've seen that.
Oh, I could watch for hours.

1316
01:09:54,250 --> 01:09:55,959
RILEY: They're both able to nerd out

1317
01:09:56,041 --> 01:09:58,250
and not feel judged at all
by the other one,

1318
01:09:58,333 --> 01:10:00,542
and that's something that
Augie's never had before.

1319
01:10:00,625 --> 01:10:04,166
And I think he feels seen
for the first time by her.

1320
01:10:06,417 --> 01:10:07,667
You were missed at the party.

1321
01:10:08,166 --> 01:10:09,166
That would be a first.

1322
01:10:09,792 --> 01:10:14,250
Lavinia's imperfect to her core,
and not only has she got

1323
01:10:14,333 --> 01:10:17,750
very politically incorrect ideas
about difference and disability,

1324
01:10:17,834 --> 01:10:20,208
she's also a snob, and doesn't want

1325
01:10:20,417 --> 01:10:22,583
her brother getting
romantically involved

1326
01:10:22,667 --> 01:10:24,875
with someone from a different class,

1327
01:10:24,959 --> 01:10:27,125
never mind someone who is Touched.

1328
01:10:27,500 --> 01:10:29,500
You always assume the worst
of everybody.

1329
01:10:29,875 --> 01:10:31,000
They seldom disappoint.

1330
01:10:32,834 --> 01:10:35,875
Lavinia's motivations,
as always, are very complicated,

1331
01:10:36,625 --> 01:10:38,583
and it's meant to be complicated.

1332
01:10:38,667 --> 01:10:42,583
We want you to wonder, is she
trying to hurt the Touched,

1333
01:10:42,667 --> 01:10:44,377
or is she trying to help them?

1334
01:10:44,667 --> 01:10:47,767
How much does she know
about what's going on?

1335
01:10:47,792 --> 01:10:50,000
At the end of this episode,
we learn that

1336
01:10:50,083 --> 01:10:52,083
she knows some stuff
we didn't think she knew.

1337
01:10:52,417 --> 01:10:55,583
We want you to be asking all
those questions about Lavinia.

1338
01:10:56,792 --> 01:10:57,875
This is war.

1339
01:10:59,208 --> 01:11:02,375
(music swells, concludes)