1 00:00:37,916 --> 00:00:40,333 Run it. 2 00:00:40,416 --> 00:00:42,833 Cut. 3 00:00:42,916 --> 00:00:45,000 Again. No, cut. 4 00:00:46,166 --> 00:00:47,166 - Ready? - Okay. 5 00:01:21,541 --> 00:01:23,958 - Turn over. - Turn over, lads. Thank you. 6 00:01:25,625 --> 00:01:26,833 Turn over. 7 00:01:37,791 --> 00:01:40,166 - Sit down over here… - Shall we sit over here? 8 00:01:40,250 --> 00:01:41,250 Yeah. 9 00:01:44,375 --> 00:01:45,375 Hi. 10 00:01:46,333 --> 00:01:52,291 ♪ You're my world You are my only love ♪ 11 00:02:02,416 --> 00:02:03,791 How was the meeting? 12 00:02:04,875 --> 00:02:06,166 The meeting was fine. 13 00:02:07,041 --> 00:02:08,750 A lot of good things, but then, you know… 14 00:02:11,041 --> 00:02:13,208 they all sort of fell apart in the end. 15 00:02:14,041 --> 00:02:16,583 I just spoke to Neil, who's calling a couple of your colleagues 16 00:02:17,250 --> 00:02:19,375 to see if they're also gonna come. 17 00:02:21,375 --> 00:02:23,250 Couple of colleagues told me last night 18 00:02:23,333 --> 00:02:25,625 that they would be there the same time. 19 00:02:25,708 --> 00:02:27,875 Neil expressed an opinion that no one was coming. 20 00:02:27,958 --> 00:02:31,000 Well, phone Neil and tell him I'm here for lunch. 21 00:02:32,958 --> 00:02:35,000 Have you got enough for a good documentary? 22 00:02:35,083 --> 00:02:37,333 It depends how liquid the situation is. 23 00:02:37,833 --> 00:02:39,625 Use it all. 24 00:02:39,708 --> 00:02:42,416 Well, in other words, if we tell it like it is, 25 00:02:42,500 --> 00:02:44,625 then we've got a very good documentary. 26 00:02:44,708 --> 00:02:45,708 But if… 27 00:02:45,791 --> 00:02:47,083 We're hiding. 28 00:02:47,166 --> 00:02:49,625 If we're hiding, then we don't have much of a documentary. 29 00:02:49,708 --> 00:02:53,416 We just have a couple of days when things didn't work out, that's it. 30 00:02:55,333 --> 00:02:58,791 Yeah. 31 00:02:58,875 --> 00:03:00,041 Yeah, I'll take it. 32 00:03:00,125 --> 00:03:01,791 - I'll take them for him. - Okay. 33 00:03:02,875 --> 00:03:05,041 I had strict instructions to bring them on the set. 34 00:03:05,125 --> 00:03:06,375 Yeah, okay. 35 00:03:18,833 --> 00:03:21,000 - Harry who? - Hare Krishna. 36 00:03:21,666 --> 00:03:23,208 Do you like India? 37 00:03:23,291 --> 00:03:24,416 No, not really. 38 00:03:41,750 --> 00:03:44,500 Did I tell you my wife's definitely confirmed pregnant? 39 00:03:44,583 --> 00:03:45,583 - Oh, good. - Yeah. 40 00:03:45,666 --> 00:03:48,375 - Congratulations. - Well pleased, yes. 41 00:03:50,041 --> 00:03:51,750 I wouldn't mind knocking one out. 42 00:03:52,916 --> 00:03:54,708 - I really love kids. - "Knocking one out." 43 00:03:56,416 --> 00:03:58,833 - Morning, morning, morning. - Morning, morning. 44 00:03:58,916 --> 00:03:59,818 Thank you. 45 00:03:59,833 --> 00:04:01,333 - Hello. - Hello. 46 00:04:01,416 --> 00:04:04,208 - Morning, Linda. - Morning. 47 00:04:04,291 --> 00:04:05,500 - It's… - From The Circus. 48 00:04:05,583 --> 00:04:08,625 - Here we are. - Neil spoke to me and he said… 49 00:04:09,666 --> 00:04:12,333 He, A, said he'd call me back at 11:15. 50 00:04:15,000 --> 00:04:16,958 Then when I arrived back RS was here. 51 00:04:17,625 --> 00:04:19,125 And PM was on his way. 52 00:04:19,208 --> 00:04:21,125 PM was on his way. And, uh… 53 00:04:21,208 --> 00:04:22,208 JL was in bed. 54 00:04:22,250 --> 00:04:24,166 JL was in bed. 55 00:04:24,250 --> 00:04:25,583 Morning, Neil. 56 00:04:25,666 --> 00:04:27,000 Good morning, Glyn. 57 00:04:29,666 --> 00:04:31,916 - Did you get in touch with John? - I couldn't get him. 58 00:04:34,166 --> 00:04:35,166 I don't know. 59 00:04:36,916 --> 00:04:38,791 Mal couldn't get him either. You can only get the machine. 60 00:04:42,916 --> 00:04:46,125 'Cause I have a feeling that half the stuff Yoko said yesterday isn't… 61 00:04:46,208 --> 00:04:48,125 She was talking for John. 62 00:04:48,208 --> 00:04:51,958 And I don't think he really believed any of that, you know? 63 00:04:52,541 --> 00:04:53,485 No, so, it's… 64 00:04:53,500 --> 00:04:56,791 John didn't talk, so Yoko talked for John. 65 00:04:58,000 --> 00:04:59,291 In the middle of all that, actually… 66 00:05:03,458 --> 00:05:05,916 See, but their point is that they're trying to, 67 00:05:06,000 --> 00:05:08,166 like, be as near together as they can. 68 00:05:09,000 --> 00:05:11,125 They wanna stay together, those two. 69 00:05:11,208 --> 00:05:13,125 So it's all right. Let the young lovers stay together. 70 00:05:13,208 --> 00:05:14,750 But it's not that bad, you know. 71 00:05:14,833 --> 00:05:18,875 We got a lot out of Beatles, so that if… I think John's thing now… 72 00:05:26,375 --> 00:05:28,000 All right. 73 00:05:28,083 --> 00:05:29,125 Are we running? 74 00:05:29,208 --> 00:05:31,500 ♪ Why do you build me up ♪ 75 00:05:31,583 --> 00:05:35,208 ♪ Build me up Buttercup baby, just… ♪ 76 00:05:37,583 --> 00:05:38,583 Yeah. 77 00:05:38,666 --> 00:05:40,541 Funny enough, the other day when we were talking, 78 00:05:40,625 --> 00:05:43,666 John had said that he really did not want not to be a Beatle. 79 00:05:44,333 --> 00:05:45,791 Yes. 80 00:05:49,625 --> 00:05:50,875 - Oh, yeah. Sure. - Are you… 81 00:05:50,958 --> 00:05:53,166 We'd cooled it because we were not playing together. 82 00:05:53,250 --> 00:05:55,916 'Cause we lived together when we played together. 83 00:05:56,000 --> 00:05:57,166 We were in the same hotel, 84 00:05:57,250 --> 00:05:59,333 up at the same time every morning, all day. 85 00:06:00,000 --> 00:06:02,916 As long as you're this close all day, so something grows. 86 00:06:03,000 --> 00:06:05,833 And then when you're not this close, just physically, something goes. 87 00:06:05,916 --> 00:06:07,000 Right. 88 00:06:07,083 --> 00:06:11,041 Actually, musically, we can play better than we've ever been able to play. 89 00:06:11,125 --> 00:06:13,333 You know, we're all right on that. 90 00:06:13,416 --> 00:06:15,333 It's just that being together thing. 91 00:06:15,416 --> 00:06:18,125 It's difficult starting right from scratch with Yoko there. 92 00:06:18,208 --> 00:06:20,791 'Cause I start out writing songs about white walls. 93 00:06:20,875 --> 00:06:21,875 Just 'cause I… 94 00:06:21,958 --> 00:06:25,291 You know, just 'cause I think John and Yoko would like that. 95 00:06:25,375 --> 00:06:26,541 And they wouldn't. 96 00:06:31,458 --> 00:06:34,916 So, I just think it's just silly of me or anyone 97 00:06:35,000 --> 00:06:37,416 to try and say to 'em, "No, you can't." 98 00:06:37,500 --> 00:06:41,958 It's like… It's like that we're striking 'cause work conditions aren't right. 99 00:06:42,041 --> 00:06:43,666 But it shouldn't be. 100 00:06:43,750 --> 00:06:46,708 "Can't operate under these conditions, boy. We're coming out." 101 00:06:47,291 --> 00:06:49,958 It's like they're going overboard about it. 102 00:06:50,041 --> 00:06:51,416 But John always does, you know. 103 00:06:51,500 --> 00:06:55,208 You can't go saying, "Be sensible about it and don't bring her to meetings." 104 00:06:55,708 --> 00:06:57,375 It's his decision, that. 105 00:06:57,458 --> 00:06:59,791 It's none of our business, like, interfering in that. 106 00:07:05,541 --> 00:07:07,583 Well, I think for them to be able to compromise, 107 00:07:07,666 --> 00:07:09,666 I have to be able to compromise first. 108 00:07:09,750 --> 00:07:11,000 Then they'll be able to. 109 00:07:11,083 --> 00:07:13,833 But it's silly, neither of us compromising. 110 00:07:14,458 --> 00:07:16,041 We probably do need… 111 00:07:17,333 --> 00:07:19,666 really, sort of a central daddy figure 112 00:07:19,750 --> 00:07:24,458 to say, you know, "Nine o'clock, leave your girls at home, lads." 113 00:07:24,541 --> 00:07:25,708 You know, we're all… 114 00:07:28,125 --> 00:07:34,541 But it's gonna be such an incredible sort of comical thing, like, in 50 years' time. 115 00:07:36,500 --> 00:07:38,750 "They broke up 'cause Yoko sat on an amp." 116 00:07:38,833 --> 00:07:41,625 Just something like that. "What?" 117 00:07:42,958 --> 00:07:45,291 "You see, John kept bringing this girl along." 118 00:07:47,250 --> 00:07:48,333 What? 119 00:07:48,416 --> 00:07:53,625 It's not as though there's any sort of earth-splitting rows or anything. 120 00:08:08,375 --> 00:08:10,083 Lid on the parrot's cage. 121 00:08:22,375 --> 00:08:25,125 Uh, if we were gonna take a ship's pool 122 00:08:25,208 --> 00:08:27,041 on what our communal life is gonna be 123 00:08:27,125 --> 00:08:29,208 in the next two weeks, what are we all betting? 124 00:08:29,291 --> 00:08:31,750 We should cancel that 18th day. 125 00:08:31,833 --> 00:08:34,250 'Cause it should definitely be the 19th. 126 00:08:34,875 --> 00:08:37,291 I mean, already, 'cause we're gonna lose today. 127 00:08:37,375 --> 00:08:40,041 I think we see the end of this week out 128 00:08:40,125 --> 00:08:43,000 and something will have happened, definitely. 129 00:08:43,083 --> 00:08:44,375 Even if it's only nothing? 130 00:08:44,458 --> 00:08:50,083 I was talking to Neil last night about an idea I thought of for a TV show. 131 00:08:50,166 --> 00:08:54,250 We should get, like, say, the editor of The Daily Mirror, 132 00:08:55,333 --> 00:09:01,208 a real hard news nut, rehearsing a team of really hard, incredible newsmen. 133 00:09:01,833 --> 00:09:06,000 So that on the night of the show, in between all our songs is news, 134 00:09:06,083 --> 00:09:09,208 but the fastest and the hottest from every corner of the Earth. 135 00:09:09,291 --> 00:09:11,375 "We just heard there's been an earthquake"… filming it. 136 00:09:11,458 --> 00:09:13,625 So it's like a red-hot news program. 