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- Synced and corrected by chamallow -
- www.addic7ed.com -
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[LOW, THRUMMING RUMBLING]
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[HIGH-PITCHED TONE]
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[ETHEREAL MUSIC PLAYS, FADES]
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[WIND GUSTING]
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[SONG OVER CAR STEREO]
♪ Everybody sees you ♪
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♪ Everybody looks and stares ♪
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♪ I'd just like to make you mine ♪
♪ All mine ♪
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♪ Na-na, na-na, na-na, na-na-na-na now ♪
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♪ Baby, give it up, give it up ♪
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♪ Baby, give it up ♪
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♪ Na-na, na-na, na-na, na-na-na-na now ♪
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♪ Baby, give it up, give it up ♪
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♪ Baby, give it up ♪
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[MUSIC STOPS]
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[CAR DOOR OPENS]
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- Hey, Mum.
- I was worried. It's almost six.
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I took a detour after Luss
to show Pia the pretty way.
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I slept through it. [LAUGHS] Hi.
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[MAN] Pia, Mum. Mum, Pia.
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- Nice to meet you.
- You too.
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Janet.
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- Pretty wee thing you've captured.
- [MAN] Mum!
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Hey, I'm flattered. Thank you.
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- I like your accent.
- [GASPS EXCITEDLY] Ditto.
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What was that, love?
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Ditto.
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Uh, "ditto."
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Oh! [LAUGHS]
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So, did you grow up in America?
Or are you originally from...
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Jesus, Mum!
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US, born and bred. [CHUCKLES]
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- Okay.
- [PIA CHUCKLES NERVOUSLY]
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[JANET] I hope you're both hungry.
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- [PIA] Yeah. [CHUCKLES]
- [MAN] Starving.
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Who's the pianist?
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Dad was.
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- Is that him?
- [MAN] Aye. Kenneth.
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"Kenny," Mum called him.
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Is it creepy if I say he
looks good in that cap?
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A bit. Yeah.
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[CHUCKLES SOFTLY]
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["TWINKLE, TWINKLE,
LITTLE STAR" PLAYING]
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[MAN] Tomorrow, we'll show
Pia around the village,
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and then we'll probably
set off Monday morning.
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- You're only staying two nights?
- Well, we've got to head on to Rùm.
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To shoot, uh, my film...
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Our... our film.
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[BOTH CHUCKLE]
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Uh, about the rare egg guy.
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So, that's what your documentary's
about? This egg collector from Rùm?
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He's not a collector. He...
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he guards rare eggs against
collectors who want to steal them.
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It's, uh, it's a big trade.
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The way I see it, this
is going to be a story
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about one of the last remaining holdouts
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against the commodification of nature.
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Not about a man who watches eggs?
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Well, yeah, but it...
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He's like a vigilante.
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A guardian angel.
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Egg theft is illegal,
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but the local cops aren't
interested, or they're too lazy.
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I mean... [CHUCKLES]
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Maybe if someone who looked
like me were stealing the eggs...
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They're probably just overstretched.
Policing's a very demanding job.
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As your dad knew.
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- Mm.
- Yeah. I mean...
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Yeah.
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[PIA] I saw that photo
of him in uniform,
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and 20 minutes later, I'm
shit-mouthing the cops? Like...
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- [EXHALES]
- [MAN SPITS]
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[PIA GROANS IN FRUSTRATION]
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She hates me.
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- No, she doesn't. She likes you.
- She said that?
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It's just, anything with Dad...
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She's sensitive. She misses him.
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Well, of course. I mean, you must too.
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In theory.
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Sort of do.
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I was eight when he died,
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so most of my life, he's
just been a few photographs.
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[PIA] Mm.
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He was ill quite a while before he died.
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Uh, needed a lot of caring, you know.
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I think that really took it out of Mum.
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Whole place was a lot
quieter from then on.
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Seriously, are you hard right now?
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I am.
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That is...
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[CHUCKLES SOFTLY]
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... totally inappropriate.
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- I'm so, so sorry.
- [LAUGHS]
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Does that thing work?
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Uh, last time I checked.
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[GASPS] No tape. Boo.
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- What were you gonna film with it?
- Here. Watch.
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[MOANS SOFTLY]
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[MUFFLED MOAN]
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[MUFFLED LAUGHTER]
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[MUFFLED MOANING]
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[MUFFLED MOAN]
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[TV PLAYING INDISTINCTLY]
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[PIA SIGHS]
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[FOOTSTEPS APPROACHING]
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[MAN] You okay? Good to go?
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What's "Burgerack"?
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[CHUCKLES] Bergerac. Old detective show.
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Your folks were seriously into it.
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That's a whole lot of Bergerac.
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Uh, Mum had a crush on John Nettles.
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The... the guy who played Bergerac.
She used to say he had a nice bum.
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I do not wanna think about your mom
getting wet over some dude's butt.
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[JANET] Well, he did have a nice one.
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You heading out?
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[MAN] Just taking Pia to the loch.
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[JANET] Might get windy. I can
fill you a thermos with some tea.
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- It's no bother, Mum.
- Well...
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Have a nice time.
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[MAN CHUCKLES]
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- It's okay.
- We should leave now.
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[PIA] It's like
something from a painting.
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[MAN] That's because
people paint landscapes.
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I mean, this place is amazing.
I can't believe it's so empty.
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We're the only ones here. It's weird.
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[MUSIC OVER STEREO PLAYING SOFTLY]
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Davis McCardle.
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I told you never to show
your face in here again.
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You can walk right
back out that door now!
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Hello, Stuart.
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How are you doing, you fucking wank?
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Hey! What the fuck
is with that hair, eh?
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You gonna tell me your pronouns?
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I just let it grow a bit. You know?
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I thought you were in London,
studying woke film theory,
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or whatever you call it.
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Someday, this guy will
be polishing BAFTAs
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and forgetting about us poor wee
shites he used to cut about with.
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Years ago, Stuart made a
model for my short video.
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A spaceship.
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- Yeah, a Solaris tribute.
- With a working engine.
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[DAVIS] You get the picture.
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Said if he ended up
making the next Star Wars,
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I'd help out with the special
effects, but he's, uh...
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he's turned his back on us old
gadgies now he's down the big town, eh?
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- See, he's not even introducing you to me.
- Oh, sorry.
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This is Pia.
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- She was in my film course as well.
- Oh!
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- Oh, your course, was it?
- No.
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He thinks they're gonna
name it after him someday.
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Well, I thought they were
gonna name it after me, so...
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Yes, well, that would
be the smart move, eh?
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What with fucking
diversity and all that.
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Uh, three pints on the house. No charge.
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Crisps all around?
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It's a shame he's dragged you out
of London up to this ghost town, eh?
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All the holiday atmosphere of a hospice.
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You're still in business.
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Skin of the teeth, man. Look around.
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We are on our arse.
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I keep telling Dad if
things don't pick up,
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we'll just have to bite the
bullet and jack it fucking in.
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Speak of the cunt.
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- What are you doing?
- Well, I sh... I should say hello.
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No, no, don't bother.
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That'll be his fifth refill today.
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The only reason he comes
downstairs these days.
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Christ.
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Oh, there he goes.
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Up to his pit.
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Is he... is he depressed, or...
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[STUART] Of course he's depressed.
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There used to be three pubs around here.
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And now we're the last
man standing. It's a...
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it's a proper dead zone.
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I don't get it. It's so
beautiful around here. I...
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How are you not overrun with tourists?
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'Cause of Iain Adair.
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Who is Iain Adair?
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- You didn't tell her about Iain Adair?
- [SCOFFS] Come on.
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- It's... it's a bit...
- Who is Iain Adair?
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Okay, okay, fine. So...
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[EXHALES] Iain Adair
was a guy who lived up
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at Five Acres Farm on the hill there
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with his mum and dad.
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People said he was quiet, easily led,
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not too bright. All of that, you know?
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But really, he was just some local guy.
189
00:10:18,680 --> 00:10:21,280
- Anyway...
- Turned out he tortured and killed people.
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I was building up to that.
191
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I haven't got your storytelling
instincts. You tell it.
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- No, you spoiled it now.
- No, not the end bit with your dad.
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00:10:28,840 --> 00:10:31,640
- What end bit with your dad?
- Can I just start from the beginning?
194
00:10:32,360 --> 00:10:34,560
Yeah, just pretend you don't
know the murder stuff yet.
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00:10:34,640 --> 00:10:35,720
- Sure.
- [DAVIS] Okay.
196
00:10:36,480 --> 00:10:37,480
So,
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00:10:38,760 --> 00:10:39,760
picture it.
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00:10:40,640 --> 00:10:41,920
[BAGPIPE MUSIC PLAYING]
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00:10:42,000 --> 00:10:44,280
[DAVIS] There used to be
loads of holidaymakers here.
200
00:10:48,240 --> 00:10:49,240
Loads of them.
201
00:10:50,600 --> 00:10:52,941
In 1997, this couple in their twenties
202
00:10:52,942 --> 00:10:54,680
hire a cottage for their honeymoon.
203
00:10:55,280 --> 00:10:57,160
[STUART] Back when
we still had tourists.
