1 00:00:41,708 --> 00:00:47,208 ♪ In spite of all the danger ♪ 2 00:00:47,291 --> 00:00:50,500 ♪ In spite of all that may be ♪ 3 00:00:50,583 --> 00:00:55,958 ♪ I'll do anything for you ♪ 4 00:00:56,041 --> 00:00:58,833 ♪ Anything you want me to ♪ 5 00:00:58,916 --> 00:01:01,833 ♪ If you'll be true to me ♪ 6 00:01:04,708 --> 00:01:10,208 ♪ In spite of all the heartache ♪ 7 00:01:10,291 --> 00:01:13,458 ♪ That you may cause me ♪ 8 00:01:13,541 --> 00:01:18,750 ♪ I'll do anything for you ♪ 9 00:01:18,833 --> 00:01:21,708 ♪ Anything you want me to ♪ 10 00:01:21,791 --> 00:01:25,333 ♪ If you'll be true to me ♪ 11 00:01:50,500 --> 00:01:53,416 ♪ Some other guy now Has taken my love away from me ♪ 12 00:01:53,500 --> 00:01:56,708 I was immediately struck by their music, their beat 13 00:01:56,791 --> 00:01:59,708 and their sense of humor, actually, onstage. 14 00:01:59,791 --> 00:02:02,500 And it was there that, really, it all started. 15 00:02:02,583 --> 00:02:04,708 ♪ Love, love me do ♪ 16 00:02:04,791 --> 00:02:07,708 ♪ You know I love you ♪ 17 00:02:07,791 --> 00:02:11,541 The Beatles… George Harrison, Ringo Starr, 18 00:02:11,625 --> 00:02:14,000 John Lennon, Paul McCartney. 19 00:02:16,416 --> 00:02:17,708 - * Come on * - * Come on * 20 00:02:17,791 --> 00:02:19,333 - * Come on * - * Come on * 21 00:02:19,416 --> 00:02:21,125 - * Come on * - * Come on * 22 00:02:21,208 --> 00:02:22,583 - * Come on * - * Come on * 23 00:02:22,666 --> 00:02:25,708 ♪ Please please me, whoa yeah Like I please you ♪ 24 00:02:28,291 --> 00:02:30,916 George, you think all this success is just a one-night stand? 25 00:02:31,000 --> 00:02:33,750 I mean, it can't go on the way it has been going. 26 00:02:36,375 --> 00:02:37,625 ♪ Ooh ♪ 27 00:02:37,708 --> 00:02:40,000 ♪ She loves you yeah, yeah, yeah ♪ 28 00:02:40,083 --> 00:02:42,583 This is no ordinary departure from London Airport. 29 00:02:42,666 --> 00:02:45,000 The Beatles are on their way to America. 30 00:02:45,083 --> 00:02:48,500 Paul McCartney may have been wondering how the songs he and John write 31 00:02:48,583 --> 00:02:49,875 will go over in the States. 32 00:02:49,958 --> 00:02:54,416 ♪ Listen, do you want to know a secret? ♪ 33 00:02:55,333 --> 00:02:57,208 This rock and roll group has taken over 34 00:02:57,291 --> 00:02:59,208 as the kingpins of musical appreciation. 35 00:02:59,291 --> 00:03:01,791 - Do you hope to get a haircut at all… - No! 36 00:03:01,875 --> 00:03:04,041 - No, thanks. - I had one yesterday. 37 00:03:08,458 --> 00:03:11,458 Ladies and gentlemen, The Beatles! 38 00:03:11,541 --> 00:03:15,041 ♪ Close your eyes and I'll kiss you ♪ 39 00:03:15,125 --> 00:03:17,375 ♪ Tomorrow I'll miss you ♪ 40 00:03:17,458 --> 00:03:21,375 The Beatles, who originated as a small-time act out of Liverpool, 41 00:03:21,458 --> 00:03:24,375 now have no rivals as the kingpins of the teenage set. 42 00:03:24,458 --> 00:03:30,000 ♪ Hope you need my love, babe Just like I need you ♪ 43 00:03:30,083 --> 00:03:31,583 ♪ Oh, hold me ♪ 44 00:03:31,666 --> 00:03:33,708 - Did you enjoy it? - Yeah, it was marvelous. 45 00:03:33,791 --> 00:03:34,916 I just loved all of it. 46 00:03:35,500 --> 00:03:38,750 The Beatles are the top pop music phenomenon of the century. 47 00:03:38,833 --> 00:03:41,583 Did you have a chance to get away from anybody at anytime on the trip? 48 00:03:41,666 --> 00:03:44,083 - Yeah. - He got away from me twice. 49 00:03:47,750 --> 00:03:51,041 ♪ It's been a hard day's night ♪ 50 00:03:51,125 --> 00:03:54,708 And here with The Beatles was Brian Epstein, their famous manager. 51 00:03:54,791 --> 00:03:57,250 ♪ 'Cause I don't care too much for money ♪ 52 00:03:57,333 --> 00:03:58,708 ♪ Money can't buy me love ♪ 53 00:03:58,791 --> 00:04:01,500 ♪ Can't buy me love ♪ 54 00:04:01,583 --> 00:04:02,916 ♪ And I do ♪ 55 00:04:03,000 --> 00:04:06,291 ♪ And I do, hey, hey, hey ♪ 56 00:04:06,375 --> 00:04:08,166 ♪ And I do ♪ 57 00:04:10,416 --> 00:04:12,916 Hey, pardon me for asking, but who's that little old man? 58 00:04:13,000 --> 00:04:16,625 Oh, that's my grandfather. He's very clean. 59 00:04:16,708 --> 00:04:20,791 ♪ Help me if you can ♪ I'm feeling down ♪ 60 00:04:20,875 --> 00:04:26,333 ♪ And I do appreciate you being 'round ♪ 61 00:04:26,416 --> 00:04:28,500 Has any of you any ambitions left at all? 62 00:04:28,583 --> 00:04:30,875 Yeah. I want to be an astronaut. 63 00:04:30,958 --> 00:04:34,000 ♪ They're gonna put me in the movies ♪ 64 00:04:35,333 --> 00:04:38,708 ♪ They're gonna make a big star Out of me ♪ 65 00:04:40,250 --> 00:04:42,708 Says Paul, "We've had so much success, 66 00:04:42,791 --> 00:04:44,583 we don't care if it fades tomorrow. 67 00:04:44,666 --> 00:04:47,250 We've reached the point where we don't have worries anymore." 68 00:04:47,333 --> 00:04:49,583 ♪ Yesterday ♪ 69 00:04:50,666 --> 00:04:54,041 ♪ All my troubles seemed so far away ♪ 70 00:04:54,125 --> 00:04:56,583 ♪ Baby, you can drive my car ♪ 71 00:04:58,125 --> 00:05:00,583 ♪ Yes, I'm gonna be a star ♪ 72 00:05:02,041 --> 00:05:04,583 ♪ Baby, you can drive my car ♪ 73 00:05:04,666 --> 00:05:06,916 ♪ And maybe I'll love you ♪ 74 00:05:08,166 --> 00:05:10,666 ♪ Beep, beep, beep, beep, yeah! ♪ 75 00:05:10,750 --> 00:05:15,083 ♪ We all live in a yellow submarine ♪ 76 00:05:15,166 --> 00:05:18,458 ♪ Yellow submarine, yellow submarine ♪ 77 00:05:20,583 --> 00:05:23,833 With Manila, some of the fans have broken off diplomatic relations. 78 00:05:23,916 --> 00:05:28,041 ♪ Yeah, I'm the Taxman ♪ 79 00:05:28,125 --> 00:05:29,708 John, what exactly happened at Manila Airport? 80 00:05:29,791 --> 00:05:31,875 You're treated like an ordinary passenger. Ordinary passenger! 81 00:05:31,958 --> 00:05:34,416 An ordinary passenger, he doesn't get kicked, does he? 82 00:05:34,500 --> 00:05:38,333 - Would you go to Manila again, George? - No. I didn't even want to go that time. 83 00:05:38,416 --> 00:05:42,833 Do you consider that this religious issue is answered once and for all? 84 00:05:42,916 --> 00:05:48,708 The quote which John Lennon made has been represented entirely out of context. 85 00:05:48,791 --> 00:05:51,500 But I'm not saying that we're better or greater 86 00:05:51,583 --> 00:05:54,250 or comparing us with Jesus Christ as a person. 87 00:05:54,333 --> 00:05:57,250 You tell me what you think I meant, and I'll tell you whether I agree. 88 00:05:57,333 --> 00:06:00,458 What difference has all this row made to this tour, do you think? 89 00:06:00,541 --> 00:06:01,875 It's made it more hectic. 90 00:06:01,958 --> 00:06:04,666 Well, I've clarified it about 800 times, you know. 91 00:06:04,750 --> 00:06:08,500 People said to us last time we came all our answers were a bit flippant. 92 00:06:09,166 --> 00:06:10,666 They said, "Why isn't it this time?" 93 00:06:10,750 --> 00:06:13,291 And the thing is, the questions are a bit more serious this time. 94 00:06:13,375 --> 00:06:17,500 ♪ Turn off your mind, relax And float down-stream ♪ 95 00:06:17,583 --> 00:06:20,583 The Ku Klux Klan is going to stop this performance. 96 00:06:20,666 --> 00:06:22,375 Apart from that, it's great. 97 00:06:22,875 --> 00:06:23,916 Having a swinging tour. 98 00:06:28,083 --> 00:06:30,708 ♪ Let me take you down ♪ 99 00:06:30,791 --> 00:06:36,416 ♪ 'Cause I'm going to Strawberry Fields ♪ 100 00:06:37,916 --> 00:06:43,958 ♪ Penny Lane is in my ears And in my eyes ♪ 101 00:06:44,875 --> 00:06:48,875 ♪ Sergeant Pepper's Lonely Hearts Club Band ♪ 102 00:06:48,958 --> 00:06:50,083 Everything's all right. 103 00:06:50,166 --> 00:06:54,041 ♪ Oh, I get by with a little help From my friends ♪ 104 00:06:56,916 --> 00:07:01,333 ♪ Lucy in the sky with diamonds ♪ 105 00:07:02,666 --> 00:07:05,666 ♪ All you need is love ♪ 106 00:07:07,583 --> 00:07:11,625 ♪ I read the news today, oh boy ♪ 107 00:07:24,750 --> 00:07:27,583 ♪ Roll up for the mystery tour ♪ 108 00:07:27,666 --> 00:07:30,375 ♪ Roll up, we've got everything you need ♪ 109 00:07:30,458 --> 00:07:32,291 ♪ Roll up for the mystery tour ♪ 110 00:07:33,458 --> 00:07:35,666 Roll up, satisfaction guaranteed * 111 00:07:35,750 --> 00:07:38,291 ♪ Roll up for the mystery tour ♪ 112 00:07:38,375 --> 00:07:40,708 Yes, Mr. Bloodvessel. 113 00:07:40,791 --> 00:07:44,125 ♪ I am the walrus Goo goo g'joob ♪ 114 00:07:45,916 --> 00:07:48,166 Far from the noise and pace of city life 115 00:07:48,250 --> 00:07:51,375 in the cool, clear air of Rishikesh, North India, 116 00:07:51,458 --> 00:07:55,041 the world-famous quartet stroll quietly in the lovely meditation retreat 117 00:07:55,125 --> 00:07:57,041 of Maharishi Mahesh Yogi. 118 00:07:57,125 --> 00:08:00,666 Flower-loving Yogi told reporters that his brand of peace of mind 119 00:08:00,750 --> 00:08:03,791 could only be truly appreciated by intelligent men of the world. 120 00:08:03,875 --> 00:08:07,791 ♪ The Ukraine girls really knock me out ♪ 121 00:08:07,875 --> 00:08:10,041 ♪ They leave the West behind ♪ 122 00:08:10,916 --> 00:08:15,958 ♪ While my guitar gently weeps ♪ 123 00:08:18,750 --> 00:08:22,000 ♪ Blackbird singing In the dead of night ♪ 124 00:08:22,083 --> 00:08:24,416 - We don't get on at all. - There are so many father figures. 125 00:08:27,625 --> 00:08:28,625 Oh, I see. 126 00:08:28,708 --> 00:08:30,041 What is Apple, John? 127 00:08:30,125 --> 00:08:34,416 It's a company we're setting up which involves records, 128 00:08:34,500 --> 00:08:38,791 films, electronics, which make records and films work, 129 00:08:38,875 --> 00:08:42,083 - and, what's it called? Manufacturing? - Yeah, it does a few things, you know? 130 00:08:43,291 --> 00:08:48,791 ♪ Hey Jude, don't be afraid ♪ 131 00:08:49,791 --> 00:08:55,250 ♪ You were made to go out and get her ♪ 132 00:08:56,750 --> 00:09:01,875 ♪ Remember to let her into your heart ♪ 133 00:09:01,958 --> 00:09:07,791 ♪ Then you can start to make it better ♪ 134 00:09:07,875 --> 00:09:13,250 ♪ Better, better, better Better, better, oh ♪ 135 00:09:13,333 --> 00:09:14,333 ♪ Yeah ♪ 136 00:09:14,416 --> 00:09:19,833 - * Yeah, yeah, yeah * - * Na, na, na, na, na, na, na * 137 00:09:19,916 --> 00:09:23,875 ♪ Na, na, na, na, hey, Jude ♪ 138 00:09:26,708 --> 00:09:33,000 ♪ Na, na, na, na, na, na, na ♪ 139 00:09:33,083 --> 00:09:37,416 ♪ Na, na, na, na, hey, Jude ♪ 140 00:09:40,041 --> 00:09:45,458 ♪ Na, na, na, na, na, na, na ♪ 141 00:09:46,458 --> 00:09:51,500 ♪ Na, na, na, na, hey, Jude ♪ 142 00:09:53,166 --> 00:09:58,750 ♪ Na, na, na, na, na, na, na ♪ 143 00:09:59,750 --> 00:10:04,916 ♪ Na, na, na, na, hey, Jude ♪ 144 00:10:06,375 --> 00:10:12,041 ♪ Na, na, na, na, na, na, na ♪ 145 00:10:13,041 --> 00:10:16,666 ♪ Na, na, na, na, hey, Jude ♪ 146 00:10:16,750 --> 00:10:19,500 ♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪ 147 00:10:19,583 --> 00:10:25,416 ♪ Na, na, na, na, na, na, na ♪ 148 00:10:26,250 --> 00:10:30,250 ♪ Na, na, na, na, hey, Jude ♪ 149 00:10:32,666 --> 00:10:38,000 ♪ Na, na, na, na, na, na, na ♪ 150 00:10:39,000 --> 00:10:43,125 ♪ Na, na, na, na, hey, Jude ♪ 151 00:10:45,500 --> 00:10:50,625 ♪ Na, na, na, na, na, na, na ♪ 152 00:10:52,041 --> 00:10:54,541 ♪ Na, na, na, na, hey, Jude ♪ 153 00:11:06,833 --> 00:11:08,458 Two, take one. Silent turn over. 154 00:11:08,541 --> 00:11:09,541 Running. 155 00:11:14,500 --> 00:11:18,083 ♪ As I leave the desert skies ♪ 156 00:11:20,916 --> 00:11:24,750 ♪ And my thoughts return to home ♪ 157 00:11:27,333 --> 00:11:31,375 ♪ Yes, my thoughts return to home ♪ 158 00:11:33,125 --> 00:11:37,041 ♪ I'm just a child of nature ♪ 159 00:11:40,166 --> 00:11:44,416 ♪ I don't need much to set me free ♪ 160 00:11:46,708 --> 00:11:50,250 ♪ I'm just a child of nature ♪ 161 00:11:53,708 --> 00:11:56,125 ♪ I'm one of nature's children ♪ 162 00:11:58,666 --> 00:12:02,208 - Where's the what? - The mixer and the 8-tracks and all them. 163 00:12:07,333 --> 00:12:08,583 - Hi, Ringo. - Hi, George. 164 00:12:08,666 --> 00:12:10,791 - Happy New Year. - Happy New Year. 165 00:12:12,666 --> 00:12:16,125 ♪ Everybody got a piece of toast To chew on ♪ 166 00:12:19,500 --> 00:12:21,916 ♪ Everybody's got soul ♪ 167 00:12:22,750 --> 00:12:25,000 ♪ Everybody's got soul ♪ 168 00:12:26,041 --> 00:12:29,708 ♪ Everybody got to feel This all alone ♪ 169 00:12:31,500 --> 00:12:33,583 ♪ Don't let me down ♪ 170 00:12:36,916 --> 00:12:40,000 ♪ Don't let me down ♪ 171 00:12:43,333 --> 00:12:46,750 ♪ Don't let me down ♪ 172 00:12:49,666 --> 00:12:52,250 ♪ Don't let me down ♪ 173 00:12:55,708 --> 00:12:58,000 ♪ Don't let me down ♪ 174 00:13:01,791 --> 00:13:05,583 ♪ Don't let me down ♪ 175 00:13:07,166 --> 00:13:10,666 ♪ I'm in love for the first time ♪ 176 00:13:11,458 --> 00:13:14,666 I don't think this is a very acoustically good place. 177 00:13:16,166 --> 00:13:17,291 Who's that little old man? 178 00:13:17,875 --> 00:13:19,958 Oh, is he one of the Hare Krishnas or something? 179 00:13:28,666 --> 00:13:30,791 'Cause they won't be rehearsing shots for three weeks. 180 00:13:30,875 --> 00:13:34,208 As I was saying to Mal, keep all the audience out, you know… 181 00:13:38,291 --> 00:13:39,416 If you can think of a… 182 00:13:42,000 --> 00:13:43,875 One of those Binson Echorec things. 183 00:13:43,958 --> 00:13:45,416 Have a little one of them. 184 00:13:55,541 --> 00:13:58,333 Oh, are you recording our conversation? 185 00:13:58,416 --> 00:14:00,250 Yeah. 186 00:14:00,958 --> 00:14:02,583 We should have a bass… 187 00:14:02,666 --> 00:14:05,125 a bass and guitar all in one. 188 00:14:05,208 --> 00:14:06,416 - Yeah. - Be great, wouldn't it? 189 00:14:07,000 --> 00:14:09,333 Well, two people should have bass and guitar. 190 00:14:09,416 --> 00:14:12,416 Maybe we should learn a few songs first. 191 00:14:12,500 --> 00:14:13,500 Great. 192 00:14:15,083 --> 00:14:18,166 ♪ Oh, no, ah ♪ 193 00:14:18,958 --> 00:14:20,750 One, two, three. 194 00:14:20,833 --> 00:14:23,041 ♪ Yeah, I've got a feeling ♪ 195 00:14:28,458 --> 00:14:31,041 - * Oh, please believe me * - * Yes, I will * 196 00:14:31,125 --> 00:14:34,708 ♪ I'd hate to miss the train Oh, yeah ♪ 197 00:14:36,500 --> 00:14:37,958 ♪ Oh, yeah ♪ 198 00:14:40,500 --> 00:14:45,458 ♪ And if you leave me I won't be late again ♪ 199 00:14:45,541 --> 00:14:46,541 ♪ No, no ♪ 200 00:14:46,625 --> 00:14:50,041 ♪ Oh, no, oh, no ♪ 201 00:14:51,208 --> 00:14:55,083 ♪ No, no, yeah ♪ 202 00:14:55,166 --> 00:14:57,458 ♪ One, two, three ♪ 203 00:14:57,541 --> 00:14:59,250 ♪ I've got a feeling ♪ 204 00:15:02,000 --> 00:15:03,333 Then it goes to E. 205 00:15:04,250 --> 00:15:06,083 ♪ All these years I've been wandering ♪ 206 00:15:06,166 --> 00:15:07,166 G. 207 00:15:07,250 --> 00:15:08,875 ♪ Wondering how come nobody ♪ 208 00:15:08,958 --> 00:15:09,958 E. 209 00:15:10,041 --> 00:15:12,833 ♪ All that I've been looking for Was somebody who looked like ♪ 210 00:15:12,916 --> 00:15:13,916 Stop. 211 00:15:18,875 --> 00:15:21,208 I just gotta see which should come where. 212 00:15:26,125 --> 00:15:27,541 Everybody had a hard on. 213 00:15:28,458 --> 00:15:29,750 ♪ Everybody had a hard on ♪ 214 00:15:29,833 --> 00:15:31,250 Except for me and my monkey. 215 00:15:32,208 --> 00:15:34,291 ♪ Everybody been… ♪ 216 00:15:34,875 --> 00:15:36,791 ♪ Oh, yeah! ♪ 217 00:15:39,500 --> 00:15:41,291 ♪ Oh, no ♪ 218 00:15:41,375 --> 00:15:42,791 ♪ Oh ♪ 219 00:15:42,875 --> 00:15:45,416 ♪ Yeah, yeah ♪ 220 00:15:45,500 --> 00:15:46,708 ♪ I've got a feeling ♪ 221 00:15:46,791 --> 00:15:49,958 - * Everybody had a hard year * - * Whoo, yeah, yeah * 222 00:15:50,041 --> 00:15:52,125 ♪ Everybody had a good time ♪ 223 00:15:53,000 --> 00:15:55,875 ♪ Everybody had a wet dream ♪ 224 00:15:55,958 --> 00:15:57,958 ♪ Everybody saw the sun shine ♪ 225 00:15:58,041 --> 00:15:59,666 - * Oh, yeah * - * Yeah * 226 00:15:59,750 --> 00:16:02,250 - * Oh, yeah, oh, yeah * - * Oh, oh, yeah * 227 00:16:02,333 --> 00:16:05,791 ♪ Oh, oh ♪ 228 00:16:06,708 --> 00:16:08,458 - * No, no * - * No, no * 229 00:16:08,541 --> 00:16:10,208 - * Yeah * - * No, no * 230 00:16:10,291 --> 00:16:11,625 ♪ I've got a feeling ♪ 231 00:16:14,750 --> 00:16:16,791 ♪ I've got a feeling ♪ 232 00:16:20,791 --> 00:16:22,125 Which this isn't. 233 00:16:22,791 --> 00:16:24,375 Um, um, we… 234 00:16:58,208 --> 00:16:59,333 - December 25th. - Yeah. 235 00:17:05,250 --> 00:17:06,791 Yeah. 236 00:17:15,791 --> 00:17:17,208 When you're ready. That's right. 237 00:17:17,708 --> 00:17:19,250 We could do… Yeah. 238 00:17:20,333 --> 00:17:22,208 ♪ Go, go ♪ 239 00:17:22,291 --> 00:17:23,916 ♪ Go, Johnny, go, go ♪ 240 00:17:24,625 --> 00:17:26,958 ♪ Go, Johnny, go, go ♪ 241 00:17:27,041 --> 00:17:31,791 ♪ Come all without Come all within ♪ 242 00:17:32,583 --> 00:17:37,000 ♪ You'll not see nothing Like the Mighty… ♪ 243 00:17:37,083 --> 00:17:38,416 All of us just… 244 00:17:38,500 --> 00:17:40,833 ♪ They say everything can be replaced ♪ 245 00:17:43,833 --> 00:17:46,791 ♪ Every distance is not near ♪ 246 00:17:51,541 --> 00:17:55,333 ♪ Yeah, I've got a feeling ♪ 247 00:18:02,458 --> 00:18:04,083 John is just finishing it up. 248 00:18:09,250 --> 00:18:11,416 I'll take you up in the Art Department when you get a moment. 249 00:18:11,500 --> 00:18:14,083 You can see some of the designs and all that, 'cause it's well under way. 250 00:18:14,166 --> 00:18:15,291 Is it still the 17th? 251 00:18:15,375 --> 00:18:16,958 No, 24th now, because of this. 252 00:18:17,041 --> 00:18:19,250 Why? This is only going to take two weeks. 253 00:18:19,333 --> 00:18:21,208 Well, we don't know yet, do we? 254 00:18:21,291 --> 00:18:24,791 ♪ It's a love that lasts forever ♪ 255 00:18:26,875 --> 00:18:30,000 ♪ It's a love that has no past ♪ 256 00:18:33,416 --> 00:18:36,916 - * Don't let me * - * Down * 257 00:18:37,958 --> 00:18:39,708 That's all the bits you've got? 258 00:18:39,791 --> 00:18:41,208 ♪ Don't let me… ♪ 259 00:18:41,291 --> 00:18:43,500 All right. If you had, "Don't let me down," 260 00:18:43,583 --> 00:18:45,500 say twice at the beginning… 261 00:18:46,083 --> 00:18:49,500 But you know when you bring that, "'Cause I'm in love for the first time"? 262 00:18:50,500 --> 00:18:53,416 - I don't dig that. Sounds like a middle 8. - Oh, yeah. Okay. 263 00:18:53,500 --> 00:18:55,750 It doesn't sound like… But I… Some of it. 264 00:18:55,833 --> 00:18:58,083 Scrap that, except use that somewhere near the end. 265 00:18:58,166 --> 00:19:00,083 That one used to go after the… 266 00:19:00,166 --> 00:19:02,333 ♪ Love that… A love that had no past ♪ 267 00:19:02,416 --> 00:19:05,250 - Yeah, 'cause that's where… - "Nobody ever loved me like she do me." 268 00:19:05,333 --> 00:19:07,291 No harm just having a break in that bit. 269 00:19:07,375 --> 00:19:09,041 Yeah, except just skip that little… 270 00:19:09,125 --> 00:19:10,500 - Yes. - …interlude. 271 00:19:10,583 --> 00:19:12,750 - Put the interlude right somewhere. - In the beginning. 272 00:19:12,833 --> 00:19:14,208 I'll do one set of "don't let me down." 273 00:19:15,166 --> 00:19:19,000 Uh… "Like she do me. Ooh, she do me. Yes, she do me." 274 00:19:19,083 --> 00:19:21,250 I didn't quite get around to making sense, you see? 275 00:19:21,333 --> 00:19:22,666 So we'll see what happens. 276 00:19:22,750 --> 00:19:24,208 Do you want some sandwiches? 277 00:19:24,291 --> 00:19:26,916 We don't eat these. Paul, do you want some sandwiches? 278 00:19:27,000 --> 00:19:28,250 - Hang on. - Ray. 279 00:19:28,333 --> 00:19:31,000 - Do you want a dry bun? - A dry bun? Yeah. 280 00:19:31,083 --> 00:19:33,666 It's like a rock cake but needs butter or something. 281 00:19:33,750 --> 00:19:37,291 The thing I don't want is, like, a TV show sound. 282 00:19:37,375 --> 00:19:40,625 They always seem to have that sort of farty, little sound on TV shows. 283 00:19:40,708 --> 00:19:43,166 Well, don't forget, you're hearing it on a TV speaker, 284 00:19:43,250 --> 00:19:44,458 which is a grotty speaker. 285 00:19:44,541 --> 00:19:48,125 But see, this place sounds terrible now. It may just be great. 286 00:19:48,208 --> 00:19:50,166 You can never tell with these places though. 287 00:19:50,250 --> 00:19:53,083 We did "Yer Blues" in a little room like a bog. 288 00:19:53,166 --> 00:19:54,791 - Yeah. - And… 289 00:19:54,875 --> 00:19:56,625 No separation in there, you know? 290 00:19:56,708 --> 00:19:58,666 - We really got good separation. - Yeah. 291 00:19:59,458 --> 00:20:03,000 The thing is, that an open-air sound is fantastic. 292 00:20:03,083 --> 00:20:06,208 I've always wanted to do something in the open air. 293 00:20:06,291 --> 00:20:09,708 It'd be nice to try and find some way to do it out of doors. 294 00:20:09,791 --> 00:20:10,791 It's so bloody cold. 295 00:20:10,875 --> 00:20:13,625 It's your English rain which is worrying about outdoors in this country. 