137 00:09:14,166 --> 00:09:18,291 And at the end, the final bulletin is that The Beatles have broken up. 138 00:09:21,208 --> 00:09:23,875 But do you think if you put any pressure on him, 139 00:09:23,958 --> 00:09:25,958 that he'd go your way a bit more? 140 00:09:26,708 --> 00:09:28,041 I don't know. 141 00:10:06,375 --> 00:10:10,125 - Speak to John? Yeah, okay. - Hey, you know, it's that thing… 142 00:10:10,208 --> 00:10:13,000 The world's dying to see them. That's the thing. 143 00:10:13,083 --> 00:10:15,208 And if I were there, I'd be staring at them. 144 00:10:15,291 --> 00:10:18,708 Yeah, not only them, you know, and they were 40 miles away. 145 00:10:18,791 --> 00:10:20,791 But the audience, the screams, the lights… 146 00:10:20,875 --> 00:10:23,041 Look, we looked at Help! the other night again 147 00:10:23,125 --> 00:10:26,041 and, like, A Hard Day's Night, and that was them playing. 148 00:10:26,125 --> 00:10:28,250 Right. But it was them over an hour and a half… 149 00:10:28,333 --> 00:10:29,375 It was them. Just… 150 00:10:29,458 --> 00:10:31,541 I'm speaking like a fan. I really am. 151 00:10:34,750 --> 00:10:37,708 - Oh, okay. Should we fight about that? - Yeah. 152 00:10:37,791 --> 00:10:38,958 Did you take a photograph? 153 00:10:39,041 --> 00:10:41,041 - I was gonna say there are only… - What's new? 154 00:10:43,208 --> 00:10:46,041 - So is he lighting his, uh… - Lighting up a Players. 155 00:10:46,125 --> 00:10:47,416 And jumping on his hands. 156 00:10:47,500 --> 00:10:49,958 You see, Paul, I was saying to Linda when you were out 157 00:10:50,041 --> 00:10:52,458 that I can do it any way, 158 00:10:52,541 --> 00:10:56,291 except I gotta keep saying you're wrong when I think you're wrong. 159 00:10:56,875 --> 00:10:59,083 Yeah. Sure. Great. 160 00:10:59,166 --> 00:11:01,000 I'll just keep saying I'm right when I think I'm right. 161 00:11:01,083 --> 00:11:02,333 Yeah, of course. 162 00:11:02,916 --> 00:11:07,791 Because otherwise I abdicate both my fanship and also my, uh… 163 00:11:28,166 --> 00:11:30,166 No, come on. You stay out of this, Yoko. 164 00:16:01,583 --> 00:16:02,666 And you're right. 165 00:16:12,750 --> 00:16:14,500 - You got any pep pills? - Okay, Mal. 166 00:16:14,583 --> 00:16:15,625 Could I have a couple? 167 00:16:15,708 --> 00:16:17,291 We've got an hour. 168 00:16:17,375 --> 00:16:18,875 Yeah, none of that, I reckon. 169 00:16:18,958 --> 00:16:20,208 Do an hour, just so, uh… 170 00:16:20,291 --> 00:16:22,166 I just knew it has to be… 171 00:16:42,750 --> 00:16:44,416 Okay. Sweet Loretta Marsh. 172 00:16:45,416 --> 00:16:48,625 ♪ Sweet Loretta Marsh, she thought… ♪ 173 00:16:48,708 --> 00:16:51,166 Marsh isn't nice, is it? Marsh is too… 174 00:16:52,333 --> 00:16:53,333 ♪ Loretta Mare ♪ 175 00:16:54,166 --> 00:16:56,791 ♪ Sweet Loretta Mare thought she was… ♪ 176 00:16:57,375 --> 00:17:00,208 Loretta Mary… I mean, it's gotta be a name… 177 00:17:00,291 --> 00:17:03,875 ♪ Sweet Loretta Mary Thought she was a woman… ♪ 178 00:17:03,958 --> 00:17:06,291 ♪ But she was another man ♪ 179 00:17:07,750 --> 00:17:08,833 What's that one? 180 00:17:10,750 --> 00:17:11,833 Marsh. 181 00:17:13,875 --> 00:17:17,125 Uh, but we're not sure about that, but put it in. 182 00:17:20,875 --> 00:17:25,250 It's gotta be, like, one of those hard, "night," "bite," "right." 183 00:17:25,333 --> 00:17:28,875 ♪ Sweet Loretta Mare… Mare… ♪ 184 00:17:28,958 --> 00:17:32,416 ♪ Sweet Loretta Marety Thought she was a woman ♪ 185 00:17:32,500 --> 00:17:35,041 ♪ But she was another man ♪ 186 00:17:40,291 --> 00:17:44,000 Leave that verse, eh, 'cause it's… It could be all right, that verse. 187 00:17:44,083 --> 00:17:45,291 It sings all right. 188 00:17:46,166 --> 00:17:48,541 - Okay, the next verse. - Jo Jo Jackson. 189 00:17:50,625 --> 00:17:53,791 ♪ Jo Jo Jackson left his home in Arizona ♪ 190 00:17:53,875 --> 00:17:56,291 - "Left his home in Arizona," is it? - That's all right. 191 00:17:56,375 --> 00:17:58,916 - Yeah, "home in Arizona." - "But he knew it couldn't last." 192 00:17:59,000 --> 00:18:01,166 No that's not good. "But he knew it couldn't last." 193 00:18:01,250 --> 00:18:04,541 ♪ Jo Jo Jackson left his home in Arizona ♪ 194 00:18:11,708 --> 00:18:15,208 ♪ Jo Jo left his home In nuh-nuh, Arizona ♪ 195 00:18:21,958 --> 00:18:25,541 ♪ Jo Jo left his home in Tucson, Arizona ♪ 196 00:18:25,625 --> 00:18:30,166 "Jo left his home in Tucson, Arizona." 197 00:18:30,250 --> 00:18:32,291 - Is Tucson in Arizona? - Yeah. It is, yeah. 198 00:18:36,041 --> 00:18:39,541 ♪ Jo Jo left his home in Tucson, Arizona ♪ 199 00:18:39,625 --> 00:18:42,375 ♪ Thought it's gonna be a… ♪ 200 00:18:42,958 --> 00:18:44,000 I can make sense of it. 201 00:18:44,083 --> 00:18:46,375 Jo Jo left his home, hoping it would be a blast. 202 00:18:46,458 --> 00:18:49,041 Pretty soon he found that he'd have to be a loner 203 00:18:49,125 --> 00:18:51,083 with some California grass in America. 204 00:18:51,166 --> 00:18:54,458 You make that make sense, but it doesn't sing good. 205 00:18:55,166 --> 00:18:57,041 - * Jo Jo left his * - Is it Jo Jo? 206 00:18:57,125 --> 00:19:00,833 ♪ …in Tucson, Arizona But he thought it couldn't last ♪ 207 00:19:00,916 --> 00:19:02,416 Looking for a what? What is it? 208 00:19:02,500 --> 00:19:03,833 ♪ Looking for a home to last ♪ 209 00:19:03,916 --> 00:19:05,166 No, looking for a… 210 00:19:05,250 --> 00:19:07,333 ♪ Looking for a blast from the past ♪ 211 00:19:08,041 --> 00:19:09,541 One, two, three. 212 00:19:13,416 --> 00:19:19,500 ♪ Jo Jo left his home in Tucson, Arizona But he knew it couldn't last ♪ 213 00:19:22,291 --> 00:19:24,291 ♪ Thought he was a loner ♪ 214 00:19:24,375 --> 00:19:26,583 ♪ For some California grass ♪ 215 00:19:27,666 --> 00:19:31,083 ♪ Get back Get back ♪ 216 00:19:31,166 --> 00:19:34,250 ♪ Get back to where you once belonged ♪ 217 00:19:36,375 --> 00:19:38,250 Okay. Can we go home now? 218 00:19:38,333 --> 00:19:40,833 I think at some point we should talk conceptually about the show. 219 00:19:40,916 --> 00:19:44,666 Okay, we have to be flexible, but we're gonna have to be very flexible now. 220 00:19:44,750 --> 00:19:48,916 Which is like, the 18th today has changed to the 19th. 221 00:19:49,000 --> 00:19:50,583 'Cause we lost a day today. 222 00:19:50,666 --> 00:19:52,791 Tomorrow it will change to the 20th. 223 00:19:52,875 --> 00:19:54,541 The day after, it will change to the 21st. 224 00:19:56,000 --> 00:19:58,500 Well, exactly. If George comes back, yeah. 225 00:19:58,583 --> 00:19:59,750 Put it back a full week, yeah. 226 00:19:59,833 --> 00:20:01,000 Put it back a full week. 227 00:20:01,083 --> 00:20:03,250 But book it for a full week and then cancel it next week. 228 00:20:03,333 --> 00:20:05,333 Not to say changeable. 229 00:20:17,041 --> 00:20:19,333 "Baby's in Black," "If I Needed," "Tripper." 230 00:20:19,416 --> 00:20:21,083 I mean, that's how flexible we can get. 231 00:20:21,166 --> 00:20:23,416 "I Feel Fine," "Yesterday," "I Wanna Be," 232 00:20:23,500 --> 00:20:25,416 "Nowhere Man," "Paperback," "Long Tall." 233 00:20:25,500 --> 00:20:27,625 - What's it from? - That's from the old shows. 234 00:20:31,875 --> 00:20:35,416 And, like, lot of old tunes had just set chord patterns. 235 00:20:35,500 --> 00:20:37,916 'Cause that's the great thing. Once… 236 00:20:38,000 --> 00:20:41,375 Once you start trying to find out chord patterns, you really suss 237 00:20:41,458 --> 00:20:43,500 what people are doing, what musicians are doing. 238 00:20:43,583 --> 00:20:44,583 And they really, it's… 239 00:20:45,791 --> 00:20:49,166 You know, it's like… 240 00:20:56,916 --> 00:21:00,541 Like, old tunes, you know, they had just a certain way of going. 241 00:21:00,625 --> 00:21:02,333 And they hardly ever varied from that. 242 00:21:02,416 --> 00:21:05,416 I don't really know it, you know? My dad knows that better. 243 00:21:05,500 --> 00:21:07,916 The great thing about a piano is that, there it all is. 244 00:21:08,000 --> 00:21:10,583 There's all the music ever. That's it, you know? 245 00:21:10,666 --> 00:21:13,791 All this that's ever been written is all there. 246 00:21:38,250 --> 00:21:40,750 See, it's still basically only one, two, three, four… 247 00:21:40,833 --> 00:21:41,833 Yeah. 248 00:21:42,416 --> 00:21:45,583 You know, okay, so that's getting more complicated than the three, 249 00:21:45,666 --> 00:21:47,458 - but it's still only… - Yeah, sure. 250 00:21:47,541 --> 00:21:49,791 - Used the same way, presumably? - Yeah. 251 00:21:50,375 --> 00:21:53,125 And from there, you know, like, there's no… 252 00:21:53,208 --> 00:21:55,041 Unless you stop yourself, there's no stopping yourself. 253 00:21:55,125 --> 00:21:56,125 No. 254 00:21:57,625 --> 00:21:59,125 Yeah. 255 00:22:01,625 --> 00:22:02,708 And then there was one. 256 00:22:02,791 --> 00:22:05,750 ♪ Eee, by gummy-o ♪ 257 00:22:05,833 --> 00:22:08,083 Good! I'm glad to hear that. 258 00:22:08,833 --> 00:22:10,833 - Morning, Paul! - Good morning, Rich! 259 00:22:10,916 --> 00:22:12,875 - How are you this morning? - Okay! 260 00:22:22,916 --> 00:22:24,083 It's fine, thanks. 261 00:22:29,583 --> 00:22:33,125 ♪ Well, I bought a piano the other day ♪ 262 00:22:33,208 --> 00:22:35,416 ♪ I didn't know… ♪ 263 00:22:36,083 --> 00:22:38,250 ♪ You had to play the goddamn thing ♪ 264 00:22:40,958 --> 00:22:42,208 ♪ Oh, baby ♪ 265 00:22:44,875 --> 00:22:46,250 Use two hands. 266 00:23:01,625 --> 00:23:03,208 Well, that's me finished. 267 00:23:04,208 --> 00:23:05,833 At least we're keeping together. 