204
00:10:57,240 --> 00:10:59,240
[UNSETTLING MUSIC PLAYING]
205
00:11:01,200 --> 00:11:02,600
[LAUGHS] Sorry.
206
00:11:02,680 --> 00:11:05,320
- [DAVIS] They were here for about a week.
- [GIRL] Mr. Smiley.
207
00:11:05,400 --> 00:11:06,680
[DAVIS] Loads of people saw them.
208
00:11:07,200 --> 00:11:09,800
Dad said they drank in
here a couple of nights.
209
00:11:09,880 --> 00:11:11,640
[ECHOING CLINK]
210
00:11:15,440 --> 00:11:17,560
[DAVIS] Come the end of the week,
they're supposed to have left.
211
00:11:17,640 --> 00:11:20,680
The cleaner comes to get their
cottage ready for the next booking.
212
00:11:21,200 --> 00:11:22,680
Their car's parked outside.
213
00:11:23,520 --> 00:11:24,880
[UNSETTLING MUSIC CONTINUES]
214
00:11:24,960 --> 00:11:26,720
And all their stuff's still there.
215
00:11:29,960 --> 00:11:31,280
No sign of them. Gone.
216
00:11:33,720 --> 00:11:34,960
- Creepy.
- Very creepy.
217
00:11:35,040 --> 00:11:37,880
- So, of course, Dad gets called in.
- His dad was a local policeman.
218
00:11:37,960 --> 00:11:39,560
- Aye, she knows that.
- Oh. Okay, sorry.
219
00:11:39,640 --> 00:11:42,440
[DAVIS] So, Dad's asking
around, right? Knocking on doors.
220
00:11:42,520 --> 00:11:43,920
This couple is nowhere to be found.
221
00:11:44,000 --> 00:11:46,280
Vanished off the face of
the earth and all that.
222
00:11:46,360 --> 00:11:47,920
[POLICE SIREN BLARING]
223
00:11:48,000 --> 00:11:50,200
After a day or two,
it becomes a big story.
224
00:11:50,280 --> 00:11:51,280
[STUART] Mm.
225
00:11:51,640 --> 00:11:52,640
[DAVIS] Tabloids pick it up.
226
00:11:52,720 --> 00:11:55,120
Place is swarming with
journalists. It's a frenzy.
227
00:11:57,560 --> 00:12:02,480
But then weeks go by, and
there's no sign of them. Nothing.
228
00:12:02,560 --> 00:12:04,480
[UNSETTLING MUSIC FADES]
229
00:12:04,560 --> 00:12:06,720
And then Princess Diana died. You know?
230
00:12:07,240 --> 00:12:10,840
Papers moved onto that.
Story fizzles out. Finished.
231
00:12:14,200 --> 00:12:15,280
Until one day...
232
00:12:15,360 --> 00:12:16,360
One night.
233
00:12:16,400 --> 00:12:17,400
Mm.
234
00:12:19,000 --> 00:12:21,280
Iain Adair's drinking in here.
235
00:12:21,360 --> 00:12:23,160
- In here?
- He drank in here all the time.
236
00:12:23,240 --> 00:12:25,760
- Always sat right there.
- [TENSE MUSIC PLAYING]
237
00:12:25,840 --> 00:12:26,960
[DAVIS] Anyway, this night,
238
00:12:27,920 --> 00:12:29,480
he's had way more than usual.
239
00:12:29,560 --> 00:12:31,360
People say he's talking weird.
240
00:12:33,240 --> 00:12:34,960
He's making a nuisance of himself.
241
00:12:36,280 --> 00:12:38,560
There's a poster of the
missing couple on the wall.
242
00:12:38,640 --> 00:12:41,560
He even makes comments about
the girl. And your dad...
243
00:12:41,640 --> 00:12:44,480
Yeah, the auld pissheid,
he tells Iain he's barred.
244
00:12:44,560 --> 00:12:46,360
Iain tells him to fuck off.
245
00:12:46,440 --> 00:12:49,560
Says he's got half a mind to
come back and shoot the place up.
246
00:12:49,640 --> 00:12:50,640
[PIA] Nice.
247
00:12:54,560 --> 00:12:57,720
Dad's worried now 'cause Iain's
a farmer. He's got a shotgun.
248
00:12:57,800 --> 00:13:01,360
So, Dad asks Kenneth, his dad,
249
00:13:01,440 --> 00:13:03,640
to go and check in on
Iain, have a word with him.
250
00:13:03,720 --> 00:13:05,200
- So then Dad...
- His dad, Kenneth.
251
00:13:05,280 --> 00:13:06,520
- Of course it's my dad.
- Sorry.
252
00:13:07,880 --> 00:13:09,480
[DAVIS] Dad drives up to Five Acres.
253
00:13:12,600 --> 00:13:14,600
[TENSE MUSIC CONTINUES]
254
00:13:17,560 --> 00:13:18,680
Knocks on the door.
255
00:13:19,960 --> 00:13:22,440
Says, "I just wanna talk to you," etc.
256
00:13:22,520 --> 00:13:23,840
Iain doesn't answer.
257
00:13:26,080 --> 00:13:27,380
Dad's walking back to his car
258
00:13:27,381 --> 00:13:30,440
when Iain opens the
upstairs window and...
259
00:13:32,520 --> 00:13:33,520
shoots him.
260
00:13:35,720 --> 00:13:37,240
Sorry. He shot your dad?
261
00:13:37,320 --> 00:13:38,640
- Yeah.
- [STUART] Mm-hmm.
262
00:13:38,720 --> 00:13:41,720
- Not fatally, in the shoulder. Bad though.
- Holy shit.
263
00:13:43,000 --> 00:13:45,760
So Dad, crawling back to
his car, calls for backup,
264
00:13:45,840 --> 00:13:47,440
when, from inside the house...
265
00:13:48,560 --> 00:13:49,560
Bang! Bang! Bang!
266
00:13:50,920 --> 00:13:52,000
Then nothing.
267
00:13:54,080 --> 00:13:55,080
Backup arrives.
268
00:13:55,960 --> 00:13:56,960
They go in.
269
00:13:58,200 --> 00:14:00,880
Iain Adair shot his mum
and dad, then himself.
270
00:14:02,240 --> 00:14:03,720
Total wipeout.
271
00:14:05,840 --> 00:14:07,360
- Farmicide.
- [DAVIS] Mm.
272
00:14:09,280 --> 00:14:11,160
While they're looking around the farm,
273
00:14:11,920 --> 00:14:13,240
they check out the cellar.
274
00:14:14,160 --> 00:14:15,160
Oh God.
275
00:14:15,560 --> 00:14:17,880
[SUSPENSEFUL MUSIC PLAYING]
276
00:14:19,040 --> 00:14:22,520
[DAVIS] Behind a wardrobe, there's
a hidden door leading to a bunker.
277
00:14:22,600 --> 00:14:24,880
- Old WWII, or '60s, or something.
- Here we go.
278
00:14:38,200 --> 00:14:39,920
[DAVIS] And inside,
it's like a torture room.
279
00:14:42,920 --> 00:14:44,840
This guy had been abducting people.
280
00:14:46,040 --> 00:14:49,320
Keeping them down there and doing
God knows what for weeks at a time.
281
00:14:49,840 --> 00:14:51,880
And then burying the
bodies out in the fields.
282
00:14:51,960 --> 00:14:53,800
[HELICOPTER WHIRRING]
283
00:14:53,880 --> 00:14:55,560
- The honeymoon couple?
- [CHUCKLES]
284
00:14:55,640 --> 00:14:58,080
- Fuck me, and the rest of them.
- The rest?
285
00:14:59,840 --> 00:15:02,960
[DAVIS] Around here, the
countryside can be pretty dangerous.
286
00:15:03,760 --> 00:15:05,880
There's deep water
and all that, you know?
287
00:15:06,400 --> 00:15:08,240
Sometimes, people went missing.
288
00:15:08,800 --> 00:15:10,920
Walker takes a wrong turn, you know?
289
00:15:11,000 --> 00:15:13,160
Someone rents a kayak
and doesn't come back.
290
00:15:15,080 --> 00:15:17,880
Over the years, nobody was
really totting it all up.
291
00:15:19,200 --> 00:15:20,760
- How many we talking about?
- Eight.
292
00:15:20,840 --> 00:15:22,080
[PIA] Oh.
293
00:15:22,081 --> 00:15:23,081
All been tortured.
294
00:15:23,082 --> 00:15:26,480
And the rest of it. Dark sex
things. Really extreme stuff.
295
00:15:26,560 --> 00:15:28,360
- [DAVIS] Yeah. Okay.
- It'd give you nightmares.
296
00:15:30,200 --> 00:15:31,600
So... [CHUCKLES NERVOUSLY]
297
00:15:32,440 --> 00:15:33,800
Yeah, that was Iain Adair.
298
00:15:34,800 --> 00:15:36,640
That is a lot.
299
00:15:36,720 --> 00:15:37,840
- [DAVIS] Mm-hmm.
- [STUART] Mm.