296 00:20:13,708 --> 00:20:16,041 - Yeah, right. - Snow or rain will do me. 297 00:20:16,125 --> 00:20:18,291 You know, wind and anything. Make all that… 298 00:20:18,375 --> 00:20:20,750 - It's just a frozen hand trying to… - Yes, you could. 299 00:20:20,833 --> 00:20:21,833 …play those notes. 300 00:20:21,916 --> 00:20:23,791 Trying to get your E-seventh when your little finger's frozen… 301 00:20:23,875 --> 00:20:24,875 The snow and rain. 302 00:20:24,958 --> 00:20:28,333 It's all right. You might just have a few deaths on the set 303 00:20:28,416 --> 00:20:29,666 due to electric shocks. 304 00:20:30,666 --> 00:20:33,375 I was very taken by the place Denis talked about. 305 00:20:33,458 --> 00:20:35,291 Yeah. That was… 306 00:20:35,375 --> 00:20:37,833 Because I could see it outside torch-lit. 307 00:20:38,708 --> 00:20:40,375 2,000 Arabs and friends around. 308 00:20:40,458 --> 00:20:42,625 No, I think we won't be. 309 00:20:42,708 --> 00:20:44,708 I think you'll find we're not going abroad. 310 00:20:47,416 --> 00:20:49,625 'Cause Ringo just said he doesn't wanna go abroad. 311 00:20:49,708 --> 00:20:51,541 No, and he put his foot down. 312 00:20:52,541 --> 00:20:54,208 - So… - Yeah? 313 00:20:54,291 --> 00:20:56,291 Us and Jimmie Nicol might go abroad. 314 00:20:58,333 --> 00:21:01,083 I think the thing to do is just be very flexible still 315 00:21:01,166 --> 00:21:03,375 about every aspect of the enterprise. 316 00:21:03,458 --> 00:21:08,000 I think… Well, I think, you know… Michael, I think you're pretty right. 317 00:21:08,083 --> 00:21:09,541 He won't give up. 318 00:21:09,625 --> 00:21:11,583 - Pretty fair comment. - You're pretty right, Mike. 319 00:21:11,666 --> 00:21:12,916 Are you gonna keep the beard? 320 00:21:13,000 --> 00:21:13,901 I don't know. 321 00:21:13,916 --> 00:21:15,916 You ought to get one of those big-brimmed hats 322 00:21:16,000 --> 00:21:17,458 with those ringlets down the ears. 323 00:21:17,541 --> 00:21:19,333 Yes. Yes, I saw that on telly the other night. 324 00:21:19,416 --> 00:21:21,166 That'd be good. Then we could do it in Israel. 325 00:21:21,750 --> 00:21:24,041 ♪ We're on our way home ♪ 326 00:21:24,833 --> 00:21:26,791 ♪ We're on our way home ♪ 327 00:21:27,875 --> 00:21:29,125 ♪ We're going home ♪ 328 00:21:29,208 --> 00:21:30,708 Middle eight, B flat. 329 00:21:30,791 --> 00:21:34,125 ♪ You and I made memories ♪ 330 00:21:34,875 --> 00:21:40,708 ♪ Longer than the road That stretches out ahead ♪ 331 00:21:43,125 --> 00:21:46,083 ♪ Two of us wearing raincoats ♪ 332 00:21:46,166 --> 00:21:51,083 ♪ Standing solo in the sun ♪ 333 00:21:53,083 --> 00:21:54,375 I'll do a verse. Just… 334 00:21:59,791 --> 00:22:00,791 No, I think it goes… 335 00:22:00,875 --> 00:22:05,666 ♪ We're on our way back home ♪ 336 00:22:05,750 --> 00:22:06,750 ♪ Ba-bam, ba-ba ♪ 337 00:22:06,833 --> 00:22:07,833 Three, four… 338 00:22:07,916 --> 00:22:09,458 It's like… 339 00:22:09,541 --> 00:22:13,541 ♪ On our way back ♪ 340 00:22:13,625 --> 00:22:15,875 ♪ Ba-da, da-da, da-da ♪ 341 00:22:15,958 --> 00:22:17,375 ♪ We're on our way home ♪ 342 00:22:17,458 --> 00:22:18,916 Two, three. 343 00:22:19,000 --> 00:22:20,750 ♪ We're on our way home ♪ 344 00:22:20,833 --> 00:22:22,000 Two, three. 345 00:22:22,083 --> 00:22:23,166 ♪ We're going home ♪ 346 00:22:23,250 --> 00:22:24,250 - Two. - After three. 347 00:22:24,333 --> 00:22:26,458 It goes into waltz. It goes into three. 348 00:22:27,791 --> 00:22:29,166 ♪ We're on our way home ♪ 349 00:22:29,250 --> 00:22:30,791 ♪ Ch-cha-cha, cha ♪ 350 00:22:30,875 --> 00:22:32,666 ♪ We're going home ♪ 351 00:22:34,375 --> 00:22:35,375 Yeah. 352 00:22:35,458 --> 00:22:36,500 ♪ We're on our way home ♪ 353 00:22:36,583 --> 00:22:38,083 Repeat now. 354 00:22:38,166 --> 00:22:39,958 ♪ We're on our way home ♪ 355 00:22:40,041 --> 00:22:41,125 Then short. 356 00:22:41,208 --> 00:22:42,708 ♪ We're going home ♪ 357 00:22:42,791 --> 00:22:44,791 And that's like a break. Ch-cha. 358 00:22:44,875 --> 00:22:45,875 ♪ Two of us ♪ 359 00:22:45,958 --> 00:22:47,166 I'll go from the beginning. 360 00:22:47,250 --> 00:22:49,166 ♪ Chu-chu-chu-chu-chu-chu, ooh ♪ 361 00:22:49,250 --> 00:22:50,500 ♪ We're on our way home ♪ 362 00:22:50,583 --> 00:22:52,208 ♪ Ch-cha-cha, cha, ooh ♪ 363 00:22:52,291 --> 00:22:53,583 We're on our way home * 364 00:22:53,666 --> 00:22:55,208 ♪ Ch-cha-cha, cha, ooh ♪ 365 00:22:55,291 --> 00:22:57,291 ♪ We're going home ♪ 366 00:22:58,000 --> 00:23:02,958 ♪ You and me, Henry Cooper Henry Cooper ♪ 367 00:23:03,041 --> 00:23:06,458 ♪ Henry Coop ♪ 368 00:23:07,125 --> 00:23:09,958 ♪ You and me, Henry Cooper ♪ 369 00:23:10,041 --> 00:23:11,250 It's not… It's not… 370 00:23:11,333 --> 00:23:14,000 That was 23, take one. End announcement. 371 00:23:14,083 --> 00:23:15,791 ♪ Wearing raincoats ♪ 372 00:23:36,458 --> 00:23:37,625 Nice, that purple. 373 00:23:44,958 --> 00:23:48,000 "What do you think of George's pseudo tie sweatshirt?" 374 00:23:48,083 --> 00:23:49,583 I think it's terrible. 375 00:23:52,250 --> 00:23:56,291 "The True Story of The Beatles. You can still get it direct." 376 00:23:57,333 --> 00:24:01,333 "Accompanied by his current steady, American photographer Linda Eastman, 377 00:24:01,416 --> 00:24:03,375 Paul spent a December week in Portugal 378 00:24:03,458 --> 00:24:06,166 visiting The Beatles' biographer, Hunter Davis." 379 00:24:07,333 --> 00:24:09,166 It's just so sort of daft. 380 00:24:14,916 --> 00:24:17,125 "…send a big 'Hi' to all the Bertle Persons." 381 00:24:20,666 --> 00:24:22,416 "It's fab in here!" 382 00:24:24,125 --> 00:24:26,166 I think your beard suits you, man. 383 00:24:26,250 --> 00:24:27,250 Mmm. 384 00:24:27,291 --> 00:24:29,625 I've been thinking of all the tunes I've got. 385 00:24:29,708 --> 00:24:32,541 And they're all, uh, they're all slowish. 386 00:24:32,625 --> 00:24:34,416 - I seem to be… - Yeah, most of mine are. 387 00:24:34,500 --> 00:24:39,041 See, so far, there's a couple I know I could do live with no backing. 388 00:24:39,125 --> 00:24:42,125 - Just with the guitar and singing. - Well, you know… 389 00:24:42,208 --> 00:24:46,208 I've got "Taking a Trip to Carolina." 390 00:24:46,291 --> 00:24:47,750 In the same… 391 00:24:47,833 --> 00:24:49,000 In his mind. 392 00:24:49,083 --> 00:24:49,985 ♪ Taking… ♪ 393 00:24:50,000 --> 00:24:50,985 Oh, no. 394 00:24:51,000 --> 00:24:52,750 ♪ Taking a trip on a ocean liner ♪ 395 00:24:52,833 --> 00:24:55,041 ♪ I gotta get to Carolina ♪ 396 00:24:55,125 --> 00:24:57,333 ♪ Taking a trip on an ocean liner ♪ 397 00:24:57,416 --> 00:24:59,625 ♪ I gotta get to Carolina ♪ 398 00:25:01,666 --> 00:25:02,791 ♪ Oh, baby ♪ 399 00:25:06,500 --> 00:25:08,041 ♪ I've been… ♪ 400 00:25:08,125 --> 00:25:09,125 I had… It's on there. 401 00:25:09,208 --> 00:25:12,916 I've got it on the little tape, singing "I've been to LA and New York too." 402 00:25:13,000 --> 00:25:14,750 So, they're not very nice. 403 00:25:14,833 --> 00:25:17,208 You know, the words, I mean, they're not very good. 404 00:25:17,291 --> 00:25:19,916 - Uh-huh. - "Carolina," it's, "Oh, baby." 405 00:25:21,250 --> 00:25:22,916 Just get me back there. 406 00:25:29,041 --> 00:25:30,416 But it's good. 407 00:25:34,583 --> 00:25:36,375 But they'll have all this sort of… 408 00:25:38,166 --> 00:25:42,208 Yeah. If you wanted to get 8-track stuff to record all this, 409 00:25:42,291 --> 00:25:44,875 where would we get it? 'Cause, apparently, it hasn't been… 410 00:25:44,958 --> 00:25:47,666 We'll lend it to ourselves, but EMI should do it. 411 00:25:47,750 --> 00:25:50,500 You know, it's like if Benjamin Britten wants to do an album… 412 00:25:50,583 --> 00:25:51,750 - Right. - …in Paris, 413 00:25:51,833 --> 00:25:54,375 EMI have got to fucking get all that shit over to him. 414 00:25:54,458 --> 00:25:56,000 And they do, of course. 415 00:25:56,083 --> 00:25:58,666 We subsidize EMI, then get it out there. 416 00:25:58,750 --> 00:26:00,958 - Get an 8-track mixer… - 'Cause they just told Glyn and Mal… 417 00:26:01,041 --> 00:26:03,833 They just told them that they've only got 4-track. 418 00:26:03,916 --> 00:26:06,791 But I know for a fact that they got 8-track out for The Beach Boys. 419 00:26:06,875 --> 00:26:08,833 But The Beach Boys are American. 420 00:26:14,791 --> 00:26:16,375 'Cause I really never thought of that. 421 00:26:16,458 --> 00:26:19,125 It's just we all used to sag off every school day. 422 00:26:19,208 --> 00:26:20,958 You know, and go back to my house, 423 00:26:21,041 --> 00:26:23,458 and the two of us would just sit there and write. 424 00:26:23,541 --> 00:26:25,500 There's a lot from then, you know? 425 00:26:25,583 --> 00:26:29,041 There's about 100 songs from then that we never reckoned, 426 00:26:29,125 --> 00:26:31,541 'cause they were all very unsophisticated songs. 427 00:26:32,166 --> 00:26:34,833 "They said our love was just fun, 428 00:26:34,916 --> 00:26:36,791 the day that our friendship begun." 429 00:26:36,875 --> 00:26:40,750 ♪ They said our love was just fun ♪ 430 00:26:41,375 --> 00:26:42,500 ♪ Oh, oh, oh ♪ 431 00:26:42,583 --> 00:26:44,125 ♪ The day that… ♪ 432 00:26:45,333 --> 00:26:46,333 ♪ Begun… ♪ 433 00:26:49,666 --> 00:26:53,250 ♪ Because I know you love me so ♪ 434 00:26:55,916 --> 00:27:00,250 ♪ Wake up in the morning I don't feel blue ♪ 435 00:27:01,291 --> 00:27:06,125 ♪ 'Cause I know I've got you ♪ 436 00:27:06,708 --> 00:27:10,750 ♪ Get a funny feeling All day and night ♪ 437 00:27:12,000 --> 00:27:14,583 ♪ Get the funny feeling ♪ 438 00:27:14,666 --> 00:27:17,208 ♪ You don't treat me right ♪ 439 00:27:17,291 --> 00:27:19,875 ♪ Should have read your letter ♪ 440 00:27:19,958 --> 00:27:21,666 ♪ And then I'd know ♪ 441 00:27:22,541 --> 00:27:24,875 ♪ I would have felt much better ♪ 442 00:27:24,958 --> 00:27:28,541 ♪ Because I know you love me so ♪ 443 00:27:31,500 --> 00:27:33,375 Don't think that ever got there, did it? 444 00:27:34,416 --> 00:27:35,541 ♪ Well, I've been thinking… ♪ 445 00:27:36,708 --> 00:27:38,333 ♪ …love me ♪ 446 00:27:39,500 --> 00:27:40,791 ♪ Tell me that ♪ 447 00:27:42,666 --> 00:27:44,708 ♪ Won't you please ♪ 448 00:27:45,333 --> 00:27:47,000 ♪ Say goodbye? ♪ 449 00:27:48,291 --> 00:27:51,750 ♪ This love has long since grown cold ♪ 450 00:27:51,833 --> 00:27:56,083 ♪ Yeah, won't you please say goodbye? ♪ 451 00:27:57,625 --> 00:28:01,333 ♪ How many times must you be told? ♪ 452 00:28:03,125 --> 00:28:05,458 ♪ Won't you please say goodbye? ♪ 453 00:28:06,125 --> 00:28:08,083 That sounded like… 454 00:28:09,375 --> 00:28:10,500 ♪ Pick up my bags ♪ 455 00:28:11,958 --> 00:28:14,500 ♪ Run to the station ♪ 456 00:28:14,583 --> 00:28:15,833 ♪ Railman said ♪ 457 00:28:16,875 --> 00:28:18,708 ♪ "You've got the wrong location" ♪ 458 00:28:20,125 --> 00:28:22,333 - * Pick up my bag * - * Pick up my bag, yeah, yeah * 459 00:28:22,416 --> 00:28:24,291 - * Run right home * - * Run home * 460 00:28:25,250 --> 00:28:27,333 - * Then I find * - * Then I find that * 461 00:28:27,416 --> 00:28:30,833 - * I got the number wrong, yeah * - * I got the number wrong, yes * 462 00:28:30,916 --> 00:28:33,583 ♪ She said she's travelin' On the one after 909 ♪ 463 00:28:35,958 --> 00:28:39,166 ♪ Move over, honey I'm travelin' on that line ♪ 464 00:28:41,458 --> 00:28:44,083 ♪ Said Move over once Move over twice ♪ 465 00:28:44,166 --> 00:28:46,291 ♪ Come on, baby Don't be cold as ice ♪ 466 00:28:47,000 --> 00:28:49,666 ♪ She said she's travelin' On the one after 909 ♪ 467 00:28:49,750 --> 00:28:52,125 ♪ She said she's travelin' On the one after 909 ♪ 468 00:28:52,208 --> 00:28:55,750 ♪ She said she's travelin' On the one after 909 ♪ 469 00:28:59,166 --> 00:29:01,125 Okay. All right. 470 00:29:02,375 --> 00:29:04,708 Really, that's out of the past, that. 471 00:29:06,916 --> 00:29:09,666 I always meant to just change the words a bit and do something. 472 00:29:09,750 --> 00:29:11,083 But no, it's so great. 473 00:29:11,166 --> 00:29:13,833 It's all working. Keep them. 474 00:29:13,916 --> 00:29:16,833 "Said, 'Move over, honey, I'm traveling on that line.'" 475 00:29:16,916 --> 00:29:20,416 "Move over once, move over twice. Come on, baby. Don't be cold as ice." 476 00:29:20,500 --> 00:29:21,833 "You're only fooling around." 477 00:29:21,916 --> 00:29:23,833 "You're only fooling around with me." 478 00:29:24,458 --> 00:29:26,916 I never sort of knew what it was about before. 479 00:29:27,000 --> 00:29:28,958 - I mean, so she's on a train. - Yes. 480 00:29:29,041 --> 00:29:32,041 - And he sort of… - Goes to the station and misses it. 481 00:29:32,125 --> 00:29:35,666 But he goes back and finds it was the wrong number, so… 482 00:29:35,750 --> 00:29:37,666 "Wrong location." 483 00:29:37,750 --> 00:29:39,791 To rhyme with "station," you know? 484 00:29:39,875 --> 00:29:41,250 That's great. 485 00:29:41,333 --> 00:29:44,083 "Railman said you got the wrong location." 486 00:29:44,791 --> 00:29:46,375 Hello, George. 487 00:29:46,458 --> 00:29:49,833 Hi, Paul. It's simply great for you to turn up this evening. 488 00:29:49,916 --> 00:29:52,291 The Animals reunited. 489 00:29:52,875 --> 00:29:56,250 ♪ Desmond had a barrow In the market place ♪ 490 00:29:56,333 --> 00:29:58,708 ♪ Doris had another in the bog ♪ 491 00:30:00,000 --> 00:30:02,875 ♪ Charlie has another In the back of town ♪ 492 00:30:02,958 --> 00:30:05,250 ♪ And, Lordy, Lordy Did they have a bag of fun ♪ 493 00:30:06,166 --> 00:30:08,583 ♪ Oh, my God, oh, my God Oh, my… ♪ 494 00:30:12,833 --> 00:30:14,666 ♪ Tell it to the captain ♪ 495 00:30:15,833 --> 00:30:17,458 ♪ Get in trouble with the man ♪ 496 00:30:17,541 --> 00:30:19,958 ♪ Let the Midnight Special ♪ 497 00:30:20,750 --> 00:30:22,291 ♪ Shine its light on me ♪ 498 00:30:23,500 --> 00:30:25,833 ♪ Let the Midnight Special ♪ 499 00:30:26,833 --> 00:30:29,333 ♪ Shine its ever-lovin' light on me ♪ 500 00:30:30,166 --> 00:30:34,416 ♪ What do you want To make those eyes at me for? ♪ 501 00:30:35,041 --> 00:30:38,791 - * If they don't mean what they say? * - * When you're out with someone new * 502 00:30:40,750 --> 00:30:44,583 ♪ You made me glad You made me sad ♪ 503 00:30:44,666 --> 00:30:47,000 ♪ You make me want a lot of things ♪ 504 00:30:47,083 --> 00:30:48,666 - * That I never had * - * Bundle of dynamite * 505 00:31:43,416 --> 00:31:45,416 Ah! Fucking hell. 506 00:31:45,500 --> 00:31:47,416 - I just got shocked. - Just got a belt, man. 507 00:31:48,000 --> 00:31:49,791 I really… I got an electric shock. 508 00:31:49,875 --> 00:31:51,416 Gonna be in trouble over this. 509 00:31:51,500 --> 00:31:53,208 If this boy dies, you're gonna cop it. 510 00:31:54,291 --> 00:31:57,333 Hold that one as well at the same time and see what happens. 511 00:31:57,416 --> 00:31:59,041 Let me see it again. 512 00:31:59,125 --> 00:32:00,208 Let's try it. 513 00:32:00,291 --> 00:32:02,458 - You get feedback. - It's the feedback, yeah. 514 00:32:02,541 --> 00:32:03,833 The feedback going into the, uh… 515 00:32:03,916 --> 00:32:05,000 There, it's not… 516 00:32:05,083 --> 00:32:07,000 - That's it. - Put your hand on that bit. 517 00:32:07,083 --> 00:32:08,750 It might be the playing the guitar as well. 518 00:32:08,833 --> 00:32:12,041 It should be where you're here rather than all this… 519 00:32:12,125 --> 00:32:13,583 - You know, all this thing. - Yeah. 520 00:32:13,666 --> 00:32:15,166 When was it when you touched it? 521 00:32:15,250 --> 00:32:16,833 I gripped hold of two of them together. 522 00:32:16,916 --> 00:32:19,375 - The feedback going into the… - Just grip it tight. 523 00:32:19,458 --> 00:32:21,708 Put the palm of your hand on that bit. 524 00:32:25,500 --> 00:32:27,541 The bit that I find the weakest now is… 525 00:32:27,625 --> 00:32:29,208 ♪ All these years I've been wandering around ♪ 526 00:32:29,291 --> 00:32:30,916 Yeah, that's just power, you know? 527 00:32:31,000 --> 00:32:33,208 ♪ Wondering how come nobody told me ♪ 528 00:32:34,791 --> 00:32:36,958 - Maybe harmonies. - Just sing your one. 529 00:32:37,041 --> 00:32:40,625 ♪ All these years I've been wandering around ♪ 530 00:32:40,708 --> 00:32:43,250 ♪ Wondering how come nobody told me ♪ 531 00:32:43,333 --> 00:32:46,750 ♪ All that I've been looking for Was somebody who looked like you ♪ 532 00:32:48,083 --> 00:32:49,291 You're singing B. 533 00:32:49,833 --> 00:32:52,708 Yeah, just sing the next harmony down so it's not too low for you. 534 00:32:52,791 --> 00:32:55,125 ♪ All these years ♪ 535 00:32:55,208 --> 00:32:57,291 - * All these years I've been… * - * All… * 536 00:32:57,375 --> 00:32:59,166 - That's very high for me. - Don't shout. It's power. 537 00:32:59,250 --> 00:33:00,151 ♪ All these… ♪ 538 00:33:00,166 --> 00:33:01,166 Oh, it's terribly high. 539 00:33:01,208 --> 00:33:03,416 - * Been wandering around * - * All these days * 540 00:33:05,416 --> 00:33:06,708 ♪ Wondering how come… ♪ 541 00:33:06,791 --> 00:33:08,208 Down on the one note, is it? 542 00:33:09,125 --> 00:33:10,833 ♪ All these years I've been wandering around ♪ 543 00:33:10,916 --> 00:33:13,333 ♪ Wondering how come nobody told me All that I've… ♪ 544 00:33:14,958 --> 00:33:17,541 That's very high, you know? 545 00:33:17,625 --> 00:33:19,375 ♪ All these years I've been wandering ♪ 546 00:33:24,250 --> 00:33:25,291 Fuck it! 547 00:33:26,666 --> 00:33:28,208 One, two, three, four. 548 00:33:28,291 --> 00:33:30,458 ♪ All these years I've been wondering… ♪ 549 00:33:37,125 --> 00:33:38,125 ♪ You! ♪ 550 00:33:39,458 --> 00:33:41,250 - It's a bit early for that, isn't it? - Yeah. 551 00:33:44,125 --> 00:33:46,708 Early in the morning, you know? I'm not 18 anymore. 552 00:34:13,000 --> 00:34:14,625 ♪ Everybody had a hard… ♪ 553 00:34:15,875 --> 00:34:16,875 ♪ Everybody… ♪ 554 00:34:18,791 --> 00:34:20,875 Uh… Hair down. 555 00:34:22,541 --> 00:34:24,166 Socks up. Foot down. 556 00:34:25,000 --> 00:34:27,666 - "Everybody pulled their socks up"? - Yeah. Yeah. 557 00:34:27,750 --> 00:34:29,416 ♪ Everybody pulled their socks up ♪ 558 00:34:29,500 --> 00:34:32,375 - "Foot down." Okay, that's it. - Right. 559 00:34:32,458 --> 00:34:33,458 Yeah. 560 00:34:34,125 --> 00:34:35,250 Bit of power there. 561 00:34:35,333 --> 00:34:37,333 I don't want every time we're doing "Don't Let Me Down," 562 00:34:37,416 --> 00:34:39,500 that it hurts just to rehearse it. 563 00:34:39,583 --> 00:34:42,541 I wonder how long it is. Do you want to time it, Mal? 564 00:34:42,625 --> 00:34:44,958 'Cause it's probably only about half a minute long. 565 00:34:45,875 --> 00:34:48,916 ♪ Desmond had a sparrow In his parking lot ♪ 566 00:34:49,000 --> 00:34:52,666 One, two, three… 567 00:34:52,750 --> 00:34:55,458 ♪ Don't let me down ♪ 568 00:34:58,458 --> 00:35:00,750 ♪ Don't let me down ♪ 569 00:35:03,458 --> 00:35:06,208 ♪ Don't let me down ♪ 570 00:35:08,791 --> 00:35:11,458 ♪ Don't let me down ♪ 571 00:35:15,291 --> 00:35:16,791 - Three minutes! - What? 572 00:35:16,875 --> 00:35:18,875 - Three minutes, 40 seconds. - That's fine. 573 00:35:18,958 --> 00:35:21,000 - Three minutes, 40 seconds. - Yeah. 574 00:35:21,083 --> 00:35:22,666 This is incredible. 575 00:35:22,750 --> 00:35:26,166 - It's long. It sounded just like… - Half a minute. 576 00:35:26,250 --> 00:35:27,250 Okay. 577 00:35:28,041 --> 00:35:29,583 Uh, I've got one. 578 00:35:29,666 --> 00:35:33,750 - Uh, "Gimme Some Truth" or something. - Something like that. 579 00:35:33,833 --> 00:35:36,375 - "Gimme Some Truth." - We could finish that. 580 00:35:36,458 --> 00:35:39,458 - Remember your hangman bit? - Yeah. 581 00:35:39,541 --> 00:35:40,958 - It was all right. - No. 582 00:35:41,041 --> 00:35:45,666 "No, no freaked-out… yellow-bellied son of Gary Cooper gonna…" 583 00:35:45,750 --> 00:35:47,666 ♪ Freaked out… ♪ 584 00:35:47,750 --> 00:35:49,416 - It started in D, didn't it? - Yeah. 585 00:35:50,208 --> 00:35:51,500 ♪ Some… ♪ 586 00:35:51,583 --> 00:35:52,958 That was… That was my bit. 587 00:35:53,041 --> 00:35:54,541 ♪ Freaked out, yellow-bellied… ♪ 588 00:35:54,625 --> 00:35:56,333 ♪ Sick and tired of hearing words ♪ 589 00:35:56,416 --> 00:35:58,500 - Yours was in E, wasn't it? - No, it was in D. 590 00:36:03,833 --> 00:36:06,041 ♪ Hope ♪ 591 00:36:06,125 --> 00:36:08,333 ♪ Money for rope ♪ 592 00:36:08,416 --> 00:36:09,416 If we add a… 593 00:36:09,500 --> 00:36:10,541 ♪ Money for rope ♪ 594 00:36:12,333 --> 00:36:16,166 ♪ No freaked out, yellow-bellied Son of Gary Cooper gonna tell him… ♪ 595 00:36:18,125 --> 00:36:19,750 ♪ For dope ♪ 596 00:36:20,583 --> 00:36:22,250 ♪ Money for rope ♪ 597 00:36:23,125 --> 00:36:24,958 ♪ Just money for rope ♪ 598 00:36:30,166 --> 00:36:32,666 ♪ I'm sick and tired of hearing lies ♪ 599 00:36:32,750 --> 00:36:36,375 ♪ By seasick, narrow-minded Shortsighted hypocrites ♪ 600 00:36:36,458 --> 00:36:38,333 ♪ All I want is the truth ♪ 601 00:36:38,416 --> 00:36:39,458 We should change the… 602 00:36:39,541 --> 00:36:41,166 ♪ Just gimme some truth ♪ 603 00:36:42,333 --> 00:36:44,666 ♪ I've had enough of readin' lines ♪ 604 00:36:44,750 --> 00:36:48,375 ♪ By some sicked out Hard-sided politicians ♪ 605 00:36:48,458 --> 00:36:50,208 ♪ All I want is the truth ♪ 606 00:36:51,333 --> 00:36:52,416 ♪ Just gimme some truth ♪ 607 00:36:52,500 --> 00:36:54,291 No, it was in D and E. 608 00:36:54,375 --> 00:36:55,666 - Oh, okay. - Yeah. Right. 