268 00:23:07,416 --> 00:23:11,208 ♪ Woman, do you love me? ♪ 269 00:23:12,791 --> 00:23:17,083 ♪ Woman, if you need me then ♪ 270 00:23:17,166 --> 00:23:21,500 ♪ Believe me I need you ♪ 271 00:23:21,583 --> 00:23:24,541 ♪ To be my woman ♪ 272 00:23:25,833 --> 00:23:28,583 I wonder if Peter's still got the original thing of that. 273 00:23:29,375 --> 00:23:32,000 First time we did it, it was little. It was great, you know. It was really… 274 00:23:32,083 --> 00:23:35,375 ♪ Woman, do you love me? ♪ 275 00:23:37,666 --> 00:23:41,208 ♪ Woman, do you need me? ♪ 276 00:23:42,666 --> 00:23:47,083 ♪ Woman, if you need me then ♪ 277 00:23:47,166 --> 00:23:48,666 That is the great bit Gordon did. 278 00:23:48,750 --> 00:23:54,833 ♪ If you need me then Believe me I need you ♪ 279 00:23:54,916 --> 00:23:57,791 ♪ To be my woman ♪ 280 00:23:59,708 --> 00:24:02,958 Gordon couldn't get the high notes, and he would sort of… 281 00:24:03,041 --> 00:24:06,333 And he'd just let them go and do it again. But they did it the next time. 282 00:24:06,416 --> 00:24:08,333 It was a mammoth Peter and Gordon treatment. 283 00:24:08,416 --> 00:24:09,416 That's right. Yeah. 284 00:24:14,708 --> 00:24:16,000 Whatever I'm around, you know? 285 00:24:19,041 --> 00:24:20,791 Yeah, sure. 286 00:24:20,875 --> 00:24:22,875 In fact, I had one this morning. 287 00:24:22,958 --> 00:24:25,083 ♪ We were just busy driving ♪ 288 00:24:26,250 --> 00:24:32,291 ♪ Driving in the back seat of my car ♪ 289 00:24:32,375 --> 00:24:35,500 ♪ Ooh ♪ 290 00:24:35,583 --> 00:24:37,833 ♪ Honey, I'm busy riding ♪ 291 00:24:38,708 --> 00:24:44,125 ♪ Sitting in the back seat of my car ♪ 292 00:24:58,208 --> 00:24:59,958 ♪ It's just for you ♪ 293 00:25:01,000 --> 00:25:05,041 ♪ That I sing a song of Spring ♪ 294 00:25:07,208 --> 00:25:12,958 ♪ And every time the raindrops fall ♪ 295 00:25:13,041 --> 00:25:16,541 ♪ I think of Summer ♪ 296 00:25:16,625 --> 00:25:19,041 ♪ It's just for you ♪ 297 00:25:21,041 --> 00:25:26,416 ♪ That I sing a song of love ♪ 298 00:25:27,083 --> 00:25:30,166 ♪ Sing a song of love ♪ 299 00:25:31,625 --> 00:25:35,583 ♪ Sing a song of love ♪ 300 00:25:40,250 --> 00:25:41,500 It's just for you. 301 00:25:41,583 --> 00:25:42,833 Nice. 302 00:25:44,291 --> 00:25:46,291 Thank you, Michael Lindsay-Hogg. 303 00:25:47,208 --> 00:25:48,958 Director of this epic. 304 00:25:50,208 --> 00:25:52,083 That's the first thing you ever said to me. 305 00:25:52,166 --> 00:25:53,166 What? 306 00:25:53,250 --> 00:25:55,291 At Chiswick Park, years ago, when we did something, 307 00:25:55,375 --> 00:25:57,833 you said, "What kind of tree is that?" and I said, "It's a yew." 308 00:25:57,916 --> 00:26:00,916 - And you said, "No, it's not. It's a me." - Did I really? 309 00:26:01,000 --> 00:26:03,041 - I thought, "Beatles humor." - Yeah. 310 00:26:03,625 --> 00:26:05,708 I see the sets are arriving, fellas. 311 00:26:05,791 --> 00:26:08,500 - Yeah, the sets are coming in. - Yeah, nice. 312 00:26:08,583 --> 00:26:11,125 Hey, should we shoot the train coming in, chug-chug. 313 00:26:11,208 --> 00:26:12,666 - No, no, no. - Why not? 314 00:26:12,750 --> 00:26:14,083 It's copyrighted. 315 00:26:14,166 --> 00:26:15,666 Well, it's a documentary. 316 00:26:17,458 --> 00:26:19,250 Just turn your lights around. 317 00:26:19,333 --> 00:26:21,666 But it's a good shot for the part of the atmosphere. 318 00:26:21,750 --> 00:26:26,375 - Oh, come on, Tony. Oh, fuck. Oh, no. - Jean-Luc Godard? 319 00:26:27,125 --> 00:26:28,916 We could make a film, you know? 320 00:26:29,625 --> 00:26:33,416 Just get a script and all that, and really not waste all this camera time. 321 00:26:33,500 --> 00:26:35,333 - Do a little sort of film. - Yeah, right. 322 00:26:35,416 --> 00:26:37,000 Yeah, we can make train movies. 323 00:26:37,083 --> 00:26:39,166 We've got a spare few thousand feet, haven't we? 324 00:26:39,250 --> 00:26:41,625 We've got a spare few thousand feet. We won't tell Denis we're doing it. 325 00:26:41,708 --> 00:26:43,916 - Let's make a silent movie. - Yeah. 326 00:26:44,000 --> 00:26:46,083 Slow so it's speeded up when we play it back, 327 00:26:46,166 --> 00:26:47,666 'cause they're always funny to watch. 328 00:26:47,750 --> 00:26:48,750 Yeah. 329 00:26:48,833 --> 00:26:52,666 Can we have it in a club? You know, the atmosphere is a club, and… 330 00:26:53,333 --> 00:26:55,333 That's it. We're in a band. 331 00:26:55,416 --> 00:26:57,916 We're in a band who sell drugs. 332 00:26:58,000 --> 00:27:00,625 - Do you want to be a goody then, Glyn? - Uh… 333 00:27:00,708 --> 00:27:02,833 Come on. Now, you're sulking, aren't you? 334 00:27:02,916 --> 00:27:04,208 Wants to be a goody. 335 00:27:04,291 --> 00:27:06,000 - The roughneck that changes. - Yeah. 336 00:27:06,083 --> 00:27:08,416 - Bit of sentimentality. - The hard drug-peddling yob… 337 00:27:08,500 --> 00:27:10,666 - With a good heart. - …who turned to religion. 338 00:27:12,208 --> 00:27:14,833 Ringo's the teacher… the schoolteacher who goes to see him. 339 00:27:14,916 --> 00:27:17,250 Mal's the policeman gone wrong. 340 00:27:19,666 --> 00:27:21,500 We shouldn't waste all this camera time. 341 00:27:21,583 --> 00:27:23,500 Tony can shoot it. We can do a movie today. 342 00:27:23,583 --> 00:27:25,208 No, Tony's in it. He's the fence. 343 00:27:25,291 --> 00:27:28,041 - Can I be in it? - Where Glyn gets rid of the drugs. 344 00:27:28,125 --> 00:27:30,625 Just so long as I look thin, Tony, I don't care. 345 00:27:30,708 --> 00:27:32,666 - Then go through there? - No. 346 00:27:32,750 --> 00:27:35,750 No, if you do it that way, it's like hanging yourself by your arse. 347 00:27:38,791 --> 00:27:40,625 Help, no legs. 348 00:27:40,708 --> 00:27:42,291 Seen The Good, the Bad and the Ugly? 349 00:27:42,375 --> 00:27:43,375 - No. - That's great. 350 00:27:46,416 --> 00:27:49,750 That's the trouble. You get the panic about halfway up. 351 00:27:49,833 --> 00:27:51,500 When you realize you can't stand heights. 352 00:27:51,583 --> 00:27:53,791 ♪ Those were the days, my friend ♪ 353 00:27:53,875 --> 00:27:55,833 ♪ We thought they'd… ♪ 354 00:27:55,916 --> 00:27:58,541 There's no business like show business. 355 00:27:58,625 --> 00:28:00,375 What is it? Straight up to the top and back? 356 00:28:00,458 --> 00:28:02,125 In the old days, boys, you used to be able to… 357 00:28:06,333 --> 00:28:07,916 In the old days… That was me! 358 00:28:08,791 --> 00:28:10,791 Any minute now, it gets dangerous. 359 00:28:11,541 --> 00:28:13,291 Well, good night. 360 00:28:13,375 --> 00:28:15,750 It's a wrap. 361 00:28:15,833 --> 00:28:20,250 Well, that's all for this evening. 362 00:28:22,666 --> 00:28:24,458 Funny you should've said that… 363 00:28:24,541 --> 00:28:26,958 Very good. I think… It was nice when the camera came up. 364 00:28:27,041 --> 00:28:28,708 - I think they got… - What you said. 365 00:28:28,791 --> 00:28:29,833 - …exactly what you mean. - All right. 366 00:28:29,916 --> 00:28:31,500 Well, it's a chance to speak. 367 00:28:31,583 --> 00:28:33,875 I know. It's the only chance we get. We… 368 00:28:33,958 --> 00:28:36,416 There's only Cliff doing his bit, really and… 369 00:28:36,500 --> 00:28:38,833 Well, I left the clergy about '59, you know. 370 00:28:38,916 --> 00:28:40,916 I thought I better get in with the kids. 371 00:28:41,000 --> 00:28:43,250 It all started with Rosie. 372 00:28:43,333 --> 00:28:45,083 - Well, a lot of us did. - She was in the congregation. 373 00:28:45,166 --> 00:28:47,083 A lot of us started with Rosie, actually. 374 00:28:47,166 --> 00:28:49,500 It was rehearsal rooms. 375 00:28:50,291 --> 00:28:53,458 Also leaving for the Midem Song Festival is John Rowles. 376 00:28:53,541 --> 00:28:55,208 Oh, he's not? 377 00:28:55,291 --> 00:28:57,166 He's flying out. 378 00:28:57,250 --> 00:28:58,750 See you've given up smoking, Richie. 379 00:28:58,833 --> 00:29:00,000 Yes, I have. 380 00:29:00,916 --> 00:29:03,000 Now, we were going to discuss this afternoon 381 00:29:03,083 --> 00:29:06,541 what religion meant to a pop star. 382 00:29:06,625 --> 00:29:08,250 And the pop star we've chosen 383 00:29:08,333 --> 00:29:10,791 is Tumble Starker, who's sitting here. 384 00:29:14,291 --> 00:29:16,625 Tony, Denis is gonna worry about the footage again. 385 00:29:16,708 --> 00:29:18,083 Don't tell him you're shooting. 386 00:29:18,166 --> 00:29:19,666 - How are you? - All right. 387 00:29:19,750 --> 00:29:20,833 Welcome to Panorama. 388 00:29:20,916 --> 00:29:21,901 - Hello. - Hello. 389 00:29:21,916 --> 00:29:23,750 How are you? Pleased to meet you. 390 00:29:23,833 --> 00:29:26,125 We've been lucky enough this evening 391 00:29:26,208 --> 00:29:29,958 to secure the, uh, talents of Mr. Peter Sellers here 392 00:29:30,541 --> 00:29:32,458 who is going to give us number three. 393 00:29:33,458 --> 00:29:34,541 Yes. 394 00:29:34,625 --> 00:29:36,875 Number three, folks, number three. 395 00:29:36,958 --> 00:29:38,416 - Number three. - How about that, folks? 396 00:29:38,500 --> 00:29:40,500 That was number three from Peter Sellers. 397 00:29:40,583 --> 00:29:42,416 - Now on to the next round. - Number three. 398 00:29:43,500 --> 00:29:46,375 Well, if we ask him really nicely, 399 00:29:46,458 --> 00:29:49,333 - he'll probably do a number five. - Yes, I might. 400 00:29:51,458 --> 00:29:53,291 Long, tall Sally, pretty sweet. 401 00:29:53,375 --> 00:29:56,416 She got everything Uncle John need. Oh, boy. Baby. 402 00:29:58,083 --> 00:30:00,416 Your chance to win a fab, free Beatle. 403 00:30:00,500 --> 00:30:03,541 Send in 39 disk tops. 404 00:30:05,541 --> 00:30:08,708 - Wake up, Lennon. - Wake up, Lennon. It's about time. 405 00:30:10,125 --> 00:30:13,250 What, uh… What are we discussing at this moment? What's the, uh… 406 00:30:13,333 --> 00:30:14,791 - The film. - Issue. 