1 00:00:02,000 --> 00:00:02,919 [♪♪♪] 2 00:00:02,920 --> 00:00:04,240 RAYMOND: Fabrício? - Yes, sir? 3 00:00:04,320 --> 00:00:07,757 They need help in the back room. More servers. One, maybe two. 4 00:00:07,920 --> 00:00:10,879 - Yes, sir, Mr. Reddington. - Let's open another couple of the Reserva. 5 00:00:11,040 --> 00:00:13,555 And tell Amelia to keep the drinks flowing. 6 00:00:13,720 --> 00:00:16,235 Champagne, cocktails, I don't care if they're drinking milk, 7 00:00:16,400 --> 00:00:18,756 - I don't want an empty glass out there. - Of course. 8 00:00:18,920 --> 00:00:22,596 - And it's good to have you back, sir. - Oh, it's good to be had. 9 00:00:25,000 --> 00:00:27,595 Nolan. You made it. Thank you for coming. 10 00:00:27,760 --> 00:00:30,719 - Wouldn't miss it for the world. - Wonderful party. 11 00:00:30,920 --> 00:00:34,755 Not nearly as wonderful as your daughter's wedding in Berlin. 12 00:00:34,920 --> 00:00:36,798 My head's still throbbing. 13 00:00:36,960 --> 00:00:38,952 Vivian, where's your husband? 14 00:00:39,120 --> 00:00:40,873 - He couldn't make it. - Thank goodness. 15 00:00:41,040 --> 00:00:43,839 Find me later. We have some catching up to do. 16 00:00:44,000 --> 00:00:45,719 Red. Hey, Red. 17 00:00:45,880 --> 00:00:49,112 - Teddy. - I can't hear a thing with all this music. 18 00:00:49,280 --> 00:00:52,159 - It's much quieter on the veranda. - Miranda's in the toilet. 19 00:00:52,360 --> 00:00:54,875 The balcony. It's much quieter outside. 20 00:00:55,040 --> 00:00:58,920 Forget it. I'll be out on the veranda. I can't hear a word. 21 00:01:00,280 --> 00:01:01,839 Oh, Mr. Reddington. 22 00:01:02,040 --> 00:01:04,680 Hey. Help me out. I'm looking for a girl on the wait staff. 23 00:01:04,840 --> 00:01:06,354 A brunette with a nose ring? 24 00:01:06,520 --> 00:01:08,239 - Sidney. - Yeah, Sidney. 25 00:01:08,400 --> 00:01:10,756 - Think you could introduce me? - Funny thing, that. 26 00:01:10,960 --> 00:01:13,634 She asked me to introduce her to you. 27 00:01:13,840 --> 00:01:19,279 Heddie. Would you be a dear and introduce Vontae to your waitress friend? 28 00:01:19,440 --> 00:01:23,070 Oh, my God. Will you come with me and meet this girl already? 29 00:01:23,240 --> 00:01:27,678 - She's been making eyes at you all night. - She has? 30 00:01:27,840 --> 00:01:31,311 Heard about the breakout. Genius. How many lives do you have? 31 00:01:31,400 --> 00:01:35,110 Ha-ha-ha. Honestly, Roger, I lost count at a baker's dozen. 32 00:01:35,320 --> 00:01:38,392 Give my regards to the captain. Good to see you guys. 33 00:01:39,000 --> 00:01:40,673 Hey. There you are. 34 00:01:40,840 --> 00:01:43,799 - We've got a situation. - Oh, dear. What's wrong? 35 00:01:43,960 --> 00:01:46,680 You're out of those jumbo shrimps. I let the kitchen know. 36 00:01:46,880 --> 00:01:47,916 [CHUCKLES] 37 00:01:48,160 --> 00:01:52,074 Hey, I've been meaning to apologize about that whole jury mix-up. 38 00:01:52,240 --> 00:01:53,435 I feel real bad. 39 00:01:53,600 --> 00:01:54,920 Ah. It's behind us. 40 00:01:55,080 --> 00:01:58,357 Not to me, it's not. I dropped the ball. Screwed the pooch. Bungled the job. 41 00:01:58,520 --> 00:02:03,390 If there's anything you need, any way I can make it up, let old Jelly Bean know. 42 00:02:03,600 --> 00:02:05,557 Thank you for coming, Glen. 43 00:02:05,720 --> 00:02:11,910 No problemo. I thought you'd want me here. I'm the straw that stirs the drink. 44 00:02:12,120 --> 00:02:13,039 [BOTH LAUGH] 45 00:02:13,040 --> 00:02:14,872 By the way, Mom's at the punch bowl. 46 00:02:15,040 --> 00:02:18,636 She's always had her eye on you, if you know what I mean. 47 00:02:19,280 --> 00:02:20,239 [CELL PHONE BUZZING] 48 00:02:20,240 --> 00:02:22,914 Drop by. Say hi. And don't forget the shrimps. 49 00:02:24,800 --> 00:02:26,075 Dembe. Did you find it? 50 00:02:26,240 --> 00:02:28,596 - I did. - And? 51 00:02:28,760 --> 00:02:31,434 - There's a body. - What? That can't be. 52 00:02:31,600 --> 00:02:34,354 - I'm staring at it right now. - Put it on the jet. Bring it here. 53 00:02:34,520 --> 00:02:35,520 I want confirmation. 54 00:02:35,680 --> 00:02:37,797 You want me to bring a decomposed body from Cuba? 55 00:02:37,960 --> 00:02:39,872 Yes. And hurry home, Dembe. 56 00:02:40,040 --> 00:02:42,157 Heddie's dying for a dance. 57 00:02:42,240 --> 00:02:43,240 [LAUGHS] 58 00:02:51,320 --> 00:02:52,674 [MACHINE CLICKING] 59 00:02:52,760 --> 00:02:55,355 SAMAR: I went to the neurologist for another MRI. 60 00:02:55,520 --> 00:02:58,877 The headaches, the forgetfulness, the confusion. 61 00:02:59,040 --> 00:03:03,637 It's all symptomatic of something called vascular dementia. 62 00:03:03,800 --> 00:03:07,350 Apparently, I have been having a series of mini strokes. 63 00:03:07,520 --> 00:03:10,752 I don't feel them. I don't know that they're happening. But they are, 64 00:03:10,960 --> 00:03:13,031 and each one causes damage. 65 00:03:13,240 --> 00:03:14,594 [♪♪♪] 66 00:03:14,680 --> 00:03:17,878 I'm glad you resigned. That gives us time to get you the treatment you need. 67 00:03:18,040 --> 00:03:21,670 It's not just work. It's family too. Aram, I can't have kids. 68 00:03:21,840 --> 00:03:23,797 Let's stick to one major decision at a time. 69 00:03:23,960 --> 00:03:27,670 - We have to talk about this. - And we will. After you get better. 70 00:03:31,560 --> 00:03:35,793 I'm up for anything but false hope. No anger, no denial. 71 00:03:36,880 --> 00:03:40,112 No bargaining, no depression. Can you do that for me? 72 00:03:42,880 --> 00:03:46,840 - No. - Okay, then please promise me this. 73 00:03:47,000 --> 00:03:50,471 Don't tell anyone about my condition. I don't want them to know. 74 00:03:50,560 --> 00:03:51,560 Of course. 75 00:03:52,760 --> 00:03:53,989 That I can do. 76 00:03:58,200 --> 00:04:00,590 RAYMOND: Walt Whitman lived in a boarding house 77 00:04:00,680 --> 00:04:02,831 at this address during the Civil War. 78 00:04:03,000 --> 00:04:05,799 Did you know he was an ardent prohibitionist? 79 00:04:05,960 --> 00:04:08,191 Imagine that, a sober poet. 80 00:04:09,080 --> 00:04:12,790 Hmm. Have I ever told you about my mentor? 81 00:04:12,960 --> 00:04:16,078 You mean somebody taught you how to drink this early? 82 00:04:16,240 --> 00:04:20,154 Is it early? I thought it was late. Robert Vesco. 83 00:04:20,360 --> 00:04:22,477 Robert took me under his wing. 84 00:04:22,640 --> 00:04:25,200 He taught me how to be a fugitive. 85 00:04:25,360 --> 00:04:28,956 I trusted him with my life. And my life's savings. 86 00:04:29,160 --> 00:04:35,509 Which he convinced me to invest in a cattle ranch in Paraguay. 87 00:04:35,680 --> 00:04:38,832 Or so I thought, until I went down there, 88 00:04:39,000 --> 00:04:42,152 and found out it was a whorehouse outside of Asunción. 