609 00:37:02,958 --> 00:37:04,916 Perhaps if you stuck it over that side… 610 00:37:05,000 --> 00:37:06,250 How's that for your show? 611 00:37:08,666 --> 00:37:09,666 Okay, yeah. 612 00:37:10,250 --> 00:37:13,500 It's really getting into a show. 613 00:37:13,583 --> 00:37:14,583 Bottoms up. 614 00:37:14,666 --> 00:37:16,916 If you'll all turn now to "Sunrise," 615 00:37:17,000 --> 00:37:19,000 I would very much appreciate it. 616 00:37:21,791 --> 00:37:24,250 "All Things Must Pass." 617 00:37:26,083 --> 00:37:29,000 There's no solo or anything complicated. 618 00:37:29,083 --> 00:37:31,833 It's purely just rhythmical and vocal. 619 00:37:31,916 --> 00:37:34,708 And if we suddenly add a Lowrey organ… 620 00:37:37,666 --> 00:37:40,250 Also, the chords really are E. 621 00:37:40,916 --> 00:37:46,083 To F-sharp minor, to E, to A. 622 00:37:47,083 --> 00:37:49,791 E to F-sharp minor. 623 00:37:50,791 --> 00:37:53,208 E, A. 624 00:37:55,041 --> 00:38:01,791 ♪ All things must pass ♪ 625 00:38:02,541 --> 00:38:06,291 ♪ All things must pass away ♪ 626 00:38:13,041 --> 00:38:18,208 ♪ Sunset doesn't last all evening ♪ 627 00:38:18,291 --> 00:38:20,166 ♪ Doesn't last ♪ 628 00:38:20,250 --> 00:38:25,333 ♪ A wind can blow those clouds away ♪ 629 00:38:25,416 --> 00:38:28,750 ♪ Wind can blow those clouds away ♪ 630 00:38:30,708 --> 00:38:32,041 ♪ After all this ♪ 631 00:38:32,125 --> 00:38:36,458 ♪ My love is up and must be leaving ♪ 632 00:38:38,000 --> 00:38:44,250 ♪ It's not always been this grey ♪ 633 00:38:45,791 --> 00:38:52,458 ♪ All things must pass ♪ 634 00:38:53,083 --> 00:38:57,250 ♪ All things must pass away ♪ 635 00:38:59,291 --> 00:39:03,333 But the middle bit, because it says the same word first… 636 00:39:04,375 --> 00:39:06,250 Like "All things must pass away," then… 637 00:39:06,833 --> 00:39:10,375 ♪ All things must pass ♪ 638 00:39:10,458 --> 00:39:12,875 Something there, you know, is where we'd overdub something 639 00:39:12,958 --> 00:39:15,416 or add voices, or I'd track it, or… 640 00:39:15,500 --> 00:39:18,125 Maybe it would be better if we just did it straight, first of all. 641 00:39:18,208 --> 00:39:19,333 ♪ All things must pass ♪ 642 00:39:19,416 --> 00:39:20,625 Okay. 643 00:39:20,708 --> 00:39:22,791 Just to do everything just really mechanical 644 00:39:22,875 --> 00:39:25,750 and then we can sort of get it all good after that. 645 00:39:26,708 --> 00:39:30,583 ♪ Macrobiotic pills are good at arriving ♪ 646 00:39:30,666 --> 00:39:32,416 ♪ At the right time ♪ 647 00:39:34,875 --> 00:39:39,291 ♪ A wind can blow those clouds away ♪ 648 00:39:44,958 --> 00:39:46,416 Yeah, okay. 649 00:39:51,083 --> 00:39:52,750 It looks like it on the paper. 650 00:39:52,833 --> 00:39:54,708 "A miner can blow these clouds away." 651 00:39:54,791 --> 00:39:57,333 - Mal's writing. - What are they all having? Pale ale. 652 00:39:57,416 --> 00:40:00,375 - Pale ale. Anyone else want a drink? - Yeah. Anybody else want a drink? 653 00:40:00,458 --> 00:40:01,666 - Yes, please. - Yes. 654 00:40:01,750 --> 00:40:04,583 - I'll have a glass of white wine. - I'll have a beer. 655 00:40:04,666 --> 00:40:07,208 You know, man, the idea of doing this thing 656 00:40:07,291 --> 00:40:08,833 so that it's just us doing it 657 00:40:08,916 --> 00:40:11,541 and there's no overdubs or you can't get out of it 658 00:40:11,625 --> 00:40:13,291 is much better really. 659 00:40:13,375 --> 00:40:15,833 Because, you know, all the time recording, 660 00:40:15,916 --> 00:40:18,583 you're thinking, "It's all right. We can do that later." 661 00:40:19,750 --> 00:40:22,875 People are doing live shows now, 662 00:40:22,958 --> 00:40:26,875 they do their overdubs 'cause they're phased and echoed live. 663 00:40:26,958 --> 00:40:30,583 But we're still thinking of it in terms of the four guys and four amps in The Cavern. 664 00:40:30,666 --> 00:40:32,041 Yeah. 665 00:40:32,125 --> 00:40:33,458 Yeah, I'd like phasing. 666 00:40:33,541 --> 00:40:36,750 But the phasing is Alex, and he's building the studio 667 00:40:36,833 --> 00:40:38,791 and putting it in this week. 668 00:40:56,125 --> 00:40:57,333 Yeah. 669 00:41:29,666 --> 00:41:32,916 ♪ When I'm walking beside her ♪ 670 00:41:46,625 --> 00:41:49,125 Not bad though. Good try that, Johnny. 671 00:41:49,208 --> 00:41:51,375 Yeah, but you know, John, 672 00:41:51,458 --> 00:41:54,541 the difference between me and, say, Eric, 673 00:41:54,625 --> 00:41:56,416 I'm just another guitar, 674 00:41:56,500 --> 00:41:59,500 sometimes playing bits and sometimes singing. 675 00:42:01,000 --> 00:42:04,125 But he's the only guitar to play lead. 676 00:42:04,208 --> 00:42:05,750 And so he's, like, playing. 677 00:42:05,833 --> 00:42:08,208 That's how he can keep it going all the time. 678 00:42:09,083 --> 00:42:10,750 - Yeah. - So… 679 00:42:10,833 --> 00:42:13,041 I feel now I can play things. 680 00:42:13,125 --> 00:42:16,291 I can learn things that will sound okay, 681 00:42:16,375 --> 00:42:18,625 especially fast fingering like that. 682 00:42:19,625 --> 00:42:20,833 It's jazz, man. 683 00:42:28,833 --> 00:42:31,541 You know, like, a lot of guitarists can sustain even, 684 00:42:31,625 --> 00:42:33,083 but they play it like a lot of shit. 685 00:42:33,166 --> 00:42:35,041 But his thing takes on a pattern 686 00:42:35,125 --> 00:42:38,166 and gets somewhere and resolves itself, 687 00:42:38,250 --> 00:42:39,541 which is very hard. 688 00:42:55,583 --> 00:42:58,083 Yeah, I'm sure you'll dig it when you see. 689 00:43:18,250 --> 00:43:19,666 And what shall we do, then? 690 00:43:19,750 --> 00:43:23,166 ♪ I'm so tired ♪ 691 00:43:23,250 --> 00:43:25,500 ♪ I haven't slept a wink ♪ 692 00:43:28,250 --> 00:43:30,500 ♪ I'm so tired ♪ 693 00:43:31,458 --> 00:43:33,791 ♪ My mind is on the blink ♪ 694 00:43:34,750 --> 00:43:36,958 ♪ I wonder should I call you ♪ 695 00:43:38,541 --> 00:43:40,250 ♪ And get myself a drink ♪ 696 00:43:40,333 --> 00:43:42,125 ♪ No, no, no ♪ 697 00:43:42,750 --> 00:43:44,500 No. Lay off the booze, boy. 698 00:43:45,458 --> 00:43:48,291 ♪ 'Cause I'm so tired ♪ 699 00:43:49,541 --> 00:43:52,333 ♪ I don't know what to do Don't know what to do ♪ 700 00:43:54,041 --> 00:43:56,000 ♪ I'm so tired ♪ 701 00:43:57,250 --> 00:43:59,166 ♪ My mind is set on you ♪ 702 00:44:00,291 --> 00:44:01,458 ♪ Ah ♪ 703 00:44:01,541 --> 00:44:04,166 ♪ I wonder should I call you ♪ 704 00:44:04,250 --> 00:44:08,041 ♪ But I know what you'd do ♪ 705 00:44:08,541 --> 00:44:09,541 ♪ Oh, no, no ♪ 706 00:44:10,125 --> 00:44:11,208 ♪ You'd say ♪ 707 00:44:12,250 --> 00:44:14,833 ♪ I'm putting you on But it's no joke ♪ 708 00:44:15,375 --> 00:44:16,625 Uh, John? 709 00:44:22,708 --> 00:44:25,666 How near are we to getting the stuff in? 710 00:44:25,750 --> 00:44:29,208 Should be in today with any luck. I've got bits and pieces coming from IBC. 711 00:44:30,166 --> 00:44:34,125 And George's 8-track coming and EMI's gear should be here either today or tomorrow. 712 00:44:34,208 --> 00:44:36,041 I haven't thought of it like a record yet. 713 00:44:36,125 --> 00:44:38,541 I think the idea of the record should be a live performance. 714 00:44:38,625 --> 00:44:40,291 The fact it's being recorded is something… 715 00:44:40,375 --> 00:44:42,958 It's like when I heard Sgt. Pepper last night. 716 00:44:43,833 --> 00:44:47,375 I thought, "Oh, that… So that's what live performances could be like." 717 00:44:48,541 --> 00:44:51,500 You know, even though that was a lash-up that wasn't a live performance there. 718 00:44:52,166 --> 00:44:53,541 Good morning. 719 00:44:54,416 --> 00:44:55,416 Hi. 720 00:44:57,333 --> 00:44:59,166 I won't lie. I'm not too good. 721 00:45:01,666 --> 00:45:03,375 - Morning. - How are you? 722 00:45:03,458 --> 00:45:05,291 Hiya. Good morning. 723 00:45:05,375 --> 00:45:07,541 We ought to think this week sometime about the show. 724 00:45:07,625 --> 00:45:11,000 - We are thinking about the show. - We never stop thinking about it. 725 00:45:11,083 --> 00:45:13,125 - Good morning, George. - Morning, all. 726 00:45:13,208 --> 00:45:16,666 - It's just a funny day again. - Again? 727 00:45:16,750 --> 00:45:19,750 Wouldn't it be nice if we did this show with a big audience? 728 00:45:19,833 --> 00:45:20,833 Yes. 729 00:45:20,916 --> 00:45:23,583 I think we should forget the whole idea of this show. 730 00:45:23,666 --> 00:45:25,291 Yeah, just, that's it. Okay. 731 00:45:26,208 --> 00:45:27,375 I'll go along with that. 732 00:45:28,291 --> 00:45:30,416 - We're back… - We're back to square one. 733 00:45:34,958 --> 00:45:37,291 Here comes my recording studio. 734 00:45:39,458 --> 00:45:41,375 Who's gonna look after all this equipment? 735 00:45:41,458 --> 00:45:44,791 'Cause the only thing is, it is, like, 10,000 quid. 736 00:45:44,875 --> 00:45:47,125 And is Alex going to plug all that up? 737 00:45:47,208 --> 00:45:48,375 Supposedly. 738 00:45:48,458 --> 00:45:50,458 Now, Alex rang me yesterday, George, 739 00:45:50,541 --> 00:45:53,916 and said that he didn't think that you needed an 8-track console. 740 00:45:54,000 --> 00:45:55,291 Alex said he can build one. 741 00:45:55,375 --> 00:45:58,166 - Now, the thing is that it might go wrong. - Yes. 742 00:46:00,333 --> 00:46:01,708 Where did you get Alexis from? 743 00:46:01,791 --> 00:46:04,041 He worked for Pye Color Television… 744 00:46:04,125 --> 00:46:06,708 No, he was in England and John Dunbar asked him 745 00:46:06,791 --> 00:46:09,416 if he'd stay and build a light machine for The Stones' tour. 746 00:46:09,500 --> 00:46:10,500 Yeah. 747 00:46:10,583 --> 00:46:12,083 So he stayed and did that. 748 00:46:12,166 --> 00:46:14,833 Then he met John, and then he met us. 749 00:46:14,916 --> 00:46:16,833 - Hmm. - And he's been there ever since. 750 00:46:16,916 --> 00:46:17,916 Hmm. Hmm. 751 00:46:18,000 --> 00:46:21,666 Yeah, I'm not going to tell you the story about Alex and his foot pedal am I? 752 00:46:21,750 --> 00:46:23,000 Have you actually tried it out or… 753 00:46:23,083 --> 00:46:26,000 You see, the thing is he just comes across things 754 00:46:26,083 --> 00:46:29,833 and then he says, "Oh, yeah, I've done this." 755 00:46:29,916 --> 00:46:31,500 But he hasn't actually made it 756 00:46:31,583 --> 00:46:34,791 because he's busy building recording studios. 757 00:46:34,875 --> 00:46:37,125 I don't think we should have Alex build one 758 00:46:37,208 --> 00:46:40,875 because it's better to have something that we know we can use and is reliable. 759 00:46:47,375 --> 00:46:49,458 ♪ Yeah, you wear out your women ♪ 760 00:46:49,541 --> 00:46:51,791 ♪ Well, you wear them high ♪ 761 00:46:54,333 --> 00:46:55,708 ♪ They do my woman ♪ 762 00:46:55,791 --> 00:46:58,875 ♪ Why, why, why, why, why? ♪ 763 00:46:58,958 --> 00:47:02,250 ♪ My, my, my, my, my, my, my, my, my, my My imagination ♪ 764 00:47:03,833 --> 00:47:07,208 ♪ It took me by surprise In the middle of my conversation ♪ 765 00:47:09,416 --> 00:47:12,458 ♪ My, my, my, my, my, my, my, my, my, my My imagination ♪ 766 00:47:15,416 --> 00:47:16,625 ♪ Conversation… ♪ 767 00:47:17,208 --> 00:47:18,541 Something like… The words, like, 768 00:47:18,625 --> 00:47:22,250 "Love for the first time in my life, so don't you let it get away." 769 00:47:22,333 --> 00:47:23,791 Uh… 770 00:47:23,875 --> 00:47:26,333 - What are the words? - "It lasts forever and a day." 771 00:47:27,041 --> 00:47:29,583 Uh, no. "Love for the first time in my life." Here you go. 772 00:47:29,666 --> 00:47:32,375 ♪ I'm in love for the first ♪ 773 00:47:32,458 --> 00:47:35,708 ♪ Love for the first time in my life ♪ 774 00:47:35,791 --> 00:47:37,250 ♪ Don't you know it's gonna last ♪ 775 00:47:37,333 --> 00:47:38,500 It's nice though. I mean, it's… 776 00:47:38,583 --> 00:47:40,416 What can we do to that bit then, you know? 777 00:47:40,500 --> 00:47:42,083 ♪ A dah dah ♪ 778 00:47:49,291 --> 00:47:52,708 ♪ I'm in love for the first time ♪ 779 00:47:58,125 --> 00:48:00,125 ♪ In love for the first time ♪ 780 00:48:06,375 --> 00:48:08,666 Yeah, it's really like that's where the piano would come in. 781 00:48:08,750 --> 00:48:10,833 See, would you have piano on it? 782 00:48:10,916 --> 00:48:13,583 Yeah, I like the idea of piano. But how do we do that? 783 00:48:13,666 --> 00:48:16,583 One of us play bass. George play the bass. 784 00:48:16,666 --> 00:48:18,166 But then there's no guitars. 785 00:48:18,250 --> 00:48:20,083 Well, it's either you or him. 786 00:48:20,166 --> 00:48:22,750 Or a bass player or a pianist. You know? 787 00:48:22,833 --> 00:48:24,958 - If we need somebody else… - Yes. 788 00:48:25,041 --> 00:48:28,000 …probably be like a guy that plays piano all the time. 789 00:48:28,083 --> 00:48:30,458 - Somebody like Nicky Hopkins. - Or anybody. Yeah. 790 00:48:30,958 --> 00:48:35,041 Or if it develops that nothing need be done on guitar except for rhythm, 791 00:48:35,125 --> 00:48:38,458 then we say, "Well, fuck that. Two rhythms. We'll have one piano." 792 00:48:38,541 --> 00:48:41,666 Okay, well, we'll play the rhythms with the guitars anyway. 793 00:48:43,791 --> 00:48:46,708 I was thinking about this whole three mics bit. 794 00:48:46,791 --> 00:48:48,041 Do you think we should? 795 00:48:50,083 --> 00:48:54,875 I was watching that pop show on BBC2. The Move were on. 796 00:48:54,958 --> 00:48:58,583 You know that one little voice there doing harmony, one little voice there. 797 00:48:58,666 --> 00:49:01,375 They never joined into a group. 798 00:49:01,958 --> 00:49:06,291 ♪ Nobody ever loved me Like she do me ♪ 799 00:49:07,750 --> 00:49:09,875 ♪ Ooh, she does me ♪ 800 00:49:10,666 --> 00:49:12,416 ♪ Yes, she does ♪ 801 00:49:15,000 --> 00:49:20,458 ♪ And if somebody ever loved me Like she do me ♪ 802 00:49:21,083 --> 00:49:23,250 - * Oh * - * Yes, she do me * 803 00:49:24,875 --> 00:49:26,416 ♪ Yes, she does ♪ 804 00:49:29,416 --> 00:49:31,625 It should be, like, a sustained thing over that. 805 00:49:31,708 --> 00:49:34,916 ♪ Nobody ever loved me like she ♪ 806 00:49:41,291 --> 00:49:43,750 So, George, so that we can split up, 807 00:49:43,833 --> 00:49:48,541 so that you're, like, doing the chords, like a "Ave Maria" thing. 808 00:49:48,625 --> 00:49:49,750 Yeah. 809 00:49:51,583 --> 00:49:52,583 ♪ Yes, she does ♪ 810 00:49:52,666 --> 00:49:54,750 Tell me… 811 00:49:57,958 --> 00:49:59,250 Like on the tom-toms… 812 00:50:08,083 --> 00:50:09,166 You know what I mean? 813 00:50:10,208 --> 00:50:11,208 Yeah, so it goes… 814 00:50:11,291 --> 00:50:14,833 There's a point where we'll have to concentrate on the guitar 815 00:50:14,916 --> 00:50:17,458 for each song, you know, where, if it's going to play anything. 816 00:50:17,541 --> 00:50:19,958 But if it's "I'm in love for the first time." 817 00:50:20,041 --> 00:50:21,666 And I'm doing, uh… 818 00:50:23,000 --> 00:50:26,791 ♪ I'm in love for the first time ♪ 819 00:50:26,875 --> 00:50:29,416 ♪ For the first time in my life ♪ 820 00:50:29,500 --> 00:50:31,375 ♪ And you know it's gonna last ♪ 821 00:50:31,458 --> 00:50:33,916 It's nice though. I mean, corny's all right in this one. 822 00:50:34,000 --> 00:50:35,541 'Cause what he's doing is corny. 823 00:50:35,625 --> 00:50:38,166 But it… See, that's the thing that will make it not corny, 824 00:50:38,250 --> 00:50:40,625 if we sing different words. So, you say… 825 00:50:40,708 --> 00:50:42,291 ♪ I'm in love for the first time ♪ 826 00:50:42,375 --> 00:50:45,500 ♪ Love for the first time in my life ♪ 827 00:50:45,583 --> 00:50:47,583 Wait, okay. But roughly… 828 00:50:47,666 --> 00:50:50,458 Okay, well, we'll do that. That comes later. So… 829 00:50:50,541 --> 00:50:52,541 - Just start off with a corny one. - Yeah. 830 00:50:52,625 --> 00:50:54,333 'Cause the words aren't that good. So it goes… 831 00:50:54,416 --> 00:50:56,208 ♪ I'm in love for the first ♪ 832 00:50:56,291 --> 00:50:58,791 ♪ Love for the first time… ♪ 833 00:50:58,875 --> 00:51:02,291 I think the words should be corny 'cause there's no clever words in it. 834 00:51:05,583 --> 00:51:08,291 ♪ I'm in love for the first time ♪ 835 00:51:08,375 --> 00:51:11,375 ♪ La la la la la la la ♪ 836 00:51:11,458 --> 00:51:13,125 ♪ Don't you know it's… ♪ 837 00:51:13,208 --> 00:51:15,083 - You see, we should… - Yeah, change the beat. 838 00:51:15,166 --> 00:51:18,333 Should be different beat and all on to light things and cymbals. 839 00:51:18,416 --> 00:51:22,625 Yeah. 840 00:51:28,083 --> 00:51:29,458 Arthur Alexander then? 841 00:51:29,541 --> 00:51:31,291 Okay, do it from the beginning. 842 00:51:31,375 --> 00:51:34,166 ♪ I'm in love for the first time ♪ 843 00:51:34,250 --> 00:51:37,666 ♪ Love for the first time in my life ♪ 844 00:51:37,750 --> 00:51:40,833 ♪ Don't you know it's gonna last ♪ 845 00:51:40,916 --> 00:51:43,833 ♪ Don't you know it's gonna last ♪ 846 00:51:43,916 --> 00:51:46,666 ♪ It's a love that lasts forever ♪ 847 00:51:47,416 --> 00:51:50,666 ♪ It's a love that lasts forever ♪ 848 00:51:50,750 --> 00:51:53,291 ♪ It's a love that has no past ♪ 849 00:51:56,833 --> 00:51:59,291 It sounds like the same old shit. 850 00:51:59,375 --> 00:52:02,208 Well, I like the same old shit if it's just clear, you know? 851 00:52:04,791 --> 00:52:09,125 Okay, so how about… how about changing around these two? 852 00:52:09,208 --> 00:52:11,541 And when you sing, "Don't you know it's gonna last," 853 00:52:11,625 --> 00:52:13,250 we sing, "It's a love that has no past." 854 00:52:13,333 --> 00:52:17,708 Then he sings it, and then we repeat, "It's a love that lasts forever," exactly. 855 00:52:17,791 --> 00:52:19,541 When you sing, "It's a love that has no past," 856 00:52:19,625 --> 00:52:21,416 we sing, "It's a love that's gonna last." 857 00:52:21,500 --> 00:52:24,500 - Yes. I agree. - Okay, so… 858 00:52:24,583 --> 00:52:25,708 ♪ I'm in love for the… ♪ 859 00:52:25,791 --> 00:52:27,583 "Love for the first time in my life." 860 00:52:28,250 --> 00:52:30,708 "It's a love that has no past." 861 00:52:30,791 --> 00:52:32,166 Swap that one for the other, 862 00:52:32,250 --> 00:52:34,500 so that when he's singing that, we're singing the other. 863 00:52:34,583 --> 00:52:36,166 Then, "It's a love that lasts forever." 864 00:52:36,250 --> 00:52:38,791 Repeat that, even though it sounds funny. It'll be all right. 865 00:52:38,875 --> 00:52:40,708 And then, "Don't you know it's gonna last." 866 00:52:40,791 --> 00:52:42,500 Just try it through roughly. 867 00:52:43,458 --> 00:52:45,666 - * I'm in love * - * Dah dah * 868 00:52:46,250 --> 00:52:47,250 ♪ Don't… ♪ 869 00:52:47,833 --> 00:52:49,750 ♪ I'm in love for the first time ♪ 870 00:52:49,833 --> 00:52:53,041 ♪ Love for the first time in my life ♪ 871 00:52:53,125 --> 00:52:56,166 ♪ Don't you know it's gonna last ♪ 872 00:52:56,250 --> 00:52:59,166 ♪ It's a love that has no past ♪ 873 00:52:59,250 --> 00:53:02,041 ♪ It's a love that lasts forever ♪ 874 00:53:03,541 --> 00:53:05,333 Yeah, well, that time it was just silly. 875 00:53:05,416 --> 00:53:06,708 What's the bones of the part? 876 00:53:06,791 --> 00:53:08,375 We don't really know what we're saying now. 877 00:53:08,458 --> 00:53:09,443 ♪ Love for the first… ♪ 878 00:53:09,458 --> 00:53:11,666 - It was always weak on your guitar… - Yeah, sure. 879 00:53:11,750 --> 00:53:13,250 …'cause that's a weak bit of the song, that. 880 00:53:13,333 --> 00:53:16,541 - But you see, nothing has to happen… - Yeah, it's the same bit. 881 00:53:16,625 --> 00:53:17,875 …in those things. 882 00:53:19,166 --> 00:53:21,833 - If you listen to the words and things… - Yeah, right, nothing does. 883 00:53:21,916 --> 00:53:24,208 …all that's going on is the bass, guitar and drums doing… 884 00:53:24,291 --> 00:53:25,583 ♪ I'm in love for the… ♪ 885 00:53:25,666 --> 00:53:27,875 It doesn't really make that much odds… No, but… 886 00:53:35,291 --> 00:53:36,916 ♪ Love for the first time ♪ 887 00:53:40,375 --> 00:53:44,125 ♪ Don't you know it's gonna last ♪ 888 00:53:46,666 --> 00:53:49,333 ♪ It's a love that lasts forever ♪ 889 00:53:52,750 --> 00:53:56,250 ♪ It's a love that has no past ♪ 890 00:54:00,375 --> 00:54:03,083 - Yeah. All right? - Yeah. 891 00:54:03,166 --> 00:54:06,125 That's the only time that works, really, is on the last line. 892 00:54:06,208 --> 00:54:08,625 - Paul, forget the last line. - I'm just trying to get a bit… 893 00:54:08,708 --> 00:54:10,958 We'll try to sort of go right through. We keep talking about it. 894 00:54:11,041 --> 00:54:13,333 - It seems we're saying… - Okay, girls. 