407 00:30:14,875 --> 00:30:15,875 Ah. 408 00:30:16,833 --> 00:30:18,250 This is the impromptu mic. 409 00:30:18,333 --> 00:30:20,125 It's a documentary of how The Beatles work. 410 00:30:20,208 --> 00:30:23,083 It's a spontaneous… A spontaneous documentary. 411 00:30:23,166 --> 00:30:25,208 'Cause we feel we shouldn't keep it all to ourselves. 412 00:30:25,291 --> 00:30:27,500 We should spread it out, you know? 413 00:30:27,583 --> 00:30:31,541 We want to share with the world what we have, Peter. 414 00:30:31,625 --> 00:30:35,541 - And… And this is what we have. - Or what we haven't. 415 00:30:35,625 --> 00:30:37,083 Ah. 416 00:30:37,166 --> 00:30:38,833 Well, this is… we just sort of sit here 417 00:30:38,916 --> 00:30:40,583 and allow ourselves to be embarrassed 418 00:30:40,666 --> 00:30:43,083 about this time every day. 419 00:30:43,166 --> 00:30:45,541 - Oh, yes. - Number nine. 420 00:30:45,625 --> 00:30:50,208 You're talking to the ninth-best-dressed male pop singer in the world, you know? 421 00:30:50,291 --> 00:30:53,708 - No mean city. Yes. - And Judy Garland. 422 00:30:54,625 --> 00:30:56,625 Look out, Tom Jones, I say. 423 00:30:56,708 --> 00:30:58,333 Over to you, Peter. 424 00:31:00,916 --> 00:31:03,458 Very kind of you, but I… I must be off. 425 00:31:05,125 --> 00:31:06,125 Mm-hmm. 426 00:31:07,666 --> 00:31:09,416 Well, nice to have met you, fellas. 427 00:31:09,500 --> 00:31:10,541 Other guys. 428 00:31:10,625 --> 00:31:11,625 - See you. - Bye-bye. 429 00:31:11,708 --> 00:31:12,708 - Bye. - Too much, Pete. 430 00:31:12,791 --> 00:31:14,500 Bye-bye. 431 00:31:14,583 --> 00:31:16,125 - Way out. - All right. 432 00:31:16,208 --> 00:31:18,208 - All right. Way out. - Exit. 433 00:31:18,291 --> 00:31:20,041 - It's that way. - Yeah, wrong way. 434 00:31:20,125 --> 00:31:21,541 It's that way. 435 00:31:21,625 --> 00:31:23,541 All right. 436 00:31:23,625 --> 00:31:26,166 Just don't leave the needles lying around. 437 00:31:26,250 --> 00:31:30,250 We've got a bad reputation now with John getting busted and that. 438 00:31:32,500 --> 00:31:35,083 - Do you really not feel well? - No, I just feel a bit… 439 00:31:35,166 --> 00:31:37,833 I don't feel well, but I can't say, 'cause I'm the captain of the ship. 440 00:31:37,916 --> 00:31:39,791 Nowadays, the captain gets off first. 441 00:31:40,750 --> 00:31:42,291 No, I'd go down with the ship. 442 00:31:43,125 --> 00:31:46,000 If we hang around a bit longer, we'll get Ringo being sick. 443 00:31:47,083 --> 00:31:49,958 See you missed me this morning. I did it for CBS. 444 00:31:50,041 --> 00:31:52,083 - Leapt off in the middle of the interview. - Did you? 445 00:31:52,166 --> 00:31:54,750 Actually I'm just recovering from the day, you know? 446 00:31:55,875 --> 00:31:57,541 From the night. 447 00:31:58,125 --> 00:32:00,541 No reason at all, except that I'm mistreating my body. 448 00:32:01,583 --> 00:32:04,625 Yes. I just was up late, you know. 449 00:32:04,708 --> 00:32:07,083 I was sort of stoned and high and watching films. 450 00:32:07,166 --> 00:32:08,666 And I wouldn't have made it anyway. 451 00:32:08,750 --> 00:32:11,083 Is there any need to do this in public, Mr. Lennon? 452 00:32:11,166 --> 00:32:12,958 At the moment you're a guest for lunch. 453 00:32:13,041 --> 00:32:14,250 Yeah. But it's not good. 454 00:32:14,333 --> 00:32:17,208 If I'm gonna come at 10:00 I should come at 10:00. 455 00:32:17,291 --> 00:32:19,166 Up with the dawn, down with the sun. 456 00:32:19,708 --> 00:32:21,375 Ringo ever, Eric never. 457 00:32:21,458 --> 00:32:22,458 Okay. 458 00:32:23,041 --> 00:32:24,541 Shall we knock off early today, or not? 459 00:32:24,625 --> 00:32:25,750 Probably, yeah. 460 00:32:25,833 --> 00:32:27,791 Shall we knock on early tomorrow? 461 00:32:29,500 --> 00:32:30,875 Yes, I'll do that. 462 00:32:32,583 --> 00:32:33,583 Yeah. 463 00:32:33,666 --> 00:32:35,791 "When I was younger, so much younger than today, 464 00:32:35,875 --> 00:32:38,583 I never needed anybody's help in any way. 465 00:32:40,500 --> 00:32:42,916 But now my life has changed in oh so many ways." 466 00:32:45,208 --> 00:32:48,000 A wop-bop-a-loo-ma. Ba-lim-bam-boo. 467 00:32:50,166 --> 00:32:52,250 We can't carry on like this indefinitely. 468 00:32:52,750 --> 00:32:54,291 - We seem to be. - Doing this. 469 00:32:54,375 --> 00:32:55,791 We seem to, but we can't. 470 00:32:57,125 --> 00:33:00,250 See, what you need is a serious program of work. 471 00:33:01,291 --> 00:33:05,000 Not an aimless rambling amongst the canyons of your mind. 472 00:33:06,958 --> 00:33:08,125 An aim in life. 473 00:33:08,750 --> 00:33:11,083 Trip upon that golden ship of shores. 474 00:33:12,333 --> 00:33:13,583 We all together, boy. 475 00:33:13,666 --> 00:33:16,625 To wander aimlessly is very un-swinging. 476 00:33:19,500 --> 00:33:20,583 Unhip. 477 00:33:20,666 --> 00:33:22,791 Well, "When I touch you, I feel happy inside. 478 00:33:22,875 --> 00:33:24,458 I can't hide. I can't hide." 479 00:33:27,208 --> 00:33:29,791 - "Ask me why, I'll say I love you." - What you need is a schedule. 480 00:33:30,625 --> 00:33:32,583 Achieve something every day. 481 00:33:36,458 --> 00:33:38,916 - It's so hard, right? - It's rather hard to live up to, Paul. 482 00:33:41,500 --> 00:33:42,666 I'm planning on 11. 483 00:33:43,833 --> 00:33:45,541 It's 12 to 14, Mal. 484 00:33:47,916 --> 00:33:49,166 It's a choice of six. 485 00:33:49,750 --> 00:33:52,166 Some ready to wear and some made to measure. 486 00:34:00,083 --> 00:34:02,041 We were talking earlier. 487 00:34:02,125 --> 00:34:03,500 About the space between us? 488 00:34:04,416 --> 00:34:05,750 About the gap between us. 489 00:34:05,833 --> 00:34:09,291 But about also the documentary, which is grinding to a halt. How do we do it? 490 00:34:09,375 --> 00:34:11,458 Grinding to a halt? I think it's taking off. 491 00:34:11,541 --> 00:34:12,833 Exactly. Here we go. 492 00:34:12,916 --> 00:34:16,250 "Loop de loop," as Frankie Vaughan once said. 493 00:34:16,333 --> 00:34:17,333 The one-legged wonder. 494 00:34:19,583 --> 00:34:22,875 Ringo said that he thought we ought to just tell it like it is. 495 00:34:25,916 --> 00:34:26,916 I think we are. 496 00:34:28,458 --> 00:34:30,041 Once upon a tarmac, 497 00:34:30,125 --> 00:34:34,000 there lived a small baggage who suffered incredible distortion on his right leg. 498 00:34:35,583 --> 00:34:38,333 He took it to all the doctors, and they said… 499 00:34:40,416 --> 00:34:41,416 But one day… 500 00:34:44,708 --> 00:34:45,750 Happy ever after. 501 00:34:49,375 --> 00:34:52,041 Sir Joseph. 502 00:34:53,333 --> 00:34:55,458 It's about this deal with FBI. 503 00:34:56,500 --> 00:34:57,958 I need another million… 504 00:34:59,625 --> 00:35:03,250 and the written acclamation of Dick James. 505 00:35:04,541 --> 00:35:06,291 I know it's hard. I know it's hard. 506 00:35:06,375 --> 00:35:08,083 They died that we might wank. 507 00:35:14,291 --> 00:35:16,500 I'm talking about the Boy Scouts who aren't allowed to masturbate. 508 00:35:16,583 --> 00:35:17,666 Oh. 509 00:35:17,750 --> 00:35:20,125 It's very tempting when you're wearing shorts. 510 00:35:20,833 --> 00:35:24,416 If they only wore long trousers, maybe they'd stand a chance, you know? 511 00:35:25,208 --> 00:35:28,375 But I can tell you, you don't go blind but very shortsighted. 512 00:35:32,541 --> 00:35:35,291 Are you talking from experience then, John? 513 00:35:36,125 --> 00:35:37,916 ♪ Mean Mister Mustard ♪ 514 00:35:38,000 --> 00:35:40,833 ♪ Sleeps in the park Shaves in the dark ♪ 515 00:35:40,916 --> 00:35:43,291 ♪ Trying to save paper ♪ 516 00:35:44,541 --> 00:35:47,958 ♪ He sleeps in a hole in the road ♪ 517 00:35:49,125 --> 00:35:52,208 ♪ He keeps a ten-bob note up his nose ♪ 518 00:35:53,666 --> 00:35:57,000 ♪ He's saving up to buy some clothes ♪ 519 00:35:57,083 --> 00:35:59,916 ♪ He's such a mean old man ♪ 520 00:36:01,916 --> 00:36:03,750 Right. Guitars? 521 00:36:03,833 --> 00:36:07,041 - I thought that's what they do. - That is what they do, but you can't… 522 00:36:07,125 --> 00:36:09,250 Could even sing you half a song I was writing. 523 00:36:09,333 --> 00:36:11,541 Come on. 524 00:36:15,166 --> 00:36:21,041 ♪ Don't you know that there's a Madman-a-comin' gonna do you no harm ♪ 525 00:36:21,125 --> 00:36:26,166 ♪ He's wearin' pink pajamas 'Cause he comes from a farm ♪ 526 00:36:26,250 --> 00:36:31,333 ♪ He's got to get somewhere To go and be so happy on his own ♪ 527 00:36:33,916 --> 00:36:37,041 ♪ But every place you go is low ♪ 528 00:36:38,416 --> 00:36:41,583 ♪ Every place you go is low ♪ 529 00:36:42,541 --> 00:36:45,208 ♪ The place you go is low ♪ 530 00:36:46,291 --> 00:36:48,166 Well, it's been lots of fun. 531 00:36:48,250 --> 00:36:50,791 We ought to figure out, like, do you wanna go on rehearsing? 532 00:36:50,875 --> 00:36:54,125 Or do you want to move into EMI and just maybe do an album? 533 00:36:54,791 --> 00:36:57,625 Well, it all rests on when we see… 534 00:36:57,708 --> 00:36:59,875 I think we stop filming now. As a matter of policy. 535 00:36:59,958 --> 00:37:01,791 - I mean, I know… - But… 536 00:37:01,875 --> 00:37:04,083 - That's a wrap for you, lads. - Let's take it home, Jim. 537 00:37:10,333 --> 00:37:11,625 Yeah. 538 00:38:11,250 --> 00:38:13,041 - You right, lads? - Yeah. 539 00:38:13,125 --> 00:38:14,458 Running up here. 540 00:38:14,541 --> 00:38:16,791 - Running. Running. Ready. - Speed. 541 00:38:21,750 --> 00:38:23,083 Pretty sure we're going. 