300
00:15:37,920 --> 00:15:40,760
And as you can imagine, it
doesn't look great on TripAdvisor.
301
00:15:40,840 --> 00:15:41,840
End result?
302
00:15:43,280 --> 00:15:44,600
Fuck-all visitors.
303
00:15:45,720 --> 00:15:48,360
- Didn't just shit in his victims' mouths.
- Don't know he did that.
304
00:15:48,440 --> 00:15:49,840
He shat on the tourist trade too.
305
00:15:52,080 --> 00:15:55,080
But your dad, he recovered.
306
00:15:55,160 --> 00:15:57,080
- I mean...
- Well, his injuries weren't that bad.
307
00:15:57,160 --> 00:15:59,280
- He was in hospital a couple of weeks.
- [PIA] Right.
308
00:15:59,360 --> 00:16:01,680
But while he was in there, he got MRSA.
309
00:16:02,720 --> 00:16:04,880
And that killed him over time.
310
00:16:06,040 --> 00:16:09,480
So, far as Mum's concerned,
Iain Adair killed Dad too.
311
00:16:09,560 --> 00:16:10,560
[STUART] Well...
312
00:16:11,560 --> 00:16:13,000
- She's not wrong.
- Aye.
313
00:16:13,001 --> 00:16:14,001
[SIGHS]
314
00:16:14,002 --> 00:16:15,960
- [STUART] Another pint?
- Aye. [LAUGHS]
315
00:16:18,120 --> 00:16:19,120
Magda!
316
00:16:19,600 --> 00:16:20,600
Three pints.
317
00:16:24,480 --> 00:16:25,680
[LIQUID POURING]
318
00:16:25,760 --> 00:16:27,080
Can we go see where it happened?
319
00:16:29,920 --> 00:16:30,960
[GLASSES CLATTER]
320
00:16:42,600 --> 00:16:43,680
[PIA] It's perfect.
321
00:16:47,280 --> 00:16:48,280
You don't see it?
322
00:16:50,240 --> 00:16:51,920
- See what?
- Can we get in there?
323
00:16:52,000 --> 00:16:55,720
No. It's boarded up. There's planks.
Why would we wanna get in there?
324
00:16:56,360 --> 00:16:59,880
Because. This is what
our film should be about.
325
00:17:00,600 --> 00:17:01,600
All of this.
326
00:17:02,600 --> 00:17:04,320
What? This?
327
00:17:05,120 --> 00:17:06,120
Wha...
328
00:17:06,200 --> 00:17:07,280
Quaint little village,
329
00:17:07,360 --> 00:17:09,461
but for years, this Hannibal Lecter dude
330
00:17:09,462 --> 00:17:11,680
has been operating a death den?
331
00:17:11,760 --> 00:17:14,280
At the heart of it?
I mean, it's a story.
332
00:17:14,360 --> 00:17:16,680
- It's an actual story.
- Are you serious?
333
00:17:17,640 --> 00:17:19,120
- Well, yeah.
- But...
334
00:17:19,200 --> 00:17:23,120
- We're meeting the egg guy on Wednesday.
- Fuck the egg guy. I'm sorry. Come on.
335
00:17:23,840 --> 00:17:25,160
Come on! [SCOFFS]
336
00:17:26,360 --> 00:17:27,920
You said you liked the egg idea.
337
00:17:28,880 --> 00:17:29,880
Oh, babe.
338
00:17:30,880 --> 00:17:32,280
I kinda liked it.
339
00:17:32,920 --> 00:17:36,920
Just like I kinda like plain
pasta in a pinch. But I love this.
340
00:17:37,000 --> 00:17:38,080
I love it!
341
00:17:39,000 --> 00:17:41,080
So, um...
342
00:17:42,000 --> 00:17:44,360
A... a true crime film about Iain Adair?
343
00:17:44,440 --> 00:17:47,440
[PIA] We can pitch to production
companies, who will fund it.
344
00:17:48,040 --> 00:17:50,920
I had a meeting with Kate Cezar
at Historik. She might go for this.
345
00:17:51,000 --> 00:17:52,440
- People know the story.
- I didn't.
346
00:17:52,520 --> 00:17:54,560
I mean, it's not a
whodunit. There's no mystery.
347
00:17:54,640 --> 00:17:55,880
Are you nuts? [SCOFFS]
348
00:17:56,440 --> 00:17:59,760
The mystery is, "How could
someone do that shit?"
349
00:17:59,840 --> 00:18:02,120
It's "What the fuck?"
It's "Give me the details."
350
00:18:02,200 --> 00:18:05,320
And the details are so
awful, it is irresistible.
351
00:18:05,400 --> 00:18:07,440
- Sounds tacky.
- No, no, no, no, no, no!
352
00:18:07,520 --> 00:18:08,680
We won't let it be.
353
00:18:08,760 --> 00:18:10,440
It'll be a... a solid piece.
354
00:18:10,520 --> 00:18:12,040
Well-made, high-end.
355
00:18:12,120 --> 00:18:15,960
And it's exploring the
biggest topic, life and death.
356
00:18:17,200 --> 00:18:20,120
It's just not the kind of
thing I want us to make. Okay?
357
00:18:22,840 --> 00:18:24,720
Well, then, what do you want to make?
358
00:18:24,800 --> 00:18:27,960
A meditation on the Egg Man of Rùm
359
00:18:28,040 --> 00:18:29,760
that will maybe play at a festival
360
00:18:29,840 --> 00:18:33,080
and maybe be admired by a
couple dozen documentary nerds?
361
00:18:33,160 --> 00:18:35,360
Or something that people will watch?
362
00:18:35,440 --> 00:18:37,720
Something they actually want to see!
363
00:18:41,360 --> 00:18:43,320
If you don't wanna make it, I will.
364
00:18:52,240 --> 00:18:53,720
Iain Adair shot my dad.
365
00:18:55,160 --> 00:18:56,720
He died, Pia. [SCOFFS]
366
00:18:56,721 --> 00:18:57,721
He fucking died.
367
00:18:57,722 --> 00:19:00,880
- That's real. That's not fucking content.
- Of course. That's not what I meant.
368
00:19:00,960 --> 00:19:03,360
It'd dredge up so much shit
for Mum. She lost her husband.
369
00:19:03,440 --> 00:19:07,160
Okay, okay, and we can
make that point. Her point.
370
00:19:08,040 --> 00:19:09,280
He was a victim too.
371
00:19:11,840 --> 00:19:14,240
You said that he's been
forgotten in all of this.
372
00:19:20,800 --> 00:19:22,360
[PIA] It was so good. Thank you.
373
00:19:23,080 --> 00:19:24,880
Did you not like the dauphinoise?
374
00:19:25,520 --> 00:19:28,680
Uh, I just try to limit my carbs.
375
00:19:29,920 --> 00:19:31,520
But what I had was delicious.
376
00:19:32,160 --> 00:19:33,360
Oh.
377
00:19:33,440 --> 00:19:34,440
Good.
378
00:19:44,800 --> 00:19:46,280
[PIA] We would do it justice.
379
00:19:48,320 --> 00:19:50,680
It would feel and look professional.
380
00:19:54,000 --> 00:19:55,120
Babe.
381
00:19:55,200 --> 00:19:56,920
It's a brilliant idea.
382
00:19:58,120 --> 00:20:01,520
Visual showcase. Bring
the tourists back.
383
00:20:03,840 --> 00:20:05,150
What was the name of that Netflix thing?
384
00:20:05,151 --> 00:20:07,440
About the guy that killed women?
385
00:20:07,520 --> 00:20:09,400
Maybe narrow that down.
386
00:20:09,480 --> 00:20:12,480
One of them, he ate her
own eye in front of her.
387
00:20:12,560 --> 00:20:14,360
The Waltonville Claw.
388
00:20:14,440 --> 00:20:18,880
So, half this show was just
amazing, constant footage
389
00:20:18,960 --> 00:20:21,920
of Waltonville, forests and mountains,
390
00:20:22,000 --> 00:20:23,600
fucking waterfalls!
391
00:20:24,440 --> 00:20:25,520
Looked like a brochure.
392
00:20:25,600 --> 00:20:29,240
Yeah, my cousin actually booked
a holiday just off how it looked.
393
00:20:29,320 --> 00:20:30,320
[PIA] Hm.
394
00:20:30,760 --> 00:20:33,280
He said the place was fucking
heaving when he got there.
395
00:20:34,320 --> 00:20:37,440
Cunts get a load of this place
on their 4K fucking flat screens
396
00:20:37,520 --> 00:20:41,320
and they will be crawling all
over us like flies on dog shite,
397
00:20:42,000 --> 00:20:43,000
but with money.
398
00:20:44,440 --> 00:20:46,320
I've even got a drone you can use.
399
00:20:47,160 --> 00:20:50,080
- Opening shot.
- Moody piano chord. I love it.
400
00:20:50,160 --> 00:20:52,720
- Of course you've got a drone.
- Of course you're a cunt about it.
401
00:20:53,400 --> 00:20:54,400
Ah!
402
00:20:55,480 --> 00:20:57,040
I've got something even better.