895 00:54:16,000 --> 00:54:18,333 - Give in. I give in. - You're right that it's wrong on that bit. 896 00:54:18,416 --> 00:54:20,208 You see, the first song is not bad. 897 00:54:20,291 --> 00:54:23,583 Okay. Okay, we'll just repeat exactly what you say. 898 00:54:23,666 --> 00:54:26,083 One, two, three. 899 00:54:26,166 --> 00:54:29,250 ♪ I'm in love for the first time ♪ 900 00:54:29,333 --> 00:54:32,375 ♪ For the first time in my life ♪ 901 00:54:32,458 --> 00:54:35,416 ♪ Don't you know it's gonna last ♪ 902 00:54:35,500 --> 00:54:38,583 ♪ Don't you know it's gonna last ♪ 903 00:54:38,666 --> 00:54:41,833 ♪ It's a love that lasts forever ♪ 904 00:54:41,916 --> 00:54:44,916 ♪ It's a love that lasts forever ♪ 905 00:54:45,000 --> 00:54:48,166 ♪ It's a love that has no past ♪ 906 00:54:48,250 --> 00:54:51,541 ♪ It's a love that has no past ♪ 907 00:54:52,083 --> 00:54:54,291 ♪ Don't let me down ♪ 908 00:54:54,375 --> 00:54:58,375 Okay. Okay, that's… that's all right. That's… 909 00:54:58,458 --> 00:55:00,500 - Yes, I can't hear you. - Right. 910 00:55:00,583 --> 00:55:01,708 No. 911 00:55:01,791 --> 00:55:04,166 I think it's awful, actually. 912 00:55:04,250 --> 00:55:05,500 We're gonna improve on that… 913 00:55:05,583 --> 00:55:08,500 If we had a tape recorder now and then just taped that and played it back, 914 00:55:08,583 --> 00:55:10,708 - you'd throw that out straightaway. - Yeah, right, but… 915 00:55:10,791 --> 00:55:12,666 - Yeah. - No, really. 916 00:55:12,750 --> 00:55:14,833 - You'd throw it out, right? I mean… - Yeah, sure. Okay. 917 00:55:18,166 --> 00:55:19,875 Well, for a start it would be better to sing… 918 00:55:19,958 --> 00:55:21,916 Instead of… 919 00:55:22,500 --> 00:55:23,500 ♪ Ah ♪ 920 00:55:23,583 --> 00:55:26,708 Yeah, see, but in a way, that's even cornier, I think. 921 00:55:26,791 --> 00:55:29,041 That little harmony bit. It's just too pretty. 922 00:55:29,125 --> 00:55:31,750 ♪ It's a love that lasts forever ♪ 923 00:55:32,333 --> 00:55:34,791 - Just anything would be… - Yeah, well, that's… It's the… 924 00:55:34,875 --> 00:55:37,291 I think you should just get a corny one first 925 00:55:37,375 --> 00:55:39,500 and then start doing roundups. 926 00:55:39,583 --> 00:55:42,625 You know, you'll start getting the rhythm to it, something, or change it. 927 00:55:42,708 --> 00:55:46,166 ♪ Don't you know it's gonna last ♪ 928 00:55:47,708 --> 00:55:51,375 You know, we've just gone round, like, for an hour with nothing in our heads. 929 00:55:51,458 --> 00:55:55,250 - Just… And we're back, so let's… - We've been through a lot of permutations. 930 00:55:55,333 --> 00:55:57,458 Yeah, I know, but let's move… sort of move on now. 931 00:55:58,750 --> 00:55:59,916 Today's the sixth. 932 00:56:00,000 --> 00:56:01,125 - What is it? - Yeah. 933 00:56:04,458 --> 00:56:06,000 We haven't done many yet. 934 00:56:12,458 --> 00:56:13,583 Yeah. 935 00:56:13,666 --> 00:56:16,083 ♪ Two of us riding nowhere ♪ 936 00:56:16,166 --> 00:56:17,166 Okay, now… 937 00:56:17,250 --> 00:56:19,458 - Am I singing on this or what? - I don't know, really. 938 00:56:20,875 --> 00:56:23,333 "Two Of Us"? You have to remember the words too. 939 00:56:23,416 --> 00:56:25,208 Yes, I've got 'em here. 940 00:56:25,291 --> 00:56:26,333 But learn 'em. 941 00:56:27,541 --> 00:56:28,750 I almost know 'em. 942 00:56:29,333 --> 00:56:33,750 ♪ On our way back ♪ 943 00:56:34,833 --> 00:56:36,583 ♪ On our way home ♪ 944 00:56:37,333 --> 00:56:38,333 See, look. 945 00:56:38,416 --> 00:56:39,500 ♪ On our way home ♪ 946 00:56:39,583 --> 00:56:40,750 Listen, now. 947 00:56:40,833 --> 00:56:43,708 See, we're gonna have to sort of bring it together, 'cause we're all at odds. 948 00:56:43,791 --> 00:56:45,666 We're doing that thing we did on The Beatles. 949 00:56:45,750 --> 00:56:49,208 Like, in this verse, it's two harmonies singing, trying to say some words, right? 950 00:56:51,250 --> 00:56:52,958 It's not sounding together. 951 00:56:54,708 --> 00:56:57,125 Or we can stop and say it's not together. 952 00:57:03,541 --> 00:57:04,625 When you just get them? 953 00:57:04,708 --> 00:57:08,125 No, not really, it's just… We've got to be imaginative. 954 00:57:08,208 --> 00:57:12,125 You know, like… It's like… It's complicated now, so it… 955 00:57:13,083 --> 00:57:16,208 See, if we can get it simpler and then complicate it 956 00:57:16,291 --> 00:57:19,583 where it needs complications, but it's complicated in the bit… 957 00:57:31,500 --> 00:57:33,208 But you know what I mean? 958 00:57:33,291 --> 00:57:36,625 Well, you know, we do this then. Then we… And then, I don't know. 959 00:57:38,250 --> 00:57:39,250 Yeah. 960 00:57:40,250 --> 00:57:41,833 I can't do it on film either. 961 00:57:42,750 --> 00:57:45,041 Can't frickin' do it on camera. 962 00:57:46,541 --> 00:57:47,750 Yeah. 963 00:57:48,583 --> 00:57:50,500 Forget about Candid Camera. 964 00:57:55,958 --> 00:57:58,250 And I have been for, like, a couple of years. 965 00:57:58,333 --> 00:57:59,708 It's like I always sound… 966 00:57:59,791 --> 00:58:03,416 I always feel as though I'm trying to put you down and stop you playing. 967 00:58:03,500 --> 00:58:06,541 But I'm not. I'm trying to stop us all playing 968 00:58:06,625 --> 00:58:08,416 until we know what we're playing. 969 00:58:08,500 --> 00:58:11,708 But you've got to play in order to find which fits and which doesn't. 970 00:58:11,791 --> 00:58:14,125 - Mmm. - You see that's all we can do. 971 00:58:14,208 --> 00:58:16,458 I don't wanna say it, 'cause I really just hear myself 972 00:58:16,541 --> 00:58:19,041 as being the only one saying it, always. 973 00:58:19,125 --> 00:58:21,333 And like, the three of you just sort of sit there, like… 974 00:58:21,416 --> 00:58:23,875 "Oh, he's saying that one again is he?" 975 00:58:23,958 --> 00:58:26,416 And I never get any support, or anything. 976 00:58:26,500 --> 00:58:28,541 So I just think, "Oh, well. Fuck it." 977 00:58:28,625 --> 00:58:31,583 And I know it's right, and you know it's right. 978 00:58:31,666 --> 00:58:33,958 Yes, all right. I just don't know what to do about it. 979 00:58:34,041 --> 00:58:37,666 But doesn't everyone agree that it's confused at the moment. 980 00:58:37,750 --> 00:58:40,583 So, all I'm trying to say is, we've only got 12 more days, 981 00:58:40,666 --> 00:58:44,291 so, like, you know, we've really got to do this methodically, this one. 982 00:58:44,375 --> 00:58:45,625 Well, it's annoying, you know? 983 00:58:53,291 --> 00:58:55,500 It's like a matter of working it out with you 984 00:58:55,583 --> 00:58:57,458 while you're working your bit out. 985 00:58:57,541 --> 00:58:59,708 You know, have you got your bass bit? 986 00:58:59,791 --> 00:59:01,791 Look. You know, you… 987 00:59:01,875 --> 00:59:04,250 You're doing it again as though I'm trying to say that. 988 00:59:04,333 --> 00:59:06,958 And what we said the other day, you know I'm not trying to get you. 989 00:59:07,041 --> 00:59:10,791 What I really am trying to just say, "Look lads, the band, 990 00:59:10,875 --> 00:59:15,375 shall we try it like this, you know?" 991 00:59:15,458 --> 00:59:18,083 It's funny though how it only occurs when the… 992 00:59:18,166 --> 00:59:20,500 It's like, "Shall we play guitar all through 'Hey Jude'?" 993 00:59:20,583 --> 00:59:22,833 - Well, I don't think we should. - Yeah. Okay, well, I don't mind. 994 00:59:22,916 --> 00:59:25,541 I'll… I'll play, you know, whatever you want me to play. 995 00:59:25,625 --> 00:59:28,041 Or I won't play at all if you don't want me to play. 996 00:59:28,125 --> 00:59:31,625 Now, whatever it is that will please you, I'll do it. 997 00:59:43,583 --> 00:59:45,500 - But do you wanna take the gallop? - No, okay, but don't… 998 00:59:45,583 --> 00:59:46,583 Now come on. Look… 999 00:59:46,666 --> 00:59:49,166 We've gotta do this. We've really gotta sort out this, 1000 00:59:49,250 --> 00:59:53,125 'cause we're rehearsing, and we're trying to, like, get it together for the TV show. 1001 00:59:53,208 --> 00:59:56,500 So we really… Like you said, we've only been through four numbers. 1002 00:59:57,708 --> 01:00:01,416 So we probably gotta get some system to get through, like, 20 or 30, 1003 01:00:01,500 --> 01:00:03,166 and know them all and have learnt them. 1004 01:00:03,250 --> 01:00:05,125 So that we get all the chords. 1005 01:00:05,208 --> 01:00:07,666 - So we can all vamp them all. - Yeah. 1006 01:00:07,750 --> 01:00:10,375 Then we can, like, all play every solo we need. 1007 01:00:10,458 --> 01:00:13,208 But, like, it's gotta sound as though it's improving. 1008 01:00:22,500 --> 01:00:24,541 Yeah, I know what you mean. 1009 01:00:24,625 --> 01:00:28,375 It's just that that way of doing it puts me off the way I'm trying to do it. 1010 01:00:36,000 --> 01:00:37,000 Yeah. 1011 01:00:37,708 --> 01:00:39,083 Let's do another song. 1012 01:00:44,000 --> 01:00:45,583 This is why we take so long. 1013 01:00:46,750 --> 01:00:50,458 I think we play it shitty ten times, and so it's sort of in there. 1014 01:00:50,541 --> 01:00:53,125 And then I think we could come and play it quite good then. 1015 01:01:04,875 --> 01:01:09,541 ♪ On our way back home ♪ 1016 01:01:12,875 --> 01:01:14,833 ♪ On our way back… ♪ 1017 01:01:14,916 --> 01:01:16,666 I'll have to tune my guitar. 1018 01:01:20,083 --> 01:01:23,708 It's got to just drive along like a car. So how do we do that? 1019 01:01:24,625 --> 01:01:29,291 It was turning heavier. Do you want it more countryish or more… 1020 01:01:31,875 --> 01:01:34,166 I can't talk anymore, I really can't. 1021 01:01:38,208 --> 01:01:42,708 ♪ On our way back home ♪ 1022 01:01:42,791 --> 01:01:45,833 Two, three, four, five, six, seven, eight. 1023 01:01:45,916 --> 01:01:50,750 ♪ On our way back home ♪ 1024 01:01:53,458 --> 01:01:57,333 ♪ On our way back home ♪ 1025 01:02:04,666 --> 01:02:06,291 - But it comes… - Then just end on D. 1026 01:02:06,375 --> 01:02:08,583 - It could end on G for that one. - G. 1027 01:02:20,125 --> 01:02:21,833 ♪ Mondays on the road ♪ 1028 01:02:21,916 --> 01:02:24,458 - It's like Lyme Street Station. - What? 1029 01:02:24,541 --> 01:02:26,875 It reminds me a bit of Lyme Street Station. 1030 01:02:35,083 --> 01:02:37,333 Between 10:00 and 11:00 is the time. 1031 01:02:37,416 --> 01:02:39,125 Thinking of getting rid of him. 1032 01:02:39,208 --> 01:02:40,708 I'm never late. 1033 01:02:40,791 --> 01:02:43,041 He's never late. He's a bloody pro, is Ringo. 1034 01:02:45,208 --> 01:02:48,625 You're playing that bass again. 1035 01:02:48,708 --> 01:02:52,291 Peter, can we have a Binson echo unit for these microphones, please? 1036 01:02:52,375 --> 01:02:54,083 I think we could have better mics. 1037 01:02:54,166 --> 01:02:55,958 We could have better mics too, Peter. 1038 01:02:56,041 --> 01:02:57,708 - You know, those big Neumanns. - Yeah. 1039 01:03:00,750 --> 01:03:03,333 - Yes. - We might, Michael. That's quite true. 1040 01:03:07,958 --> 01:03:13,958 ♪ Ooh, ooh, ooh ♪ 1041 01:03:18,083 --> 01:03:22,458 ♪ Ooh, ooh, ooh ♪ 1042 01:03:26,375 --> 01:03:29,958 ♪ Ooh, ooh, ooh ♪ 1043 01:03:33,875 --> 01:03:35,166 ♪ Ooh, ooh ♪ 1044 01:04:16,041 --> 01:04:19,041 ♪ Don't you know it's gonna last? ♪ 1045 01:04:49,625 --> 01:04:53,416 Yeah. It's good… It's, you know… Musically and that, it's great. 1046 01:05:03,125 --> 01:05:06,666 ♪ Get back, get back ♪ 1047 01:05:06,750 --> 01:05:09,583 ♪ Get back to where you once belonged ♪ 1048 01:05:10,708 --> 01:05:14,500 ♪ Get back, get back ♪ 1049 01:05:14,583 --> 01:05:17,375 ♪ Get back to where you once belonged ♪ 1050 01:05:20,583 --> 01:05:22,625 ♪ He thought she was a woman ♪ 1051 01:05:22,708 --> 01:05:24,958 ♪ But she was another man ♪ 1052 01:05:26,416 --> 01:05:30,208 ♪ All the folks around Thought she had it coming ♪ 1053 01:05:30,291 --> 01:05:33,541 ♪ But she gets it while she can, oh ♪ 1054 01:05:33,625 --> 01:05:36,708 ♪ Get back, get back ♪ 1055 01:05:38,041 --> 01:05:40,583 ♪ Back to where you once belonged ♪ 1056 01:05:41,708 --> 01:05:44,250 ♪ Get back, get back ♪ 1057 01:05:45,333 --> 01:05:48,208 ♪ Get back to where you once belonged ♪ 1058 01:05:51,250 --> 01:05:53,458 ♪ Yeah, she thought she was a woman ♪ 1059 01:05:53,541 --> 01:05:56,041 ♪ But she was another man ♪ 1060 01:05:57,375 --> 01:06:01,250 ♪ All the folk around said "She thought she had it coming" ♪ 1061 01:06:01,333 --> 01:06:04,958 ♪ But she gets it while she can, oh ♪ 1062 01:06:05,041 --> 01:06:07,666 ♪ Get back, hey, get back ♪ 1063 01:06:09,000 --> 01:06:11,625 ♪ Get back to where you once belonged ♪ 1064 01:06:12,791 --> 01:06:15,916 ♪ Get back, get back ♪ 1065 01:06:16,750 --> 01:06:19,958 ♪ Get back to where you once belonged ♪ 1066 01:06:20,750 --> 01:06:23,583 ♪ Get back, get back ♪ 1067 01:06:24,833 --> 01:06:27,791 ♪ Get back to where you once belonged ♪ 1068 01:06:28,625 --> 01:06:31,625 ♪ Get back, get back ♪ 1069 01:06:32,625 --> 01:06:35,458 ♪ Get back to where you once belonged ♪ 1070 01:06:36,375 --> 01:06:37,625 ♪ Oh ♪ 1071 01:06:42,625 --> 01:06:45,583 I mean, at the moment, we're just rehearsing the numbers for the show. 1072 01:06:45,666 --> 01:06:48,666 None of us has had the idea of what the show is gonna be yet. 1073 01:06:57,791 --> 01:06:58,958 Yeah. Right. Yeah. 1074 01:06:59,041 --> 01:07:01,375 And that's why, uh… 1075 01:07:02,375 --> 01:07:04,708 I think if you all have decided to do a show, 1076 01:07:04,791 --> 01:07:06,208 then it should be the best show. 1077 01:07:09,750 --> 01:07:10,750 Know what I mean? 1078 01:07:10,833 --> 01:07:13,458 The only thing about that though, is that, uh, 1079 01:07:14,291 --> 01:07:15,416 we don't want to go away. 1080 01:07:15,500 --> 01:07:17,166 Think of the lights in the water. 1081 01:07:17,250 --> 01:07:19,750 Torch-lit. 2,000 Arabs. 1082 01:07:19,833 --> 01:07:22,250 - I mean, visually, it is fantastic. - But we're not going away. 1083 01:07:22,333 --> 01:07:24,166 My trouble is… 1084 01:07:31,666 --> 01:07:33,041 We could make it like requests. 1085 01:07:33,125 --> 01:07:35,708 We should do the show in a place we're not allowed to do it. 1086 01:07:35,791 --> 01:07:38,125 You know, like, we should trespass, go in, set up, 1087 01:07:38,208 --> 01:07:40,666 and then get moved, and that should be the show. 1088 01:07:40,750 --> 01:07:44,083 I mean, you know, if you put us in the Houses of Parliament, 1089 01:07:44,166 --> 01:07:46,625 playing in the main gallery at the Houses of Parliament, 1090 01:07:46,708 --> 01:07:48,375 and getting forcibly ejected, 1091 01:07:48,458 --> 01:07:50,875 still trying to play numbers, and the police lifting you… 1092 01:07:50,958 --> 01:07:52,625 I think that's too much of an obstacle. 1093 01:07:52,708 --> 01:07:54,375 ♪ She came in Through the bathroom window ♪ 1094 01:07:57,041 --> 01:08:00,583 Scuffling with the coppers, boots and truncheons and all that. 1095 01:08:00,666 --> 01:08:02,583 You have to take a bit of violence. 1096 01:08:02,666 --> 01:08:03,958 I think that's too dangerous. 1097 01:08:12,833 --> 01:08:14,541 But I don't mean for really sick kids. 1098 01:08:14,625 --> 01:08:16,708 I mean for kids with broken legs. 1099 01:08:16,791 --> 01:08:20,458 I mean, really, kind of, 1944 Hollywood musical Bing Crosby kids. 1100 01:08:20,541 --> 01:08:24,208 Or in a hospital, they can't all get up and walk. 1101 01:08:24,291 --> 01:08:26,166 Except for the finale. 1102 01:08:26,250 --> 01:08:27,291 Oh, yes! 1103 01:08:27,375 --> 01:08:30,541 When John walks up to the little girl and says, "Come here." 1104 01:08:30,625 --> 01:08:32,208 And she gets up and walks. 1105 01:08:32,291 --> 01:08:34,875 Or maybe an orphans' home? An orphans' home. 1106 01:08:34,958 --> 01:08:37,125 Children are the hope of the future department. 1107 01:08:37,791 --> 01:08:39,958 What about an orphanage? 1108 01:08:40,041 --> 01:08:41,416 How does that grab you guys? 1109 01:08:41,500 --> 01:08:44,750 It's like, "Going once, going twice, going three times and that's it." 1110 01:08:44,833 --> 01:08:45,833 No. 1111 01:08:47,041 --> 01:08:49,291 Orphanage… Orphanage going downhill. 1112 01:08:54,375 --> 01:08:56,208 What's the biggest charity in the world? 1113 01:08:56,291 --> 01:08:57,416 I don't mean in terms of polio, 1114 01:08:57,500 --> 01:08:59,583 but what's the most charitable thing anybody could do? 1115 01:08:59,666 --> 01:09:00,666 They say… 1116 01:09:00,750 --> 01:09:04,000 Don't they say, "Charity begins at home"? 1117 01:09:04,083 --> 01:09:06,083 We'll do it at George's house. 1118 01:09:10,833 --> 01:09:14,875 We gotta have some serious reason for doing this or else we won't. 1119 01:09:16,416 --> 01:09:17,583 What's it for? 1120 01:09:17,666 --> 01:09:19,416 Can't be for the money. 1121 01:09:19,500 --> 01:09:22,875 I've decided the whole point of it is communication. 1122 01:09:22,958 --> 01:09:25,333 And to be on TV is communication. 1123 01:09:25,416 --> 01:09:28,958 We've got a chance to smile at people, like "All You Need Is Love." 1124 01:09:29,041 --> 01:09:31,958 But… So that's me incentive for doing it. 1125 01:09:39,375 --> 01:09:43,625 The worst that we have is a documentary of us making an LP 1126 01:09:43,708 --> 01:09:45,083 if we don't get into a show. 1127 01:09:45,166 --> 01:09:46,833 But we haven't played together, you see. 1128 01:09:46,916 --> 01:09:48,208 That's the fucking thing. 1129 01:09:48,291 --> 01:09:50,125 But when we do come together to play, 1130 01:09:50,208 --> 01:09:52,500 we all just sort of talk about the fucking past! 1131 01:09:52,583 --> 01:09:54,333 We're like old age pensioners. 1132 01:09:54,416 --> 01:09:56,541 "Remember the days when we used to rock?" 1133 01:09:56,625 --> 01:09:59,750 You know, but we're here now, and we can do it, you know? 1134 01:09:59,833 --> 01:10:02,958 But, I mean, all I want to see is enthusiasm! 1135 01:10:04,291 --> 01:10:08,541 See, the thing is also I get to a bit where I just sort of push all my ideas. 1136 01:10:08,625 --> 01:10:13,541 You know, I mean, a lot will come out of it if we could get the enthusiasm. 1137 01:10:13,625 --> 01:10:17,916 I mean, why are you here? I'm here 'cause I wanna do a show. 1138 01:10:18,000 --> 01:10:21,000 But I really don't feel an awful lot of support. 1139 01:10:21,083 --> 01:10:24,500 We keep coming up against that one, and I keep saying, 1140 01:10:24,583 --> 01:10:26,625 "Yeah well, I'd like to do this, this and that." 1141 01:10:26,708 --> 01:10:30,833 And we end up doing something again that nobody really wants to do. 1142 01:10:30,916 --> 01:10:32,833 If this one turns into that, 1143 01:10:32,916 --> 01:10:35,083 it should definitely be the last for all of us. 1144 01:10:35,166 --> 01:10:36,750 Because there just isn't any point. 1145 01:10:36,833 --> 01:10:39,458 I think that'd be sad. I mean, as an audience. That'd be sad. 1146 01:10:39,541 --> 01:10:41,958 Course it is! It's stupid. It is just stupid. 1147 01:10:42,916 --> 01:10:46,208 You see, the people who are being stupid are the four of us. 1148 01:10:50,625 --> 01:10:52,083 …which it always is. 1149 01:10:52,166 --> 01:10:57,166 The Beatles have been in doldrums for at least a year. 1150 01:10:58,041 --> 01:11:02,125 Ever since Mr. Epstein passed away, it's never been the same. 1151 01:11:02,208 --> 01:11:04,875 I mean, we've been very negative since Mr. Epstein passed away. 1152 01:11:04,958 --> 01:11:08,958 And that's why all of us, in turn, have been sick of the group. 1153 01:11:09,041 --> 01:11:10,666 It's discipline we lack. 1154 01:11:10,750 --> 01:11:11,791 We've never had discipline. 1155 01:11:11,875 --> 01:11:14,625 We had a sort of slight, symbolic discipline. 1156 01:11:14,708 --> 01:11:16,166 Like Mr. Epstein. 1157 01:11:16,250 --> 01:11:19,416 You know, and he sort of said, "Get suits on," and we did. 1158 01:11:19,500 --> 01:11:22,916 You know, and so we were always fighting that discipline a bit. 1159 01:11:24,125 --> 01:11:28,250 There really is no one there now to say, "Do it." 1160 01:11:28,333 --> 01:11:29,958 Whereas there always used to be. 1161 01:11:30,041 --> 01:11:34,708 Daddy's gone away now, and we're on our own at the holiday camp. 1162 01:11:34,791 --> 01:11:38,958 I think we either go home or we do it. 1163 01:11:43,875 --> 01:11:46,416 I think we've got a bit shy, you know? 1164 01:11:46,500 --> 01:11:50,791 I think I've got a bit shy of certain things, you know? 1165 01:11:50,875 --> 01:11:53,541 'Cause you know how often, like, on albums we sometimes blow one of your songs, 1166 01:11:53,625 --> 01:11:55,333 'cause we come in in the wrong mood. 1167 01:11:55,416 --> 01:11:58,250 And you say, "This is how it goes. I'll be back." 1168 01:11:58,333 --> 01:12:01,291 And we're all just, "Oh, well you…" 1169 01:12:01,375 --> 01:12:04,333 That's why we're wrong to throw away the show. 1170 01:12:04,416 --> 01:12:05,958 Because there's no desire. 