542 00:38:29,083 --> 00:38:30,916 Switch off your two green, Steve. 543 00:38:31,000 --> 00:38:33,041 - And just here. - Hold on. Hold on, everybody. 544 00:38:45,416 --> 00:38:47,958 ♪ Oh, darling ♪ 545 00:38:49,541 --> 00:38:51,541 ♪ Please believe me ♪ 546 00:38:52,041 --> 00:38:53,208 Please believe me, darling. 547 00:38:54,125 --> 00:38:58,875 ♪ I'll never do you no harm ♪ 548 00:39:01,166 --> 00:39:05,125 ♪ Believe me when I tell you Whoo ♪ 549 00:39:05,208 --> 00:39:10,166 ♪ I'll never do you no harm ♪ 550 00:39:16,666 --> 00:39:18,041 Oh, darling. 551 00:39:19,041 --> 00:39:20,541 Please believe me. 552 00:39:21,583 --> 00:39:22,916 Yes, sirree. 553 00:39:23,791 --> 00:39:27,375 I'll never do you no harm. 554 00:39:32,625 --> 00:39:35,375 ♪ When you told me When you told me ♪ 555 00:39:36,125 --> 00:39:38,916 ♪ You didn't need me anymore ♪ 556 00:39:39,666 --> 00:39:40,875 ♪ Well, you know ♪ 557 00:39:41,875 --> 00:39:47,375 ♪ I nearly broke down and cried ♪ 558 00:39:47,458 --> 00:39:48,916 ♪ When you told me ♪ 559 00:39:50,291 --> 00:39:53,541 ♪ You didn't need me anymore ♪ 560 00:39:54,583 --> 00:40:00,208 ♪ You know I nearly broke down and died ♪ 561 00:40:01,125 --> 00:40:03,333 ♪ Oh, darling ♪ 562 00:40:04,958 --> 00:40:06,708 ♪ Please believe me ♪ 563 00:40:09,625 --> 00:40:11,458 ♪ I'll never do you ♪ 564 00:40:11,541 --> 00:40:14,041 ♪ I'll never do you no harm ♪ 565 00:40:46,208 --> 00:40:48,250 One, two, three, four, five, six, seven, eight, nine, ten. 566 00:40:48,333 --> 00:40:50,916 One, two, three, four, five, six, seven, eight, nine, ten. 567 00:40:54,541 --> 00:40:56,250 This… This is not controlled. 568 00:40:56,333 --> 00:40:58,541 - If somebody is upstairs… - No, we don't have control. 569 00:40:58,625 --> 00:41:00,250 We've got to know how to record. Listen to that. 570 00:41:00,333 --> 00:41:02,541 One, two, three, four, five, six, seven. 571 00:41:14,250 --> 00:41:17,916 Dave, why don't we use this one? 572 00:41:21,708 --> 00:41:24,416 We can't record without doing it. 573 00:41:27,416 --> 00:41:29,000 In the meantime, can we have… 574 00:41:29,083 --> 00:41:30,541 Yes. 575 00:41:30,625 --> 00:41:32,375 - Cheers, man. - Thank you. 576 00:41:33,583 --> 00:41:35,750 Now, Dave, can you control it in there? 577 00:41:35,833 --> 00:41:36,833 Yes. 578 00:42:26,125 --> 00:42:29,000 We've been doing this film for the last, sort of, two weeks, 579 00:42:29,083 --> 00:42:33,125 and we've noticed you every day at Twickenham Studios and also here. 580 00:42:33,208 --> 00:42:35,791 You stand outside all day long. Can you tell us why? 581 00:42:53,250 --> 00:42:56,625 What do you think of John Lennon and the relationship with Yoko Ono? 582 00:43:03,208 --> 00:43:05,375 - It doesn't worry you at all? - No. 583 00:43:05,458 --> 00:43:07,916 It's got nothing to do with anybody else really, has it? 584 00:43:08,833 --> 00:43:10,125 Not really. That's a good answer. 585 00:43:21,333 --> 00:43:24,666 And you've obviously read in the papers about the possible split of The Beatles. 586 00:43:24,750 --> 00:43:26,416 I mean, how does that sort of affect you? 587 00:43:34,916 --> 00:43:37,166 As long as I can see him it's all right. 588 00:43:42,166 --> 00:43:44,916 What would you like to see The Beatles do now? 589 00:43:45,000 --> 00:43:46,125 - God, what a question. - A show. 590 00:43:46,208 --> 00:43:48,625 Yeah. A live show. 591 00:43:48,708 --> 00:43:50,125 - Any show. - Yeah. 592 00:44:07,333 --> 00:44:11,583 It was lovely walking in here yesterday after Twickenham. It really was. 593 00:44:11,666 --> 00:44:13,791 In retrospect, I'm glad we got out. 594 00:44:13,875 --> 00:44:16,250 Something queer about Twickenham, I don't know what it was. 595 00:44:16,333 --> 00:44:17,666 - Too big. - Too big? 596 00:44:17,750 --> 00:44:19,541 For what we were doing, you know. 597 00:44:19,625 --> 00:44:20,958 And this is nicer. 598 00:44:24,541 --> 00:44:26,166 I'm on a special diet as of today. 599 00:44:26,250 --> 00:44:27,791 - What are you on? - No food. 600 00:44:27,875 --> 00:44:29,791 Oh, poor, why? 601 00:44:29,875 --> 00:44:31,833 I just feel a little heavy. 602 00:44:31,916 --> 00:44:35,416 When you get out the bath and find you're not admiring yourself in the mirror. 603 00:44:35,500 --> 00:44:36,500 Too much to admire. 604 00:44:36,583 --> 00:44:39,208 You going to do everything in here? Rather than go to EMI in future? 605 00:44:39,291 --> 00:44:42,833 - Unless you mean big orchestrations. - Don't know till we hear it. 606 00:44:42,916 --> 00:44:45,458 George was saying good thing you have to fight certain things at EMI, 607 00:44:45,541 --> 00:44:47,291 so it's much better when it hits the record. 608 00:44:47,375 --> 00:44:48,375 - Aye. - Mmm. 609 00:44:48,458 --> 00:44:50,625 It's a much more real sound, what the customer buys. 610 00:44:56,416 --> 00:44:58,208 Have you said good morning to Fred? 611 00:44:58,291 --> 00:45:01,250 You'll be able to get rid of these things once we get set up. 612 00:45:01,333 --> 00:45:03,250 - What things? - The boom mics. 613 00:45:03,333 --> 00:45:06,166 This is for intimate, unobserved conversation 614 00:45:06,250 --> 00:45:07,625 in the middle of the room, though. 615 00:45:07,708 --> 00:45:08,958 Unobserved conversation? 616 00:45:12,208 --> 00:45:14,250 We should get really underway today, I think. 617 00:45:14,333 --> 00:45:16,750 We really got underway yesterday. It was a good day yesterday. 618 00:45:16,833 --> 00:45:19,416 Yeah. From your point of view. I'm talking about from my point of view. 619 00:45:19,500 --> 00:45:21,208 Oh, yeah, you should get on with it. 620 00:45:21,291 --> 00:45:22,833 How late did you work last night? 621 00:45:22,916 --> 00:45:24,500 About twenty past seven. 622 00:45:25,000 --> 00:45:27,333 It's just that. But it could have gone longer too. 623 00:45:27,416 --> 00:45:28,500 Mmm. You get me a small… 624 00:45:28,583 --> 00:45:29,916 - Morning. - Morning, George. 625 00:45:30,000 --> 00:45:31,583 - You're looking very… - Pink. 626 00:45:31,666 --> 00:45:34,875 - Yes, very clean and in order. - And even washed and in order. 627 00:45:34,958 --> 00:45:36,375 - I hear yesterday was good? - Mmm. 628 00:45:36,458 --> 00:45:37,666 - Work-wise. - Yeah. 629 00:45:37,750 --> 00:45:39,041 Good. 630 00:45:39,125 --> 00:45:41,041 - Good vibes, man. - Yeah. 631 00:45:41,125 --> 00:45:42,791 Morning, Glyn. How are you? 632 00:45:42,875 --> 00:45:44,375 - Morning, Glyn. - Morning, Glyn. 633 00:45:44,458 --> 00:45:46,375 - Morning, George. - What are we doing? 634 00:45:46,458 --> 00:45:47,833 What are all these people doing? 635 00:45:48,375 --> 00:45:50,166 They've come to look at you, John. 636 00:45:50,250 --> 00:45:53,125 Now, who can we find to switch off this ventilation? Mal? 637 00:45:53,625 --> 00:45:55,000 It's so freezing in here. 638 00:45:55,083 --> 00:45:57,958 I was listening to… I've told everybody. 639 00:45:58,041 --> 00:46:01,458 You know the Around the Beatles thing? 640 00:46:01,541 --> 00:46:04,375 - Oh, yeah. - You did the sound. Great sound. 641 00:46:04,458 --> 00:46:08,708 I just heard it over the weekend. And we were great as well, you know? 642 00:46:08,791 --> 00:46:11,791 You were, actually. Yes. 643 00:46:11,875 --> 00:46:15,833 The acetate's great, 'cause we got all the sort of rockers first half, 644 00:46:15,916 --> 00:46:19,208 and all, you know, "Love Me Dos" and "Please Please Me" the second half. 645 00:46:19,291 --> 00:46:22,041 The rockers are so great, all the kids screaming. 646 00:46:22,708 --> 00:46:23,916 But the sound was great. 647 00:46:24,416 --> 00:46:26,416 I love when you play rock and roll. 648 00:46:26,500 --> 00:46:29,166 Oh, George, before I forget it. Where do you… 649 00:46:36,375 --> 00:46:39,125 Ah, well, any good music shop. There are a couple near here. 650 00:46:40,666 --> 00:46:41,666 Chappell's will have it, yeah. 651 00:46:52,958 --> 00:46:55,166 But I think, you see, we ought to get together. 652 00:46:55,250 --> 00:46:58,041 See if we're gonna have it out of doors, whether people just turn up. 653 00:46:58,125 --> 00:47:04,041 Uh, are you still trying to do it with all people, audience, all in one go? 654 00:47:04,125 --> 00:47:07,666 Yes. Shall we say we'll do it this weekend week? 655 00:47:21,125 --> 00:47:22,791 The problem with Glyn, I'd like him… 656 00:47:22,875 --> 00:47:25,208 You know, if he's starting the thing, I'd like him to finish it. 657 00:47:25,291 --> 00:47:26,958 It's silly, really, to change horses midstream. 658 00:47:27,041 --> 00:47:28,041 I know. 659 00:47:29,666 --> 00:47:31,666 "Drugs, divorce and a slipping image." 660 00:47:31,750 --> 00:47:37,500 And it says, "But it wasn't the first time they've traded a few punches." 661 00:47:37,583 --> 00:47:38,625 Yeah. 662 00:47:42,583 --> 00:47:44,916 There's only one guy I'd like to get, and that's Housego. 663 00:47:45,000 --> 00:47:47,375 It's really extraordinary, the last week's press, isn't it? 664 00:47:47,458 --> 00:47:51,041 Because there's nothing to it except that it's a lie. 665 00:47:51,125 --> 00:47:53,375 Hope it doesn't come out about me beating up Maharishi. 666 00:47:53,458 --> 00:47:56,458 No doubt Derek will have read it before it got in there 667 00:47:56,541 --> 00:47:58,625 and has sent them their telegrams and things. 668 00:47:58,708 --> 00:48:00,000 Congratulating them. 669 00:48:01,958 --> 00:48:03,250 Morning, Denis. 670 00:48:06,166 --> 00:48:08,625 - Don't you think it's suable? - No. 671 00:48:08,708 --> 00:48:11,541 - What about the fisticuffs? - Yeah, none of that. 672 00:48:11,625 --> 00:48:13,166 He said it didn't take place, right? 