89 00:04:42,320 --> 00:04:44,152 - He conned you. - Out of everything. 90 00:04:44,320 --> 00:04:49,634 I got my first taste for vengeance, which I was never able to satisfy. 91 00:04:49,800 --> 00:04:53,111 - Why not? - Because Vesco up and died on me. 92 00:04:53,480 --> 00:04:54,480 [♪♪♪] 93 00:04:54,481 --> 00:04:59,555 Robert Vesco was a player in American financial and political scandals in the '70s. 94 00:04:59,720 --> 00:05:03,873 In 1971, the SEC accused Vesco of looting $200 million 95 00:05:04,040 --> 00:05:06,714 out of a mutual fund he controlled. 96 00:05:06,880 --> 00:05:11,477 A year later, Vesco made an illegal campaign contribution to Richard Nixon, 97 00:05:11,640 --> 00:05:14,553 hoping that Nixon's attorney general would let him off the hook. 98 00:05:14,720 --> 00:05:16,837 And when he didn't, Vesco fled the country, 99 00:05:17,040 --> 00:05:21,239 living the rest of his life in glamorous exile in Costa Rica, Nicaragua, The Bahamas 100 00:05:21,400 --> 00:05:24,438 and Cuba, where he reportedly died in 2007. 101 00:05:24,600 --> 00:05:26,432 - Reportedly? - When Reddington was in prison, 102 00:05:26,600 --> 00:05:29,957 he heard a rumor Vesco faked his death to avoid capture. 103 00:05:30,120 --> 00:05:33,158 - Does he have any proof? - He sent Dembe to dig up his grave. 104 00:05:33,320 --> 00:05:36,074 He asked to have the ME run the DNA on the remains he unearthed. 105 00:05:36,240 --> 00:05:39,790 There was a time when the bureau was hunting for Vesco, but we're not anymore. 106 00:05:39,960 --> 00:05:42,395 If he did fake his death, I doubt it was to avoid capture. 107 00:05:42,560 --> 00:05:43,560 LIZ: Reddington agrees. 108 00:05:43,720 --> 00:05:45,712 He thinks Vesco found the De La Cruz, 109 00:05:45,880 --> 00:05:50,796 a Spanish ship filled with gold that sank off the coast of Florida in the 1700s. 110 00:05:50,960 --> 00:05:54,397 Vesco always told him that if he found that treasure, he would disappear forever. 111 00:05:54,560 --> 00:05:56,279 Mr. Reddington knows him? LIZ: Know him? 112 00:05:56,440 --> 00:05:58,352 Vesco was Reddington's mentor. 113 00:05:58,520 --> 00:06:01,399 Until he swindled him out of every penny he had and left him 114 00:06:01,560 --> 00:06:02,835 in a whorehouse in Paraguay. 115 00:06:03,000 --> 00:06:04,000 I like this guy. 116 00:06:04,160 --> 00:06:06,914 In the last 50 years, there have been two truly mythic fugitives: 117 00:06:07,080 --> 00:06:08,753 Robert Vesco and Raymond Reddington. 118 00:06:08,920 --> 00:06:11,151 If one can help us get the other, I'm all for it. 119 00:06:11,320 --> 00:06:14,233 Ressler, Keen, find out where the ME is at with the remains. 120 00:06:14,400 --> 00:06:17,234 Before you do, I want you to know, I'm resigning. 121 00:06:17,400 --> 00:06:20,757 You're leaving? For what? The Mossad? 122 00:06:20,840 --> 00:06:22,593 No, I'm leaving them too. 123 00:06:22,760 --> 00:06:26,356 COOPER: Which reminds me, they called to schedule an exit interview. 124 00:06:26,520 --> 00:06:30,480 I know I speak for everyone when I say we'll miss you and we're happy for you. 125 00:06:30,640 --> 00:06:31,640 Thank you. 126 00:06:31,840 --> 00:06:33,433 [♪♪♪] 127 00:06:34,440 --> 00:06:37,717 Pop quiz: guess who's buried in Vesco's grave. 128 00:06:37,880 --> 00:06:39,712 - So it's not Vesco? - No. 129 00:06:39,920 --> 00:06:42,799 - His name was Anderson Mount. - Who's that? 130 00:06:43,000 --> 00:06:45,515 Run-of-the-mill goon. His greatest hits. 131 00:06:45,680 --> 00:06:47,558 Did enough damage to get into CODIS. 132 00:06:47,760 --> 00:06:51,515 And when we put the DNA from the body into the system, we got a match. 133 00:06:51,720 --> 00:06:56,715 Thanks, doc. So if Mount's in Vesco's grave, maybe Vesco's in Mount's life. 134 00:06:56,880 --> 00:07:00,237 It says in his file Mount was in Truro, Nova Scotia. 135 00:07:00,440 --> 00:07:02,830 If you want off the grid, you can't get further than that. 136 00:07:03,000 --> 00:07:06,152 Looks like we're going to Nova Scotia in the middle of winter. 137 00:07:06,680 --> 00:07:09,673 Come on. We're gonna need warmer clothes. 138 00:07:15,240 --> 00:07:17,960 LEVI: Hello, Samar. - Levi. It's good to see you. 139 00:07:18,160 --> 00:07:22,632 - I hear congratulations are in order. - Yeah. Can you believe it? I'm engaged. 140 00:07:24,520 --> 00:07:28,196 Uh, this is Dr. Sands. He will administer the polygraph. 141 00:07:28,360 --> 00:07:31,353 - Is this necessary? - It's protocol. You know that. 142 00:07:32,360 --> 00:07:35,319 Let me guess. Tel Aviv regrets having loaned me out to the FBI. 143 00:07:35,480 --> 00:07:38,951 - They think my allegiances have shifted. - You have Level 4 clearance. 144 00:07:39,160 --> 00:07:41,231 To make sure I've kept what I know from Americans. 145 00:07:41,360 --> 00:07:42,510 Or Reddington. 146 00:07:42,600 --> 00:07:43,559 [♪♪♪] 147 00:07:43,560 --> 00:07:44,880 Hey. I'm just the messenger. 148 00:07:45,040 --> 00:07:47,794 And the message I'm getting is you think I have something to hide. 149 00:07:51,680 --> 00:07:54,149 LIZ: So much for glamorous exile. 150 00:07:54,320 --> 00:07:58,109 I don't get it. Why would Vesco fake his death so he could live here? 151 00:07:58,200 --> 00:07:59,200 [♪♪♪] 152 00:07:59,400 --> 00:08:01,631 - We need local police involved. - We talked about this. 153 00:08:01,800 --> 00:08:05,237 Reddington said Vesco would have every cop in town on payroll. 154 00:08:05,360 --> 00:08:08,478 We go to them, they tell Vesco and he slips away. 155 00:08:13,280 --> 00:08:16,159 SANDS: Have you provided any classified information to the FBI? 156 00:08:16,240 --> 00:08:18,755 SAMAR: No. - Were you loyal to the state of Israel? 157 00:08:18,920 --> 00:08:21,276 - Yes. - Have you broken any laws 158 00:08:21,440 --> 00:08:23,079 - while working with Reddington? - Yes. 159 00:08:23,240 --> 00:08:27,029 Have you withheld any information from your Mossad handlers? 160 00:08:27,760 --> 00:08:30,753 - Yes. - Information about your resignation? 161 00:08:30,840 --> 00:08:33,196 - Yes. - Have you shared it with the FBI? 162 00:08:33,360 --> 00:08:34,510 No. 163 00:08:34,600 --> 00:08:37,274 - Is this personal information? - Yes. 164 00:08:37,400 --> 00:08:40,120 Do you have any serious medical issues? 165 00:08:41,120 --> 00:08:42,120 Yes. 166 00:08:43,840 --> 00:08:45,354 What is it? 167 00:08:47,200 --> 00:08:48,200 I'm pregnant. 