1171 01:12:06,666 --> 01:12:09,250 So it's like, if we're doing the show, 1172 01:12:09,333 --> 01:12:11,000 we're gonna have to work hard. 1173 01:12:11,791 --> 01:12:14,458 And that means by the time a week from now comes 1174 01:12:14,541 --> 01:12:17,541 all these songs we've got, we've gotta know perfectly. 1175 01:12:20,541 --> 01:12:21,958 Because they just turn out shitty… 1176 01:12:22,041 --> 01:12:25,416 No, but this… Thinking it's not gonna come out great won't help. 1177 01:12:25,500 --> 01:12:29,125 If we cancel the show now, we'll be throwing it away. 1178 01:12:29,208 --> 01:12:31,166 But equally, at the moment we haven't got a show 1179 01:12:31,250 --> 01:12:32,791 and so none of us really want to do it. 1180 01:12:32,875 --> 01:12:33,875 I'll do it. 1181 01:12:33,958 --> 01:12:38,166 I'm not interested, you know, to spend my fucking days farting around here, 1182 01:12:38,250 --> 01:12:41,541 while everyone makes up their minds whether they want to do it or not. 1183 01:12:41,625 --> 01:12:44,541 It's like Mal said last night, "If you're gonna do the show here, 1184 01:12:44,625 --> 01:12:47,041 you've gotta decide today." 1185 01:12:47,125 --> 01:12:49,125 And as far as I can see, there's only two ways. 1186 01:12:49,208 --> 01:12:51,125 We're gonna do it, or we're not gonna do it. 1187 01:12:51,208 --> 01:12:53,500 And I want a decision! 1188 01:12:53,583 --> 01:12:55,166 Maybe we should have a divorce. 1189 01:12:55,250 --> 01:12:57,375 Well, I said that at the last meeting. 1190 01:12:58,833 --> 01:13:00,458 But it's getting nearer, you know? 1191 01:13:01,916 --> 01:13:03,375 Who'd have the children? 1192 01:13:04,541 --> 01:13:05,583 Dick James. 1193 01:13:05,666 --> 01:13:06,750 Oh, yeah. 1194 01:13:08,458 --> 01:13:09,958 We all need you. 1195 01:13:10,541 --> 01:13:13,333 And, you know, if you all can't get it together, 1196 01:13:13,416 --> 01:13:15,458 that's really very sad. 1197 01:13:15,541 --> 01:13:18,958 So, I think what we should do now is let you play a little 1198 01:13:19,041 --> 01:13:21,291 and then you all have lunch together. 1199 01:13:22,166 --> 01:13:25,375 And I can give you some more fennel, maybe? 1200 01:13:26,083 --> 01:13:27,166 Yes. 1201 01:13:27,250 --> 01:13:29,916 So shall we leave you for a while? 1202 01:13:30,000 --> 01:13:31,958 - Yes. Yeah. - Yeah. 1203 01:13:32,875 --> 01:13:34,291 "If I'd been out… 1204 01:13:36,333 --> 01:13:38,208 till quarter to three." 1205 01:13:42,833 --> 01:13:45,041 ♪ Will you still be there? ♪ 1206 01:13:45,125 --> 01:13:46,541 And then twice… 1207 01:13:46,625 --> 01:13:49,416 ♪ Maxwell's silver hammer made sure that ♪ 1208 01:13:50,041 --> 01:13:51,083 Minor. 1209 01:13:51,166 --> 01:13:53,041 ♪ Sure that she was dead ♪ 1210 01:13:54,416 --> 01:13:55,875 ♪ Solo ♪ 1211 01:13:55,958 --> 01:13:57,458 That's the second lot. 1212 01:14:03,375 --> 01:14:05,083 Like a ukulele solo. 1213 01:14:13,500 --> 01:14:14,500 Uh… 1214 01:14:16,416 --> 01:14:17,666 Who was that? 1215 01:14:17,750 --> 01:14:18,750 Was that you? 1216 01:14:19,333 --> 01:14:21,000 It's all right. 1217 01:14:21,083 --> 01:14:22,083 Keep it in. 1218 01:14:23,583 --> 01:14:25,583 Just stand near the mic on the night. 1219 01:14:31,666 --> 01:14:32,666 Okay. 1220 01:14:32,750 --> 01:14:34,000 Uh, John? 1221 01:14:34,083 --> 01:14:35,708 They're like a D, D. 1222 01:14:37,000 --> 01:14:39,333 D, F-sharp minor, G to A. 1223 01:14:45,458 --> 01:14:47,291 Are you just doing it all in D? 1224 01:14:48,041 --> 01:14:49,791 Yeah. Should we go and have lunch? 1225 01:14:49,875 --> 01:14:53,500 Take this guitar I offer you in all humility. 1226 01:14:53,583 --> 01:14:54,666 Thank you. 1227 01:14:55,875 --> 01:14:57,458 Thanks a lot, Jim. 1228 01:14:57,541 --> 01:15:00,166 ♪ Oh, Jim Grey ♪ 1229 01:15:00,750 --> 01:15:04,416 ♪ Where is your mother these days? ♪ 1230 01:15:05,125 --> 01:15:07,250 Mal, we should get a hammer. 1231 01:15:08,541 --> 01:15:09,833 And an anvil. 1232 01:15:10,583 --> 01:15:11,583 See you later. 1233 01:15:15,708 --> 01:15:16,708 ♪ Go ♪ 1234 01:15:16,791 --> 01:15:23,791 ♪ Bang, bang, Maxwell's silver hammer Came down upon her head ♪ 1235 01:15:23,875 --> 01:15:29,916 ♪ Clang, clang, Maxwell's silver hammer Made sure that Joan was dead ♪ 1236 01:15:30,000 --> 01:15:31,458 Whistle. 1237 01:15:36,916 --> 01:15:38,458 That's nice, fellas. 1238 01:15:38,541 --> 01:15:42,041 ♪ Back in school again Maxwell is a fool again ♪ 1239 01:15:42,125 --> 01:15:44,666 ♪ Teacher gets annoyed ♪ 1240 01:15:45,875 --> 01:15:51,791 ♪ Wishing to avoid an unpleasant scene ♪ 1241 01:15:52,750 --> 01:15:56,541 ♪ She tells Max to stay When the class has gone away ♪ 1242 01:15:56,625 --> 01:15:59,583 ♪ And he stays behind ♪ 1243 01:16:00,208 --> 01:16:06,375 ♪ Writing thousand lines that say "I fool, Maxwell fool" ♪ 1244 01:16:06,458 --> 01:16:08,375 - Like that? - Yeah, E minor to A. 1245 01:16:08,458 --> 01:16:09,458 Same as before. 1246 01:16:11,833 --> 01:16:13,750 So there's two choruses there. Solo. 1247 01:16:16,166 --> 01:16:17,416 Then the quick end now. 1248 01:16:20,625 --> 01:16:22,500 That's okay as long… He's in the space. 1249 01:16:22,583 --> 01:16:25,500 Yeah, if you do it in the space. You know, it's gonna go… 1250 01:16:31,708 --> 01:16:33,791 - That's the… - That's the one. 1251 01:16:38,000 --> 01:16:40,416 ♪ He creeps up from behind ♪ 1252 01:16:40,500 --> 01:16:41,833 Hee-hoo! 1253 01:16:41,916 --> 01:16:47,500 ♪ Bang, bang, Maxwell's silver hammer Came down upon her head ♪ 1254 01:16:48,916 --> 01:16:54,708 ♪ Clang, clang, Maxwell's silver hammer Made sure that she was dead ♪ 1255 01:16:54,791 --> 01:16:55,958 Take it away, Johnny. 1256 01:17:13,166 --> 01:17:14,458 Well done, boys. 1257 01:17:21,791 --> 01:17:22,916 Okay, that's "Maxwell's." 1258 01:17:23,666 --> 01:17:25,833 Mal, did you get the words to "Across the Universe"? 1259 01:17:25,916 --> 01:17:28,708 - They'll send them up this afternoon. - Has Dick James got the words? 1260 01:17:28,791 --> 01:17:30,333 - No! - I don't think so. 1261 01:17:33,125 --> 01:17:38,458 ♪ Words are flowing out Like endless rain into a paper cup ♪ 1262 01:17:38,541 --> 01:17:45,333 ♪ They slither wildly As they slip away across the universe ♪ 1263 01:17:45,416 --> 01:17:51,291 ♪ Pools of sorrow, waves of joy Are drifting through my opened mind ♪ 1264 01:17:51,375 --> 01:17:54,666 ♪ Possessing and caressing me ♪ 1265 01:17:55,791 --> 01:18:01,250 ♪ Jai guru deva ♪ 1266 01:18:02,000 --> 01:18:03,625 ♪ Om ♪ 1267 01:18:11,125 --> 01:18:14,833 He's trying to get a balance in there, and you've got the words all in front. 1268 01:18:14,916 --> 01:18:16,458 - You got the balance, Glyn? - Yes. 1269 01:18:17,458 --> 01:18:18,916 Getting it all right, are you? 1270 01:18:19,000 --> 01:18:20,916 Can't you get a music stand? We had some the other day. 1271 01:18:21,000 --> 01:18:22,125 - Yeah, Mal… - There's one over there. 1272 01:18:22,208 --> 01:18:23,791 - Do you want a music stand? - Yes, please. 1273 01:18:26,500 --> 01:18:27,958 It goes… 1274 01:18:42,666 --> 01:18:48,708 ♪ Jai guru deva ♪ 1275 01:18:49,333 --> 01:18:50,833 ♪ Om ♪ 1276 01:18:52,750 --> 01:18:55,958 ♪ Nothing's gonna change my world ♪ 1277 01:18:56,041 --> 01:18:57,625 I wish it fucking would. 1278 01:18:59,250 --> 01:19:03,291 ♪ Nothing's gonna change my world ♪ 1279 01:19:05,791 --> 01:19:08,750 ♪ Images of broken light ♪ 1280 01:19:08,833 --> 01:19:12,916 ♪ Which dance before me Like a million eyes ♪ 1281 01:19:13,000 --> 01:19:17,666 ♪ They call me on and on Across the universe ♪ 1282 01:19:17,750 --> 01:19:18,750 It's 'cause I'm down. 1283 01:19:19,333 --> 01:19:25,916 ♪ Thoughts meander Like a restless wind inside a letter box ♪ 1284 01:19:26,000 --> 01:19:32,958 ♪ They tumble blindly as they make Their way across the universe ♪ 1285 01:19:34,333 --> 01:19:39,666 ♪ Jai guru deva ♪ 1286 01:19:41,000 --> 01:19:43,500 ♪ Om ♪ 1287 01:19:44,375 --> 01:19:48,250 ♪ Nothing's gonna change my world ♪ 1288 01:19:50,708 --> 01:19:54,583 ♪ Nothing's gonna change my world ♪ 1289 01:19:57,500 --> 01:19:59,208 ♪ Sounds of laughter, shades… ♪ 1290 01:19:59,291 --> 01:20:01,125 I think you better take control, John! 1291 01:20:02,625 --> 01:20:05,458 ♪ Let me hear Some of that rock and roll music ♪ 1292 01:20:06,333 --> 01:20:08,083 ♪ Any old way you choose it ♪ 1293 01:20:08,875 --> 01:20:11,333 ♪ It's got a back beat you can't lose it ♪ 1294 01:20:12,000 --> 01:20:14,000 ♪ Any old time you use it ♪ 1295 01:20:14,833 --> 01:20:16,625 ♪ Gotta be rock and roll music ♪ 1296 01:20:17,791 --> 01:20:19,708 ♪ If you wanna dance with me ♪ 1297 01:20:20,708 --> 01:20:22,666 ♪ If you wanna dance with me ♪ 1298 01:20:22,750 --> 01:20:25,166 ♪ Way down South they have a tango ♪ 1299 01:20:25,250 --> 01:20:27,916 ♪ And then it turned into a mambo ♪ 1300 01:20:28,541 --> 01:20:31,500 ♪ Another dancer had a lamba ♪ 1301 01:20:31,583 --> 01:20:34,416 ♪ I started doing another samba ♪ 1302 01:20:34,500 --> 01:20:38,000 ♪ And started playing That rock and roll music ♪ 1303 01:20:38,583 --> 01:20:40,833 ♪ Any old way you choose it ♪ 1304 01:20:40,916 --> 01:20:44,291 ♪ It's got a back beat you can't lose it ♪ 1305 01:20:44,375 --> 01:20:46,625 ♪ Any old time you use it ♪ 1306 01:20:47,625 --> 01:20:49,708 ♪ Gotta be rock and roll music ♪ 1307 01:20:50,583 --> 01:20:52,833 ♪ If you wanna dance with me ♪ 1308 01:20:53,625 --> 01:20:55,625 ♪ If you wanna dance with me ♪ 1309 01:20:55,708 --> 01:20:57,500 ♪ Way down South they have a tango ♪ 1310 01:20:58,291 --> 01:21:00,541 ♪ And then it turned into a mambo ♪ 1311 01:21:01,291 --> 01:21:03,666 ♪ Another dancer had a lamba ♪ 1312 01:21:03,750 --> 01:21:06,458 ♪ I started doing another samba ♪ 1313 01:21:07,208 --> 01:21:10,750 ♪ And started playing That rock and roll music ♪ 1314 01:21:10,833 --> 01:21:13,791 ♪ Any old way you choose it ♪ 1315 01:21:13,875 --> 01:21:16,708 ♪ It's got a back beat you can't lose it ♪ 1316 01:21:16,791 --> 01:21:20,208 ♪ Any old time you use it ♪ 1317 01:21:20,291 --> 01:21:22,583 ♪ Gotta be rock and roll music ♪ 1318 01:21:23,166 --> 01:21:25,291 ♪ If you wanna dance with me ♪ 1319 01:21:26,125 --> 01:21:28,125 ♪ If you wanna dance with me ♪ 1320 01:21:42,666 --> 01:21:45,375 You know where they dropped all the bombs on Germany, 1321 01:21:45,458 --> 01:21:49,791 - they killed more people than… - Than the H-bomb in Hiroshima. 1322 01:21:49,875 --> 01:21:50,875 Yeah. 1323 01:21:50,958 --> 01:21:53,375 - And all civilians. - Fucking terrible. 1324 01:21:53,458 --> 01:21:57,791 And did you see when they flew over, it looked like Hamburg. Just bombed out. 1325 01:21:57,875 --> 01:21:59,500 - Nothing. Just dead. - Mmm. 1326 01:21:59,583 --> 01:22:01,791 - Did you watch the BBC2 thing? - And, uh… 1327 01:22:01,875 --> 01:22:03,583 Yeah, there was that science fiction thing. 1328 01:22:03,666 --> 01:22:05,791 Was the science fiction any good? 1329 01:22:05,875 --> 01:22:09,916 - It was amazing. Did you see any of it? - I only saw the last five… Three minutes. 1330 01:22:10,000 --> 01:22:12,333 It started very strange, where they brought… 1331 01:22:12,416 --> 01:22:14,833 They had a fellow on a trolley, and they pushed him in, 1332 01:22:14,916 --> 01:22:17,625 - like, a cupboard or a fridge. - He was the body, wasn't he? 1333 01:22:17,708 --> 01:22:20,500 He was just, like, a body, yeah, that they were gonna use. 1334 01:22:20,583 --> 01:22:22,375 - Mmm. - And they did something. 1335 01:22:22,458 --> 01:22:25,916 They were supposed to be in the year 2100 and something. 1336 01:22:26,000 --> 01:22:29,375 - And they went back to 1969, January. - Mmm. 1337 01:22:29,458 --> 01:22:34,125 Focused in on the M1 on this car. 1338 01:22:34,208 --> 01:22:36,958 - And made him crash, so that he'd… - Mmm. 1339 01:22:37,041 --> 01:22:41,708 And then they somehow take his mind or whatever it is 1340 01:22:41,791 --> 01:22:44,791 and transplant it into this new… 1341 01:22:45,666 --> 01:22:47,875 - Uh, new body. - Into the body that he put in. 1342 01:22:47,958 --> 01:22:49,750 Rex Industries, they were called. 1343 01:22:51,625 --> 01:22:57,250 And, uh, then suddenly it turned into all that crap about medals and things. 1344 01:22:57,333 --> 01:23:00,625 That's what gave me the idea, 'cause suddenly it was the bit 1345 01:23:00,708 --> 01:23:03,291 where they were all coming into the ball, I think it was Austria, 1346 01:23:03,375 --> 01:23:04,750 and they all had their medals. 1347 01:23:04,833 --> 01:23:08,375 - Oh, I didn't watch that. - And some music was just playing. 1348 01:23:08,458 --> 01:23:10,958 - Music, like a 3/4 thing. - Mmm. 1349 01:23:11,041 --> 01:23:13,875 And so I just had that in me head, just the waltz thing, 1350 01:23:13,958 --> 01:23:15,541 and it was fitting "I Me Mine." 1351 01:23:15,625 --> 01:23:17,750 - There was no words to it, I just… - Yeah. 1352 01:23:17,833 --> 01:23:18,833 Hello. 1353 01:23:19,541 --> 01:23:20,875 How are you? 1354 01:23:20,958 --> 01:23:23,000 - Morning. - Good morning. 1355 01:23:24,750 --> 01:23:27,625 Do you want to hear a song I wrote last night? 1356 01:23:29,791 --> 01:23:32,791 It's just a very short one. It's called "I Me Mine." 1357 01:23:36,083 --> 01:23:39,083 ♪ All through the day ♪ 1358 01:23:40,208 --> 01:23:44,000 ♪ I me mine, I me mine, I me mine ♪ 1359 01:23:45,833 --> 01:23:48,833 ♪ All through the night ♪ 1360 01:23:49,833 --> 01:23:53,583 ♪ I me mine, I me mine, I me mine ♪ 1361 01:23:54,625 --> 01:23:57,708 ♪ No one's frightened of playing it ♪ 1362 01:23:57,791 --> 01:24:00,000 ♪ Everyone's saying it ♪ 1363 01:24:00,083 --> 01:24:03,000 ♪ Flowing more freely than wine ♪ 1364 01:24:04,833 --> 01:24:08,125 ♪ All through your life ♪ 1365 01:24:08,916 --> 01:24:11,500 ♪ I me mine ♪ 1366 01:24:13,583 --> 01:24:14,708 It's lovely. 1367 01:24:18,208 --> 01:24:19,666 What's, uh… 1368 01:24:19,750 --> 01:24:23,291 Is that grammatical? "Flowing more freely than wine." 1369 01:24:23,375 --> 01:24:24,458 Yeah. 1370 01:24:24,541 --> 01:24:25,833 All right. 1371 01:24:25,916 --> 01:24:28,166 - "Flowing much freer"? - You know what would be fantastic, Paul? 1372 01:24:28,250 --> 01:24:30,250 - More freely. - "Freer." It's funny when… 1373 01:24:30,333 --> 01:24:32,416 If you're writing, yeah, thinking of how you say it. 1374 01:24:32,500 --> 01:24:33,500 - "Freer." - But I got… 1375 01:24:33,583 --> 01:24:35,166 - For it's sticky out here. - I was thinking… 1376 01:24:35,250 --> 01:24:37,750 Yeah, yeah. 1377 01:24:38,250 --> 01:24:41,750 ♪ All I can hear ♪ 1378 01:24:41,833 --> 01:24:43,291 ♪ I me mine, I me mine, I me mine ♪ 1379 01:24:43,375 --> 01:24:45,291 All the girls come on then, dancing. 1380 01:24:46,041 --> 01:24:49,000 Harrison's fisherwife, and dwarves and hunchbacks… 1381 01:24:49,958 --> 01:24:52,833 ♪ I me mine, I me mine, I me mine ♪ 1382 01:24:54,875 --> 01:24:56,833 ♪ No one's frightened of playing it ♪ 1383 01:24:56,916 --> 01:24:57,916 Run along, son. 1384 01:24:58,000 --> 01:24:58,943 ♪ Everyone's saying it ♪ 1385 01:24:58,958 --> 01:25:01,208 We'll see you later. We're a rock and roll band, you know? 1386 01:25:01,291 --> 01:25:02,750 ♪ Flowing more freely than wine ♪ 1387 01:25:06,291 --> 01:25:09,833 ♪ All through your life ♪ 1388 01:25:10,333 --> 01:25:11,416 ♪ I me mine ♪ 1389 01:25:11,500 --> 01:25:13,916 - Mine. - Mine. I like mine. 1390 01:25:16,166 --> 01:25:18,750 Well, I'll get on the barrel organ. 1391 01:25:19,916 --> 01:25:23,833 I don't… I don't care if you don't want it. I don't give a fuck. 1392 01:25:23,916 --> 01:25:25,375 It can go in me musical. 1393 01:25:26,791 --> 01:25:29,541 George, have you any idea what we play? 1394 01:25:29,625 --> 01:25:30,625 George? 1395 01:25:30,708 --> 01:25:33,416 Can we just borrow that copy? 1396 01:25:37,875 --> 01:25:39,833 His amp needs to be on. 1397 01:25:41,291 --> 01:25:43,000 Why? Have you got something there? 1398 01:25:45,291 --> 01:25:46,958 - No. - Hello. 1399 01:25:47,458 --> 01:25:49,375 Hello? 1400 01:25:51,041 --> 01:25:53,416 - More volume. - This is diarrhea. 1401 01:25:53,500 --> 01:25:57,166 When I'm up against the wall, Paul, you'll find I'm at my best. 1402 01:25:57,250 --> 01:25:58,416 That's good echo. 1403 01:25:59,708 --> 01:26:01,291 But I wish you'd come up with the goods. 1404 01:26:01,375 --> 01:26:03,500 - Look, I think I've got Sunday off. - Hello? 1405 01:26:03,583 --> 01:26:05,291 - Well, I hope you can deliver. - Hello. 1406 01:26:05,375 --> 01:26:07,375 I'm hoping for a little rock and roller. 1407 01:26:07,458 --> 01:26:09,291 Yeah, I was hoping for the same thing myself. 1408 01:26:09,375 --> 01:26:11,416 Sammy loved his mammy. She hammy dammy dammy. 1409 01:26:11,500 --> 01:26:12,791 Paul, Paul, Paul. 1410 01:26:12,875 --> 01:26:15,708 Stop that goddamn feedback! 1411 01:26:16,333 --> 01:26:18,458 And you then being presented onstage, 1412 01:26:18,541 --> 01:26:20,708 you should be sitting there when they are coming in. 1413 01:26:20,791 --> 01:26:24,041 And then you open the doors and we're in the middle of a number. 1414 01:26:24,125 --> 01:26:27,666 Or you're just sitting, waiting, and then when everybody's there, then you start. 1415 01:26:27,750 --> 01:26:31,208 As opposed to you coming on as The Beatles, it's much more intimate. 1416 01:26:31,916 --> 01:26:34,833 Well, we're doing it anyway, while they come in before we start it. 1417 01:26:34,916 --> 01:26:36,416 - Yeah. - Like we did on "Jude." 1418 01:26:39,208 --> 01:26:43,875 Well, let's… We keep 'em a bit more disciplined than they were then. 1419 01:26:48,208 --> 01:26:49,708 Yeah. 1420 01:26:49,791 --> 01:26:52,583 So, the main thing is, are we going to do it here? 1421 01:26:52,666 --> 01:26:54,041 'Cause they've got to build a control room. 1422 01:26:54,125 --> 01:26:56,791 What are the alternatives to where you want to go? 1423 01:26:56,875 --> 01:26:59,208 It's really anywhere as long as we can get it there. 1424 01:26:59,291 --> 01:27:01,250 Are there definite places? 1425 01:27:01,333 --> 01:27:02,500 No, I don't know anywhere. 1426 01:27:02,583 --> 01:27:03,833 That's why we came here. 1427 01:27:03,916 --> 01:27:04,916 Where do you think? 1428 01:27:05,000 --> 01:27:06,875 I think you might as well do it right here. 1429 01:27:06,958 --> 01:27:09,458 But, acoustically, it's not very good here, is it? 1430 01:27:09,541 --> 01:27:12,083 It's not as good as it could be elsewhere, you know? 1431 01:27:12,166 --> 01:27:13,666 Now what would make it? 1432 01:27:13,750 --> 01:27:15,916 - A lower ceiling? - Deaden it right down. 1433 01:27:16,000 --> 01:27:18,666 Yeah, a false ceiling above where you are. 1434 01:27:18,750 --> 01:27:21,125 Now John'd like to say a few words on the subject. 1435 01:27:21,208 --> 01:27:25,125 ♪ I'd like to say That I like the intimate idea ♪ 1436 01:27:25,833 --> 01:27:27,791 ♪ Rather than a large one ♪ 1437 01:27:27,875 --> 01:27:29,041 Yeah? 1438 01:27:29,541 --> 01:27:33,375 ♪ Simply because We should concentrate on the sound ♪ 1439 01:27:36,041 --> 01:27:39,833 ♪ Simply because We should concentrate on the sound ♪ 1440 01:27:42,500 --> 01:27:43,583 Thank you very much. 1441 01:27:43,666 --> 01:27:46,125 ♪ You and I have memories ♪ 1442 01:27:46,958 --> 01:27:51,708 ♪ Longer than the road That stretches out ahead ♪ 1443 01:27:54,458 --> 01:27:57,250 ♪ Two of us wearing raincoats ♪ 1444 01:27:57,333 --> 01:28:01,541 ♪ Standing solo in the sun ♪ 1445 01:28:01,625 --> 01:28:04,083 ♪ Don't let me down ♪ 1446 01:28:07,541 --> 01:28:10,208 ♪ Don't let me down ♪ 1447 01:28:12,916 --> 01:28:15,000 ♪ I've got a feeling ♪ 1448 01:28:15,583 --> 01:28:18,541 ♪ A feeling I can't hide Oh, no ♪ 1449 01:28:20,416 --> 01:28:22,250 ♪ Oh, no ♪ 1450 01:28:27,916 --> 01:28:29,875 Uh, Mal? 1451 01:28:34,916 --> 01:28:38,583 ♪ No, I won't shed a tear ♪ 1452 01:28:39,541 --> 01:28:40,708 ♪ Just as long ♪ 1453 01:28:41,791 --> 01:28:44,125 ♪ As you stand ♪ 1454 01:28:44,208 --> 01:28:47,125 ♪ Stand by me, stand by me Stand by me, stand by me ♪ 1455 01:28:47,208 --> 01:28:49,000 ♪ You got me going ♪ 1456 01:28:50,000 --> 01:28:51,500 ♪ Like a spinning top ♪ 1457 01:28:51,583 --> 01:28:55,291 ♪ Baa-ba-ba-ba-baa Baa-ba-ba-ba-baa ♪ 1458 01:28:55,375 --> 01:28:56,625 Legalize pot. 1459 01:28:56,708 --> 01:28:59,708 Queen says "no" to pot-smoking FBI members. 1460 01:29:00,958 --> 01:29:01,958 It doesn't… 1461 01:29:02,041 --> 01:29:04,208 Hey, hey. It doesn't stop there actually. 