403
00:20:57,600 --> 00:20:58,600
Wait there.
404
00:21:00,280 --> 00:21:01,280
Hang on.
405
00:21:04,680 --> 00:21:06,920
[FOOTSTEPS THUMPING]
406
00:21:09,080 --> 00:21:10,320
- Okay.
- Yes!
407
00:21:12,000 --> 00:21:15,720
[STUART] This is my mum's curiosity box.
408
00:21:15,800 --> 00:21:18,760
She was fucking obsessed with
the whole thing. Obsessed.
409
00:21:19,280 --> 00:21:20,880
My dad fucking hated it.
410
00:21:22,800 --> 00:21:23,920
This is a whole archive.
411
00:21:24,000 --> 00:21:27,480
[STUART] I'd call it a
morbidly obsessive collection.
412
00:21:27,560 --> 00:21:29,240
[PIA] Man, he looks creepy.
413
00:21:29,320 --> 00:21:31,030
It's not every day one of your regulars
414
00:21:31,031 --> 00:21:33,840
turns out to be Vlad
the fucking Impaler.
415
00:21:33,920 --> 00:21:37,040
- She was bound to want a souvenir.
- Will she mind if we borrow it?
416
00:21:37,120 --> 00:21:39,640
She won't give a fuck. She's
been dead for four years.
417
00:21:41,280 --> 00:21:42,840
[DAVIS] We can hook this up.
418
00:21:43,520 --> 00:21:45,640
Mum's Stone Age VCR.
419
00:21:47,080 --> 00:21:49,160
Yeah. Ooh!
420
00:21:49,760 --> 00:21:51,040
It's got a tape in it.
421
00:21:52,200 --> 00:21:53,920
[VCR WHIRRING]
422
00:21:55,280 --> 00:21:57,280
[MUSIC, STATIC PLAY]
423
00:21:58,380 --> 00:21:59,400
[DAVIS] Mm.
424
00:21:59,400 --> 00:22:01,120
Of course. [CHUCKLES]
425
00:22:02,440 --> 00:22:04,240
Hey, that's your mom's boyfriend.
426
00:22:04,920 --> 00:22:07,560
- Show us his butt.
- [DAVIS] I think that's enough of that.
427
00:22:07,640 --> 00:22:08,640
[TAPE STOPS PLAYING]
428
00:22:08,680 --> 00:22:10,000
Pass us one of Stu's tapes.
429
00:22:12,060 --> 00:22:13,080
Should we dive in?
430
00:22:13,080 --> 00:22:15,840
[REPORTER 1 ON VIDEO] It's four
days since Dawn and Simon Challis
431
00:22:15,920 --> 00:22:17,440
were last seen alive
432
00:22:17,520 --> 00:22:20,120
in the tourist hotspot of Loch Henry,
433
00:22:20,200 --> 00:22:23,840
the holiday cottage they'd
rented left eerily abandoned.
434
00:22:23,920 --> 00:22:28,000
Yet, despite extensive
searches of the local area...
435
00:22:28,001 --> 00:22:29,001
That's Dad!
436
00:22:29,002 --> 00:22:31,160
still no sign of the missing couple.
437
00:22:31,240 --> 00:22:33,360
Locals are mystified.
438
00:22:33,440 --> 00:22:35,560
- It all seems quite odd.
- [DAVIS] That's Stuart's dad.
439
00:22:35,640 --> 00:22:36,840
Everybody's worried.
440
00:22:38,240 --> 00:22:40,840
I mean, Dawn, the missing
girl, is very attractive, so...
441
00:22:40,920 --> 00:22:42,320
Objectified much?
442
00:22:42,400 --> 00:22:44,600
- Everybody's hoping they'll be okay.
- Jeez.
443
00:22:47,360 --> 00:22:48,720
[STUART'S DAD] You should've asked.
444
00:22:49,400 --> 00:22:50,400
About what?
445
00:22:53,520 --> 00:22:54,520
All that
446
00:22:55,520 --> 00:22:59,272
stuff of your mum's that
you gave to Janet's boy
447
00:22:59,273 --> 00:23:02,720
- for his film or whatever.
- Ah, keep your blouse on. You'll get it back.
448
00:23:02,800 --> 00:23:05,880
- Shouldn't be making movies about it.
- Fuck me, movies.
449
00:23:06,400 --> 00:23:07,480
Christ.
450
00:23:12,240 --> 00:23:14,240
[DOOR OPENS]
451
00:23:15,840 --> 00:23:18,320
["PEOPLE IN THE FRONT
ROW" BY MELANIE PLAYING]
452
00:23:18,400 --> 00:23:19,400
Whoa.
453
00:23:20,500 --> 00:23:21,520
Sorry. Sorry.
454
00:23:21,520 --> 00:23:23,600
- [PIA] A bit close, babe.
- No, it's okay.
455
00:23:23,680 --> 00:23:24,760
[PIA] Davis!
456
00:23:25,400 --> 00:23:27,400
[DAVIS] Yes!
457
00:23:27,480 --> 00:23:30,440
♪ I was outta love and outta my heart ♪
458
00:23:30,520 --> 00:23:33,760
♪ I couldn't quite stop
something that I didn't start ♪
459
00:23:33,840 --> 00:23:36,000
♪ Yeah, yeah, the critics said no ♪
460
00:23:36,080 --> 00:23:39,680
♪ I didn't know how it
came so I couldn't go ♪
461
00:23:39,760 --> 00:23:44,360
[SINGER VOCALIZING]
462
00:23:49,920 --> 00:23:53,120
♪ I was third on the bill
of a second-rate show ♪
463
00:23:53,200 --> 00:23:56,320
♪ The audience asked me
why but I didn't know ♪
464
00:23:56,400 --> 00:23:58,720
♪ Ho-ho, my predicament grew ♪
465
00:23:58,800 --> 00:24:02,440
♪ But now I got friends and I
think that my friends are you ♪
466
00:24:02,520 --> 00:24:03,600
♪ Yeah ♪
467
00:24:03,680 --> 00:24:05,440
[SINGER VOCALIZING]
468
00:24:05,520 --> 00:24:10,040
A discovery so grim, it
was almost beyond belief.
469
00:24:10,120 --> 00:24:11,120
Whoa!
470
00:24:12,160 --> 00:24:15,360
♪ You know, I looked
around for faces I'd know ♪
471
00:24:15,440 --> 00:24:19,360
♪ I fell in love with the
people in the front row... ♪
472
00:24:19,440 --> 00:24:22,400
- He's kind of hot, I'm not gonna lie.
- He's kind of hot?
473
00:24:22,480 --> 00:24:26,160
♪ Now I got friends and I
think my friends are you... ♪
474
00:24:26,240 --> 00:24:27,480
You get the name of the pub in?
475
00:24:28,440 --> 00:24:31,320
- Stuart, mic, mic. Wait, wait, stop!
- Wait!
476
00:24:35,320 --> 00:24:38,240
♪ You can put me here,
and I'm all yours ♪
477
00:24:38,320 --> 00:24:41,600
♪ Not for the money and
it's not for the applause ♪
478
00:24:41,680 --> 00:24:45,000
♪ No, oh no, no, no ♪
479
00:24:46,160 --> 00:24:48,720
♪ Oh yeah ♪
♪ This progression is usually sad ♪
480
00:24:48,800 --> 00:24:54,120
♪ But it felt my sorrow and I
wanted it to feel me glad... ♪
481
00:24:54,200 --> 00:24:57,240
Love it. Love it! Love to see it. Save.
482
00:24:57,320 --> 00:24:59,240
[SINGER VOCALIZING]
483
00:25:04,000 --> 00:25:05,640
[SINGER VOCALIZING CONTINUES]
484
00:25:11,000 --> 00:25:12,040
[MUSIC ENDS]
485
00:25:12,120 --> 00:25:13,360
Shot at the cops.
486
00:25:13,880 --> 00:25:16,360
Shot his parents. Shot himself.
487
00:25:16,440 --> 00:25:19,200
But, of course, that was
just scratching the surface.
488
00:25:20,080 --> 00:25:24,400
What they found underneath
his farmhouse was even worse.
489
00:25:24,920 --> 00:25:26,640
Fucking horrible.
490
00:25:28,160 --> 00:25:31,720
Okay. Uh, can we just go
back to the part where you...
491
00:25:31,800 --> 00:25:33,440
- [CLATTERING]
- [DISTANT GROAN]
492
00:25:33,520 --> 00:25:34,680
What the fuck was that?
493
00:25:36,520 --> 00:25:39,120
- Probably broken. Stop touching it!
- Ambulance is on the way.
494
00:25:39,200 --> 00:25:42,880
- You'll be all right, Mr. King.
- Fuck off me! You fuck off, you parasite!
495
00:25:42,960 --> 00:25:45,400
You fucking insect!
496
00:25:45,480 --> 00:25:48,800
Why dig around? It's done. [GROANS]
497
00:25:48,880 --> 00:25:50,290
It was a thing that fucking happened,
498
00:25:50,291 --> 00:25:53,200
and you're here fucking
pulling it all up.
499
00:25:53,280 --> 00:25:55,080
And for what, eh?