673 00:48:13,250 --> 00:48:14,666 - He said it did. - No. 674 00:48:14,750 --> 00:48:16,500 - Oh, crumbs. - Yes, he did. 675 00:48:17,125 --> 00:48:18,458 He said "might have." 676 00:48:18,541 --> 00:48:21,250 Yes. In the past, well, that's false too. 677 00:48:21,833 --> 00:48:25,791 It's never got to that, except for a plate of dinner in Hamburg. 678 00:48:25,875 --> 00:48:28,125 The picture's great, yeah. 679 00:48:28,208 --> 00:48:30,708 George Harrison, the sane one, speaks out. 680 00:48:30,791 --> 00:48:33,791 I read it before the riddles. 681 00:48:34,375 --> 00:48:40,833 ♪ You are my sunshine, my only sunshine ♪ 682 00:48:40,916 --> 00:48:45,250 ♪ You make me happy when skies are gray ♪ 683 00:48:46,625 --> 00:48:52,791 ♪ You'll never know, dear How much I love you ♪ 684 00:48:52,875 --> 00:48:56,458 ♪ Please don't take my sunshine away ♪ 685 00:49:02,125 --> 00:49:05,791 Would you like to do the link into The Stones for The Circus? 686 00:49:05,875 --> 00:49:08,333 - Or would you not like to? - What's that? 687 00:49:08,416 --> 00:49:11,041 We've found we haven't shot anybody announcing The Rolling Stones. 688 00:49:11,708 --> 00:49:13,166 Oh, I see. 689 00:49:13,250 --> 00:49:16,333 - Well, what kind of… - It would just be, uh… 690 00:49:16,416 --> 00:49:19,541 "And now, ladies and gentlemen, your host for this evening, The Rolling Stones," 691 00:49:19,625 --> 00:49:20,625 or words to that effect. 692 00:49:20,708 --> 00:49:22,583 - If it's straight, then I'll do it. - Yeah, it's straight. 693 00:49:22,666 --> 00:49:28,958 And now, your host this evening, Rolling Stones. 694 00:49:30,625 --> 00:49:32,125 - Did you see Hancock? - Yeah. 695 00:49:33,291 --> 00:49:35,000 I'm playing it right. 696 00:49:35,083 --> 00:49:36,958 That's Keith Moon. 697 00:49:44,291 --> 00:49:46,833 See that? With the sound on, I… 698 00:49:48,583 --> 00:49:50,291 Turn me on, man, will you? 699 00:49:51,541 --> 00:49:52,625 Can you juggle? 700 00:49:53,375 --> 00:49:54,791 - It's the one thing I really… - Watch. 701 00:49:56,541 --> 00:49:59,208 So uncoordinated. 702 00:49:59,291 --> 00:50:00,666 No, I can't juggle. 703 00:50:00,750 --> 00:50:02,250 Can you juggle, RS? 704 00:50:02,875 --> 00:50:05,291 While he juggled, I knifed up the wall. 705 00:50:08,916 --> 00:50:10,791 Ready for three. 706 00:50:10,875 --> 00:50:15,000 ♪ My rock and roll finger is bleeding ♪ 707 00:50:15,708 --> 00:50:18,875 ♪ My rock and roll finger is hurt ♪ 708 00:50:41,250 --> 00:50:44,458 "Beatle George Harrison, above, is due in court here today 709 00:50:44,541 --> 00:50:45,708 to answer assault charges. 710 00:50:45,791 --> 00:50:48,500 If he does not appear, he will be given an immediate jail sentence. 711 00:50:49,208 --> 00:50:52,583 Harrison is accused of assaulting a photographer last May, 712 00:50:52,666 --> 00:50:54,625 as he and Beatle Ringo Starr left a nightclub." 713 00:50:55,666 --> 00:50:56,750 Hey! 714 00:51:10,833 --> 00:51:13,250 Does the PA come before or after the limiters? 715 00:51:14,416 --> 00:51:15,666 After, isn't it? 716 00:51:17,458 --> 00:51:22,333 Can you move the speakers behind Paul a little bit further round? 717 00:51:22,416 --> 00:51:24,625 Glyn? 718 00:51:24,708 --> 00:51:26,791 When will you be set up to tape something? 719 00:51:26,875 --> 00:51:28,208 Haven't they got it plugged up? 720 00:51:28,291 --> 00:51:30,000 Are we not in that situation yet? 721 00:51:31,958 --> 00:51:33,500 No answer. 722 00:51:33,583 --> 00:51:36,125 It's all right. Not yet, you mean? 723 00:51:46,291 --> 00:51:47,541 It's been made up by Alex. 724 00:51:52,208 --> 00:51:53,500 How do you tune it? 725 00:51:56,708 --> 00:51:57,708 What? 726 00:51:58,750 --> 00:51:59,750 It looks like he's… 727 00:51:59,833 --> 00:52:01,625 Let's give him half a million quid. 728 00:52:01,708 --> 00:52:03,083 It looks a good idea. 729 00:52:03,166 --> 00:52:04,500 - Yeah! - Two-sided bass/rhythm… 730 00:52:04,583 --> 00:52:06,583 And let's give it him just for this! 731 00:52:07,166 --> 00:52:08,458 I'll put it on show. 732 00:52:12,625 --> 00:52:15,250 He might have something in that though. 733 00:52:15,333 --> 00:52:16,541 You never… 734 00:52:16,625 --> 00:52:19,041 He'd have to just have less sides. 735 00:52:19,125 --> 00:52:21,083 There it is now. 736 00:52:21,166 --> 00:52:22,666 - Yeah, two sides. - Two sides and one… 737 00:52:22,750 --> 00:52:25,166 You're gonna get all your strings rubbing on your hand. 738 00:52:25,666 --> 00:52:27,458 Tell him to build a prototype. 739 00:52:27,541 --> 00:52:28,833 Better be good! 740 00:52:31,875 --> 00:52:34,791 - Glyn, can you look into the PA thing? - Let's think in terms of… 741 00:52:34,875 --> 00:52:37,500 We still haven't had a really good PA sound yet. 742 00:52:38,125 --> 00:52:42,500 You know? If we're gonna do it here, let's try and get one in this room. 743 00:52:42,583 --> 00:52:46,666 'Cause we still haven't had that, where we're knocked out with what we hear yet. 744 00:52:51,833 --> 00:52:55,583 - I say it now so we can get on with it. - No idea. 745 00:53:06,375 --> 00:53:08,125 ♪ Yeah, yeah ♪ 746 00:53:08,208 --> 00:53:11,666 - * I said, hey now, child * - * Yeah, yeah * 747 00:53:12,375 --> 00:53:15,250 ♪ C'mon everybody, take a trip with me ♪ 748 00:53:16,208 --> 00:53:17,208 All right! 749 00:53:18,208 --> 00:53:20,541 ♪ Oh, way downtown ♪ 750 00:53:20,625 --> 00:53:22,708 ♪ Way down there ♪ 751 00:53:22,791 --> 00:53:26,375 ♪ I got a girl who's such a girl ♪ 752 00:53:26,458 --> 00:53:28,583 ♪ Well, she's my queen ♪ 753 00:53:30,583 --> 00:53:32,833 ♪ And you know what I mean ♪ 754 00:53:34,833 --> 00:53:37,333 ♪ Hey ♪ 755 00:53:39,000 --> 00:53:41,208 ♪ Oh, yeah ♪ 756 00:53:42,416 --> 00:53:44,125 ♪ In a tiny house ♪ 757 00:53:45,416 --> 00:53:47,416 ♪ By a tiny stream ♪ 758 00:53:48,208 --> 00:53:49,416 ♪ Lived a little girl ♪ 759 00:53:49,500 --> 00:53:50,750 Drop me off tonight? 760 00:53:50,833 --> 00:53:52,208 Will you drop me off tonight? 761 00:53:52,291 --> 00:53:53,458 ♪ Had a little dream ♪ 762 00:53:53,541 --> 00:53:55,000 It's on your way, is it? 763 00:53:55,083 --> 00:53:58,291 ♪ And the dream came true ♪ 764 00:53:58,375 --> 00:54:01,625 ♪ So unexpectedly ♪ 765 00:54:01,708 --> 00:54:07,458 ♪ In Gilly Gilly Ossenfeffer Katzenellen Bogen By The Sea ♪ 766 00:54:10,041 --> 00:54:12,833 ♪ Hula, hula, hula, hula 40 days ♪ 767 00:54:12,916 --> 00:54:13,916 A-ruff! 768 00:54:14,416 --> 00:54:16,541 ♪ Oh, they say they had satisfaction ♪ 769 00:54:16,625 --> 00:54:18,666 ♪ I'm gonna take it To the United Nation ♪ 770 00:54:20,208 --> 00:54:21,500 Okay. 771 00:54:21,583 --> 00:54:23,916 - Do something for them. - Okay, boys. 772 00:54:24,000 --> 00:54:25,625 Okay, boys. 773 00:54:25,708 --> 00:54:28,791 Let's cool it for once and get it real going for a change. 774 00:54:29,500 --> 00:54:32,125 Hold it now and don't move. 775 00:54:34,458 --> 00:54:37,250 Another Lennon/McCartney original entitled… 776 00:54:37,333 --> 00:54:42,333 ♪ Too bad about sorrow ♪ 777 00:54:44,333 --> 00:54:49,958 ♪ Too bad about love ♪ 778 00:54:50,708 --> 00:54:55,333 ♪ There'll be no tomorrow ♪ 779 00:54:57,333 --> 00:55:01,750 ♪ For all of your love ♪ 780 00:55:02,625 --> 00:55:06,208 - * Ah, ah, ah, ooh * - * Ooh, ooh * 781 00:55:09,958 --> 00:55:11,166 - Yeah. Okay. - Thank you. 782 00:55:11,250 --> 00:55:15,000 "All I Want Is You," "The Long And Winding Road," 783 00:55:15,750 --> 00:55:18,583 "Bathroom Window," "Let It Be." 784 00:55:18,666 --> 00:55:20,833 - "Bathroom Window"? - "Across the Universe," 785 00:55:20,916 --> 00:55:25,875 "Get Back To Where You Once Belonged," "Two Of Us On Our Way Home," 786 00:55:25,958 --> 00:55:28,875 "Maxwell's Silver Hammer," "I Got A Feeling," 787 00:55:28,958 --> 00:55:31,083 "Sunrise," "I Me Mine." 788 00:55:31,166 --> 00:55:32,250 - "Sunrise"? - "Sunrise"? 789 00:55:32,333 --> 00:55:36,083 Uh, "Sun"… "All Things Shall Pass." 790 00:55:36,166 --> 00:55:37,708 - Oh, my… - They mean… 791 00:55:37,791 --> 00:55:38,875 You threw me there. 792 00:55:38,958 --> 00:55:40,833 I thought, I was away a day, they learned a fucking tune. 793 00:55:40,916 --> 00:55:42,333 They learned a fucking tune. 794 00:55:44,500 --> 00:55:45,500 Over there. 795 00:55:45,583 --> 00:55:46,666 Over there. 796 00:55:46,750 --> 00:55:48,541 If we're just trying to make the album, 797 00:55:48,625 --> 00:55:50,666 I think we should just start it straightaway. 798 00:55:51,291 --> 00:55:54,166 I think we're just gonna sing them live to the camera. 799 00:55:54,958 --> 00:55:56,958 So we'll probably just do about half an hour. 800 00:55:57,041 --> 00:56:01,166 ♪ I, a, hi, hi, a, hi, hi ♪ 801 00:56:02,541 --> 00:56:05,125 ♪ Dig a pony ♪ 802 00:56:05,208 --> 00:56:08,625 ♪ Well, you can celebrate Anything you want ♪ 803 00:56:09,791 --> 00:56:14,083 ♪ Yes, you can celebrate Anything you want ♪ 804 00:56:14,666 --> 00:56:20,250 ♪ Oh, I, a, hi, hi, a, hi, hi ♪ 805 00:56:21,333 --> 00:56:23,416 ♪ Take a skylight ♪ 806 00:56:24,208 --> 00:56:26,958 ♪ Well, you can penetrate Any place you go ♪ 807 00:56:28,125 --> 00:56:30,625 ♪ Whoo hoo hoo, ooh ♪ 808 00:56:30,708 --> 00:56:31,916 It's not me, is it? 809 00:56:32,000 --> 00:56:33,208 - * Ooh, ooh * - Is it me? 810 00:56:33,291 --> 00:56:35,541 It seems to be this mic feeding back. 811 00:56:35,625 --> 00:56:38,875 ♪ A ha ha, ooh ♪ 812 00:56:38,958 --> 00:56:41,625 It stops when I talk on this mic, so… 813 00:56:41,708 --> 00:56:43,416 ♪ Ooh, ooh ♪ 814 00:56:43,583 --> 00:56:44,958 - Can you turn? - Sure. 815 00:56:45,666 --> 00:56:50,000 I'm going to have road hog instead of skylight, however pretty it may be. 816 00:56:50,083 --> 00:56:52,375 I keep telling you not to, and you won't listen to what I say. 817 00:56:52,458 --> 00:56:53,708 - You're right. - I know. 818 00:56:53,791 --> 00:56:55,083 What is it? 819 00:56:55,166 --> 00:56:56,541 A fragile Leslie. 