168 00:08:50,200 --> 00:08:52,556 Vesco, or whatever he's calling himself, 169 00:08:52,760 --> 00:08:56,959 he would have the resources to go anywhere he wanted, create any life. 170 00:08:57,120 --> 00:08:59,919 - Whatever brought him here is personal. - Grub. 171 00:09:00,080 --> 00:09:03,040 RESSLER: Well, you can ask him all the questions you want once we find him. 172 00:09:03,120 --> 00:09:04,520 First, we clear those kids. 173 00:09:04,680 --> 00:09:07,673 Something about this guy, what Reddington told us, it doesn't add up. 174 00:09:07,880 --> 00:09:11,237 [KETTLE WHISTLING] 175 00:09:11,360 --> 00:09:12,360 [WHISTLING STOPS] 176 00:09:20,240 --> 00:09:21,833 [CELL PHONE RINGING] 177 00:09:22,080 --> 00:09:24,117 [♪♪♪] 178 00:09:31,320 --> 00:09:33,630 [CELL PHONE CONTINUES RINGING] 179 00:09:35,720 --> 00:09:37,074 Yeah. MAN: One unmarked outside. 180 00:09:37,240 --> 00:09:41,154 Two agents just entered your building. Exit down the alley to the east. 181 00:09:41,320 --> 00:09:42,913 Will advise. 182 00:09:43,600 --> 00:09:44,954 [♪♪♪] 183 00:09:54,520 --> 00:09:56,796 [CAT MEOWING] 184 00:10:02,920 --> 00:10:05,515 He's on the move. Alley to the east on foot. 185 00:10:08,480 --> 00:10:10,551 MAN [OVER PHONE]: Exit the alley and turn right. 186 00:10:16,240 --> 00:10:19,836 Street's clear. Keen, tell me you got something. 187 00:10:20,000 --> 00:10:23,437 MAN: Head south towards the shoreline. LIZ: Crossing Acadia Street, headed east. 188 00:10:23,640 --> 00:10:25,518 Blue denim. Tan sweater. 189 00:10:27,680 --> 00:10:29,194 Stop. MAN: Get in. 190 00:10:33,880 --> 00:10:34,880 Robert. 191 00:10:36,280 --> 00:10:37,280 Stop. 192 00:10:39,600 --> 00:10:40,829 Ugh. Reddington. 193 00:10:44,080 --> 00:10:47,869 Like I said, whatever brought him here, it's personal. 194 00:10:50,240 --> 00:10:52,960 RAYMOND: You look awfully good for a dead man. 195 00:10:53,120 --> 00:10:54,713 Where the hell's my money? 196 00:10:58,240 --> 00:11:00,835 Are you still upset about Asunción? 197 00:11:01,320 --> 00:11:04,154 I trusted you. You were my mentor. 198 00:11:04,320 --> 00:11:07,916 And I was mentoring you in survival, in being selfish, 199 00:11:08,080 --> 00:11:10,276 - in looking out for yourself. - Robert. 200 00:11:10,480 --> 00:11:12,437 My money. 201 00:11:12,600 --> 00:11:15,832 - Think I'd live in Nova Scotia if I had it? - I know why you're living there. 202 00:11:16,000 --> 00:11:18,151 You found the De La Cruz. 203 00:11:18,360 --> 00:11:20,431 The treasure. Where is it? 204 00:11:21,880 --> 00:11:22,996 If it's real... 205 00:11:24,120 --> 00:11:26,555 I believe I know where it is. 206 00:11:26,720 --> 00:11:27,870 I never went after it. 207 00:11:28,080 --> 00:11:32,393 Oh, I wanted to, but enemies were circling. I had to flee. 208 00:11:34,200 --> 00:11:37,557 So I staged my own death and I fled the country. 209 00:11:39,520 --> 00:11:44,640 And by the time the dust had settled, I realized that I'd changed. 210 00:11:44,800 --> 00:11:46,951 - "Changed." - I'd lost the itch. 211 00:11:47,120 --> 00:11:48,120 I walked away. 212 00:11:48,280 --> 00:11:52,593 Being forced to lie low and live the simple life was the best thing to happen to me. 213 00:11:52,760 --> 00:11:55,992 It forced me to turn the world off and tune into myself. 214 00:11:56,160 --> 00:11:57,992 - Oh, my God. - I have my cat. 215 00:11:58,160 --> 00:12:01,710 - I have plenty of glorious books. - You conned me once. 216 00:12:01,880 --> 00:12:03,519 I won't be conned again. 217 00:12:03,680 --> 00:12:06,115 Untether yourself from social expectations 218 00:12:06,280 --> 00:12:09,910 and this destructive life of crime and look inward. 219 00:12:10,120 --> 00:12:11,349 I'm happy to. 220 00:12:11,520 --> 00:12:13,796 Right after I get the gold. 221 00:12:15,480 --> 00:12:18,871 You can have it, Ray, but it won't give you inner peace. 222 00:12:19,040 --> 00:12:21,509 I already have inner peace. 223 00:12:21,680 --> 00:12:25,720 What I could use is a new yacht. The last one was seized in Majorca. 224 00:12:25,880 --> 00:12:32,878 All right, the gold is buried under the Old French Opera House in New Orleans. 225 00:12:33,040 --> 00:12:36,317 I can prove it, but we'll have to reroute the jet. 226 00:12:36,520 --> 00:12:38,751 - To where? - Washington. 227 00:12:38,920 --> 00:12:43,836 There isn't a treasure map, but there is a clue trail in the Library of Congress. 228 00:12:44,000 --> 00:12:49,598 Robert, if you're lying, I will shatter your serenity by burning your home, 229 00:12:49,760 --> 00:12:52,878 drowning your cat, and cutting off your big toes. 230 00:12:53,080 --> 00:12:56,915 - You wouldn't dare drown my cat. - Maybe not. 231 00:12:57,080 --> 00:12:59,390 But I will take the toes. 232 00:13:03,120 --> 00:13:04,120 [♪♪♪] 233 00:13:04,160 --> 00:13:05,079 [KNOCK ON DOOR] 234 00:13:05,080 --> 00:13:07,470 ARAM: How'd it go? - They sent Levi. 235 00:13:07,680 --> 00:13:10,798 A friendly face to put me at ease while they administered a polygraph. 236 00:13:10,960 --> 00:13:13,759 - They gave you a polygraph? Why? - To make sure I wasn't leaving 237 00:13:13,920 --> 00:13:17,152 - because I'd turned. - That's ridiculous and insulting. 238 00:13:17,320 --> 00:13:21,758 Listen, Aram, I meant what I said about having children. We need to talk. 239 00:13:21,840 --> 00:13:23,638 Can't believe they think you're a traitor. 240 00:13:23,800 --> 00:13:25,632 - Doesn't matter. Listen. - Let's tell Cooper. 241 00:13:25,800 --> 00:13:27,473 It doesn't matter what they think. 242 00:13:27,640 --> 00:13:28,994 What matters is us, our future. 243 00:13:29,200 --> 00:13:31,078 - Whether or not we can have a family. - Why? 244 00:13:31,240 --> 00:13:33,596 Why is that so urgent it can't wait until you get help, 245 00:13:33,760 --> 00:13:36,480 or convince Levi that you didn't dump him to join Hamas? 246 00:13:36,640 --> 00:13:39,200 He does know I'm a quarter Jewish, right? 247 00:13:39,360 --> 00:13:42,478 Reddington screwed us. He took Vesco for himself. 248 00:13:43,840 --> 00:13:45,832 He knew Vesco would have the cops in his pocket, 249 00:13:46,000 --> 00:13:47,719 so he tipped them off that we were there. 250 00:13:47,880 --> 00:13:49,360 So he gets his revenge. 251 00:13:49,520 --> 00:13:51,512 Yesterday, the world thought Vesco was dead. 252 00:13:51,720 --> 00:13:52,870 By tomorrow, he will be. 253 00:13:53,040 --> 00:13:54,838 LIZ: Reddington wants more than revenge. 254 00:13:55,000 --> 00:13:56,798 He wants treasure. COOPER: The De La Cruz? 255 00:13:56,960 --> 00:13:58,280 Reddington said Vesco found it. 256 00:13:58,480 --> 00:14:02,952 Judging by his modest apartment, I'd say if he knew where it was, he never found it. 257 00:14:03,120 --> 00:14:08,320 Reddington called us to give a gloating apology and to say the hunt was on. 258 00:14:08,480 --> 00:14:10,233 Let's join in. If we solve the mystery, 259 00:14:10,320 --> 00:14:13,552 we can we get to the treasure first and arrest Vesco. 