500
00:25:55,160 --> 00:25:58,800
For what? You want a fucking
award? A pat on the back?
501
00:25:59,320 --> 00:26:01,000
[BREATHING HEAVILY]
502
00:26:01,080 --> 00:26:02,680
Ignore him. He's off his heid.
503
00:26:03,280 --> 00:26:06,720
- I'll wait outside for the ambulance.
- Off you go. I can handle this prick.
504
00:26:07,600 --> 00:26:09,320
[STUART'S DAD GRUNTS]
505
00:26:10,720 --> 00:26:12,080
What's your fucking problem?
506
00:26:12,160 --> 00:26:13,280
[GROANS]
507
00:26:14,680 --> 00:26:17,400
Iain Adair was an
arsehole. Can I say that?
508
00:26:18,200 --> 00:26:20,800
[PIA] A term like "sadist"
is probably better.
509
00:26:20,880 --> 00:26:21,880
[STUART] Right.
510
00:26:22,440 --> 00:26:24,960
- Well, he was a sadist. That's for sure.
- You okay?
511
00:26:25,480 --> 00:26:27,280
- [STUART] An Olympic-level...
- [KNOCKING AT DOOR]
512
00:26:27,360 --> 00:26:29,080
... cunt-apathic mad man.
513
00:26:30,960 --> 00:26:32,000
[DOOR OPENS]
514
00:26:37,000 --> 00:26:39,840
Just thinking, if you're
staying on for a few days,
515
00:26:39,920 --> 00:26:41,760
I could do my shepherd's pie.
516
00:26:41,840 --> 00:26:45,320
But, Pia, I'm not sure if you eat meat.
517
00:26:45,400 --> 00:26:46,400
I do meat.
518
00:26:47,440 --> 00:26:48,440
[INAUDIBLE] Okay.
519
00:26:51,120 --> 00:26:52,360
[DAVIS] Anything else, Mum?
520
00:26:52,440 --> 00:26:54,880
No, no. I can see you're very busy.
521
00:26:54,960 --> 00:26:56,200
That's Stuart.
522
00:26:57,640 --> 00:26:58,680
Richard's boy.
523
00:26:59,680 --> 00:27:00,760
Aye.
524
00:27:01,600 --> 00:27:03,320
What is it you're working on?
525
00:27:08,640 --> 00:27:10,680
We're doing a documentary
526
00:27:11,360 --> 00:27:13,880
about what... happened.
527
00:27:15,840 --> 00:27:17,320
Iain Adair and all that.
528
00:27:18,120 --> 00:27:20,040
Not about your man and the eggs?
529
00:27:21,840 --> 00:27:23,040
Uh, no.
530
00:27:27,040 --> 00:27:29,160
You'll explain what
he did to your father?
531
00:27:32,280 --> 00:27:35,320
- Only if you want us to.
- Oh, I want you to.
532
00:27:36,000 --> 00:27:38,600
People should know.
Everyone should know.
533
00:27:39,120 --> 00:27:42,280
My Kenny died because of that man.
534
00:27:43,240 --> 00:27:44,840
If Iain Adair was still alive,
535
00:27:44,920 --> 00:27:48,040
I'd wring his neck myself
with these hands. I would.
536
00:27:49,880 --> 00:27:52,640
We were happy before he broke it all.
537
00:27:52,720 --> 00:27:53,880
Ruined it all.
538
00:27:53,960 --> 00:27:55,440
Such a stupid man.
539
00:27:56,200 --> 00:27:57,480
Just the waste of it.
540
00:28:01,480 --> 00:28:02,480
I'm sorry.
541
00:28:05,160 --> 00:28:06,160
It's okay, Mum.
542
00:28:13,600 --> 00:28:16,360
If there's anything you
want me to help with,
543
00:28:17,480 --> 00:28:18,720
just ask.
544
00:28:19,440 --> 00:28:20,640
- Yeah?
- [PIA] Clap.
545
00:28:22,200 --> 00:28:23,200
There we go.
546
00:28:24,360 --> 00:28:26,360
Do I need to do that too?
547
00:28:26,440 --> 00:28:28,280
Oh, no. You're okay.
548
00:28:28,360 --> 00:28:32,520
I'll... I'll ask questions, and
you just answer as yourself. As you.
549
00:28:34,120 --> 00:28:35,120
[JANET] As me?
550
00:28:35,840 --> 00:28:36,840
[DAVIS] Uh,
551
00:28:37,320 --> 00:28:40,320
just talk loosely about the case.
552
00:28:40,400 --> 00:28:42,320
[JANET] Loosely? Like, relaxed?
553
00:28:42,400 --> 00:28:43,400
[DAVIS] No.
554
00:28:44,160 --> 00:28:47,240
Been years since I was in front
of any kind of camera at all.
555
00:28:47,880 --> 00:28:50,440
Last time would've been
that old one your dad had.
556
00:28:51,440 --> 00:28:55,400
- But your dad never had all this stuff.
- He wasn't filming for broadcast, Mum.
557
00:28:57,040 --> 00:28:58,680
Can you imagine? [CHUCKLES]
558
00:29:00,880 --> 00:29:02,320
[PIA] So, what do you think?
559
00:29:02,880 --> 00:29:04,880
[WOMAN] Well, it's a fascinating case.
560
00:29:04,960 --> 00:29:08,160
Iain Adair, I mean, I'd heard of him.
561
00:29:08,240 --> 00:29:12,560
But he's not as well-known
as a Ted Bundy or a Fred West.
562
00:29:13,880 --> 00:29:16,520
So... [EXHALES] ... if
we take this anywhere,
563
00:29:16,600 --> 00:29:21,440
the first question any platform,
network, whatever, is gonna ask is,
564
00:29:21,520 --> 00:29:22,640
"What's the hook?"
565
00:29:23,760 --> 00:29:24,800
What's the context?
566
00:29:24,880 --> 00:29:29,200
There is a personal angle. I mean,
his dad was one of the victims.
567
00:29:30,640 --> 00:29:34,200
Uh, yeah. He... he was a
policeman. He was shot at the farm.
568
00:29:35,600 --> 00:29:37,080
So, he was murdered?
569
00:29:37,160 --> 00:29:38,320
He died later.
570
00:29:38,400 --> 00:29:40,160
Of his injuries or...
571
00:29:40,800 --> 00:29:44,000
Not directly, but...
but... but basically, yeah.
572
00:29:44,640 --> 00:29:46,280
[PIA] But he was one of the victims.
573
00:29:46,360 --> 00:29:48,960
- [DAVIS] Mm.
- This gives him a voice.
574
00:29:49,720 --> 00:29:52,920
And, you know, that's important
to me, you know, as a...
575
00:29:53,560 --> 00:29:54,560
as a son.
576
00:29:55,080 --> 00:29:57,400
[WOMAN] I think definitely
explore the personal angle,
577
00:29:57,480 --> 00:29:58,760
see what there is in it.
578
00:29:58,840 --> 00:30:02,760
But, um, can you get
hold of any new material?
579
00:30:03,480 --> 00:30:05,640
Police interviews,
diaries, that kind of thing.
580
00:30:05,720 --> 00:30:06,800
We can look into those.
581
00:30:06,880 --> 00:30:09,560
Something unseen, unheard,
unexplored is what you need.
582
00:30:09,640 --> 00:30:12,840
What about the house
itself and the dungeon?
583
00:30:12,920 --> 00:30:14,520
- It's still there.
- And you have access?
584
00:30:14,600 --> 00:30:15,600
Yes.
585
00:30:16,520 --> 00:30:17,840
Absolutely.
586
00:30:19,480 --> 00:30:21,240
So, how come you're
using this old thing?
587
00:30:21,320 --> 00:30:23,360
Uh, the police forensics
shot on tape back then.
588
00:30:24,240 --> 00:30:27,720
[PIA] Plus, old tech, cool
analog horror atmosphere.
589
00:30:28,280 --> 00:30:30,160
- [STUART] Proper Blair Witch.
- [DAVIS, PIA CHUCKLE]
590
00:30:35,640 --> 00:30:37,320
Could you do that a bit more quietly?
591
00:30:37,840 --> 00:30:39,720
Aye, I'll put the
crowbar on whisper mode.
592
00:30:44,080 --> 00:30:45,080
Okay.
593
00:30:45,920 --> 00:30:47,080
[PIA] Oh my God.
594
00:30:48,000 --> 00:30:49,000
Okay.
595
00:30:54,440 --> 00:30:57,800
♪ Scooby-Dooby-Doo, where are you? ♪
596
00:30:57,880 --> 00:31:00,000
- [PIA] This is not recording.
- [DAVIS] Uh...
597
00:31:02,840 --> 00:31:05,080
Ah, uh, yeah. Tab's punched out.
598
00:31:05,160 --> 00:31:06,760
It stops people recording over it.
599
00:31:07,680 --> 00:31:09,560
- Open up.
- We're taping over Bergerac?
600
00:31:09,640 --> 00:31:10,880
[DAVIS LAUGHS]
601
00:31:10,960 --> 00:31:12,760
- Mum won't notice.