820 00:56:57,875 --> 00:57:01,500 I con a Lowrey, but it didn't sing well. 821 00:57:01,583 --> 00:57:03,666 - Yeah. - * Con a Lowrey… * 822 00:57:03,750 --> 00:57:06,625 There wasn't… So I changed it to Paul's "dog a boney." 823 00:57:06,708 --> 00:57:08,416 "Cadge a Leslie," you had as well. 824 00:57:08,500 --> 00:57:10,125 Yeah, "cadge a Leslie," that. 825 00:57:10,625 --> 00:57:12,791 It's gotta be Ds and Bs, you know? 826 00:57:14,958 --> 00:57:17,958 Are they ready to take any yet? 827 00:57:23,291 --> 00:57:24,916 Glyn can hear us. Can't you, Glyn? 828 00:57:27,750 --> 00:57:29,041 In fact, he's coming out. 829 00:57:29,666 --> 00:57:30,666 Yes, Glyn? 830 00:57:31,833 --> 00:57:35,166 There's lots missing yet. This afternoon, late… 831 00:57:35,250 --> 00:57:38,458 'Cause it's got to the point where we don't know what anything's like there. 832 00:57:39,125 --> 00:57:40,125 In fact… 833 00:57:48,666 --> 00:57:50,666 - Oh, no, you're not! - Oh, yes, I am! 834 00:57:55,041 --> 00:57:59,708 ♪ Well, since my baby left me Never said a word ♪ 835 00:57:59,791 --> 00:58:01,250 ♪ Was it something that I done ♪ 836 00:58:01,333 --> 00:58:02,708 ♪ Or something that she heard? ♪ 837 00:58:02,791 --> 00:58:04,416 ♪ You know, she left ♪ 838 00:58:05,375 --> 00:58:06,708 ♪ Yeah, left me ♪ 839 00:58:06,791 --> 00:58:09,458 ♪ So she even left me ♪ 840 00:58:09,541 --> 00:58:12,208 ♪ Never saying a word ♪ 841 00:58:12,291 --> 00:58:15,458 ♪ Put on your hi-heel sneakers ♪ 842 00:58:17,458 --> 00:58:20,125 ♪ 'Cause we're going out tonight ♪ 843 00:58:26,916 --> 00:58:29,708 ♪ Better take your shotgun ♪ 844 00:58:30,541 --> 00:58:33,666 ♪ In case some fool might wanna fight ♪ 845 00:58:36,541 --> 00:58:39,708 ♪ Every morning when the sun comes up ♪ 846 00:58:40,958 --> 00:58:43,125 ♪ Said that old milk cow ♪ 847 00:58:43,208 --> 00:58:45,708 ♪ The lazy way she walks ♪ 848 00:58:45,791 --> 00:58:48,458 ♪ You know, the moo… ♪ 849 00:58:50,625 --> 00:58:52,708 ♪ That old milk cow ♪ 850 00:58:59,000 --> 00:59:00,625 ♪ Yeah, that old milk cow… ♪ 851 00:59:00,708 --> 00:59:01,916 ♪ Don't hurt me ♪ 852 00:59:03,083 --> 00:59:05,541 ♪ Ooh, ah ♪ 853 00:59:13,541 --> 00:59:15,083 ♪ I woke up this morning ♪ 854 00:59:16,708 --> 00:59:18,250 ♪ And I looked out my door ♪ 855 00:59:19,875 --> 00:59:22,250 ♪ I can tell that old milk cow ♪ 856 00:59:22,333 --> 00:59:24,958 ♪ I can tell the way she walks ♪ 857 00:59:25,041 --> 00:59:27,541 ♪ She's gonna leave ♪ 858 00:59:28,708 --> 00:59:32,708 ♪ "The End of a Beautiful Friendship" ♪ 859 00:59:32,791 --> 00:59:35,708 ♪ By Michael House-go-home ♪ 860 00:59:38,541 --> 00:59:42,041 "The awful tension of being locked in each other's arms 861 00:59:42,125 --> 00:59:44,875 snapped last night at a TV rehearsal. 862 00:59:45,416 --> 00:59:48,875 And Beatles John, George, Paul and Harold, at very least… 863 00:59:49,583 --> 00:59:51,958 a few vicious phrases took place. 864 00:59:54,750 --> 00:59:58,666 He, the mystical one who lost so much of The Beatles' magic. 865 00:59:59,708 --> 01:00:00,958 She, the nudie. 866 01:00:02,666 --> 01:00:07,791 It's only the suddenness of their decline from the status of 'boys next door' 867 01:00:07,875 --> 01:00:12,583 to the category of 'weirdies' that has left most people agog." 868 01:00:12,666 --> 01:00:14,416 I heard he just played that. 869 01:00:14,500 --> 01:00:17,166 "It would be about the middle of 1960 870 01:00:17,250 --> 01:00:19,875 that the personal luster of The Beatles 871 01:00:19,958 --> 01:00:23,708 began to show a few spots of rust. 872 01:00:23,791 --> 01:00:26,708 I will deliberately leave Ringo out of it, 873 01:00:26,791 --> 01:00:29,916 because he has never developed an inclination 874 01:00:30,000 --> 01:00:31,375 towards the bizarre. 875 01:00:31,458 --> 01:00:33,500 Lennon was married, happily. 876 01:00:33,583 --> 01:00:38,000 McCartney was going steady, and George Harrison was about to marry. 877 01:00:38,541 --> 01:00:41,458 Everything in the Beatle garden was rosy. 878 01:00:41,541 --> 01:00:43,500 But that was a long time ago. 879 01:00:43,583 --> 01:00:48,000 They went their own private ways, found their own friends 880 01:00:48,083 --> 01:00:53,708 and became less reliant on each other for guidance and comradeship." 881 01:00:53,791 --> 01:00:55,875 ♪ Early in the morning I'm a-giving you the warning ♪ 882 01:00:55,958 --> 01:00:58,791 - "Where did it all lead to?" - * Don't you step on my blue suede shoes * 883 01:00:58,875 --> 01:01:05,458 "I suppose it is fair to say that it led pretty close to disaster 884 01:01:05,541 --> 01:01:08,625 at one time or another. 885 01:01:08,708 --> 01:01:13,166 Today all of them find acute embarrassment 886 01:01:13,250 --> 01:01:16,166 at the stories of one another's 887 01:01:16,250 --> 01:01:20,666 odd-ball adventures and conduct. 888 01:01:20,750 --> 01:01:25,666 Harrison's escapades with his favorite mystic from India 889 01:01:25,750 --> 01:01:28,000 - left Paul and Ringo aghast…" - * I'm a-giving you the warning * 890 01:01:28,083 --> 01:01:33,000 - * Don't you step on my blue suede shoes * - "…and both felt obliged to try him out 891 01:01:33,083 --> 01:01:36,791 to see if they were missing anything." 892 01:01:36,875 --> 01:01:38,583 ♪ Nothing to lose, and hey ♪ 893 01:01:38,666 --> 01:01:41,750 "Drugs, divorce and a slipping image 894 01:01:42,333 --> 01:01:47,041 played desperately on their minds and it appeared to them all 895 01:01:47,125 --> 01:01:49,708 that the public was being encouraged 896 01:01:49,791 --> 01:01:51,291 to hate them." 897 01:01:51,375 --> 01:01:54,625 ♪ You don't need no rhythm and blues ♪ 898 01:01:54,708 --> 01:01:57,458 ♪ I got nothing to lose ♪ 899 01:01:58,666 --> 01:02:01,666 ♪ Early in the morning I'm a-giving you the warning ♪ 900 01:02:01,750 --> 01:02:04,666 ♪ Don't you step on my blue suede shoes ♪ 901 01:02:04,750 --> 01:02:09,500 "But that still doesn't amount to a complete break-up of the group. 902 01:02:09,583 --> 01:02:13,041 Whatever talent they have as individuals, 903 01:02:13,125 --> 01:02:15,291 and who can deny it, 904 01:02:15,375 --> 01:02:21,125 their capacity to earn is largely tied up 905 01:02:21,208 --> 01:02:23,875 in their performances as a group." 906 01:02:51,458 --> 01:02:55,041 "They will never be exactly the same again." 907 01:02:55,125 --> 01:02:57,458 ♪ Everybody's rockin' tonight ♪ 908 01:03:01,041 --> 01:03:02,791 - Okay. - Okay. 909 01:03:02,875 --> 01:03:04,500 - Okay then. - Are you ready, George? 910 01:03:05,375 --> 01:03:07,208 Here we go, Glyn. 911 01:03:07,291 --> 01:03:08,708 Coming, ready or not. 912 01:03:08,791 --> 01:03:10,750 - Glyn. - You're on. 913 01:03:11,333 --> 01:03:14,041 - Okay, boys and girls. - Okay. 914 01:03:14,708 --> 01:03:15,791 "All I Want Is You." 915 01:03:15,875 --> 01:03:17,041 Take one. 916 01:03:20,166 --> 01:03:22,958 And now, your hosts for this evening, The Bottles. 917 01:03:23,041 --> 01:03:25,041 ♪ Oh ♪ 918 01:03:25,125 --> 01:03:29,208 ♪ I, a, hi, hi, a, hi, hi ♪ 919 01:03:30,125 --> 01:03:32,708 ♪ Roll a stoney ♪ 920 01:03:32,791 --> 01:03:33,791 ♪ Whoa ♪ 921 01:03:33,875 --> 01:03:37,208 ♪ You can imitate everyone you know ♪ 922 01:03:38,375 --> 01:03:42,958 ♪ Yes, you can imitate everyone you know ♪ 923 01:03:43,041 --> 01:03:45,291 ♪ I told you so ♪ 924 01:03:45,375 --> 01:03:48,416 ♪ All I want is you ♪ 925 01:03:50,833 --> 01:03:56,458 ♪ Everything has got to be Just like you want it to ♪ 926 01:03:57,083 --> 01:03:59,083 ♪ Because ♪ 927 01:04:20,583 --> 01:04:25,041 ♪ Oh, I, a, hi, hi, a, hi, hi ♪ 928 01:04:26,583 --> 01:04:28,875 ♪ Feel the wind love ♪ 929 01:04:29,666 --> 01:04:33,583 ♪ Well, you can indicate Anything you see ♪ 930 01:04:34,250 --> 01:04:39,541 ♪ Yes, you can indicate Anything you see ♪ 931 01:04:39,625 --> 01:04:46,000 ♪ Oh, I, a, hi, hi, a, hi, hi ♪ 932 01:04:47,250 --> 01:04:49,833 ♪ Dug a bony ♪ 933 01:04:50,416 --> 01:04:54,291 ♪ Well, you can syndicate Any boat you row ♪ 934 01:04:55,166 --> 01:04:59,958 ♪ Yes, you can syndicate Any boat you row ♪ 935 01:05:00,041 --> 01:05:02,375 ♪ I told you so ♪ 936 01:05:02,458 --> 01:05:08,083 ♪ All I want is you ♪ 937 01:05:08,166 --> 01:05:09,166 ♪ Girl ♪ 938 01:05:09,750 --> 01:05:12,041 ♪ You're gonna shag that girl ♪ 939 01:05:14,041 --> 01:05:15,333 ♪ Shag ♪ 940 01:05:15,416 --> 01:05:18,208 ♪ Everybody shag now Everybody shag ♪ 941 01:05:19,291 --> 01:05:22,250 ♪ Move a little bit harder now Move a little bit softer now ♪ 942 01:05:26,416 --> 01:05:27,416 Gonna hear that. 943 01:05:27,500 --> 01:05:28,791 - What, where? - There. 944 01:05:28,875 --> 01:05:30,458 - Go in there? - In there. 945 01:05:30,541 --> 01:05:31,583 Sure. Why not? 946 01:05:34,416 --> 01:05:36,125 - No, no, don't… - Oh, no, no, no, John. 947 01:05:36,208 --> 01:05:37,833 Please don't put the mockers on it. 948 01:05:37,916 --> 01:05:39,458 ♪ Oh, no, no, no ♪ 949 01:05:42,875 --> 01:05:45,041 ♪ Because ♪ 950 01:06:02,666 --> 01:06:06,083 ♪ All I want is you ♪ 951 01:06:08,375 --> 01:06:10,708 That sounds very nice, really. 952 01:06:10,791 --> 01:06:12,333 I'm really pleased with the sound. 953 01:06:12,416 --> 01:06:14,833 I thought, "Well, fuck me. If they don't like that, what do they want?" 954 01:06:14,916 --> 01:06:16,250 It's just like we sound. 955 01:06:16,333 --> 01:06:18,500 ♪ Lodge Sam Wrapper Is the place you gotta go ♪ 956 01:06:19,375 --> 01:06:23,666 And now, our hosts for this evening, The Bony Rolls. 