260 00:14:13,720 --> 00:14:14,756 [♪♪♪] 261 00:14:14,840 --> 00:14:18,914 Robert, I appreciate that your love of literature is almost as keen as mine, 262 00:14:19,080 --> 00:14:22,152 but why on earth are we in the Library of Congress? 263 00:14:23,240 --> 00:14:27,632 You want to know how I decoded the myth and located my white whale? 264 00:14:27,840 --> 00:14:30,480 The answer is in the poem. 265 00:14:30,640 --> 00:14:32,757 "The Ballad of the De La Cruz." 266 00:14:32,920 --> 00:14:35,799 It was written under a pseudonym. The author is a mystery. 267 00:14:35,880 --> 00:14:36,799 [♪♪♪] 268 00:14:36,800 --> 00:14:40,271 When Red gave us this case, he said this poem holds the key to the gold. 269 00:14:40,480 --> 00:14:43,040 The poem is an opera singer's lament 270 00:14:43,200 --> 00:14:45,760 about a Spanish ship bringing silver and gold 271 00:14:45,920 --> 00:14:48,480 to the American colonies during the Revolution. 272 00:14:48,640 --> 00:14:51,678 But the ship sank in a storm along the East Coast, 273 00:14:51,840 --> 00:14:54,400 killing over 120 men aboard, 274 00:14:54,560 --> 00:14:58,031 and sending over half a ton of gold and treasure into the deep. 275 00:14:58,200 --> 00:15:02,114 We had the NSA run the text through decryption and steganography programs. 276 00:15:02,280 --> 00:15:06,399 They came up empty. If there's a secret hidden in that text, they couldn't find it. 277 00:15:06,560 --> 00:15:07,994 SAMAR: Maybe it's in the subtext. 278 00:15:08,160 --> 00:15:10,072 Storms, marauders, dates and times. 279 00:15:10,240 --> 00:15:12,197 Who would know about that? The Naval College? 280 00:15:12,360 --> 00:15:13,396 The Library of Congress. 281 00:15:13,600 --> 00:15:16,240 They have more primary source material than any library. 282 00:15:16,400 --> 00:15:18,232 Keen, Ressler. Get there. 283 00:15:18,400 --> 00:15:19,470 Decode the poem. 284 00:15:19,640 --> 00:15:22,633 Samar, Aram, you're on Reddington. I want him found. 285 00:15:23,080 --> 00:15:24,039 [♪♪♪] 286 00:15:24,040 --> 00:15:29,035 According to the poem, the De La Cruz sank the spring of 1778. 287 00:15:29,240 --> 00:15:34,599 But there's no record of any storm big enough to take down a galleon of that size. 288 00:15:34,760 --> 00:15:39,471 So I started thinking, "What if it never sank?" 289 00:15:39,640 --> 00:15:45,477 What if the storm that destroyed the De La Cruz was actually a metaphor? 290 00:15:45,640 --> 00:15:49,111 - For something else catastrophic. - Or someone. 291 00:15:50,640 --> 00:15:53,394 It didn't sink. It was taken. 292 00:15:56,120 --> 00:15:59,909 The De La Cruz was headed to Philadelphia. 293 00:16:00,080 --> 00:16:04,836 The route from southern waters would take it past what was known as Hell's Gate, 294 00:16:05,000 --> 00:16:07,834 an area known to be frequented by pirates. 295 00:16:08,000 --> 00:16:09,275 Uh-huh. 296 00:16:09,480 --> 00:16:15,351 Enter Ernesto Hidalgo. Criminal, cheat, pirate, drunk. 297 00:16:15,520 --> 00:16:17,671 He and his men dominated that area. 298 00:16:17,840 --> 00:16:20,560 How can you be sure he was the one who took the galleon? 299 00:16:20,720 --> 00:16:24,794 Because Hidalgo and his men were in all the papers 300 00:16:25,000 --> 00:16:29,392 in the months before May 1778. 301 00:16:29,560 --> 00:16:32,200 But afterwards? Nothing. 302 00:16:32,360 --> 00:16:34,431 He took the treasure and he fled inland. 303 00:16:34,600 --> 00:16:37,832 Naval records indicated the Navy hunted them down, 304 00:16:38,000 --> 00:16:42,677 killing Hidalgo and his entire crew near New Orleans. 305 00:16:42,840 --> 00:16:45,275 But there's no mention of any treasure. 306 00:16:45,480 --> 00:16:49,759 Hidalgo hid it somewhere before he died. The question is where. 307 00:16:50,840 --> 00:16:52,797 Enter Judith Snell. 308 00:16:52,880 --> 00:16:55,315 One of the most famous opera singers of her time. 309 00:16:55,400 --> 00:16:58,791 Just like the poem. Apparently, Judith liked to hang around with the bad boys. 310 00:16:58,960 --> 00:17:03,352 The papers of the day were full of her exploits with rogues and scoundrels, 311 00:17:03,520 --> 00:17:04,749 Hidalgo being one. 312 00:17:04,960 --> 00:17:07,714 And I believe that he gave her the task of hiding the bounty 313 00:17:07,920 --> 00:17:10,833 in a place where nobody would dare look. 314 00:17:11,000 --> 00:17:14,437 Her dressing room in the opera house in New Orleans... 315 00:17:15,440 --> 00:17:19,320 which later burned to the ground, killing her and 28 others. 316 00:17:19,480 --> 00:17:25,829 My theory? Whatever remains of Judith Snell's dressing room is located here, 317 00:17:26,000 --> 00:17:28,390 under the stage of the new opera house, 318 00:17:28,560 --> 00:17:30,597 which was built on the remains of the old one. 319 00:17:30,760 --> 00:17:33,275 If the treasure's real, it's there. 320 00:17:35,120 --> 00:17:38,192 What a tale. An opera. 321 00:17:38,360 --> 00:17:40,192 A romance with pirates. 322 00:17:40,360 --> 00:17:42,556 A fire, shipwrecks and gold. 323 00:17:42,720 --> 00:17:45,360 Just the sort of thing that gets me out of bed in the morning. 324 00:17:45,520 --> 00:17:47,671 It won't make you happy, Ray. Won't make you whole. 325 00:17:47,840 --> 00:17:51,550 Oh, but you're wrong. It will make me happy. 326 00:17:51,720 --> 00:17:52,720 Very. 327 00:17:52,920 --> 00:17:54,832 Dembe, phone Ruddiger. 328 00:17:55,000 --> 00:17:56,480 Tell him to sober up. 329 00:17:56,640 --> 00:17:58,552 We're gonna rob the opera. 330 00:17:58,800 --> 00:18:00,200 [♪♪♪] 331 00:18:03,400 --> 00:18:04,880 [♪♪♪] 332 00:18:04,960 --> 00:18:08,271 LIZ: Hi. Agents Keen and Ressler, FBI. - How can I help you? 333 00:18:08,480 --> 00:18:12,190 We got a poem we're looking for. We think it may be some sort of treasure map. 334 00:18:12,400 --> 00:18:15,393 - I know that sounds crazy. - "The Ballad of the De La Cruz." 335 00:18:15,480 --> 00:18:18,791 - How could you possibly know that? - You're not the first who's asked me. 336 00:18:18,960 --> 00:18:21,794 - Two old white guys. - And an African-American gentleman. 337 00:18:21,960 --> 00:18:24,270 We need to see what they looked at. What you gave them, 338 00:18:24,440 --> 00:18:26,397 you need to get for us right now. 339 00:18:26,840 --> 00:18:28,433 [♪♪♪] 340 00:18:28,520 --> 00:18:32,514 To access the treasure, we need to get inside Judith Snell's old dressing room, 341 00:18:32,680 --> 00:18:35,514 which is located here, under the stage. 342 00:18:35,680 --> 00:18:40,232 The only way to get to that room is here, the south wall of the basement, 343 00:18:40,400 --> 00:18:44,838 and we'd need that explosion timed precisely so the audience doesn't hear. 344 00:18:45,000 --> 00:18:46,000 The audience? 