- Let's hope not.
602
00:31:12,840 --> 00:31:14,760
- [STUART] Boo!
- [PIA, DAVIS EXCLAIM]
603
00:31:14,840 --> 00:31:16,080
[DAVIS] Jesus Christ.
604
00:31:16,160 --> 00:31:17,800
[STUART, PIA LAUGH]
605
00:31:17,880 --> 00:31:19,040
[DAVIS] Oh!
606
00:31:19,120 --> 00:31:20,280
[WHEEZING LAUGHTER]
607
00:31:20,360 --> 00:31:22,600
I found the door to fucking hell.
608
00:31:23,360 --> 00:31:24,840
[FLOORBOARD CREAKS]
609
00:31:58,600 --> 00:31:59,800
[PIA] I'll get a light up.
610
00:32:05,360 --> 00:32:06,760
Is that your stage-blood mix?
611
00:32:06,840 --> 00:32:09,040
That is still in the
bag. This is lemon juice.
612
00:32:09,640 --> 00:32:11,880
- Uh, what's that for?
- [STUART] Shows up under black light.
613
00:32:11,960 --> 00:32:15,840
- Like piss and blood and spunk and...
- [DAVIS] Okay, okay, okay.
614
00:32:15,920 --> 00:32:18,400
I'll just drip a wee bit down here
615
00:32:18,480 --> 00:32:20,920
like Adair jizzed while
slitting someone's throat.
616
00:32:21,000 --> 00:32:22,240
Fucking hell, Stuart.
617
00:32:24,000 --> 00:32:25,320
[STUART] Lights off, please.
618
00:32:26,760 --> 00:32:27,880
And then...
619
00:32:42,200 --> 00:32:43,600
[DAVIS, PIA GROAN]
620
00:32:44,800 --> 00:32:47,080
[STUART] Fucking hell.
621
00:32:48,820 --> 00:32:49,840
[STUART EXHALES]
622
00:32:49,840 --> 00:32:50,840
[PIA GROANS]
623
00:32:52,880 --> 00:32:53,880
[STUART] I, uh...
624
00:32:55,040 --> 00:32:56,800
don't think we need the lemon juice.
625
00:32:57,880 --> 00:32:59,120
Jesus Christ.
626
00:33:02,720 --> 00:33:04,440
All right, let's get to work.
627
00:33:12,600 --> 00:33:14,280
That was fucking creepy.
628
00:33:14,360 --> 00:33:15,880
[STUART LAUGHS]
629
00:33:15,960 --> 00:33:18,280
Feel like I've had spiders
crawling over my brain.
630
00:33:18,360 --> 00:33:21,760
Have you never been in a death
dungeon? No, I find it quite relaxing.
631
00:33:21,840 --> 00:33:22,920
[CHUCKLES]
632
00:33:24,080 --> 00:33:26,880
That might be a tourist
draw in itself, actually.
633
00:33:26,960 --> 00:33:28,200
Good luck advertising that.
634
00:33:28,280 --> 00:33:29,400
[STUART LAUGHS]
635
00:33:29,480 --> 00:33:31,720
"Come spend the night in the dungeon."
636
00:33:32,440 --> 00:33:34,320
[MELODY OF "IN THE NAVY"]
♪ In the dungeon ♪
637
00:33:34,400 --> 00:33:36,480
♪ You'll suffer sex atrocities ♪
638
00:33:36,560 --> 00:33:38,120
♪ In the dungeon ♪
639
00:33:38,200 --> 00:33:40,160
♪ He'll have you weeping on your knees ♪
640
00:33:40,240 --> 00:33:41,640
♪ In the dungeon ♪
641
00:33:41,720 --> 00:33:44,200
[DAVIS] ♪ He'll tie your
hands behind your back ♪
642
00:33:44,280 --> 00:33:45,640
[PIA, STUART] ♪ In the dungeon ♪
643
00:33:45,720 --> 00:33:47,920
♪ And shove a bottle up your crack ♪
644
00:33:48,000 --> 00:33:49,840
♪ In the dungeon ♪
645
00:33:49,920 --> 00:33:52,160
♪ He'll break your elbows with a rock ♪
646
00:33:52,240 --> 00:33:54,000
♪ In the dungeon ♪
647
00:33:54,760 --> 00:33:57,400
♪ And glue sultanas to your cock ♪
648
00:33:57,480 --> 00:33:59,680
- What?
- What?
649
00:33:59,760 --> 00:34:02,040
It's the kind of weird
sex thing he probably did.
650
00:34:02,120 --> 00:34:06,360
No, no, gluing sultanas to someone's
cock is not a plausible kink...
651
00:34:06,440 --> 00:34:07,840
Look out!
652
00:34:07,920 --> 00:34:09,920
[CLATTERING]
653
00:34:13,680 --> 00:34:14,680
[DAVIS] I'm sorry.
654
00:34:15,960 --> 00:34:16,960
[PIA] For what?
655
00:34:18,920 --> 00:34:21,080
For not looking where I was going.
656
00:34:24,680 --> 00:34:26,313
[DOCTOR] You're likely still concussed,
657
00:34:26,314 --> 00:34:27,920
so we have to keep
you in for observation.
658
00:34:28,000 --> 00:34:29,160
Be on the safe side.
659
00:34:29,240 --> 00:34:30,680
[JANET] She knows her stuff.
660
00:34:30,760 --> 00:34:32,440
Look at her. She's a doctor.
661
00:34:32,960 --> 00:34:34,200
[DOCTOR CHUCKLES SOFTLY]
662
00:34:36,840 --> 00:34:38,120
Davis's driving, eh?
663
00:34:39,080 --> 00:34:41,120
And you and me both
been in the fucking wars.
664
00:34:42,920 --> 00:34:44,240
You're the lucky one, no?
665
00:34:45,160 --> 00:34:47,640
No wanking for me for a month.
666
00:34:48,520 --> 00:34:52,360
Least you can draw that curtain round
and tug yourself into a coma, eh?
667
00:34:52,440 --> 00:34:53,520
[STUART LAUGHS]
668
00:34:56,560 --> 00:35:00,280
Right. Sparkling conversation as
always, Dad. Get well soon, eh?
669
00:35:00,880 --> 00:35:02,160
- Aye, son.
- Uh-huh.
670
00:35:06,440 --> 00:35:08,040
Any chance of a lift home?
671
00:35:08,640 --> 00:35:09,640
Of course.
672
00:35:11,440 --> 00:35:12,920
You rest up.
673
00:35:13,000 --> 00:35:14,160
- Bye, now.
- [DAVIS] Bye.
674
00:35:29,640 --> 00:35:30,920
[PHONE CHIMES]
675
00:35:31,000 --> 00:35:33,000
[VEHICLE APPROACHING]
676
00:35:37,880 --> 00:35:39,760
[JANET] I'll put that shepherd's pie on.
677
00:35:40,800 --> 00:35:43,360
- Just for us girls.
- It's fine. I have stuff to digitize.
678
00:35:43,440 --> 00:35:45,440
- I can just...
- You need to eat, dear.
679
00:35:45,520 --> 00:35:46,920
Honestly, it's no fuss.
680
00:35:48,320 --> 00:35:49,320
Thank you.
681
00:36:04,960 --> 00:36:06,960
[WHIMSICAL MUSIC PLAYING SOFTLY]
682
00:36:26,320 --> 00:36:27,641
[PIA ON VIDEO] I'm
gonna start from here,
683
00:36:27,642 --> 00:36:29,680
and then you guys just stand around
684
00:36:29,760 --> 00:36:31,520
and look like you're examining stuff.
685
00:36:31,600 --> 00:36:33,120
- Good?
- [DAVIS] Yeah.
686
00:36:33,200 --> 00:36:34,640
[STUART] All right, okay, fine.
687
00:36:35,160 --> 00:36:36,520
And I've seen CSI, so...
688
00:36:36,600 --> 00:36:38,600
[WHIMSICAL MUSIC PLAYING SOFTLY]
689
00:36:43,680 --> 00:36:45,720
[PIA ON VIDEO] I'm gonna
come over your shoulder here.
690
00:36:47,760 --> 00:36:49,080
Yeah, that looks good.
691
00:36:51,000 --> 00:36:55,400
Maybe could you guys, like, um,
cross each other's frame a little bit
692
00:36:55,480 --> 00:36:58,120
so you look busy, like
maybe there's more people?
693
00:37:05,680 --> 00:37:07,680
[UNSETTLING MUSIC PLAYING]
694
00:37:15,960 --> 00:37:17,000
[GROANS]
695
00:37:25,120 --> 00:37:27,120
[HUMMING]
696
00:37:30,600 --> 00:37:32,600
[MENACING MUSIC PLAYING]
697
00:37:46,160 --> 00:37:47,160
Mr. King?
698
00:37:49,160 --> 00:37:51,080
[STUART ON VIDEO] It's freezing in here.
699
00:37:51,160 --> 00:37:53,001
[DAVIS] Real forensics
people don't moan about
700
00:37:53,002 --> 00:37:54,840
the cold while they work, do they?