1462 01:29:04,291 --> 01:29:08,875 ♪ Baa, baa, black sheep Have you any wool ♪ 1463 01:29:08,958 --> 01:29:15,250 ♪ Clang, clang, Maxwell's silver hammer Made sure that she was dead ♪ 1464 01:29:17,583 --> 01:29:19,916 A guitar fell over, Paul. A guitar fell over. 1465 01:29:20,000 --> 01:29:22,500 ♪ The news is out ♪ 1466 01:29:25,375 --> 01:29:28,000 ♪ All over town ♪ 1467 01:29:31,333 --> 01:29:34,625 ♪ That you've been seen ♪ 1468 01:29:37,041 --> 01:29:40,916 ♪ Out and around ♪ 1469 01:29:43,500 --> 01:29:46,333 ♪ I know that I ♪ 1470 01:29:49,875 --> 01:29:52,375 ♪ Can't win, but then ♪ 1471 01:29:55,958 --> 01:29:58,916 ♪ What can I do? ♪ 1472 01:30:02,333 --> 01:30:05,125 ♪ You win again ♪ 1473 01:30:11,708 --> 01:30:14,958 ♪ All I can hear ♪ 1474 01:30:15,041 --> 01:30:17,833 ♪ I me mine, I me mine, I me mine ♪ 1475 01:30:19,666 --> 01:30:23,000 ♪ Even your tears ♪ 1476 01:30:23,083 --> 01:30:26,458 ♪ I me mine, I me mine, I me mine ♪ 1477 01:30:27,916 --> 01:30:29,791 ♪ Everyone's playing it ♪ 1478 01:30:29,875 --> 01:30:31,666 ♪ Everyone's saying it ♪ 1479 01:30:32,166 --> 01:30:34,833 ♪ Flowing more freely than wine ♪ 1480 01:30:36,250 --> 01:30:39,333 ♪ All through your life ♪ 1481 01:30:39,833 --> 01:30:42,375 ♪ I me mine ♪ 1482 01:30:45,291 --> 01:30:47,875 - You can keep going now. - Do you dig it, man? 1483 01:30:49,041 --> 01:30:50,083 - I like that one. - Yeah. 1484 01:30:50,166 --> 01:30:52,166 Do you want to do that waltz on the show? 1485 01:30:52,250 --> 01:30:54,250 That'd be great, 'cause it's so simple to do. 1486 01:31:05,416 --> 01:31:08,541 Every song has got a character. That's the character of that one. 1487 01:31:08,625 --> 01:31:11,166 And we can find each number… how they fit theatrically, 1488 01:31:11,250 --> 01:31:14,375 like your dance for that one, like the song that you cry in, 1489 01:31:14,458 --> 01:31:16,750 and the song you do that brings tears to everybody's eyes. 1490 01:31:16,833 --> 01:31:19,000 Yes, all right. Just sod off! 1491 01:31:20,750 --> 01:31:22,666 I mean, you see, build any set you want. 1492 01:31:22,750 --> 01:31:26,000 Maybe not scaffolding… Not obvious scaffolding. 1493 01:31:26,083 --> 01:31:28,125 Maybe we can put people up on them. 1494 01:31:28,625 --> 01:31:30,041 Think it could hold people? 1495 01:31:30,541 --> 01:31:32,666 It could hold… I guess that'd be a bit limited. 1496 01:31:40,750 --> 01:31:43,875 ♪ Come on, come on Come on, come on ♪ 1497 01:31:43,958 --> 01:31:45,583 ♪ Come on, come on Come on, come on ♪ 1498 01:31:45,666 --> 01:31:48,000 Yeah. Well… 1499 01:31:48,083 --> 01:31:51,250 See, this is Around The Beatles, and that is better, but… 1500 01:31:51,333 --> 01:31:53,041 Show it to John. John will tell you about that. 1501 01:31:53,125 --> 01:31:55,125 John and Yoko know about that. They're artists. 1502 01:31:56,625 --> 01:31:58,458 It's Around The Beatles '69. 1503 01:31:58,541 --> 01:31:59,875 Yeah, that's what Paul said. 1504 01:32:00,583 --> 01:32:03,375 That's what Paul said. He said have a word with you and see what you thought. 1505 01:32:03,458 --> 01:32:04,583 Whether we could vary it. 1506 01:32:04,666 --> 01:32:08,875 In terms of… see-through things, 'cause I don't think we're ever gonna… 1507 01:32:08,958 --> 01:32:11,166 If you wanna see through 'em, use plastic. 1508 01:32:12,708 --> 01:32:13,708 Plastic… 1509 01:32:13,791 --> 01:32:16,125 But don't have scaffolding. They do it every show. 1510 01:32:16,208 --> 01:32:18,958 - Yeah. Use a different material? - Just use solid plastic. 1511 01:32:19,041 --> 01:32:21,583 - Solid plastic. - For, you know, to see through 'em. 1512 01:32:23,166 --> 01:32:26,041 I like the idea of a see-through thing, I think. 1513 01:32:26,125 --> 01:32:28,750 If you had 'em above our heads, you could have plastic and see up… 1514 01:32:28,833 --> 01:32:31,125 That's right. That's great. That's a good thought. 1515 01:32:31,208 --> 01:32:32,625 That's a good thought, all that. 1516 01:32:32,708 --> 01:32:35,416 Think of a helicopter shot over the amphitheater… 1517 01:32:35,500 --> 01:32:38,416 Yes, but that's the only argument you're giving to me is the… 1518 01:32:38,500 --> 01:32:40,291 - Is the helicopter shot. - The helicopter shot. 1519 01:32:40,375 --> 01:32:42,291 And you'll see the sea and you'll be in a theater. 1520 01:32:42,375 --> 01:32:45,875 And that is… For one, two minutes, say, of that shot 1521 01:32:45,958 --> 01:32:48,000 isn't worth me going out there. 1522 01:32:48,083 --> 01:32:50,291 When I really prefer to do it here. 1523 01:32:50,375 --> 01:32:55,166 Just big blocks, so you could put blocks of plastic in any shape you wanted. 1524 01:32:55,250 --> 01:32:56,791 We could move the audience round. 1525 01:32:56,875 --> 01:32:59,541 Yeah. Now that would mean casting the plastic, wouldn't it? 1526 01:32:59,625 --> 01:33:02,666 - It's just boxes, you know? - Might be a material we don't know about. 1527 01:33:02,750 --> 01:33:04,625 There will be some kind of new stuff, 1528 01:33:04,708 --> 01:33:06,500 you know, like Bakelite or some plastic. 1529 01:33:06,583 --> 01:33:10,083 But the thing is, everything you do has got to be good, 1530 01:33:10,166 --> 01:33:11,291 'cause all your albums are good. 1531 01:33:11,375 --> 01:33:12,958 I mean, there's not a duff album. 1532 01:33:13,041 --> 01:33:15,916 But see, it is kind of like four years ago. 1533 01:33:16,000 --> 01:33:17,541 And there's nothing wrong with four years ago, 1534 01:33:17,625 --> 01:33:19,208 except we're all 28 now as opposed… 1535 01:33:19,291 --> 01:33:22,583 - I don't mean that… - We're all… Yes, we are. 1536 01:33:22,666 --> 01:33:27,000 We're all 28, or whatever we are in the group. Baby George there. 1537 01:33:27,708 --> 01:33:30,958 I mean, it's not only you as the band and it's not only them as songwriters. 1538 01:33:31,041 --> 01:33:32,250 It is the four of you. 1539 01:33:32,333 --> 01:33:35,208 If you got a lot of blocks made, you could build any formation you want. 1540 01:33:35,291 --> 01:33:38,166 - Fit in like a Meccano. - If you've got box-shaped plastic, 1541 01:33:38,250 --> 01:33:41,291 you can build it that long if you want, or just have it that short. 1542 01:33:41,375 --> 01:33:42,958 Like Kubrick would do. 1543 01:33:43,041 --> 01:33:45,041 And it's got to be the best. 1544 01:33:45,125 --> 01:33:46,250 Because… 1545 01:33:47,166 --> 01:33:49,625 I mean, the hearts of millions are with you, you know what I mean? 1546 01:33:49,708 --> 01:33:51,166 It's got to be the best. It can't… 1547 01:33:53,541 --> 01:33:56,041 I'm not saying you owe it to the world or anything like that. 1548 01:33:56,125 --> 01:33:58,250 But if it is going to be your last TV show… 1549 01:34:05,458 --> 01:34:07,791 But I don't want you to be unhappy 'cause, like… 1550 01:34:07,875 --> 01:34:09,916 I love you like I love your three colleagues. 1551 01:34:10,000 --> 01:34:12,833 You see, then it's nice to have the levels where they can dance 1552 01:34:12,916 --> 01:34:14,958 and, you know, whatever they wanna do, you see? 1553 01:34:15,041 --> 01:34:17,333 Look, you could have our thing plastic too. 1554 01:34:17,416 --> 01:34:19,375 Yeah, that would be knockout to do that. 1555 01:34:19,458 --> 01:34:23,125 And then we could do what we like with the backing, have it go black or… 1556 01:34:23,208 --> 01:34:24,208 - Yeah, yeah. - Black. 1557 01:34:24,291 --> 01:34:25,916 Or stark or something, you know? 1558 01:34:26,000 --> 01:34:28,750 See, I'd watch an hour of him just playing the piano. 1559 01:34:28,833 --> 01:34:30,208 Me too. Uh… 1560 01:34:30,291 --> 01:34:31,541 'Cause he's so great. 1561 01:34:32,250 --> 01:34:33,333 But, like, I think… 1562 01:34:33,416 --> 01:34:36,708 See, I think we gotta find a place which would complement it. 1563 01:34:36,791 --> 01:34:40,583 And I don't see it being here on a stage with tubular scaffolding around it. 1564 01:34:40,666 --> 01:34:43,500 Then we can control all our lights from a panel. 1565 01:34:43,583 --> 01:34:45,250 And we can have what colors you like. 1566 01:34:45,333 --> 01:34:47,750 Yes. You'll always be able to see us through everything. 1567 01:34:47,833 --> 01:34:48,833 That's right. 1568 01:34:48,916 --> 01:34:51,208 I'll have the plastic when you're finished with it. 1569 01:34:51,291 --> 01:34:54,416 Well, can we all talk about it? 1570 01:34:54,500 --> 01:34:57,125 If… You will take the veto off 1571 01:34:57,208 --> 01:35:02,291 if you can be convinced that we can get an audience out there. 1572 01:35:03,916 --> 01:35:06,208 Okay, I love you. That's fine. 1573 01:35:09,958 --> 01:35:10,860 Okay, thanks. 1574 01:35:10,875 --> 01:35:14,333 I just do think, like, this is unique in that… 1575 01:35:24,750 --> 01:35:26,583 Well, I don't know. 1576 01:35:28,083 --> 01:35:29,833 I know, I left out George. 1577 01:35:53,250 --> 01:35:54,333 No, I think it's… 1578 01:35:58,208 --> 01:35:59,250 Yeah. 1579 01:35:59,333 --> 01:36:00,708 That's what I was thinking. 1580 01:36:04,958 --> 01:36:06,750 The box thing, right? 1581 01:36:08,250 --> 01:36:09,625 Yeah. 1582 01:36:14,833 --> 01:36:16,416 Yeah. 1583 01:36:19,708 --> 01:36:22,500 I don't think it's practical to do it in England. It's too bloody cold. 1584 01:36:22,583 --> 01:36:25,458 Yes, that was one of the reasons we started veering off on these ideas 1585 01:36:25,541 --> 01:36:28,208 was when we were looking at locations that Friday after Christmas. 1586 01:36:28,291 --> 01:36:29,708 We are in a film studio. 1587 01:36:29,791 --> 01:36:32,958 We're going to build something so that… 1588 01:36:33,041 --> 01:36:35,208 We shouldn't just try and build something like the Tower Ballroom 1589 01:36:35,291 --> 01:36:36,750 'cause we could go to the Tower Ballroom. 1590 01:36:36,833 --> 01:36:40,416 But, once you get on a stage, you are performers 1591 01:36:40,500 --> 01:36:42,583 and you gotta have someone to do it to. 1592 01:36:42,666 --> 01:36:44,375 Either the camera or real people, I think. 1593 01:36:44,458 --> 01:36:45,458 Yeah, we haven't… 1594 01:36:45,541 --> 01:36:47,791 Any number we've done at the moment, if we've noticed the camera on us 1595 01:36:47,875 --> 01:36:49,250 we've tried to ignore it. 1596 01:36:49,333 --> 01:36:52,708 But you've either got to be performing directly to the people at home 1597 01:36:52,791 --> 01:36:54,166 or to an audience. 1598 01:36:54,250 --> 01:36:56,208 See that's why I thought like a ballroom. 1599 01:36:56,291 --> 01:36:57,750 If we did go right back. 1600 01:36:57,833 --> 01:37:00,666 Like, "Come to the Tower Ballroom. There's a dance on." 1601 01:37:00,750 --> 01:37:03,708 You know? Oh, incidentally, we'll be the band there. 1602 01:37:03,791 --> 01:37:05,500 And then we go on and we play all the numbers. 1603 01:37:05,583 --> 01:37:08,166 But you're just not the local dance band. 1604 01:37:08,250 --> 01:37:09,541 I don't think it's quite enough scope. 1605 01:37:09,625 --> 01:37:11,541 I also think that people are very interested 1606 01:37:11,625 --> 01:37:13,250 in seeing how an audience would react. 1607 01:37:13,333 --> 01:37:17,125 Because the audience is so much part of the first half of you, musically. 1608 01:37:17,916 --> 01:37:21,833 Okay, so we're all prepared to do it with an audience. 1609 01:37:21,916 --> 01:37:23,958 But you can't just have the same old audience. 1610 01:37:24,041 --> 01:37:25,416 What can you do that's new with them? 1611 01:37:25,500 --> 01:37:28,208 If we can just think of an image, how we'd like to be, 1612 01:37:28,291 --> 01:37:32,000 which could be like a nightclub act. 1613 01:37:32,083 --> 01:37:36,333 Just the smoochy low lights and about ten people. 1614 01:37:36,416 --> 01:37:39,750 What's the point, when you could be giving people happiness with a full house? 1615 01:37:39,833 --> 01:37:41,250 Whatever kind of full house we decided. 1616 01:37:41,333 --> 01:37:43,416 I mean, we have to think about the audience. 1617 01:37:43,500 --> 01:37:45,208 It really ought to be the whole world. 1618 01:37:45,291 --> 01:37:49,000 That's where… Now we're going right… the whole circle back to Sabratha. 1619 01:37:49,083 --> 01:37:52,791 It is a location which is marvelous in itself, by the sea. 1620 01:37:52,875 --> 01:37:54,541 What he's saying is right. 1621 01:37:54,625 --> 01:37:55,625 It's the background. 1622 01:37:56,500 --> 01:37:58,791 I don't think anything is gonna beat 1623 01:37:58,875 --> 01:38:01,666 a perfect acoustic place by the water, out of doors. 1624 01:38:01,750 --> 01:38:03,166 For a rock and roll group? 1625 01:38:14,916 --> 01:38:18,625 Yes, I think we're gonna do rock and roll at dawn or at night. 1626 01:38:18,708 --> 01:38:20,958 I'm sure we can do rock and roll there if we get the right audience. 1627 01:38:21,041 --> 01:38:23,208 - George, come here. - I just wanna get it over with. 1628 01:38:23,291 --> 01:38:25,416 Yeah. 1629 01:38:26,416 --> 01:38:27,416 - Hiya. - Come on. 1630 01:38:28,500 --> 01:38:30,541 - We're going to Africa. - We're off. 1631 01:38:30,625 --> 01:38:33,500 - We're off. - No, we're not. Not necessarily. 1632 01:38:35,458 --> 01:38:36,458 Where to? 1633 01:38:50,041 --> 01:38:52,416 See, it's like having the most fantastic set on Earth, 1634 01:38:52,500 --> 01:38:54,125 but we haven't made a set, you know? 1635 01:38:54,208 --> 01:38:56,916 How many are gonna be looking at the set besides us and him? 1636 01:38:57,000 --> 01:39:00,208 Every time we've done an album, we've said, "Why are we stuck in EMI?" 1637 01:39:00,291 --> 01:39:03,500 We could be doing it in LA. We could be in France. 1638 01:39:03,583 --> 01:39:05,583 And every time we do it, and here we are again, 1639 01:39:05,666 --> 01:39:07,625 building another bloody castle around us. 1640 01:39:08,375 --> 01:39:10,500 - Well said, John. Well said! - And this time we do it there. 1641 01:39:10,583 --> 01:39:12,291 I'd be thrilled to do it. 1642 01:39:12,375 --> 01:39:16,125 Just timing it so as the sun came up just on the middle eight. 1643 01:39:20,208 --> 01:39:21,666 I think we've got to get… 1644 01:39:30,000 --> 01:39:32,625 Look, we were gonna give tickets away at this door here. 1645 01:39:32,708 --> 01:39:35,208 We'd given out those tickets, but they include a boat ride as well. 1646 01:39:37,291 --> 01:39:40,208 Okay, yeah. We're doing a live show. 1647 01:39:40,291 --> 01:39:42,375 And we're doing it in Arabia. 1648 01:39:42,458 --> 01:39:43,750 And it's like… 1649 01:39:43,833 --> 01:39:46,541 Whoever has been waiting to see the lads rocking again. 1650 01:39:46,625 --> 01:39:48,625 It's just impractical to try and get all those… 1651 01:39:48,708 --> 01:39:49,708 But it's not, you see… 1652 01:39:49,791 --> 01:39:52,875 Lug all them people there and try and get all that equipment. 1653 01:39:52,958 --> 01:39:54,583 But then if it was their problem… 1654 01:39:54,666 --> 01:39:57,208 But if you say, "That's what I want," that's what has to happen. 1655 01:39:57,291 --> 01:39:59,625 - That's not our problem. - Of course it's our problem. 1656 01:39:59,708 --> 01:40:01,208 Tell you what I'll offer you. 1657 01:40:01,291 --> 01:40:05,375 If we're going away and we hire a boat to take the audience with you… 1658 01:40:05,458 --> 01:40:08,375 - That would be knockout. - …we'll do a bloody show on a boat. 1659 01:40:13,625 --> 01:40:14,833 That's your code name. 1660 01:40:14,916 --> 01:40:16,750 No, he smoked some garlic once. 1661 01:40:19,750 --> 01:40:21,791 So, like, I'll come in with you, 1662 01:40:21,875 --> 01:40:24,625 as long as you can get a couple of boats. 1663 01:40:24,708 --> 01:40:26,708 - The QE 2. - And then we're stuck 1664 01:40:26,791 --> 01:40:29,333 with a bloody big boatload of people for two weeks. 1665 01:40:29,416 --> 01:40:33,416 At least you can go home from here. You can get away from it all. 1666 01:40:35,041 --> 01:40:39,666 I think the idea of the boat is completely insane. 1667 01:40:39,750 --> 01:40:42,833 It's very expensive and insane, and… 1668 01:40:43,750 --> 01:40:45,916 I think it should be the least of our worries. 1669 01:40:46,000 --> 01:40:47,250 Money. I really do. 1670 01:40:48,708 --> 01:40:51,458 If P&O will do a deal with Storm, they'll do one with us. 1671 01:40:56,208 --> 01:40:59,625 We should be able to get the boat for the publicity they get from it. 1672 01:41:02,833 --> 01:41:05,375 It's gonna be great. You'd love the place. 1673 01:41:05,458 --> 01:41:07,791 I've moved to Yugoslavia! 1674 01:41:07,875 --> 01:41:12,833 I may love the place, but I'd rather do the show, then go and love the place. 1675 01:41:14,208 --> 01:41:16,500 How're you gonna get a ship in a couple of days? 1676 01:41:17,833 --> 01:41:19,541 I was there. Yes, I know. 1677 01:41:19,625 --> 01:41:22,833 But they were passing by and you only used them for a few hours. 1678 01:41:22,916 --> 01:41:25,500 I've seen it, John. I went to the premiere. 1679 01:41:25,583 --> 01:41:27,583 - Did you enjoy it? - I thought you were great. 1680 01:41:27,666 --> 01:41:29,541 Thanks a lot, Ringo. 1681 01:41:40,333 --> 01:41:41,708 Still not the same. 1682 01:41:41,791 --> 01:41:45,583 If you'll say yes, and if we get it together, then will you go? 1683 01:41:49,041 --> 01:41:53,625 Well, I feel, as the trade says, "The vibes are very good at the moment." 1684 01:41:53,708 --> 01:41:56,375 But we can all say yes now and somebody can decide no tomorrow. 1685 01:41:56,458 --> 01:41:58,708 - It's not gonna make any odds. - Yeah. 1686 01:41:58,791 --> 01:42:01,000 - Good night, everybody! - Good night, Russia. 1687 01:42:01,083 --> 01:42:02,916 - That's a wrap. - I'll see you in Sabratha! 1688 01:42:03,000 --> 01:42:04,958 Let's pretend I wasn't here again. 1689 01:42:14,125 --> 01:42:16,333 This is the… Here, I'll take you to… 1690 01:42:17,125 --> 01:42:19,041 - Do you know Michael Lindsay-Hogg? - No. 1691 01:42:22,291 --> 01:42:23,583 Tony's a cameraman. 1692 01:42:39,416 --> 01:42:40,416 Yeah. 1693 01:42:45,041 --> 01:42:46,916 I better go and put in some piano practice. 1694 01:42:50,750 --> 01:42:51,750 No. 1695 01:42:52,250 --> 01:42:54,416 Yeah. 1696 01:42:54,500 --> 01:42:56,583 Gatwick Friday, Monday, Tuesday… 1697 01:42:56,666 --> 01:42:58,833 - Isn't Tripoli in Libya? Yeah. - That's right. Yeah. 1698 01:42:58,916 --> 01:43:02,250 That flight departs every day 3:05 and arrives 9:10. 1699 01:43:02,333 --> 01:43:03,666 - 3:05 p.m. at night? - Yes. 1700 01:43:03,750 --> 01:43:05,666 - That's a long trip! - That's what he told me. 1701 01:43:05,750 --> 01:43:07,666 Six hours? Can't be that long? 1702 01:43:13,208 --> 01:43:17,750 ♪ Every day she takes a morning bath She wets her hair ♪ 1703 01:43:18,250 --> 01:43:23,083 ♪ Wraps a towel around her As she's walking to the bedroom chair ♪ 1704 01:43:23,166 --> 01:43:26,000 ♪ It's just another day ♪ 1705 01:43:26,875 --> 01:43:29,250 ♪ Steppin' into stockings ♪ 1706 01:43:35,250 --> 01:43:37,333 Yeah. 1707 01:43:39,125 --> 01:43:40,666 Now, what was it? Uh… 1708 01:43:40,750 --> 01:43:43,458 I'll give you Mother Mary, "The Long and Winding Road." 1709 01:43:54,958 --> 01:43:57,500 The only thing is, it's, um… 1710 01:43:57,583 --> 01:44:00,333 I think… I really do think it's gonna be for the world. 1711 01:44:05,333 --> 01:44:08,166 Yes, but they do think of you as for everybody in the world. 1712 01:44:08,250 --> 01:44:10,750 That's one of the things I thought was good about "Jude," the guy in the turban. 1713 01:44:10,833 --> 01:44:11,833 Yeah. 1714 01:44:12,708 --> 01:44:17,375 ♪ Lead me to your door ♪ 1715 01:44:17,958 --> 01:44:19,500 ♪ Second verse ♪ 1716 01:44:19,583 --> 01:44:21,875 …that I haven't got yet. 1717 01:44:22,708 --> 01:44:25,833 ♪ Leave a space for the same thing ♪ 1718 01:44:25,916 --> 01:44:28,916 ♪ La, la, la ♪ 1719 01:44:51,750 --> 01:44:55,041 I think it's down to if we're going to do it in this country, 1720 01:44:55,125 --> 01:44:56,625 we might as well do it here. 1721 01:44:56,708 --> 01:44:58,291 But actually… 1722 01:45:02,166 --> 01:45:03,166 Yugoslavia. 1723 01:45:18,916 --> 01:45:20,083 Yeah. 1724 01:45:21,083 --> 01:45:22,583 Then something about pleasure… 1725 01:45:25,083 --> 01:45:26,083 From… 1726 01:45:26,166 --> 01:45:27,750 ♪ The many ways I've tried ♪ 1727 01:45:27,833 --> 01:45:28,833 Yeah. 1728 01:45:29,458 --> 01:45:34,875 ♪ Gathered all the pleasure From the many ways I've tried ♪ 1729 01:45:35,458 --> 01:45:36,708 ♪ But still they… ♪ 1730 01:45:36,791 --> 01:45:39,250 I've had lots of pleasure, but said better. 1731 01:45:39,333 --> 01:45:40,333 - You know? - Yeah. 1732 01:45:40,416 --> 01:45:43,333 I've had many pleasure. I've had much, much… 1733 01:45:44,750 --> 01:45:48,250 ♪ You left me waiting here ♪ 1734 01:45:50,625 --> 01:45:53,958 ♪ A long, long time ago ♪ 1735 01:45:59,500 --> 01:46:03,333 ♪ You left me waiting here ♪ 1736 01:46:05,166 --> 01:46:09,333 ♪ A long, long time ago ♪ 1737 01:46:11,750 --> 01:46:15,666 ♪ Don't leave me standing here ♪ 1738 01:46:17,750 --> 01:46:20,625 ♪ Lead me to your door ♪ 1739 01:46:31,583 --> 01:46:33,083 There's no more to that yet. 1740 01:46:33,166 --> 01:46:34,333 Just call that "middle." 