345 00:18:46,160 --> 00:18:48,629 In order to pull off the heist, the theater has to be full. 346 00:18:48,800 --> 00:18:50,553 And why, pray tell, is that? 347 00:18:50,720 --> 00:18:51,836 For cover. 348 00:18:52,000 --> 00:18:54,834 Look, getting inside the room is one thing, 349 00:18:55,000 --> 00:18:58,152 but getting the loot out without detection is decidedly more difficult. 350 00:18:58,360 --> 00:19:00,636 We're talking about a truckload of gold. 351 00:19:00,720 --> 00:19:04,760 Without cover, we'd be spotted before we got the first armful out. 352 00:19:04,920 --> 00:19:09,278 Now, Barber of Seville closes tomorrow, 353 00:19:09,440 --> 00:19:12,672 which means we'll have to wait for next month's show to pull off this heist. 354 00:19:12,880 --> 00:19:16,874 Next month? Be still my beating heart, next month. 355 00:19:17,040 --> 00:19:18,838 Raymond, it's not meant to be. 356 00:19:19,000 --> 00:19:22,710 This is a job that requires weeks of planning and practice. 357 00:19:22,880 --> 00:19:26,840 This is a heist that has to be perfectly arranged, perfectly choreographed, 358 00:19:27,000 --> 00:19:29,640 each move timed to the opera. 359 00:19:29,800 --> 00:19:33,714 Yes. And literally leading to an explosive crescendo. 360 00:19:33,880 --> 00:19:36,190 We're gonna need distractions to get past security. 361 00:19:36,400 --> 00:19:39,313 We'll need explosives to penetrate the concrete. 362 00:19:39,480 --> 00:19:42,359 We're gonna need vehicles to move loot. We're gonna need disguises. 363 00:19:42,520 --> 00:19:47,276 I don't think you truly appreciate my dedication to this project, 364 00:19:47,440 --> 00:19:51,719 so let me tell you exactly how this is going to play out. 365 00:19:51,880 --> 00:19:54,873 You and I are going to The Barber of Seville tomorrow night, 366 00:19:55,040 --> 00:19:58,636 and we're not leaving until we have that treasure. 367 00:19:58,840 --> 00:20:01,594 So you better start studying that sheet music. 368 00:20:01,800 --> 00:20:04,872 - Raymond, I don't think you... - I'll take care of everything else. 369 00:20:05,040 --> 00:20:06,713 You need munitions? 370 00:20:06,880 --> 00:20:10,590 My little German friend was born with a schnapps in one hand 371 00:20:10,760 --> 00:20:12,717 and a detonator in the other. 372 00:20:12,880 --> 00:20:14,951 I'll have him here in eight hours. 373 00:20:15,040 --> 00:20:19,319 You need vehicles? Drivers? I've got trucks. I've got guys. 374 00:20:19,480 --> 00:20:21,949 I've got women who can handle the guys. 375 00:20:22,120 --> 00:20:26,751 I've got people with faces so fresh, they'll never see them coming. 376 00:20:26,920 --> 00:20:29,389 You need a distraction? 377 00:20:29,600 --> 00:20:33,276 I've got a guy who can talk faster than a hot, buttered bullet. 378 00:20:33,440 --> 00:20:39,118 The truth is, Robert, my only real concern is you. 379 00:20:39,280 --> 00:20:40,555 Your attitude. 380 00:20:40,760 --> 00:20:43,150 - My attitude? - The pep in your step. 381 00:20:43,320 --> 00:20:44,674 The lust in your life. 382 00:20:44,840 --> 00:20:48,311 If we're gonna pull this off, we need to get you right. 383 00:20:48,480 --> 00:20:50,949 You need to be your very best. 384 00:20:51,120 --> 00:20:54,636 We need to reawaken the old Robert Vesco, 385 00:20:54,800 --> 00:20:59,238 rediscover that dapper rascal whose charm and wit 386 00:20:59,440 --> 00:21:01,909 could deceive even the very best of us. 387 00:21:04,120 --> 00:21:07,636 - How do you feel? - Like I'd rather be home with my cat. 388 00:21:07,800 --> 00:21:11,350 Trust me, Robert, that feeling will pass the moment you hear the music. 389 00:21:11,520 --> 00:21:16,390 You'll feel your heart pump again. You'll feel truly alive. I'm sure of it. 390 00:21:16,560 --> 00:21:17,994 Franton, we'll take two. 391 00:21:22,320 --> 00:21:23,879 This is really happening. 392 00:21:24,040 --> 00:21:26,032 I mean, I know it is, but... 393 00:21:27,640 --> 00:21:30,474 Wow, you are tall. 394 00:21:30,600 --> 00:21:32,831 - What? - That's the first thing I ever said to you. 395 00:21:33,000 --> 00:21:36,880 When Mr. Cooper brought you into the room. I was thinking, "Whoa. 396 00:21:37,040 --> 00:21:40,477 You are, like, super pretty." 397 00:21:40,640 --> 00:21:42,518 But instead you said I'm tall? 398 00:21:42,600 --> 00:21:43,750 [♪♪♪] 399 00:21:46,520 --> 00:21:47,556 We need to talk. 400 00:21:48,600 --> 00:21:53,391 And as my dad used to say, now is as bad a time as any, so... 401 00:21:55,240 --> 00:21:58,916 - How many aliases do you have? - Four. I don't need them for work anymore. 402 00:21:59,080 --> 00:22:01,834 But if I ever want to disappear, they'll come in handy. 403 00:22:02,000 --> 00:22:04,993 Well, then I better memorize them. That way, I can always find you if... 404 00:22:06,760 --> 00:22:07,760 Wait. 405 00:22:08,560 --> 00:22:12,076 Oh, my God, that's it. How to find Mr. Reddington. 406 00:22:12,240 --> 00:22:13,754 - Better tell Cooper. - Yes. 407 00:22:14,400 --> 00:22:20,670 Um... You stay here, I'll tell Mr. Cooper and I'll get us coffees and we'll talk. 408 00:22:25,160 --> 00:22:26,640 You're really tall. 409 00:22:29,240 --> 00:22:31,391 I didn't read this many books in high school. 410 00:22:32,440 --> 00:22:36,559 The answer's here somewhere. I'm sure Reddington figured it out. 411 00:22:36,720 --> 00:22:38,712 He had Vesco. We got nothing. 412 00:22:38,880 --> 00:22:40,872 [CELL PHONE RINGS] 413 00:22:44,320 --> 00:22:45,549 Aram, did you find him? 414 00:22:45,760 --> 00:22:49,720 Mr. Homan just made a sizable donation to the Marigny Foundation for the Arts. 415 00:22:49,880 --> 00:22:51,234 Mr. Homan? 416 00:22:51,400 --> 00:22:54,711 - He's one of Mr. Reddington's aliases. - So he made an anonymous donation 417 00:22:54,880 --> 00:22:56,360 to an arts organization? 418 00:22:56,560 --> 00:22:59,519 COOPER: One that comes with season tickets to the New Orleans opera. 419 00:22:59,600 --> 00:23:02,035 Aram, you're a genius. 420 00:23:02,200 --> 00:23:04,476 Reddington bought tickets to the opera in New Orleans, 421 00:23:04,640 --> 00:23:06,154 like the one in the poem. 422 00:23:06,360 --> 00:23:10,115 - So we don't have to decrypt it. - Nope. We're going to the opera. 423 00:23:10,320 --> 00:23:12,152 I thought the library was dull. 424 00:23:16,080 --> 00:23:18,470 Samar failed her polygraph. 425 00:23:18,640 --> 00:23:20,757 Levi. What are you doing here? 426 00:23:20,960 --> 00:23:22,997 She's hiding something. I need to know what. 427 00:23:23,160 --> 00:23:28,189 I have no idea what you're talking about. And I don't appreciate being followed. 428 00:23:28,360 --> 00:23:29,840 We both want what's best for her. 429 00:23:30,000 --> 00:23:32,560 Well, questioning her loyalty is a funny way of showing it. 430 00:23:32,760 --> 00:23:34,513 I know she didn't betray us. 431 00:23:34,720 --> 00:23:38,316 But my bosses might look at the results and come to a different conclusion. 