701
00:37:56,600 --> 00:37:58,800
- [PIA] Yeah, that's good. Thank you.
- [STUART] Of course.
702
00:38:03,720 --> 00:38:04,960
Sorry, uh...
703
00:38:06,400 --> 00:38:07,400
What do you want?
704
00:38:12,960 --> 00:38:14,560
You have to stop your film.
705
00:38:19,040 --> 00:38:20,040
Why?
706
00:38:28,280 --> 00:38:29,640
I don't have any proof.
707
00:38:29,720 --> 00:38:31,240
[MENACING MUSIC CONTINUES]
708
00:38:32,000 --> 00:38:33,000
Of what?
709
00:38:35,920 --> 00:38:37,480
I think I've always known.
710
00:38:41,400 --> 00:38:42,960
Known what?
711
00:38:49,000 --> 00:38:50,960
[PIA ON VIDEO] Great. All
right, that should do it.
712
00:38:55,240 --> 00:38:57,240
[BERGERAC THEME MUSIC PLAYING]
713
00:38:58,200 --> 00:38:59,200
[MOANS SOFTLY]
714
00:39:01,280 --> 00:39:03,131
[MAN ON VIDEO] And Bergerac
returns at the same time
715
00:39:03,132 --> 00:39:05,400
next week on UK Gold.
716
00:39:05,480 --> 00:39:07,600
Up next, trouble for Jacko...
717
00:39:07,680 --> 00:39:09,560
[STATIC]
718
00:39:09,640 --> 00:39:12,240
[MAN ON VIDEO] All right.
Okay, is this thing on?
719
00:39:12,960 --> 00:39:14,280
Ah, Iain.
720
00:39:15,520 --> 00:39:17,520
[UNSETTLING MUSIC PLAYING]
721
00:39:18,440 --> 00:39:20,680
Yeah. What day we on now, Iain?
722
00:39:21,440 --> 00:39:24,000
- Iain?
- [IAIN] I believe it's day nine.
723
00:39:24,520 --> 00:39:26,320
[SINISTER LAUGHTER]
724
00:39:32,840 --> 00:39:34,960
[DAWN WHIMPERING ON VIDEO]
725
00:39:35,040 --> 00:39:37,120
[MAN] Can you take this over?
726
00:39:38,720 --> 00:39:39,880
Hurry up.
727
00:39:40,880 --> 00:39:46,880
Okay, as you can see, our guests
are still delighted to be here.
728
00:39:47,880 --> 00:39:49,720
- Aren't they?
- [IAIN] Aye, Kenny. Over the moon.
729
00:39:49,800 --> 00:39:52,440
[KENNETH] And it's a big treat today
730
00:39:52,520 --> 00:39:56,160
because the mistress is gonna
have fun with the both of you.
731
00:39:56,240 --> 00:39:58,720
- How does that sound?
- [IAIN] Does that sound like fun?
732
00:39:58,800 --> 00:40:01,480
- [KENNETH LAUGHING]
- [DAWN WHIMPERING, CRYING]
733
00:40:01,560 --> 00:40:02,720
[IAIN] Aye, Kenny.
734
00:40:14,240 --> 00:40:15,800
You can come on in, Janet.
735
00:40:19,600 --> 00:40:21,240
- ♪ I slam the door ♪
- ♪ Boom ♪
736
00:40:21,320 --> 00:40:23,480
- ♪ When I come into the bedroom ♪
- ♪ Wham, bam ♪
737
00:40:23,560 --> 00:40:25,720
- ♪ 'Cause I'm the king of the castle ♪
- ♪ Na-na-na ♪
738
00:40:25,800 --> 00:40:27,920
- ♪ Turn me on, turn me loose ♪
- ♪ Come on, come on ♪
739
00:40:28,000 --> 00:40:29,240
♪ Try to hit it, it's a hassle ♪
740
00:40:29,320 --> 00:40:31,720
♪ Come get some of this ♪
♪ Don't forget the innuendo ♪
741
00:40:31,800 --> 00:40:34,000
♪ Play me like Nintendo ♪
♪ Never ever let go ♪
742
00:40:34,080 --> 00:40:36,240
♪ Keep it so loud you'll
be hittin' the crescendo ♪
743
00:40:36,320 --> 00:40:37,960
♪ Do-Re-Mi-Fa-So-La-Ti-Do... ♪
744
00:40:38,040 --> 00:40:40,040
[SIMON WHIMPERING]
745
00:40:40,120 --> 00:40:42,280
- [DRILL WHIRRING]
- [DAWN SCREAMING]
746
00:40:43,080 --> 00:40:45,080
[DRILL WHIRRING]
747
00:40:45,160 --> 00:40:46,560
[SIMON, DAWN SCREAMING]
748
00:40:46,640 --> 00:40:47,800
[JANET] Shepherd's pie.
749
00:40:47,880 --> 00:40:49,480
- [DOOR OPENS] - [PIA NERVOUSLY] Mm-hmm.
750
00:40:51,360 --> 00:40:53,640
Shepherd's pie. It's ready.
751
00:40:57,600 --> 00:40:58,720
Right.
752
00:41:00,320 --> 00:41:01,520
I'll plate up.
753
00:41:01,600 --> 00:41:03,360
[FOOTSTEPS RETREATING]
754
00:41:05,560 --> 00:41:07,000
[BREATHING HEAVILY]
755
00:41:21,320 --> 00:41:22,880
[MENACING MUSIC PLAYING]
756
00:41:28,320 --> 00:41:29,560
Ken gave me that.
757
00:41:30,200 --> 00:41:32,040
We had such fun together.
758
00:41:46,840 --> 00:41:49,520
- Everything all right?
- Yes. I need the bathroom.
759
00:41:55,400 --> 00:41:57,400
[TENSE MUSIC PLAYING]
760
00:42:01,200 --> 00:42:02,200
[NO SERVICE BEEP]
761
00:42:02,240 --> 00:42:03,280
Come on. Come on.
762
00:42:04,320 --> 00:42:05,320
Come on.
763
00:42:06,200 --> 00:42:08,120
- [NO SERVICE BEEP]
- Fuck.
764
00:42:08,480 --> 00:42:10,840
[BREATHING HEAVILY]
765
00:42:13,080 --> 00:42:15,080
[TENSE MUSIC CONTINUES]
766
00:42:22,840 --> 00:42:25,160
- [GASPS]
- Are you sure you're okay, dear?
767
00:42:25,920 --> 00:42:27,080
I'm just stepping out.
768
00:42:27,160 --> 00:42:28,480
Out? Right now?
769
00:42:28,560 --> 00:42:32,400
Yes, I just feel cooped up.
A little walk. Clear my head.
770
00:42:33,400 --> 00:42:35,040
Are you sure everything's all right?
771
00:42:35,120 --> 00:42:37,480
I'm fine, really. I...
I won't be a minute.
772
00:42:38,080 --> 00:42:39,480
[DOOR OPENS]
773
00:42:40,080 --> 00:42:41,080
[DOOR CLOSES]
774
00:42:47,680 --> 00:42:49,680
[VCR WHIRRING]
775
00:42:51,240 --> 00:42:52,280
[VCR CLICKS]
776
00:43:07,680 --> 00:43:09,320
[BREATHING HEAVILY]
777
00:43:09,400 --> 00:43:10,600
[NO SERVICE BEEP]
778
00:43:12,040 --> 00:43:13,320
[NO SERVICE BEEP]
779
00:43:15,520 --> 00:43:16,520
[NO SERVICE BEEP]
780
00:43:16,560 --> 00:43:18,560
[OMINOUS MUSIC PLAYING]
781
00:43:20,480 --> 00:43:21,480
[WHIMPERS]
782
00:43:21,520 --> 00:43:23,760
Shit. Come on. Come on.
783
00:43:24,280 --> 00:43:25,520
[NO SERVICE BEEP]
784
00:43:28,640 --> 00:43:30,520
Maybe the crash gave you a shock, dear.
785
00:43:31,560 --> 00:43:34,000
- You'll catch cold out here.
- I'm fine.
786
00:43:34,080 --> 00:43:36,160
- You should get in.
- No!
787
00:43:36,240 --> 00:43:37,280
Get in the car!
788
00:43:37,360 --> 00:43:38,560
[TENSE MUSIC PLAYING]
789
00:43:41,520 --> 00:43:43,520
[CAR REVERSING]
790
00:44:07,680 --> 00:44:09,400
You come back now!
791
00:44:24,720 --> 00:44:26,440
[PANTING]
792
00:44:29,640 --> 00:44:31,200
I won't hurt you!
793
00:44:48,040 --> 00:44:49,280
[GASPS]
794
00:44:59,520 --> 00:45:01,920
[OMINOUS MUSIC PLAYING]
795
00:45:02,000 --> 00:45:03,000
No.
796
00:45:05,200 --> 00:45:06,240
Cunt!
797
00:45:08,280 --> 00:45:09,440
Fuck!
798
00:45:09,960 --> 00:45:12,480
Cunt! Cunt!
799
00:45:13,320 --> 00:45:17,720
Fuck! Cunt! Cunt! Fuck! Fuck! Fuck!