1741 01:46:39,708 --> 01:46:42,625 ♪ The many ways I've tried ♪ 1742 01:46:42,708 --> 01:46:45,666 That's all right. "The many ways I've tried" is all right. 1743 01:46:45,750 --> 01:46:48,375 But have you got any idea for the second verse? 1744 01:46:48,458 --> 01:46:53,458 See, I was thinking of having another, like, the weather obstacle in that one. 1745 01:46:53,541 --> 01:46:57,416 ♪ The storm clouds and the rain ♪ 1746 01:46:59,291 --> 01:47:05,708 ♪ Break upon the winding road ♪ 1747 01:47:10,375 --> 01:47:12,625 I suppose it should still be about that. 1748 01:47:12,708 --> 01:47:14,416 The, sort of, winding road because… 1749 01:47:18,000 --> 01:47:21,625 ♪ The thing that's up ahead ♪ 1750 01:47:25,708 --> 01:47:26,791 No, I think the… 1751 01:47:30,833 --> 01:47:35,875 ♪ Golden slumbers ♪ 1752 01:47:35,958 --> 01:47:38,125 ♪ Fill your eyes ♪ 1753 01:47:38,208 --> 01:47:41,416 It's an old English folk… the words, these. 1754 01:47:43,375 --> 01:47:48,416 ♪ Smiles await you ♪ 1755 01:47:48,500 --> 01:47:51,583 ♪ When you rise ♪ 1756 01:47:53,041 --> 01:47:58,583 ♪ Sleep, pretty darling Do not cry ♪ 1757 01:47:59,541 --> 01:48:04,458 ♪ And I will sing a lullaby ♪ 1758 01:48:06,166 --> 01:48:08,541 ♪ Once there was a way ♪ 1759 01:48:08,625 --> 01:48:10,208 ♪ Once upon a time ♪ 1760 01:48:11,083 --> 01:48:14,208 ♪ There lived a… ♪ 1761 01:48:14,291 --> 01:48:16,208 That really should be like a fairy tale, though. 1762 01:48:16,791 --> 01:48:19,250 Once upon a time there lived a princess. 1763 01:48:19,333 --> 01:48:23,250 ♪ Once upon a time ♪ 1764 01:48:23,333 --> 01:48:26,916 ♪ There lived a king ♪ 1765 01:48:27,000 --> 01:48:32,500 ♪ Sleep, pretty darling Do not cry ♪ 1766 01:48:33,791 --> 01:48:37,208 ♪ And I will sing a lullaby ♪ 1767 01:48:37,291 --> 01:48:39,541 And the king will sing a lullaby. 1768 01:48:40,333 --> 01:48:42,708 ♪ La, la, la, la, la ♪ 1769 01:48:47,291 --> 01:48:49,416 No, it's one you'd know, the original one. 1770 01:48:49,500 --> 01:48:51,000 But just at the end of it, it goes… 1771 01:48:51,083 --> 01:48:56,541 ♪ And I will sing a lullaby ♪ 1772 01:48:59,500 --> 01:49:02,541 Should be ready for a Songs for Swingin' Lovers album soon. 1773 01:49:10,166 --> 01:49:14,250 I was just so hungry today, I had to be late just to eat me breakfast. 1774 01:49:21,125 --> 01:49:23,208 I have a bit which might interest you. 1775 01:49:23,291 --> 01:49:25,458 I was thinking for a song for Ringo. 1776 01:49:25,541 --> 01:49:28,333 Like… Like a story. 1777 01:49:28,416 --> 01:49:30,958 A bit like "Act Naturally" where you sort of… 1778 01:49:31,041 --> 01:49:33,958 But all they said was, well, you've got to act naturally. 1779 01:49:34,041 --> 01:49:37,750 So… it was like a comedy when I heard it, you know? It was like… 1780 01:49:37,833 --> 01:49:42,250 ♪ Boy, you're gonna carry that weight ♪ 1781 01:49:42,333 --> 01:49:46,166 ♪ Carry that weight a long time ♪ 1782 01:49:46,250 --> 01:49:50,125 ♪ Boy, you're gonna carry that weight ♪ 1783 01:49:50,208 --> 01:49:53,583 ♪ Carry that weight a long time ♪ 1784 01:49:53,666 --> 01:49:55,958 ♪ Well, I get drunk tonight… ♪ 1785 01:49:57,833 --> 01:50:01,666 ♪ She said… You do my fricking head ♪ 1786 01:50:01,750 --> 01:50:05,583 ♪ I said… Been telling on and on ♪ 1787 01:50:05,666 --> 01:50:09,666 ♪ But every time I try to do it No, it don't take long ♪ 1788 01:50:09,750 --> 01:50:13,625 ♪ Boy, you're gonna carry that weight ♪ 1789 01:50:13,708 --> 01:50:16,875 ♪ Carry that weight a long time ♪ 1790 01:50:17,625 --> 01:50:21,250 ♪ Boy, you're gonna carry that weight ♪ 1791 01:50:21,333 --> 01:50:24,583 ♪ Carry that weight a long time ♪ 1792 01:50:37,458 --> 01:50:40,833 ♪ Boy, you're gonna carry that weight ♪ 1793 01:50:40,916 --> 01:50:44,208 ♪ Carry that weight a long time ♪ 1794 01:50:44,291 --> 01:50:45,875 ♪ Yeah, boy ♪ 1795 01:51:22,625 --> 01:51:26,833 ♪ Well, I love you in the morning Girl ♪ 1796 01:51:26,916 --> 01:51:28,666 ♪ I love you ♪ 1797 01:51:28,750 --> 01:51:30,583 ♪ Ooh ♪ 1798 01:51:30,666 --> 01:51:34,458 ♪ And I love you in the morning Girl ♪ 1799 01:51:34,541 --> 01:51:36,208 ♪ I do ♪ 1800 01:51:38,541 --> 01:51:43,125 ♪ I love you every minute Girl, I do ♪ 1801 01:52:01,041 --> 01:52:02,125 Yes. 1802 01:52:08,916 --> 01:52:12,375 Kevin? Kevin, can we have some toast and tea, please? 1803 01:52:12,458 --> 01:52:14,041 It's tea time now, man. 1804 01:52:14,625 --> 01:52:16,250 Can we have some more tea, Kevin? 1805 01:52:16,333 --> 01:52:18,416 I need sort of, like, a gallon in the morning. 1806 01:52:18,958 --> 01:52:22,166 - Do you have access to real tea? - I've got nice tea with us. 1807 01:52:22,250 --> 01:52:24,708 Not that piss posh stuff. 1808 01:52:25,375 --> 01:52:30,416 ♪ I love more than ever Girl, I do ♪ 1809 01:52:43,416 --> 01:52:44,750 Yeah. 1810 01:52:44,833 --> 01:52:47,750 And a little blues folk song. 1811 01:52:47,833 --> 01:52:49,541 - Jimmy, stick 'em up. - Oh. 1812 01:52:49,625 --> 01:52:51,916 When we was just acoustics or something. 1813 01:52:52,000 --> 01:52:53,916 There's more skiffling on it, and it's great, 1814 01:52:54,000 --> 01:52:55,625 'cause they don't need any backing, really. 1815 01:52:55,708 --> 01:52:57,166 So, "Get back, get back…" 1816 01:52:57,250 --> 01:52:59,250 "Get back to where you once belonged." 1817 01:53:00,625 --> 01:53:02,541 Think of some words if you can. 1818 01:53:02,625 --> 01:53:05,041 I don't know what it's about. It's about going away. 1819 01:53:05,125 --> 01:53:06,708 And then the chorus is "Get back." 1820 01:53:06,791 --> 01:53:07,791 Uh… 1821 01:53:07,875 --> 01:53:11,125 So, I just… Actually, it's not about anything. 1822 01:53:11,208 --> 01:53:12,791 You know… 1823 01:53:13,375 --> 01:53:14,958 Yeah, we'll just have those words. 1824 01:53:15,041 --> 01:53:19,583 Just words that… They're just nothing about anything. It's just, like, rubbish. 1825 01:53:28,250 --> 01:53:32,791 The Black man will have the whip hand over the white man. 1826 01:53:32,875 --> 01:53:34,375 ♪ Get back to where you once belonged ♪ 1827 01:53:34,958 --> 01:53:36,666 ♪ Get back ♪ 1828 01:53:36,750 --> 01:53:38,125 ♪ Get back ♪ 1829 01:53:38,666 --> 01:53:41,666 ♪ Get back to where you once belonged ♪ 1830 01:53:43,000 --> 01:53:46,750 ♪ Sidi Abdul Rami was a Pakistani ♪ 1831 01:53:46,833 --> 01:53:49,583 ♪ But he didn't live at home ♪ 1832 01:53:51,125 --> 01:53:54,625 ♪ Worried people said "We don't need Pakistanis ♪ 1833 01:53:54,708 --> 01:53:57,125 ♪ Boy, you better travel home" ♪ 1834 01:53:57,916 --> 01:53:59,750 ♪ Yeah Get back ♪ 1835 01:54:00,750 --> 01:54:01,750 ♪ Get back ♪ 1836 01:54:02,916 --> 01:54:05,625 ♪ Back to where you once belonged ♪ 1837 01:54:06,333 --> 01:54:07,750 ♪ Get back ♪ 1838 01:54:07,833 --> 01:54:09,333 ♪ Get back ♪ 1839 01:54:10,208 --> 01:54:13,000 ♪ Get back to where you once belonged ♪ 1840 01:54:14,458 --> 01:54:18,166 ♪ Alberto Marin was a Puerto Rican ♪ 1841 01:54:18,250 --> 01:54:19,250 ♪ But he… ♪ 1842 01:54:22,458 --> 01:54:26,083 ♪ Born in… Don't dig no Puerto Ricans ♪ 1843 01:54:26,166 --> 01:54:29,000 ♪ Living in the USA ♪ 1844 01:54:29,083 --> 01:54:31,166 ♪ Oh, get back ♪ 1845 01:54:31,791 --> 01:54:33,333 ♪ Get back ♪ 1846 01:54:33,833 --> 01:54:36,333 ♪ Get back to where you once belonged ♪ 1847 01:54:36,416 --> 01:54:38,916 Just playing more on these… 1848 01:54:41,875 --> 01:54:42,875 It just fades back. 1849 01:54:44,000 --> 01:54:46,166 - Play some piano with it. - Folk blues. 1850 01:54:48,250 --> 01:54:51,625 ♪ Tonight Enoch Powell said Get out, immigrants ♪ 1851 01:54:51,708 --> 01:54:53,666 ♪ Immigrants a-better go home ♪ 1852 01:54:54,541 --> 01:54:57,750 ♪ Tonight Harold Wilson Said to the immigrants ♪ 1853 01:54:57,833 --> 01:55:00,666 ♪ You better get back To your Commonwealth homes ♪ 1854 01:55:00,750 --> 01:55:05,250 ♪ Yeah, yeah, yeah They said you better get back home ♪ 1855 01:55:07,166 --> 01:55:10,125 ♪ Enoch Powell said to the folks ♪ 1856 01:55:10,208 --> 01:55:12,458 ♪ He said you wear The color of your skin ♪ 1857 01:55:13,291 --> 01:55:16,625 ♪ He said he don't care what it's All about ♪ 1858 01:55:19,333 --> 01:55:22,583 ♪ So Ted Heath said to Enoch Powell ♪ 1859 01:55:22,666 --> 01:55:26,000 ♪ He said you better get out Or else you'll go to trial ♪ 1860 01:55:26,083 --> 01:55:29,291 ♪ Enoch Powell Enoch, you better go home ♪ 1861 01:55:32,375 --> 01:55:33,583 ♪ Commonwealth ♪ 1862 01:55:33,666 --> 01:55:35,000 ♪ Yes ♪ 1863 01:55:35,083 --> 01:55:36,916 ♪ Commonwealth ♪ 1864 01:55:37,000 --> 01:55:38,000 ♪ Yes ♪ 1865 01:55:38,750 --> 01:55:40,083 ♪ Commonwealth ♪ 1866 01:55:40,166 --> 01:55:41,500 ♪ Yes ♪ 1867 01:55:42,083 --> 01:55:43,291 ♪ Commonwealth ♪ 1868 01:55:43,375 --> 01:55:44,791 ♪ Yes ♪ 1869 01:55:44,875 --> 01:55:48,666 ♪ If you don't want trouble Then you better go back to home ♪ 1870 01:55:51,166 --> 01:55:54,458 ♪ So I went to Pakistani I went to India ♪ 1871 01:55:54,541 --> 01:55:57,458 ♪ I've been to old Calcutta And I've had enough of that ♪ 1872 01:55:57,541 --> 01:55:59,791 - * I'm coming back * - * Yes * 1873 01:55:59,875 --> 01:56:03,000 - * To England town * - * Yes, welcome * 1874 01:56:04,125 --> 01:56:07,875 ♪ And dirty Enoch Powell And he's had enough of Parliament ♪ 1875 01:56:10,500 --> 01:56:13,916 ♪ Well, I trekked down to Australia And said to New Zealand ♪ 1876 01:56:14,000 --> 01:56:17,083 ♪ You better come live with us We're gonna have some fun ♪ 1877 01:56:17,166 --> 01:56:20,208 ♪ We're going up to India We'll go to Pakistan ♪ 1878 01:56:20,291 --> 01:56:21,958 ♪ We're coming up to Europe and… ♪ 1879 01:56:23,875 --> 01:56:27,000 ♪ And dirty Enoch Powell and his… ♪ 1880 01:56:29,458 --> 01:56:31,625 - * Oh, Commonwealth * - * Yes * 1881 01:56:33,333 --> 01:56:35,250 - * Oh, Commonwealth * - * Yes * 1882 01:56:36,166 --> 01:56:38,166 - * Yeah, Commonwealth * - * Yes * 1883 01:56:39,041 --> 01:56:41,000 ♪ Oh, hear me talking Commonwealth ♪ 1884 01:56:43,791 --> 01:56:47,333 ♪ Yeah, the Commonwealth But it's much too wealthy for me ♪ 1885 01:56:47,416 --> 01:56:51,166 Much too common for me. Much too common for me. 1886 01:56:51,250 --> 01:56:52,541 ♪ Too common for me ♪ 1887 01:56:52,625 --> 01:56:53,625 Oh, yeah. 1888 01:56:53,708 --> 01:56:57,083 ♪ I ambled to Australia And New Zealand too ♪ 1889 01:56:57,166 --> 01:57:00,208 ♪ I went up to Pakistan And India too ♪ 1890 01:57:00,291 --> 01:57:03,458 ♪ I came back to West Indies And I had a cricket match ♪ 1891 01:57:03,541 --> 01:57:06,750 ♪ I went into South Africa And told them to get back ♪ 1892 01:57:06,833 --> 01:57:10,958 ♪ Oh, Commonwealth I said you're much too common for me ♪ 1893 01:57:12,083 --> 01:57:13,083 Everybody sing! 1894 01:57:13,166 --> 01:57:15,083 - * Hey, Commonwealth * - * Yes * 1895 01:57:16,333 --> 01:57:18,333 - * Yeah, Commonwealth * - * Yes * 1896 01:57:19,000 --> 01:57:21,750 - * Enoch Powell, Commonwealth * - * Yes * 1897 01:57:22,458 --> 01:57:24,708 - * Immigrants, Commonwealth * - * Yes * 1898 01:57:26,625 --> 01:57:30,875 ♪ Well, I would join the Common Market But it's much too common for me ♪ 1899 01:57:30,958 --> 01:57:31,958 ♪ Yes ♪ 1900 01:57:36,291 --> 01:57:39,708 ♪ Oh, Enoch Powell ♪ 1901 01:57:49,125 --> 01:57:51,541 ♪ Oh, Enoch Powell ♪ 1902 01:58:01,250 --> 01:58:04,291 - I'll be taking me shirt off. - Do it in D. I'll play with you. 1903 01:58:04,375 --> 01:58:05,791 Do you have a tattoo? 1904 01:58:09,333 --> 01:58:11,833 - First chance we've had… - So, do you want to try the… 1905 01:58:11,916 --> 01:58:13,250 Once more. 1906 01:58:13,333 --> 01:58:15,291 Get it over here, that's where we're playing… 1907 01:58:15,375 --> 01:58:18,833 - With feeling. With Felix. - With Felix. 1908 01:58:18,916 --> 01:58:21,791 One, two, three, four. 1909 01:58:25,250 --> 01:58:28,250 And this is something that happened to me quite recently. 1910 01:58:29,375 --> 01:58:32,958 ♪ She came in through The bathroom window ♪ 1911 01:58:35,958 --> 01:58:39,583 ♪ Protected by a silver spoon ♪ 1912 01:58:42,125 --> 01:58:45,125 ♪ But now she sucks her thumb And wonders ♪ 1913 01:58:45,208 --> 01:58:46,708 Get off! 1914 01:58:46,791 --> 01:58:51,208 ♪ By the banks of her own lagoon ♪ 1915 01:58:51,291 --> 01:58:54,708 ♪ Didn't anybody tell her? ♪ 1916 01:58:57,458 --> 01:59:00,458 ♪ Didn't anybody see? ♪ 1917 01:59:03,000 --> 01:59:07,166 ♪ Sunday's on the phone to Monday ♪ 1918 01:59:09,125 --> 01:59:12,916 ♪ Tuesday's on the phone to me ♪ 1919 01:59:14,166 --> 01:59:17,833 ♪ She said she'd always been a dancer ♪ 1920 01:59:20,500 --> 01:59:23,500 ♪ She worked at 15 clubs a day ♪ 1921 01:59:23,583 --> 01:59:25,583 Worked in 15 clubs a day? 1922 01:59:25,666 --> 01:59:26,833 Yeah! 1923 01:59:26,916 --> 01:59:29,333 ♪ And though she thought I had the answer ♪ 1924 01:59:33,000 --> 01:59:35,750 ♪ I just had to sail away ♪ 1925 01:59:35,833 --> 01:59:39,458 ♪ Didn't anybody tell her? ♪ 1926 01:59:40,500 --> 01:59:41,958 ♪ No, no, no, no ♪ 1927 01:59:42,041 --> 01:59:45,291 ♪ Didn't anybody see? ♪ 1928 01:59:47,708 --> 01:59:51,625 ♪ Sunday's on the phone to Monday ♪ 1929 01:59:53,791 --> 01:59:57,000 ♪ Tuesday's on the phone to me ♪ 1930 01:59:57,083 --> 01:59:58,416 Yeah, she is. 1931 01:59:59,375 --> 02:00:02,291 ♪ And so I quit the police department ♪ 1932 02:00:02,375 --> 02:00:03,416 Get a job, cop! 1933 02:00:05,458 --> 02:00:07,916 ♪ And got myself a proper job ♪ 1934 02:00:08,000 --> 02:00:10,791 Bloody about time, too, if you ask me! 1935 02:00:11,583 --> 02:00:14,875 ♪ And though she tried her best To help me ♪ 1936 02:00:14,958 --> 02:00:16,791 He bloody need it too. 1937 02:00:16,875 --> 02:00:20,750 ♪ She could steal But she could not rob ♪ 1938 02:00:20,833 --> 02:00:24,208 ♪ Didn't anybody tell her? ♪ 1939 02:00:26,958 --> 02:00:30,291 ♪ Didn't anybody see? ♪ 1940 02:00:30,375 --> 02:00:31,833 ♪ Whoa ♪ 1941 02:00:32,625 --> 02:00:36,875 ♪ Sunday's on the phone to Monday ♪ 1942 02:00:39,000 --> 02:00:42,500 ♪ Tuesday's on the phone to me ♪ 1943 02:00:45,083 --> 02:00:48,708 Hello. This is Tuesday speaking. 1944 02:00:50,166 --> 02:00:51,541 Is that Paul? 1945 02:00:51,625 --> 02:00:54,375 I'd like to have a word with you. 1946 02:00:54,458 --> 02:00:56,625 I've got something of his in the garden. 1947 02:00:56,708 --> 02:00:59,375 I have something of interest for you. 1948 02:00:59,916 --> 02:01:01,916 ♪ Well, any old time of day ♪ 1949 02:01:02,000 --> 02:01:03,333 ♪ All you wanna hear me say ♪ 1950 02:01:03,416 --> 02:01:06,333 ♪ It's crazy, baby It's crazy, yeah ♪ 1951 02:01:11,083 --> 02:01:13,208 ♪ God bless our gracious king ♪ 1952 02:01:15,541 --> 02:01:18,250 If we are in a groovy location place, 1953 02:01:18,333 --> 02:01:22,416 we can make the show about different bits and pieces of what we've done. 1954 02:01:22,500 --> 02:01:25,791 Or we have to do it in one consecutive piece. 1955 02:01:26,875 --> 02:01:29,833 I think we could do both, you see? We should do it about three times. 1956 02:01:29,916 --> 02:01:32,291 We'd settle on one day when we say, "This is the show." 1957 02:01:32,375 --> 02:01:34,833 But we'd do a, like, dress rehearsal. 1958 02:01:34,916 --> 02:01:37,666 Okay. Shall we do some other people's tunes as well? 1959 02:01:37,750 --> 02:01:39,708 - That'd be nice. - I don't know any. 1960 02:01:39,791 --> 02:01:41,625 I can only just bear doing your lot's songs. 1961 02:02:00,916 --> 02:02:05,583 ♪ I love you more each day Girl, I do ♪ 1962 02:02:09,250 --> 02:02:13,166 ♪ So I got me a lorry And I took a ride ♪ 1963 02:02:13,250 --> 02:02:15,166 - This isn't Daddy's tea, is it? - No. 1964 02:02:15,250 --> 02:02:17,625 Daddy doesn't like this chemical tea, you know? 1965 02:02:17,708 --> 02:02:21,458 It turns me off but blows my mind and floats me upstream. 1966 02:02:21,541 --> 02:02:25,458 ♪ Baa, baa, baa Baa, baa, baa ♪ 1967 02:02:25,541 --> 02:02:29,208 ♪ Black sheep Have you any wool? ♪ 1968 02:02:29,291 --> 02:02:30,500 ♪ Come on, Suzy Parker ♪ 1969 02:02:30,583 --> 02:02:34,958 ♪ I said, come on, Suzy Parker Everybody's welcome to come ♪ 1970 02:02:35,041 --> 02:02:37,833 ♪ Suzy Parker Come on, Suzy Parker ♪ 1971 02:02:37,916 --> 02:02:41,875 ♪ Yeah, you come to Suzy Parker Everybody gets well done ♪ 1972 02:02:41,958 --> 02:02:43,250 ♪ Come on, Suzy Parker ♪ 1973 02:02:57,083 --> 02:03:00,000 ♪ Well, cheers, babycake Baby, please don't lose… ♪ 1974 02:03:10,750 --> 02:03:14,708 ♪ I know I'm one ♪ 1975 02:03:14,791 --> 02:03:16,125 He's one, all right. 1976 02:03:21,875 --> 02:03:24,583 If we can just have a sort of permanent mic on the piano, 1977 02:03:24,666 --> 02:03:26,000 and a permanent mic for me. 1978 02:03:26,083 --> 02:03:28,041 So we can hear both of them, you see, Glyn? 1979 02:03:28,125 --> 02:03:29,958 - Great. - Hah. 1980 02:03:37,250 --> 02:03:41,750 ♪ Perhaps it's the color Of the sun cut flat ♪ 1981 02:03:41,833 --> 02:03:47,166 ♪ And covering the crossroads I'm standing at ♪ 1982 02:03:49,166 --> 02:03:53,500 ♪ Or maybe it's the weather Or something like that ♪ 1983 02:03:54,500 --> 02:03:57,791 ♪ Mama, you're just on my mind ♪ 1984 02:04:02,041 --> 02:04:05,250 Words are flowing out like endless rain into a paper cup. 1985 02:04:05,333 --> 02:04:06,791 Dear Apple. 1986 02:04:06,875 --> 02:04:10,166 They slither wildly as they slip away across the universe. 1987 02:04:10,250 --> 02:04:14,375 ♪ Words are flowing out Like endless rain into a paper cup ♪ 1988 02:04:14,458 --> 02:04:19,041 ♪ They slither wildly As they slip away across the universe ♪ 1989 02:04:19,125 --> 02:04:20,833 "Shakin' in the Sixties!" 1990 02:04:21,958 --> 02:04:25,041 ♪ Shakin' in the '60s With a book bought by Dick James ♪ 1991 02:04:26,083 --> 02:04:29,416 ♪ Shakin' in the '60s With a book bought by Dick James ♪ 1992 02:04:29,500 --> 02:04:31,916 The noise is a little too loud for me. 1993 02:04:32,000 --> 02:04:34,333 Leave the group then if you don't like it. 1994 02:04:34,416 --> 02:04:36,500 Come on. I've done all mine. 1995 02:04:37,375 --> 02:04:38,541 Both of mine. 1996 02:04:38,625 --> 02:04:42,125 So, we'll go through it once and just roughly get it in our heads. 1997 02:04:42,208 --> 02:04:44,000 Do you want the bass in for the riff? 1998 02:04:45,166 --> 02:04:46,916 Do you want the bass in with the riff? 1999 02:04:47,500 --> 02:04:48,750 - Don't know. - Okay. 2000 02:04:48,833 --> 02:04:51,166 Well, I'll just play it by ear then. 2001 02:04:51,250 --> 02:04:52,625 So then it goes… 2002 02:04:52,708 --> 02:04:56,250 ♪ When I find myself in times of trouble ♪ 2003 02:04:56,333 --> 02:04:59,541 ♪ Mother Mary comes to me ♪ 2004 02:04:59,625 --> 02:05:04,333 ♪ Speaking words of wisdom Let it be ♪ 2005 02:05:05,958 --> 02:05:11,291 ♪ And in my hour of darkness She is standing right in front of me ♪ 2006 02:05:12,083 --> 02:05:16,416 ♪ Speaking words of wisdom Let it be ♪ 2007 02:05:17,708 --> 02:05:20,541 - * Let it be, let it be * - * Oh, oh * 2008 02:05:20,625 --> 02:05:23,583 - * Let it be, let it be * - * Oh * 2009 02:05:24,666 --> 02:05:29,000 ♪ Whisper words of wisdom Let it be ♪ 2010 02:05:29,083 --> 02:05:30,875 ♪ Let it be ♪ 2011 02:05:30,958 --> 02:05:34,000 ♪ And all the broken-hearted people ♪ 2012 02:05:39,916 --> 02:05:42,458 ♪ Let it be ♪ 2013 02:05:43,750 --> 02:05:45,291 ♪ Whenever I'm in… ♪ 2014 02:05:46,458 --> 02:05:49,666 ♪ Brother Malcolm, Mary Na, na, na ♪ 2015 02:05:53,166 --> 02:05:54,875 ♪ Let it be ♪ 2016 02:05:54,958 --> 02:05:57,500 No, keep that. The rhythm of that bit. 2017 02:05:57,583 --> 02:05:59,958 I just feel it needs something really sustained. 2018 02:06:00,041 --> 02:06:01,708 Yeah, how about some words? 2019 02:06:03,041 --> 02:06:04,041 Thanks. 2020 02:06:09,875 --> 02:06:11,958 ♪ Let it be ♪ 2021 02:06:16,375 --> 02:06:17,791 ♪ Words of wisdom… ♪ 2022 02:06:22,000 --> 02:06:23,166 ♪ Let it be ♪ 2023 02:06:23,250 --> 02:06:24,833 - Yeah? - Yeah. Like… 2024 02:06:24,916 --> 02:06:29,083 ♪ Words of wisdom Let it be ♪ 2025 02:06:36,083 --> 02:06:38,875 - The way I was playing, was starting on F. - G. 2026 02:06:38,958 --> 02:06:41,666 "Whisper words of wisdom, let it be, let it be." 2027 02:06:41,750 --> 02:06:44,375 ♪ Down to C, down to… ♪ 2028 02:06:44,458 --> 02:06:47,500 But I end up on the wrong one when you're all moving on to F. 2029 02:06:47,583 --> 02:06:50,041 - * Whisper words of wisdom * - * Words of G * 2030 02:06:50,125 --> 02:06:51,291 ♪ Let it be, let it be ♪ 2031 02:06:51,375 --> 02:06:54,541 F, C, G. 2032 02:06:54,625 --> 02:06:57,583 - Oh, miss the F? - C, G, to C. 2033 02:06:57,666 --> 02:07:00,208 So, yes. So then, you see, you get this… 2034 02:07:00,291 --> 02:07:03,583 "Whisper words of wisdom, let it be, let it be…" 2035 02:07:05,625 --> 02:07:06,625 You play that. 2036 02:07:06,708 --> 02:07:10,791 ♪ Whisper words of wisdom Let it be ♪ 2037 02:07:15,333 --> 02:07:17,833 It seems that it's all happening 2038 02:07:18,416 --> 02:07:20,916 a little bit too quickly with them both coming in at the same time. 2039 02:07:21,000 --> 02:07:22,375 - Yeah. - That's all. 2040 02:07:22,458 --> 02:07:25,291 When do the drums first come in, guitar, and all that? 2041 02:07:25,375 --> 02:07:27,833 Well, Glyn's saying first time they come in… 2042 02:07:27,916 --> 02:07:29,791 He seems to be arranging this. Come on. 2043 02:07:29,875 --> 02:07:31,208 Go on. 2044 02:07:40,125 --> 02:07:41,026 ♪ Let it… ♪ 2045 02:07:41,041 --> 02:07:43,875 - Could have bass there with a… - Only if you ask nicely. 