432 00:23:38,520 --> 00:23:40,318 What's that mean? That some kind of threat? 433 00:23:40,520 --> 00:23:43,911 She knows too much. This could be a liability. 434 00:23:44,000 --> 00:23:47,596 - Are you guys gonna order, or...? - Sorry. Please go ahead. 435 00:23:47,760 --> 00:23:51,356 Look, Samar, she's not looking out for herself. 436 00:23:51,520 --> 00:23:53,910 I'm here because I was hoping you will. 437 00:23:54,040 --> 00:23:55,633 [♪♪♪] 438 00:23:58,160 --> 00:23:59,480 Okay. Here. 439 00:24:00,840 --> 00:24:02,115 In case you change your mind. 440 00:24:05,720 --> 00:24:07,040 Just... Hang on. 441 00:24:10,840 --> 00:24:12,160 There was an accident. 442 00:24:15,360 --> 00:24:16,360 She... 443 00:24:17,880 --> 00:24:19,439 Her brain was... 444 00:24:21,200 --> 00:24:22,839 Was deprived of oxygen. 445 00:24:24,840 --> 00:24:26,274 - I'm sorry to hear that. - Listen. 446 00:24:26,480 --> 00:24:29,996 This is very private. She wants to keep this to herself. 447 00:24:30,080 --> 00:24:32,595 It's something called vascular dementia. 448 00:24:34,640 --> 00:24:37,200 Will that be enough to satisfy your bosses? 449 00:24:37,360 --> 00:24:39,192 Yeah, I would think so. 450 00:24:40,600 --> 00:24:41,795 Hey. 451 00:24:42,840 --> 00:24:46,277 Congratulations, by the way. Samar told me the good news. 452 00:24:46,440 --> 00:24:48,557 Do you know if it's a girl or a boy? 453 00:24:51,840 --> 00:24:53,274 [CHUCKLES] 454 00:24:54,240 --> 00:24:56,914 I have absolutely no idea. 455 00:24:58,640 --> 00:25:00,677 Yeah. It's better that way. 456 00:25:01,880 --> 00:25:03,792 Why ruin the surprise, you know? 457 00:25:16,440 --> 00:25:17,874 [CROWD APLAUDING] 458 00:25:26,200 --> 00:25:28,920 Okay. That's our door. Stage left. 459 00:25:29,080 --> 00:25:33,996 I hate to walk out on Figaro's aria, but I've seen it before. I'll see it again. 460 00:25:34,160 --> 00:25:35,719 Places, everyone. Places. 461 00:25:35,920 --> 00:25:37,912 [ARIA PLAYING] 462 00:25:38,000 --> 00:25:39,354 Here comes our cue. 463 00:25:39,520 --> 00:25:42,319 Three, two, one... 464 00:25:51,560 --> 00:25:53,552 [VOCALIZING] 465 00:26:06,880 --> 00:26:08,075 Germany, you're up. 466 00:26:10,520 --> 00:26:12,034 Four bars out. 467 00:26:13,800 --> 00:26:16,076 Hold. And hold. 468 00:26:17,600 --> 00:26:19,000 And cue Germany. 469 00:26:19,160 --> 00:26:22,073 I did no such thing. And I've only had two drinks. 470 00:26:22,240 --> 00:26:25,631 [IN GERMAN ACCENT] The hell you have. And you touched my breasts. 471 00:26:25,720 --> 00:26:27,757 What's going on here? BOTH: He's drunk. 472 00:26:27,920 --> 00:26:31,709 I told you I took those drinks to my wife. I am not drunk. 473 00:26:31,880 --> 00:26:35,920 You were hitting on me, you ape, and you most certainly are drunk. 474 00:26:36,080 --> 00:26:38,675 - Okay. That's enough. - Aah! 475 00:26:38,880 --> 00:26:42,237 No more drinks. That's it. WOMAN: Ahh. 476 00:26:44,680 --> 00:26:46,114 [IN NORMAL VOICE] Hit me. 477 00:26:46,320 --> 00:26:48,960 [SINGING IN ITALIAN] 478 00:26:59,520 --> 00:27:01,193 [SINGING CONTINUES] 479 00:27:03,320 --> 00:27:05,789 He's drunk. We need to take him through the back. 480 00:27:11,840 --> 00:27:13,559 Okay. We're past security. 481 00:27:13,720 --> 00:27:15,552 Mr. Carter, we're on our way. 482 00:27:15,720 --> 00:27:19,077 Watch your tempo. Ray, allegro vivace. 483 00:27:19,280 --> 00:27:22,159 Half note, whole note, turn to the left. 484 00:27:23,400 --> 00:27:25,960 Are you the guy from the pharmacy? What took you so long? 485 00:27:26,160 --> 00:27:28,675 - This big guy won't let me past. - He says he has a delivery. 486 00:27:28,840 --> 00:27:31,799 I've got it all. Everything from wet wipes to adult diapers. 487 00:27:32,000 --> 00:27:34,469 I got your Maalox, your Mylanta, your Kaopectate. 488 00:27:34,640 --> 00:27:35,835 I got a vaporizer... 489 00:27:36,000 --> 00:27:38,595 Those things don't even all do the same thing. What's going on? 490 00:27:38,800 --> 00:27:42,840 I got a call 45 minutes ago saying Count Someone had the runs. 491 00:27:43,000 --> 00:27:45,515 It's for Count Almaviva. Rolando, he's come down with a flu. 492 00:27:45,720 --> 00:27:46,756 What did he eat? 493 00:27:46,920 --> 00:27:50,800 Maybe he got a bad oyster. I had a nasty Blue Point once. 494 00:27:50,960 --> 00:27:52,235 Turned me inside out. 495 00:27:52,440 --> 00:27:55,114 I was playing tango with the toilet for the better part of a day. 496 00:27:55,280 --> 00:27:56,199 [SINGING] 497 00:27:56,200 --> 00:27:57,316 VESCO: One, two, three... 498 00:27:57,480 --> 00:28:00,678 Fascinating as this is, we need to get you to the count now. He's on in 10. 499 00:28:02,880 --> 00:28:04,280 [SINGING CONTINUES] 500 00:28:12,960 --> 00:28:14,519 [WHIRRING] 501 00:28:28,360 --> 00:28:29,510 Cue Vontae and Dembe. 502 00:28:29,680 --> 00:28:32,752 Step-ball-change, step-ball-change, step-ball-change. 503 00:28:32,960 --> 00:28:34,952 [SINGING CONTINUES] 504 00:28:38,840 --> 00:28:41,514 - What the hell's going on? - The voice. 505 00:28:41,680 --> 00:28:44,479 The heartbreak and sorrow. 506 00:28:44,640 --> 00:28:45,640 [MOANS] 507 00:28:45,720 --> 00:28:47,040 It's a comedy. 508 00:28:47,240 --> 00:28:49,072 No, my sorrow. 509 00:28:49,240 --> 00:28:54,315 When I was a boy, all my friends wanted to be football players and racecar drivers, 510 00:28:54,480 --> 00:28:56,437 and I dreamed to be a tenor. 511 00:28:56,600 --> 00:28:58,353 - Oh, God. - This is bad, Ray. 512 00:28:58,520 --> 00:29:00,830 I'm sorry, Raymond. I lost my place. 513 00:29:01,000 --> 00:29:03,595 - The music took me back. - We're on a clock. 514 00:29:03,800 --> 00:29:05,154 We're timed to the music. 515 00:29:05,320 --> 00:29:09,075 If the detonation doesn't go off exactly with the applause, everyone will hear it. 516 00:29:09,240 --> 00:29:10,640 - I'm so sorry. - Okay. 517 00:29:10,720 --> 00:29:12,837 That's it. Set the charges. Robert, give us a hand. 518 00:29:12,920 --> 00:29:17,312 We don't have time to set the charges. He's nearing the end of the aria now. 519 00:29:17,520 --> 00:29:19,432 [SINGING] 520 00:29:21,920 --> 00:29:24,754 Glen. We have a situation. 521 00:29:25,480 --> 00:29:26,596 [SIGHS] 522 00:29:26,680 --> 00:29:27,680 What situation? 523 00:29:27,840 --> 00:29:30,833 We're behind. If we blow the charges late, we'll have the police here. 524 00:29:30,920 --> 00:29:31,920 We need a distraction. 525 00:29:32,120 --> 00:29:33,554 Something loud. Really loud. 526 00:29:33,720 --> 00:29:34,949 What do you want me to do? 527 00:29:35,120 --> 00:29:39,000 I don't know, Glen. That's why you're here. You wanted a second chance. This is it. 528 00:29:39,080 --> 00:29:41,311 Figure it out. Think fast. Make noise. 