800
00:45:19,440 --> 00:45:20,440
Fuck!
801
00:45:28,120 --> 00:45:29,120
[GRUNTS]
802
00:45:35,600 --> 00:45:36,600
[CLEARS THROAT]
803
00:45:42,360 --> 00:45:44,360
[OMINOUS MUSIC PLAYING]
804
00:46:55,080 --> 00:46:57,080
[OMINOUS MUSIC CONTINUES]
805
00:47:30,360 --> 00:47:31,480
[CHOKING GRUNT]
806
00:47:39,080 --> 00:47:40,520
[INDISTINCT CHATTERING]
807
00:47:44,600 --> 00:47:47,560
[MAN] So, tell us about
the film you were making.
808
00:47:54,640 --> 00:47:56,800
[HIGH-PITCHED NOTE PLAYS]
809
00:47:59,400 --> 00:48:01,400
[MENACING MUSIC PLAYING]
810
00:48:02,960 --> 00:48:04,400
[DAVIS] Pia. [LAUGHS]
811
00:48:05,120 --> 00:48:06,320
Oh, lovely.
812
00:48:06,400 --> 00:48:08,080
[OMINOUS MUSIC PLAYING]
813
00:48:11,400 --> 00:48:14,160
[REPORTER 1] It's four days
since Dawn and Simon Challis
814
00:48:14,240 --> 00:48:16,000
were last seen alive
815
00:48:16,080 --> 00:48:18,480
in the tourist hotspot of Loch Henry.
816
00:48:19,000 --> 00:48:21,480
[MENACING MUSIC PLAYING]
817
00:48:26,360 --> 00:48:29,080
[JANET] Been years since I was in
front of any kind of camera at all.
818
00:48:29,960 --> 00:48:31,440
[KENNETH] You can come in now, Janet.
819
00:48:31,520 --> 00:48:33,400
- [DAWN SCREAMS]
- [KENNETH LAUGHS]
820
00:48:33,480 --> 00:48:35,360
- [SINISTER MUSIC PLAYING]
- [DAWN] Sorry.
821
00:48:39,520 --> 00:48:41,880
[SINISTER MUSIC CONTINUES]
822
00:48:43,760 --> 00:48:45,440
- [DRILL WHIRRING]
- [DAWN, SIMON WHIMPERING]
823
00:48:47,520 --> 00:48:49,680
[RICHARD] Years ago, I spent
a night with Kenny and Janet
824
00:48:49,760 --> 00:48:53,080
and got carried away into adult stuff.
825
00:48:53,160 --> 00:48:54,480
You know, sex games.
826
00:48:55,360 --> 00:48:56,480
I was married.
827
00:48:56,560 --> 00:48:59,240
The way they behaved that
night, the whole experience,
828
00:48:59,960 --> 00:49:02,640
made me think that maybe
Iain Adair hadn't acted alone.
829
00:49:03,280 --> 00:49:05,520
[REPORTER 2] Police have
announced shocking new discoveries
830
00:49:05,600 --> 00:49:09,440
about the notorious Loch
Henry murders of the 1990s.
831
00:49:09,520 --> 00:49:11,880
[REPORTER 3] For years, it was
thought Iain Adair acted alone.
832
00:49:11,960 --> 00:49:15,160
In fact, he'd been under the guidance
of local officer Kenneth McCardle
833
00:49:15,240 --> 00:49:17,240
and his wife, Janet.
834
00:49:17,320 --> 00:49:19,160
[REPORTER 4] McCardle
shot the Adairs dead,
835
00:49:19,240 --> 00:49:22,960
deliberately wounding himself to
cover up his role in the slaughter.
836
00:49:23,040 --> 00:49:24,760
[REPORTER 3] The woman
who hid the secret
837
00:49:24,840 --> 00:49:27,640
of her and her husband's part
in the crimes killed herself...
838
00:49:27,641 --> 00:49:28,891
[REPORTER 4] ... after leaving
recordings of the murders
839
00:49:28,891 --> 00:49:31,000
where her son would find them.
840
00:49:32,800 --> 00:49:33,800
[SOBS]
841
00:49:34,480 --> 00:49:35,840
[CRYING]
842
00:49:36,560 --> 00:49:38,480
[TENSE MUSIC PLAYING]
843
00:49:40,320 --> 00:49:41,440
[TENSE MUSIC SWELLS]
844
00:49:41,520 --> 00:49:44,000
But your dad never had all this stuff.
845
00:49:44,080 --> 00:49:46,200
[DAVIS] He wasn't filming
for broadcast, Mum.
846
00:49:47,240 --> 00:49:48,720
Can you imagine?
847
00:49:48,800 --> 00:49:50,720
[DRAMATIC MUSIC PLAYING]
848
00:49:53,960 --> 00:49:55,520
[DRAMATIC MUSIC FADES]
849
00:49:58,280 --> 00:50:01,400
[ANNOUNCER] And so, to honor
this year's documentaries,
850
00:50:01,480 --> 00:50:03,400
please welcome Kirsty Wark.
851
00:50:03,401 --> 00:50:04,440
[UPBEAT MUSIC PLAYING]
852
00:50:04,440 --> 00:50:06,920
Hey, quiet down! This
is us. This is the bit.
853
00:50:07,000 --> 00:50:09,520
The nominees for best
factual series are...
854
00:50:10,600 --> 00:50:13,640
Suffer The Children: The
Tipley Pedophile Ring.
855
00:50:14,280 --> 00:50:16,520
Loch Henry: Truth Will Out.
856
00:50:16,600 --> 00:50:18,920
Yes!
857
00:50:19,000 --> 00:50:22,000
[KIRSTY ON TV] Euthanasia:
Inside Project Junipero.
858
00:50:22,600 --> 00:50:24,400
And the BAFTA goes to...
859
00:50:25,240 --> 00:50:26,280
Loch Henry.
860
00:50:26,360 --> 00:50:31,360
[SCREAMS] Yes! Yes! Yes! Yes!
861
00:50:31,440 --> 00:50:33,000
Come on!
862
00:50:33,080 --> 00:50:34,080
Yes!
863
00:50:34,880 --> 00:50:37,960
Also, our fabulous
post-house, Cart Before Horse.
864
00:50:39,760 --> 00:50:44,280
And, of course, the most
important person on the stage,
865
00:50:44,360 --> 00:50:47,760
who allowed us to tell his story.
866
00:50:48,600 --> 00:50:51,920
I'd like to dedicate this
award to Davis McCardle
867
00:50:52,000 --> 00:50:54,840
and to his late girlfriend, Pia.
868
00:50:54,920 --> 00:50:57,600
- [INDISTINCT CHATTERING]
- [CAMERA SHUTTERS CLICKING]
869
00:51:08,440 --> 00:51:12,600
Ugh. There's that actress from that
comedy about the bipolar single mum
870
00:51:12,680 --> 00:51:14,560
who fucking cries all the time.
871
00:51:14,640 --> 00:51:16,400
Tell us a joke, love. [CHUCKLES]
872
00:51:17,160 --> 00:51:18,400
Shit, she's coming over.
873
00:51:19,800 --> 00:51:22,280
Can I just say, I love you.
874
00:51:22,360 --> 00:51:24,360
And your show was sublime.
875
00:51:24,440 --> 00:51:25,480
Oh, thank you.
876
00:51:25,560 --> 00:51:28,520
Um, are you the Loch Henry guy?
877
00:51:29,560 --> 00:51:31,080
Oh my God.
878
00:51:31,160 --> 00:51:33,080
I am not worthy.
879
00:51:33,160 --> 00:51:35,960
Such an incredible piece of work.
880
00:51:36,040 --> 00:51:37,120
Thank you.
881
00:51:37,200 --> 00:51:39,200
Kate Cezar, Historik.
882
00:51:39,280 --> 00:51:43,360
We are actually developing a
drama based on the whole thing.
883
00:51:43,440 --> 00:51:45,840
- [ACTRESS] Okay.
- [KATE] We will be looking for a Pia.
884
00:51:45,920 --> 00:51:48,840
- [KATE] That's all I'm saying.
- [ACTRESS] Wow, that is interesting.
885
00:51:58,160 --> 00:51:59,160
[DOOR CLOSES]
886
00:52:08,640 --> 00:52:09,960
[PHONE BUZZING]
887
00:52:20,800 --> 00:52:23,000
[STUART CHUCKLES]
Well done, you bastard!
888
00:52:23,080 --> 00:52:25,000
It's the red carpet for you, eh?
889
00:52:25,520 --> 00:52:28,800
We've been booked up for weeks,
pal. Listen to how packed it is.
890
00:52:30,320 --> 00:52:32,560
Seriously, I just want to say...
891
00:53:04,720 --> 00:53:06,720
[ETHEREAL MUSIC PLAYING]
892
00:53:28,840 --> 00:53:31,080
["ULTRAVIOLET" BY GEORGE
FITZGERALD PLAYING]
893
00:53:31,081 --> 00:53:36,081
- Synced and corrected by chamallow -
- www.addic7ed.com -
894
00:54:35,840 --> 00:54:37,760
[MUSIC FADES]