2046 02:07:48,208 --> 02:07:50,666 - You want me on the verse? - Yeah. Come in, bass. 2047 02:07:50,750 --> 02:07:52,666 On the verse when he comes chapping… 2048 02:07:52,750 --> 02:07:54,583 - Well, I was thinking of it, yeah. - Yeah. 2049 02:07:54,666 --> 02:07:56,375 - Glyn and I have thought… - Glyn and… 2050 02:07:56,458 --> 02:07:58,166 ♪ Let it be Let it be ♪ 2051 02:07:58,250 --> 02:08:00,291 One, two, three. 2052 02:08:00,375 --> 02:08:04,000 ♪ When I find myself in times of trouble ♪ 2053 02:08:04,083 --> 02:08:06,541 ♪ Mother Mary comes to me ♪ 2054 02:08:07,333 --> 02:08:11,291 ♪ Speaking words of wisdom Let it be ♪ 2055 02:08:13,583 --> 02:08:19,833 ♪ And in my hour of darkness She is standing right in front of me ♪ 2056 02:08:19,916 --> 02:08:24,333 ♪ Speaking words of wisdom Let it be ♪ 2057 02:08:25,500 --> 02:08:28,958 - * Let it be, let it be * - * Oh, oh * 2058 02:08:29,041 --> 02:08:32,041 - * Let it be, let it be * - * Oh * 2059 02:08:32,750 --> 02:08:36,708 ♪ Whisper words of wisdom Let it be ♪ 2060 02:08:36,791 --> 02:08:38,625 ♪ Let it be ♪ 2061 02:08:39,208 --> 02:08:45,000 ♪ For all the broken-hearted people Heaven above must agree ♪ 2062 02:09:01,541 --> 02:09:03,125 ♪ Let it be ♪ 2063 02:09:04,583 --> 02:09:07,916 - * Let it be, let it be * - * Oh, oh * 2064 02:09:08,000 --> 02:09:11,458 - * Let it be, let it be * - * Oh * 2065 02:09:11,541 --> 02:09:15,791 ♪ Read the Record Mirror Let it be ♪ 2066 02:09:36,833 --> 02:09:39,375 Forty million Churchills can't be wrong. 2067 02:09:41,333 --> 02:09:43,916 Forty million Churchills can't be wrong, but one de Gaulle can. 2068 02:09:44,000 --> 02:09:45,583 We've got a charming one here. 2069 02:09:45,666 --> 02:09:47,708 "I Wish I Had Died in My Cradle." 2070 02:09:50,041 --> 02:09:51,458 I don't know. 2071 02:09:53,291 --> 02:09:55,125 "Lisp Of A Baby's Prayer." 2072 02:09:56,291 --> 02:09:58,125 "Alphabet Song." What's that one? 2073 02:09:58,208 --> 02:10:00,750 Oh, Christ, I don't know the whole catalog yet. 2074 02:10:00,833 --> 02:10:03,458 4,000 songs is a lot to absorb. 2075 02:10:03,541 --> 02:10:05,708 - In the morning? - Perhaps. 2076 02:10:05,791 --> 02:10:09,083 "Nobody Loves a Fairy When She's Forty." 2077 02:10:10,708 --> 02:10:12,458 This is it? This is the lot? 2078 02:10:12,541 --> 02:10:16,583 This is a very good list. That's the entire catalog up to '65. 2079 02:10:17,416 --> 02:10:18,416 Yeah. Yeah. 2080 02:10:18,500 --> 02:10:20,541 Is this the catalog that's just gone on sale? 2081 02:10:20,625 --> 02:10:22,625 - It's the one we just bought. - You bought it. Oh, great. 2082 02:10:28,083 --> 02:10:31,833 - Which includes Paul and John. And… - Just about. 2083 02:10:31,916 --> 02:10:34,541 - What are you talking about, "Just about"? - Nothing. Uh, no comment. 2084 02:10:35,291 --> 02:10:36,875 Very substantially, sir. 2085 02:10:36,958 --> 02:10:38,166 Yes, right. Okay. 2086 02:10:42,083 --> 02:10:45,333 - Mm-hmm. Marvelous catalog. - Oh, it's an incredible catalog. 2087 02:10:45,416 --> 02:10:48,916 And we'll start on reprinting a great deal of this music, 2088 02:10:49,000 --> 02:10:52,958 because sheet music and song albums is an expanding market now. 2089 02:10:53,041 --> 02:10:54,666 Right, right. Yeah, yeah. 2090 02:10:54,750 --> 02:10:58,541 You know, 12 songs for five bob is more than ample. That's good value. 2091 02:11:03,875 --> 02:11:05,041 - Yeah. - Great. 2092 02:11:15,000 --> 02:11:16,041 Yeah. 2093 02:11:16,125 --> 02:11:18,958 - "Carolina Moon," my Uncle Ron's favorite. - Well. 2094 02:11:19,041 --> 02:11:21,375 He sings it at all the parties. All right! 2095 02:11:21,458 --> 02:11:24,916 ♪ Carolina Moon ♪ 2096 02:11:25,000 --> 02:11:26,041 Come on, Paul. 2097 02:11:26,125 --> 02:11:27,208 The Copyright Act 2098 02:11:27,291 --> 02:11:31,250 and the payment for a performance of a fee didn't start until 1911. 2099 02:11:31,333 --> 02:11:33,083 But who buys sheet music? 2100 02:11:33,166 --> 02:11:34,708 Is it mainly piano people? 2101 02:11:34,791 --> 02:11:36,500 No. Guitar people. 2102 02:11:44,333 --> 02:11:45,333 Yeah. 2103 02:11:47,625 --> 02:11:50,916 Well, a lot of our stuff, I don't know whether it does any more, 2104 02:11:51,000 --> 02:11:54,000 because we always publish our lyrics now, you know? 2105 02:11:54,083 --> 02:11:57,083 But you see, particularly where the boys are concerned, 2106 02:11:57,166 --> 02:11:58,750 they create the song, right? 2107 02:11:58,833 --> 02:12:01,875 And I give it to my music scribe and he has to take it down. 2108 02:12:01,958 --> 02:12:03,708 And he's a very good man, very experienced. 2109 02:12:05,125 --> 02:12:08,666 He can make mistakes, but in an effort to eliminate this now 2110 02:12:08,750 --> 02:12:11,875 we check the lyrics with John and Paul, they okay the lyric… 2111 02:12:16,166 --> 02:12:17,916 - Hi. - Hi, George. 2112 02:12:22,208 --> 02:12:23,291 - Hi, George. - Hi, man. 2113 02:12:27,916 --> 02:12:29,916 I'm well aware. You're very welcome. 2114 02:12:33,166 --> 02:12:36,500 Something to drink out of or the wife can throw? 2115 02:12:38,375 --> 02:12:40,041 Which I sang in my heyday. 2116 02:12:41,750 --> 02:12:42,916 - Hi, Georgie. - Hi, Mike. 2117 02:12:43,000 --> 02:12:44,291 Hi, George. How are you? 2118 02:12:49,958 --> 02:12:51,708 It doesn't even seem high to me. 2119 02:12:51,791 --> 02:12:54,166 Well, these are gilt-edged songs. 2120 02:12:55,875 --> 02:12:57,166 - Morgen. - Morning. 2121 02:12:57,250 --> 02:12:59,833 - Didn't Neil ring you last night? - No. 2122 02:13:08,583 --> 02:13:09,583 Take hold of this. 2123 02:13:09,666 --> 02:13:11,500 If anybody says anything interesting, remember it. 2124 02:13:11,583 --> 02:13:13,625 Not really. 2125 02:13:15,541 --> 02:13:20,083 Uh… Neil would like us to have a meeting. 2126 02:13:20,166 --> 02:13:21,708 - Saturday? - Yes. 2127 02:13:21,791 --> 02:13:23,625 He was very excited and… 2128 02:13:23,708 --> 02:13:25,708 - Was he? Good news or… - Yes. Very. 2129 02:13:25,791 --> 02:13:27,625 Oh, all right, I'll come for good news. 2130 02:13:30,375 --> 02:13:31,541 You watching? 2131 02:13:31,625 --> 02:13:32,666 Yeah. 2132 02:13:36,000 --> 02:13:38,541 Yeah, I think it's gonna be a double-sider. 2133 02:13:38,625 --> 02:13:42,666 And, uh, we've set it for release… We've set it for release in the States. 2134 02:13:42,750 --> 02:13:44,958 She's doing it on The Rolf Harris Show tomorrow night. 2135 02:13:45,041 --> 02:13:47,666 - Is she one of your artists? - She's an EMI artist. 2136 02:13:47,750 --> 02:13:50,708 And we have some territories, 2137 02:13:50,791 --> 02:13:53,041 then EMI puts them out in other places. 2138 02:13:53,541 --> 02:13:55,500 - Okay, shall we start? - Yeah. 2139 02:13:56,916 --> 02:13:58,125 I'll send some, um… 2140 02:13:58,875 --> 02:14:00,583 I'll send some discs down, Paul. 2141 02:14:01,166 --> 02:14:02,166 Okay. 2142 02:14:02,208 --> 02:14:03,916 Should have pressings up, um… 2143 02:14:04,000 --> 02:14:07,625 Well, I think they were up last night, but they were up too late for me to get them. 2144 02:14:16,875 --> 02:14:18,416 That was a nice start. 2145 02:14:27,500 --> 02:14:31,291 ♪ Put on your hi-heel sneakers ♪ 2146 02:14:31,916 --> 02:14:32,916 Bye, Dick. 2147 02:14:33,000 --> 02:14:35,708 ♪ Cause we're goin' out tonight ♪ 2148 02:14:40,833 --> 02:14:44,166 ♪ Put on your hi-heel sneakers ♪ 2149 02:14:45,875 --> 02:14:48,958 ♪ Cause we're goin' out tonight ♪ 2150 02:14:49,041 --> 02:14:50,125 ♪ We are ♪ 2151 02:14:54,708 --> 02:14:57,625 ♪ And bring along some boxin' gloves ♪ 2152 02:14:58,875 --> 02:15:02,416 ♪ In case some fool might wanna fight ♪ 2153 02:15:07,375 --> 02:15:08,375 ♪ Get back ♪ 2154 02:15:09,458 --> 02:15:10,916 ♪ Back ♪ 2155 02:15:11,000 --> 02:15:13,875 ♪ Back to where you once belonged ♪ 2156 02:15:15,041 --> 02:15:16,166 I dig this. I do. 2157 02:15:35,708 --> 02:15:38,750 ♪ Get back, get back ♪ 2158 02:15:50,166 --> 02:15:51,458 Yes. 2159 02:15:52,666 --> 02:15:53,666 Yes, yes! 2160 02:16:05,833 --> 02:16:08,958 We've never learned so many new numbers at once. Have we? 2161 02:16:09,041 --> 02:16:10,208 Yeah. 2162 02:16:10,291 --> 02:16:12,500 - That's it. It will be better, that. - Yeah. 2163 02:16:14,500 --> 02:16:15,916 Well, should we just redo this one? 2164 02:16:16,000 --> 02:16:18,041 - I still haven't got words on this. - Yes. 2165 02:16:26,458 --> 02:16:29,333 Yeah, let's have it like that. Just have a big, held chord. 2166 02:16:29,416 --> 02:16:31,916 All of us just hold a chord of, like, A. 2167 02:16:32,000 --> 02:16:35,875 But you creep up with drumming. So it goes, "One, two, three, four." 2168 02:16:40,291 --> 02:16:42,041 Only even more like, sort of… 2169 02:16:45,708 --> 02:16:46,833 So you… 2170 02:16:46,916 --> 02:16:50,708 You'll have to do something like lead to… 2171 02:16:50,791 --> 02:16:54,416 What was the record? 2172 02:16:56,458 --> 02:16:58,541 - There's one record of ours. - Should be more like… 2173 02:17:04,083 --> 02:17:05,291 But even in the… 2174 02:17:06,208 --> 02:17:08,583 That suggests something to me. That chord. 2175 02:17:08,666 --> 02:17:10,083 Yeah. 2176 02:17:10,166 --> 02:17:11,458 And also, that's why I like… 2177 02:17:11,541 --> 02:17:15,333 That's why "Get Back" suggests any old number like this. 2178 02:17:15,416 --> 02:17:18,166 So if we have harmony on it and try and make it… 2179 02:17:18,250 --> 02:17:19,250 Yes? 2180 02:17:19,750 --> 02:17:22,458 - 'Cause it's a bit ordinary, isn't it? - So… So you don't want that? 2181 02:17:22,541 --> 02:17:25,083 The "Get Back" bit's the ordinary bit. 2182 02:17:25,166 --> 02:17:27,208 Yeah, but it's all right. I mean, but we should… 2183 02:17:27,291 --> 02:17:29,750 We should try and get away from… 2184 02:17:29,833 --> 02:17:30,916 ♪ Get back ♪ 2185 02:17:31,625 --> 02:17:33,541 ♪ Get back, yeah ♪ 2186 02:17:33,625 --> 02:17:35,125 - Get away from that? - Uh, no… 2187 02:17:36,166 --> 02:17:38,250 Yeah, but I know. I mean, just get away from the way… 2188 02:17:41,041 --> 02:17:44,583 Where did we get that chord? You know? There was a song we got that chord from. 2189 02:17:45,875 --> 02:17:48,583 - There was one where we sort of… - Booker T. and the MG's. 2190 02:17:48,666 --> 02:17:51,125 - Booker T. Yeah. - But there's lots… 2191 02:17:52,291 --> 02:17:55,833 But it's passé, you know? It's like… It was a couple of years ago. 2192 02:17:55,916 --> 02:17:57,708 No, it wasn't. That's just a chord. 2193 02:17:57,791 --> 02:17:59,041 I know, but, you know. Yeah, but… 2194 02:17:59,125 --> 02:18:01,958 - Chords like fashions and stuff… - And some chords fit things. 2195 02:18:02,041 --> 02:18:03,166 But it's like drainies. 2196 02:18:03,250 --> 02:18:05,583 - Yeah, but some drainies… - They're still drainies, but… 2197 02:18:05,666 --> 02:18:09,083 …suit different occasions and Oxford bags… 2198 02:18:09,166 --> 02:18:13,291 The thing is, that's good enough for the rock and roll thing, but… 2199 02:18:14,166 --> 02:18:16,708 - No, you don't. You need, like… - You need George Harrison. 2200 02:18:16,791 --> 02:18:18,250 - You need George Harrison. Yeah. - Mmm. 2201 02:18:18,333 --> 02:18:21,916 But just doing simple things until it's your go. 2202 02:18:22,000 --> 02:18:24,583 Because I'm trying to sing louder to get over the guitar. 2203 02:18:27,500 --> 02:18:31,416 Yeah. But… but if you do the offbeat with Ringo. 2204 02:18:31,500 --> 02:18:34,250 ♪ Get back, get back ♪ 2205 02:18:36,500 --> 02:18:37,500 ♪ Get back ♪ 2206 02:18:38,250 --> 02:18:39,250 ♪ Get back ♪ 2207 02:18:39,791 --> 02:18:40,791 ♪ Get back ♪ 2208 02:18:41,333 --> 02:18:42,750 ♪ Get back ♪ 2209 02:18:43,500 --> 02:18:46,250 ♪ Get back to where you once belonged ♪ 2210 02:18:47,000 --> 02:18:48,000 ♪ Get back ♪ 2211 02:18:49,041 --> 02:18:50,208 ♪ Get back ♪ 2212 02:18:50,833 --> 02:18:53,666 ♪ Get back to where you once belonged ♪ 2213 02:18:55,583 --> 02:18:56,583 See, but don't… 2214 02:18:56,666 --> 02:19:00,541 If you vamp, then it… then it takes away from his vamping. 2215 02:19:00,625 --> 02:19:01,833 I think, you know? 2216 02:19:01,916 --> 02:19:03,958 But it's like that. It is like that. 2217 02:19:04,041 --> 02:19:07,833 It's like the big, soft lead guitarist, you know, who just stands there and just… 2218 02:19:07,916 --> 02:19:09,500 - Little, soft lead guitarist. - Well, you know… 2219 02:19:09,583 --> 02:19:12,333 No, but the big one in my head, where he just sort of goes… 2220 02:19:15,000 --> 02:19:17,458 But you can either do that soft or good, you know? 2221 02:19:17,541 --> 02:19:18,916 You don't… 2222 02:19:19,000 --> 02:19:20,208 It's that thing, you know? 2223 02:19:21,791 --> 02:19:24,041 - I mean, "She's a Woman." - Yeah. 2224 02:19:24,125 --> 02:19:27,458 That was just a better rhythm than we have, you know, because… 2225 02:19:27,541 --> 02:19:29,750 And "Sgt. Pepper" on the organ. It's just… 2226 02:19:36,875 --> 02:19:38,416 None of you are trying to do any of it. 2227 02:19:38,500 --> 02:19:40,583 Okay. I'll just write it down then. 2228 02:19:44,000 --> 02:19:45,750 - Yeah, and the Puerto Ricans. - Yeah. 2229 02:19:49,416 --> 02:19:51,083 She thought she was a woman. 2230 02:19:51,166 --> 02:19:52,875 ♪ Jo Jo went and left his… ♪ 2231 02:19:52,958 --> 02:19:53,958 Jo Jo. 2232 02:19:55,166 --> 02:19:57,500 ♪ Jo Jo left his home in… ♪ 2233 02:19:59,083 --> 02:20:01,041 - What's a Western name? - Jo Jo went and left… 2234 02:20:01,125 --> 02:20:04,208 A Western name? Jo Jo… 2235 02:20:04,291 --> 02:20:05,875 - Go on. - Perkins. 2236 02:20:05,958 --> 02:20:07,708 ♪ Jo Jo Perkins left… ♪ 2237 02:20:07,791 --> 02:20:09,166 ♪ Jo Jo Lemon… ♪ 2238 02:20:09,875 --> 02:20:10,875 Jo Jo Carter? 2239 02:20:10,958 --> 02:20:11,958 Jo Jo Williams? 2240 02:20:12,041 --> 02:20:15,166 Jo Jo Braxton. Jo Jo Pepper. Brennan. 2241 02:20:15,250 --> 02:20:16,250 ♪ Jo Jo… ♪ 2242 02:20:17,833 --> 02:20:19,875 ♪ Jo Jo Daphne left his home… ♪ 2243 02:20:21,000 --> 02:20:22,000 Yeah. 2244 02:20:22,083 --> 02:20:25,666 ♪ Jo Jo Jackson left his home in Arizona ♪ 2245 02:20:35,750 --> 02:20:37,833 ♪ Don't dig no Pakistanis ♪ 2246 02:20:37,916 --> 02:20:40,916 ♪ Living in a council flat ♪ 2247 02:20:49,666 --> 02:20:51,000 ♪ Oh, get back ♪ 2248 02:20:51,958 --> 02:20:53,333 ♪ Get back ♪ 2249 02:20:54,291 --> 02:20:57,208 ♪ Back to where you once belonged ♪ 2250 02:20:59,583 --> 02:21:02,125 ♪ Two of us wearing raincoats ♪ 2251 02:21:02,208 --> 02:21:07,125 ♪ Standing solo in the sun ♪ 2252 02:21:08,041 --> 02:21:10,791 ♪ You and me chasing paper ♪ 2253 02:21:10,875 --> 02:21:12,833 ♪ Getting nowhere ♪ 2254 02:21:12,916 --> 02:21:17,708 ♪ On our way back home ♪ 2255 02:21:18,416 --> 02:21:20,291 ♪ We're on our way home ♪ 2256 02:21:21,208 --> 02:21:23,083 ♪ We're on our way home ♪ 2257 02:21:24,000 --> 02:21:25,250 ♪ We're going home ♪ 2258 02:21:28,625 --> 02:21:33,083 ♪ On our way back home ♪ 2259 02:21:36,083 --> 02:21:40,375 ♪ On our way back home ♪ 2260 02:21:43,875 --> 02:21:49,333 ♪ On our way back home ♪ 2261 02:21:49,416 --> 02:21:51,666 That's it. You know, it'll go… 2262 02:21:51,750 --> 02:21:52,750 Well, you know. 2263 02:21:53,916 --> 02:21:56,583 I think it needs a bit more of that, this one. 2264 02:21:56,666 --> 02:21:58,291 Needs a bit more of that. 2265 02:21:59,500 --> 02:22:02,041 In fact, maybe you shouldn't both do that. 2266 02:22:02,125 --> 02:22:04,250 - Could you stop playing for a minute? - Yes, all right, Paul. 2267 02:22:04,333 --> 02:22:06,916 …while I'm trying to talk to you about this arrangement. Thank you. 2268 02:22:08,125 --> 02:22:10,625 - Could we go for lunch? - Is it lunch already? 2269 02:22:10,708 --> 02:22:11,708 Yes. 2270 02:22:36,666 --> 02:22:37,610 Yeah. 2271 02:22:37,625 --> 02:22:39,666 - We aim to please. - I rang Chris and… 2272 02:22:41,333 --> 02:22:42,333 Mmm? 2273 02:23:11,416 --> 02:23:13,625 Oh. So pissed. 2274 02:23:16,750 --> 02:23:18,333 No. 2275 02:23:19,916 --> 02:23:20,916 Yeah. 2276 02:23:26,791 --> 02:23:27,791 Stop it! Stop it! 2277 02:23:30,458 --> 02:23:32,458 Ooh. What a buzz. 2278 02:23:32,541 --> 02:23:33,666 What a buzz. 2279 02:23:33,750 --> 02:23:36,833 "I've Got a Feeling." Okay, George. Take it. 2280 02:23:42,166 --> 02:23:45,041 ♪ I've got a feeling ♪ 2281 02:23:45,875 --> 02:23:48,333 ♪ A feeling deep inside Oh, yeah ♪ 2282 02:23:50,416 --> 02:23:51,583 ♪ Oh, no ♪ 2283 02:23:53,625 --> 02:23:55,958 ♪ Yeah! ♪ 2284 02:23:56,041 --> 02:24:00,625 ♪ Whoa, I've got a feeling, yeah ♪ 2285 02:24:01,750 --> 02:24:04,833 ♪ Don't let me down ♪ 2286 02:24:08,083 --> 02:24:11,083 ♪ Don't let me down ♪ 2287 02:24:14,833 --> 02:24:17,375 ♪ Don't let me down ♪ 2288 02:25:24,166 --> 02:25:25,291 ♪ John! ♪ 2289 02:25:26,125 --> 02:25:27,625 Yeah, rock it to me, baby. 2290 02:25:28,791 --> 02:25:30,166 That's what I like. 2291 02:25:30,875 --> 02:25:34,000 You may think this is a full orchestra, but if you look closely, 2292 02:25:34,083 --> 02:25:37,333 you can see there's only two people playing and one person singing. 2293 02:25:38,000 --> 02:25:40,375 I know it sounds like Benny Goodman, but don't worry. 2294 02:25:40,458 --> 02:25:43,916 It's the big sound of 1969. 2295 02:25:44,000 --> 02:25:47,916 ♪ Bang! Bang! Maxwell's silver hammer ♪ 2296 02:25:48,000 --> 02:25:51,500 ♪ Came down upon his head ♪ 2297 02:25:53,083 --> 02:25:54,333 ♪ Clang! Clang! ♪ 2298 02:25:54,416 --> 02:26:00,916 ♪ Maxwell's silver hammer Made sure that Joan was dead ♪ 2299 02:26:03,166 --> 02:26:06,291 Maybe for the show, I mean, you could just say George was sick. 2300 02:26:06,791 --> 02:26:08,916 No. I mean, if he leaves, he leaves. 2301 02:26:20,791 --> 02:26:24,416 ♪ John, John, John, John ♪ 2302 02:26:32,916 --> 02:26:34,166 ♪ John… ♪ 2303 02:26:34,250 --> 02:26:36,000 Anything you say, dear! 2304 02:26:36,083 --> 02:26:38,791 - John, John! - I've brought the tea. 2305 02:26:38,875 --> 02:26:40,541 John! 2306 02:26:40,625 --> 02:26:42,625 Yes? 2307 02:26:45,125 --> 02:26:46,125 I saw him! 2308 02:26:46,208 --> 02:26:47,791 - Terrible! - Shit! 2309 02:27:03,000 --> 02:27:04,000 Yeah. 2310 02:27:24,416 --> 02:27:27,958 So cats and kittens, what we gonna do? 2311 02:27:40,333 --> 02:27:41,666 Orson Welles. 2312 02:27:41,750 --> 02:27:43,541 The thing about Orson is he's very funny. 2313 02:27:43,625 --> 02:27:44,750 We were in Belfast, 2314 02:27:44,833 --> 02:27:46,833 rehearsing the stage version of Chimes of Midnight. 2315 02:27:46,916 --> 02:27:48,458 And one day he walked off the stage. 2316 02:27:49,541 --> 02:27:51,208 "See you round the clubs." 2317 02:27:51,291 --> 02:27:54,125 He came back an hour later. 2318 02:27:55,166 --> 02:27:57,583 Get in your bag! 2319 02:27:57,666 --> 02:27:59,750 Get in your… Get in your bloody bag! 2320 02:27:59,833 --> 02:28:01,625 - Not again! - Go on! 2321 02:28:02,583 --> 02:28:06,083 The Mersey Beat Awards for the Best Couple of the Year… 2322 02:28:08,083 --> 02:28:09,791 …goes to John and Yoko. 2323 02:28:31,166 --> 02:28:33,458 ♪ Isn't it a pity ♪ 2324 02:28:38,291 --> 02:28:40,208 ♪ Isn't it a shame ♪ 2325 02:28:43,416 --> 02:28:46,666 ♪ How we break each other's hearts ♪ 2326 02:28:50,333 --> 02:28:52,791 ♪ And cause each other pain ♪ 2327 02:28:56,250 --> 02:28:59,666 ♪ How we take each other's love ♪ 2328 02:29:03,000 --> 02:29:05,458 ♪ Without thinking anymore ♪ 2329 02:29:09,666 --> 02:29:12,333 ♪ Forgetting to give back ♪ 2330 02:29:16,166 --> 02:29:18,458 ♪ Isn't it a pity ♪ 2331 02:29:22,708 --> 02:29:25,333 ♪ Some things take so long ♪ 2332 02:29:28,833 --> 02:29:31,666 ♪ But how do I explain? ♪ 2333 02:29:35,375 --> 02:29:38,583 ♪ When not too many people ♪ 2334 02:29:41,833 --> 02:29:44,625 ♪ Can see we're all the same? ♪ 2335 02:29:48,333 --> 02:29:51,458 ♪ Because of all their tears ♪ 2336 02:29:54,916 --> 02:29:57,750 ♪ Their eyes can't hope to see ♪ 2337 02:30:01,500 --> 02:30:04,708 ♪ The beauty that surrounds them ♪ 2338 02:30:07,958 --> 02:30:10,375 ♪ Oh, isn't it a pity? ♪ 2339 02:30:39,958 --> 02:30:43,208 ♪ And because of all their tears ♪ 2340 02:30:46,583 --> 02:30:49,291 ♪ Their eyes don't hope to see ♪ 2341 02:30:53,000 --> 02:30:56,125 ♪ The beauty that surrounds them ♪ 2342 02:30:59,583 --> 02:31:02,083 ♪ Oh, isn't it a pity? ♪