529 00:29:41,480 --> 00:29:43,153 [SINGING RESUMES] 530 00:29:47,520 --> 00:29:51,673 It's time to make your Broadway debut. 531 00:29:52,280 --> 00:29:53,600 [BEEP] 532 00:30:00,360 --> 00:30:03,273 Fire. 533 00:30:03,440 --> 00:30:05,272 Everybody out. 534 00:30:05,440 --> 00:30:08,638 There's a grease fire in the kitchen. It ain't good. 535 00:30:08,840 --> 00:30:10,433 [PEOPLE SCREAMING] 536 00:30:10,640 --> 00:30:11,960 [ALARM BLARING] 537 00:30:16,640 --> 00:30:21,510 Run for your lives. 538 00:30:21,680 --> 00:30:23,034 Blow it, now. 539 00:30:26,400 --> 00:30:27,720 [♪♪♪] 540 00:30:42,160 --> 00:30:46,552 Oh, my God. The De La Cruz. 541 00:30:46,640 --> 00:30:47,676 It is real. 542 00:30:50,240 --> 00:30:54,473 Now there's the twinkle in your eye I've been looking for. 543 00:30:54,960 --> 00:30:56,997 [RAYMOND LAUGHING] 544 00:31:03,520 --> 00:31:07,355 Sir, what on earth would make you shout "fire" in the middle of a crowded theater 545 00:31:07,440 --> 00:31:09,079 when there was no fire? 546 00:31:09,240 --> 00:31:11,357 I thought I smelled smoke. 547 00:31:11,520 --> 00:31:15,799 All I was trying to do was save lives. RESSLER: He double-crossed us. 548 00:31:15,960 --> 00:31:19,920 - We're not getting Vesco or the money. - He gave me his word. I believe him. 549 00:31:20,080 --> 00:31:21,400 - Is that it? - Last one. 550 00:31:21,480 --> 00:31:23,551 Time to roll. RESSLER: I'll talk to the local PD. 551 00:31:23,640 --> 00:31:25,791 - See what they have to say. - I'll talk to fire. 552 00:31:28,520 --> 00:31:30,637 Mr. Carter. FIREMAN: You know this guy? 553 00:31:30,800 --> 00:31:33,918 Elizabeth Keen, FBI. Can I talk to him for a minute? 554 00:31:35,480 --> 00:31:37,472 Hey. What are the odds of seeing you here? 555 00:31:37,640 --> 00:31:40,075 - You an opera fan? - Drop the act. Where is he? 556 00:31:40,240 --> 00:31:42,755 - Don't know what you're talking about. - Reddington was here. 557 00:31:42,960 --> 00:31:45,350 How long ago? Don't lie to me. 558 00:31:46,680 --> 00:31:48,672 You just missed him. 559 00:31:53,520 --> 00:31:55,910 [CELL PHONE BUZZING] 560 00:31:57,680 --> 00:31:59,433 Elizabeth. This isn't a good time. 561 00:31:59,640 --> 00:32:02,314 - I'm at the opera. - Did you enjoy the show? 562 00:32:02,520 --> 00:32:04,910 You got your treasure, now I want Vesco. 563 00:32:08,400 --> 00:32:12,519 We'll be at Lulu's enjoying key lime pie. I'll get your slice to go. 564 00:32:15,920 --> 00:32:17,354 Sex and treasure. 565 00:32:18,760 --> 00:32:21,036 People will betray for both. 566 00:32:21,200 --> 00:32:25,433 Like you're betraying me now that I've gotten you the gold. 567 00:32:25,600 --> 00:32:29,310 You can turn me in at Lulu's, and your revenge will be complete. 568 00:32:29,400 --> 00:32:31,198 It's okay, Ray. I forgive you. 569 00:32:32,640 --> 00:32:34,632 More, I understand. 570 00:32:35,720 --> 00:32:39,316 You were my protégé, Ray. I loved you. 571 00:32:40,760 --> 00:32:43,275 But I took you for everything you were worth, 572 00:32:43,360 --> 00:32:48,833 and I left you in an Asunción whorehouse, and I never gave it a second thought. 573 00:32:49,000 --> 00:32:51,595 - And now? - Now I'm free. 574 00:32:51,800 --> 00:32:53,792 [♪♪♪] 575 00:32:57,520 --> 00:33:00,558 I have no intention of turning you in, Robert. 576 00:33:00,720 --> 00:33:05,476 And we're not going to Lulu's. It's bursting with tourists and their pies are terrible. 577 00:33:05,640 --> 00:33:09,520 We're gonna go find a nice, quiet cup of coffee somewhere. 578 00:33:12,320 --> 00:33:16,155 RAYMOND: Is it true that you introduced Nixon's brother to Castro 579 00:33:16,320 --> 00:33:20,917 and then swindled them both into investing in a bogus drug trial? 580 00:33:21,080 --> 00:33:23,720 And got tossed in a Cuban jail for my troubles. 581 00:33:23,880 --> 00:33:26,031 Ha-ha. Nixon and Castro. 582 00:33:26,200 --> 00:33:29,557 My God. It boggles the mind. 583 00:33:29,720 --> 00:33:31,234 Truck's in the warehouse. 584 00:33:31,440 --> 00:33:34,353 - Locked tighter than a clam at high tide. - Where are the others? 585 00:33:34,520 --> 00:33:37,592 - Killing bourbon on Bourbon Street. - Why don't you join them? 586 00:33:37,680 --> 00:33:39,399 [GLEN LAUGHS THEN WHOOPS] 587 00:33:39,480 --> 00:33:44,794 Well, boys, I am off for a night of debauchery in the Big Easy. 588 00:33:45,000 --> 00:33:50,553 Like Blanche DuBois, I depend on the kindness of strangers. 589 00:33:50,720 --> 00:33:52,473 - Cheerio. - Hmm. 590 00:33:55,600 --> 00:33:58,434 Well, I feel like a walk by the river. 591 00:33:58,640 --> 00:34:03,635 - That's a great idea. - I'm afraid I wouldn't be good company. 592 00:34:03,800 --> 00:34:04,950 I'm old. 593 00:34:05,120 --> 00:34:06,349 I'm tired. 594 00:34:06,560 --> 00:34:08,950 And I'm at peace. 595 00:34:09,120 --> 00:34:10,440 The airport, then. 596 00:34:10,600 --> 00:34:13,798 Tomorrow at 10. I'll drop you wherever you want. 597 00:34:14,000 --> 00:34:15,000 [♪♪♪] 598 00:34:15,040 --> 00:34:19,432 I was filled with vengeance for so long, 599 00:34:19,600 --> 00:34:23,674 I never saw the gift you gave me in Asunción. 600 00:34:24,560 --> 00:34:27,234 I never trusted anyone easily after that. 601 00:34:28,240 --> 00:34:29,993 That's why I'm still alive. 602 00:34:31,120 --> 00:34:34,955 - I'm in your debt, my friend. - Ahh... 603 00:34:38,200 --> 00:34:39,236 Believe me, Ray. 604 00:34:40,640 --> 00:34:43,075 You've more than repaid your debt. 605 00:34:52,560 --> 00:34:54,313 [DIALING] 606 00:34:54,960 --> 00:34:56,314 Change of plans. 607 00:34:57,920 --> 00:35:02,437 I just got off the phone with Levi. I have been honorably discharged. 608 00:35:02,600 --> 00:35:04,319 - I'm not surprised. - I am. 609 00:35:04,480 --> 00:35:07,917 During the polygraph, when he asked me why I was leaving, I said it was personal. 610 00:35:08,120 --> 00:35:09,998 Didn't want him to know the truth, so I lied. 611 00:35:10,160 --> 00:35:12,356 Well, whatever you told him, it's over. 612 00:35:12,520 --> 00:35:14,955 So now we can talk. 613 00:35:16,520 --> 00:35:18,034 About you being pregnant. 614 00:35:18,240 --> 00:35:19,276 [♪♪♪] 615 00:35:22,080 --> 00:35:24,470 - Aram... - That's what you've been trying to tell me? 616 00:35:26,320 --> 00:35:33,320 So my parents made this for me 30 years ago for the day I became a dad. 617 00:35:34,360 --> 00:35:39,515 All I remember are the fruit flies and the cheesecloth. 618 00:35:39,680 --> 00:35:43,560 And the fancy crystal that my mom insists on using nine months from now 619 00:35:43,720 --> 00:35:48,795 when we pop the cork to celebrate unimaginable love. 620 00:35:55,680 --> 00:35:57,672 I'm not pregnant, Aram. 621 00:35:57,880 --> 00:36:02,238 That was the lie that I told Levi to cover the truth about my health. 622 00:36:05,880 --> 00:36:07,200 You're not? 623 00:36:12,640 --> 00:36:15,280 The truth is that I've never wanted children. 624 00:36:15,480 --> 00:36:17,517 I used to be self-conscious about that, 625 00:36:17,680 --> 00:36:22,800 about the fact that I didn't have any kind of maternal instinct, 626 00:36:22,960 --> 00:36:25,555 but I made my peace with it a long time ago. 627 00:36:26,640 --> 00:36:27,790 And then I met you. 628 00:36:28,920 --> 00:36:30,559 And you changed everything. 629 00:36:31,880 --> 00:36:35,715 And now there's nothing I would like more than to be pregnant. 630 00:36:35,920 --> 00:36:39,197 Nothing either of us would like more. 631 00:36:41,880 --> 00:36:43,109 But it can't happen. 632 00:36:45,040 --> 00:36:47,191 I can't raise a child. 633 00:36:48,600 --> 00:36:49,600 Ever. 634 00:36:53,640 --> 00:36:54,676 Okay. 635 00:36:55,680 --> 00:36:57,239 Okay? 636 00:36:57,440 --> 00:36:59,716 If you don't think we should have kids, we shouldn't. 637 00:36:59,880 --> 00:37:02,952 - You say that now, but in five years... - I'll be saying the same thing. 638 00:37:03,120 --> 00:37:04,236 No. 639 00:37:06,200 --> 00:37:10,194 Someday you will have regrets, and I don't want to be the reason why. 640 00:37:13,000 --> 00:37:14,000 Aram. 641 00:37:15,280 --> 00:37:17,033 That's why I've been wanting to talk. 642 00:37:28,160 --> 00:37:29,958 I think you deserve more. 643 00:37:42,040 --> 00:37:44,680 That's quite the stunt you pulled. RAYMOND: It was, wasn't it? 644 00:37:44,840 --> 00:37:47,355 I was quite pleased with how it all came together. 645 00:37:47,520 --> 00:37:48,520 LIZ: Where's Vesco? 646 00:37:48,680 --> 00:37:50,273 He inside? RAYMOND: No, he's not. 647 00:37:50,440 --> 00:37:51,874 The treasure is. 648 00:37:52,080 --> 00:37:54,879 - You let him go. - Turns out, he's reformed. 649 00:37:55,120 --> 00:37:57,032 Heh-heh. A reformed fugitive. 650 00:37:57,200 --> 00:37:59,317 Sworn off greed and avarice. 651 00:37:59,480 --> 00:38:02,359 So you commuted his sentence like the president commuted yours? 652 00:38:02,520 --> 00:38:05,354 Yes, and in honor of his ascetic existence, 653 00:38:05,520 --> 00:38:09,560 I've decided to hand over 100-something million dollars' worth 654 00:38:09,680 --> 00:38:12,912 of 18th-century gold. 655 00:38:13,080 --> 00:38:15,595 - You're just gonna give it to us? - Every last doubloon. 656 00:38:15,760 --> 00:38:16,796 It's inside. 657 00:38:21,440 --> 00:38:22,669 Or it isn't. 658 00:38:22,880 --> 00:38:23,916 [♪♪♪] 659 00:38:25,840 --> 00:38:27,433 [CHUCKLES] 660 00:38:29,800 --> 00:38:31,553 I'm in your debt, my friend. 661 00:38:34,880 --> 00:38:35,996 VESCO: Believe me, Ray. 662 00:38:38,240 --> 00:38:40,675 You've more than repaid your debt. 663 00:38:43,080 --> 00:38:44,196 [LIZ LAUGHS] 664 00:38:44,280 --> 00:38:45,680 LIZ: He's reformed, is he? 665 00:38:45,880 --> 00:38:48,156 "Given up greed and avarice"? 666 00:38:48,320 --> 00:38:50,312 [♪♪♪] 667 00:38:50,760 --> 00:38:51,989 Do you have a phone? 668 00:38:52,160 --> 00:38:56,074 I'm sure he'll be a real ascetic with your $100 million. 669 00:38:57,200 --> 00:38:59,271 Come on. Take my picture. 670 00:38:59,480 --> 00:39:01,631 It's not often I get egg on my face. 671 00:39:01,800 --> 00:39:04,360 But to be egged by the same person twice? 672 00:39:04,520 --> 00:39:06,159 That needs memorializing. 673 00:39:06,360 --> 00:39:09,831 You think this is funny? This was a complete waste of time. 674 00:39:10,000 --> 00:39:11,559 Waste of time? 675 00:39:11,720 --> 00:39:13,598 We've been decrypting legends. 676 00:39:13,760 --> 00:39:15,513 Chasing pirates. 677 00:39:15,680 --> 00:39:20,232 - Hunting hidden treasure. - And come up empty. We lost Vesco. 678 00:39:20,400 --> 00:39:22,471 How can you lose something you never had? 679 00:39:22,560 --> 00:39:25,280 I gave you a Blacklister you thought was dead. 680 00:39:25,440 --> 00:39:28,319 Now that you know he's alive, you can hunt him down. 681 00:39:28,480 --> 00:39:31,075 Plus, you witnessed my humiliation. 682 00:39:31,240 --> 00:39:33,038 I think that would salve any wound. 683 00:39:33,200 --> 00:39:35,715 It doesn't. But it's a start. 684 00:39:35,880 --> 00:39:39,351 Get in here, Dembe. I see a little yolk on your cheek. 685 00:39:39,600 --> 00:39:41,592 [♪♪♪] 686 00:39:42,640 --> 00:39:44,233 Smile, suckers. 687 00:39:47,760 --> 00:39:49,831 [LIZ LAUGHS] 688 00:39:49,920 --> 00:39:50,920 [LAUGHS] 689 00:39:52,520 --> 00:39:53,795 Mm. 690 00:39:55,640 --> 00:39:57,040 [LAUGHS] 691 00:40:16,160 --> 00:40:18,675 - You're wrong about me. - How did you find me? 692 00:40:18,840 --> 00:40:22,197 When you said there's nothing I want more than to have a child. 693 00:40:22,360 --> 00:40:24,955 I mean, that is... That is what I thought. 694 00:40:25,120 --> 00:40:28,909 What I had always imagined. 695 00:40:31,400 --> 00:40:32,629 Until I met you. 696 00:40:32,720 --> 00:40:34,791 [♪♪♪] 697 00:40:34,880 --> 00:40:38,590 And then you changed everything. 698 00:40:40,200 --> 00:40:43,557 What we have? This is our story. 699 00:40:45,360 --> 00:40:48,956 And if our story doesn't involve having kids? 700 00:40:49,120 --> 00:40:52,352 Well, that's okay. 701 00:40:52,440 --> 00:40:54,113 ♪ Tell me there's nothing to fear ♪ 702 00:40:54,840 --> 00:41:01,838 I don't need to wait nine months to celebrate unimaginable love. 703 00:41:02,920 --> 00:41:07,153 And I certainly don't need fancy crystal. 704 00:41:10,000 --> 00:41:11,673 - Aram. - We are never breaking up. 705 00:41:11,840 --> 00:41:16,835 Okay? Like, ever. And I don't want any denial, 706 00:41:17,000 --> 00:41:20,550 anger, bargaining or depression. 707 00:41:22,120 --> 00:41:23,315 Only acceptance. 708 00:41:23,480 --> 00:41:26,075 ♪ In the arms ♪ 709 00:41:26,160 --> 00:41:27,514 Can you do that for me? 710 00:41:28,960 --> 00:41:29,919 No. 711 00:41:29,920 --> 00:41:32,913 ♪ Can you find me, dear ♪ 712 00:41:33,000 --> 00:41:34,000 Okay. 713 00:41:36,960 --> 00:41:38,076 Promise me this. 714 00:41:39,720 --> 00:41:45,352 That you will do everything humanly possible to try and get better. 715 00:41:48,240 --> 00:41:49,240 I promise. 716 00:41:49,280 --> 00:41:51,590 ♪ I'll tell you what you wanna hear ♪ 717 00:41:51,680 --> 00:41:55,037 ♪ I'm not gonna go nowhere ♪ 718 00:41:55,280 --> 00:41:57,840 ♪ I'm not gonna break your plans ♪ 719 00:41:57,920 --> 00:41:59,320 ARAM: It's gonna be okay. 720 00:41:59,480 --> 00:42:01,358 ♪ I could never disappear ♪♪ 721 00:42:01,440 --> 00:42:02,590 Tell me that again. 722 00:42:05,440 --> 00:42:07,079 Everything's gonna be okay. 723 00:42:23,840 --> 00:42:25,832 [♪♪♪]