957 01:06:23,750 --> 01:06:28,375 "I Dig A Pygmy" by Charles Hawtrey and the Deaf-Aids! 958 01:06:29,625 --> 01:06:32,958 Phase one, in which Doris gets her oats. 959 01:06:33,458 --> 01:06:34,541 Ringo! 960 01:06:34,625 --> 01:06:36,500 Richie! 961 01:06:37,750 --> 01:06:39,500 Scab head! Come in! 962 01:06:40,208 --> 01:06:41,208 One more. 963 01:06:42,333 --> 01:06:45,083 Glyn would like us to do it one more time. 964 01:06:45,166 --> 01:06:46,916 Shall we oblige him? 965 01:06:47,000 --> 01:06:48,250 Okay. 966 01:06:48,333 --> 01:06:50,583 I think we could still take it a little quieter. 967 01:06:50,666 --> 01:06:52,208 I think I agree. 968 01:06:52,833 --> 01:06:56,458 And when I go, "Oh," I want you to go, "Oh." 969 01:06:56,541 --> 01:06:57,541 Got it! 970 01:06:57,625 --> 01:06:59,875 ♪ Oh ♪ 971 01:06:59,958 --> 01:07:02,333 ♪ Oh ♪ 972 01:07:05,625 --> 01:07:08,791 ♪ All I want is you ♪ 973 01:07:08,875 --> 01:07:12,208 ♪ I, a, hi, hi, a, hi, hi ♪ 974 01:07:14,000 --> 01:07:16,083 ♪ Dig a pony ♪ 975 01:07:16,750 --> 01:07:20,500 ♪ Well, you can celebrate Anything you want ♪ 976 01:07:21,083 --> 01:07:24,083 After we got to "a wind love," I went berserk. 977 01:07:26,541 --> 01:07:28,666 Like the wind, he blew away. 978 01:07:28,750 --> 01:07:30,833 - His thoughts scattered… - I blew a windstorm. 979 01:07:30,916 --> 01:07:32,958 …tumbling like a paper cup. 980 01:07:34,333 --> 01:07:36,333 "Blew a road hog." That's better. 981 01:07:37,291 --> 01:07:38,625 Blew a road hog. 982 01:07:38,708 --> 01:07:41,583 Slither wildly like a blind dog. 983 01:07:42,416 --> 01:07:45,083 As it creeps away across my underpants. 984 01:07:50,000 --> 01:07:52,708 - I'm a lyricist in my own right. - He is, you know. 985 01:07:52,791 --> 01:07:55,833 Yes, Richard Rodgers has got nothing on this boy. 986 01:07:55,916 --> 01:07:57,833 ♪ Oh, Paul, sometimes… ♪ 987 01:07:57,916 --> 01:07:59,833 ♪ Aye, sometimes, John, I don't know… ♪ 988 01:07:59,916 --> 01:08:02,166 That tongue will be the death of you! 989 01:08:02,916 --> 01:08:04,583 "I feel a wind love"? 990 01:08:04,666 --> 01:08:06,958 Yeah, I've changed it to "wind love" now. 991 01:08:07,041 --> 01:08:10,458 - I just make it up as I go along. - Oh, is that how you do it? 992 01:08:29,666 --> 01:08:32,083 See, I want it so that it goes… 993 01:08:34,000 --> 01:08:35,458 The bass is going that bit. 994 01:08:35,541 --> 01:08:38,083 Try doing it so you're almost playing four in a bar. So you go… 995 01:08:43,333 --> 01:08:44,708 …on those bits. 996 01:08:44,791 --> 01:08:47,583 Well, that's the beginning of the verses, isn't it? 997 01:08:47,666 --> 01:08:50,583 Yeah. * I dig a pony * 998 01:08:50,666 --> 01:08:52,041 That's what I'm doing now. 999 01:08:52,125 --> 01:08:53,208 This one isn't going… 1000 01:08:53,875 --> 01:08:55,541 high or heavy. You can hear the… 1001 01:08:56,125 --> 01:08:58,916 There's none for that one. Only the bass is doing that. 1002 01:08:59,000 --> 01:09:00,750 We haven't got the double bass drum. 1003 01:09:00,833 --> 01:09:02,208 The other bass drum. 1004 01:09:02,291 --> 01:09:04,666 So what would that be, Paul? Would that be four in the bar? 1005 01:09:04,750 --> 01:09:07,083 - Are you using high hats? - Mmm. 1006 01:09:07,166 --> 01:09:09,333 Don't know, maybe a… 1007 01:09:11,291 --> 01:09:13,708 If you did… Are you doing the big cymbal on that? 1008 01:09:17,625 --> 01:09:19,166 - That's the way I'm doing it. - Yeah. 1009 01:09:19,250 --> 01:09:23,125 ♪ After 40 years in the desert He couldn't find his balls ♪ 1010 01:09:24,375 --> 01:09:25,791 What time are you working till? 1011 01:09:25,875 --> 01:09:27,458 - What time is it? - Seven o'clock. 1012 01:09:27,541 --> 01:09:28,750 That's time enough. 1013 01:09:30,375 --> 01:09:33,291 ♪ Well, don't you know That there's a madman a-comin' ♪ 1014 01:09:33,375 --> 01:09:35,291 ♪ Gonna do you no harm ♪ 1015 01:09:35,375 --> 01:09:39,500 ♪ He's wearin' pink pajamas And he lives on a farm ♪ 1016 01:09:39,583 --> 01:09:43,500 ♪ He's got to get somewhere So that he can be on his own ♪ 1017 01:09:45,500 --> 01:09:50,166 ♪ I got a feeling A feeling deep inside ♪ 1018 01:09:50,250 --> 01:09:51,250 ♪ Oh, yeah ♪ 1019 01:09:53,041 --> 01:09:54,541 - * Oh, yeah * - * Oh, yeah * 1020 01:09:57,000 --> 01:10:01,791 ♪ I got a feeling A feeling I can't hide ♪ 1021 01:10:01,875 --> 01:10:03,666 ♪ Oh, no ♪ 1022 01:10:04,666 --> 01:10:05,916 - * Oh, no * - * Oh, no * 1023 01:10:07,666 --> 01:10:09,583 - * Oh, yeah * - * Oh, yeah * 1024 01:10:10,666 --> 01:10:12,125 ♪ Oh, no ♪ 1025 01:10:12,208 --> 01:10:17,541 ♪ Yeah, yeah, I got a feeling ♪ 1026 01:10:17,625 --> 01:10:21,250 ♪ Don't let me down ♪ 1027 01:10:24,083 --> 01:10:27,291 ♪ Don't let me down ♪ 1028 01:10:28,916 --> 01:10:31,000 One, two, five, six! 1029 01:10:32,791 --> 01:10:34,541 Sounds all right in here, doesn't it? 1030 01:10:34,625 --> 01:10:36,041 Doesn't really make much difference. 1031 01:10:36,125 --> 01:10:38,583 Oh, yeah. But with everything being so close-mic'ed, 1032 01:10:38,666 --> 01:10:40,916 you don't notice it on the tapes much. 1033 01:10:41,000 --> 01:10:45,500 This is really good for strings or anything… You'd mic more distanced. 1034 01:10:45,583 --> 01:10:47,000 - Is it? - Know what I mean? 1035 01:10:47,958 --> 01:10:50,125 Imagine if we could have played like this at The Cavern. 1036 01:10:50,208 --> 01:10:51,208 It would've been great. 1037 01:10:51,291 --> 01:10:53,583 Eh, we were there, weren't we? 1038 01:10:53,666 --> 01:10:54,875 Got another toy. 1039 01:10:54,958 --> 01:10:57,125 See, would you have piano on it? 1040 01:10:57,833 --> 01:10:59,166 Yeah, but how do we do that? 1041 01:10:59,250 --> 01:11:01,416 'Cause then it just leaves one guitar, doesn't it? 1042 01:11:01,500 --> 01:11:02,958 - We need somebody else. - Yeah. 1043 01:11:03,041 --> 01:11:06,125 Probably be like a guy that plays piano all the time. 1044 01:11:06,208 --> 01:11:07,708 That one that plays with The Stones. 1045 01:11:07,791 --> 01:11:09,416 - Or anybody. Yeah. - Nicky Hopkins. 1046 01:11:14,333 --> 01:11:16,375 ♪ Don't you know it's gonna last? ♪ 1047 01:11:18,125 --> 01:11:20,208 ♪ It's a love that lasts forever ♪ 1048 01:11:21,916 --> 01:11:24,416 ♪ It's a love that has no past ♪ 1049 01:11:29,291 --> 01:11:31,625 ♪ Don't let me down ♪ 1050 01:11:31,708 --> 01:11:34,333 Plop, plop, plop. Plop. Plop. 1051 01:11:35,708 --> 01:11:37,625 Don't let me down, baby! 1052 01:11:43,708 --> 01:11:47,500 ♪ I'm in love for the first time ♪ 1053 01:11:47,583 --> 01:11:49,875 ♪ A wop-bop-a-loo-bop, oh ♪ 1054 01:11:49,958 --> 01:11:53,291 ♪ It's a love that has no past ♪ 1055 01:11:55,791 --> 01:11:58,833 ♪ Don't let me down ♪ 1056 01:11:58,916 --> 01:12:02,625 ♪ I'm in love for the first time ♪ 1057 01:12:02,708 --> 01:12:04,375 ♪ Dicky Murdoch ♪ 1058 01:12:07,708 --> 01:12:10,208 ♪ Dicky, Dicky, Dicky Doo ♪ 1059 01:12:13,500 --> 01:12:17,000 ♪ Dicky, Dicky, Dicky, Dicky Dicky, Dicky, Dicky Murdoch ♪ 1060 01:12:19,791 --> 01:12:22,833 ♪ Dicky, Dicky, Dicky Doo ♪ 1061 01:12:27,791 --> 01:12:30,458 "She Came In Through The Bathroom Window." 1062 01:12:30,541 --> 01:12:31,541 No idea. 1063 01:12:31,625 --> 01:12:33,750 A… "Diana" chords in A. 1064 01:12:35,291 --> 01:12:37,416 - I'm on piano for this one. - Yeah. 1065 01:12:37,500 --> 01:12:38,958 It's a great piano. 1066 01:12:42,708 --> 01:12:45,125 - It's the best one here. - Oh, yeah. But you had one. 1067 01:12:45,208 --> 01:12:46,833 - I know, but it wasn't like… - Your Fender. 1068 01:12:46,916 --> 01:12:48,458 Nicky Hopkins has just got one of these. 1069 01:12:48,541 --> 01:12:51,041 I've had one about two years at home, but it's not as good as this. 1070 01:12:51,125 --> 01:12:54,625 Must've been the prototype, you know? It's all buzzy like the old one. 1071 01:12:58,125 --> 01:13:01,875 ♪ By the banks of her own… ♪ 1072 01:13:01,958 --> 01:13:03,333 Just like that. 1073 01:13:03,416 --> 01:13:06,083 ♪ But she could not rob ♪ 1074 01:13:06,583 --> 01:13:10,750 ♪ Didn't anybody tell her? ♪ 1075 01:13:46,500 --> 01:13:49,333 On the chorus… Just need it to be a bit more solid. 1076 01:13:50,125 --> 01:13:51,291 So, like… 1077 01:13:52,416 --> 01:13:53,916 Sing on the top of it. 1078 01:13:54,000 --> 01:13:56,208 ♪ Didn't anybody tell her? ♪ 1079 01:13:57,083 --> 01:13:59,750 Yes, they're all like that. They're all like that. 1080 01:14:00,666 --> 01:14:04,500 ♪ Didn't anybody tell her? ♪ 1081 01:14:07,625 --> 01:14:09,750 ♪ Didn't anybody ♪ 1082 01:14:09,833 --> 01:14:13,750 It should be like three-part, and very close, very tight. 1083 01:14:13,833 --> 01:14:15,166 And with a sort of… 1084 01:14:15,250 --> 01:14:18,625 ♪ She could steal, but she could not rob ♪ 1085 01:14:19,291 --> 01:14:23,041 ♪ Didn't anybody tell her? ♪ 1086 01:14:23,833 --> 01:14:26,833 Just very, sort of… In the background, it should be… 1087 01:14:26,916 --> 01:14:30,375 Very plain. 1088 01:14:33,125 --> 01:14:37,208 ♪ Didn't anybody tell her? ♪ 1089 01:14:39,791 --> 01:14:43,250 ♪ Didn't anybody see? ♪ 1090 01:14:45,916 --> 01:14:50,458 ♪ Sunday's on the phone to Monday ♪ 1091 01:14:50,541 --> 01:14:52,958 We've got to start on all them other ones we've learned now. 1092 01:14:53,041 --> 01:14:54,666 - Yeah, little bits… - And start doing them. 1093 01:14:56,625 --> 01:14:59,250 Well, shall we do it tomorrow? The harmonies? 1094 01:14:59,333 --> 01:15:01,916 ♪ Didn't anybody tell her? ♪ 1095 01:15:03,958 --> 01:15:07,500 We must be able to have it so that we can play with an electric piano. 1096 01:15:07,583 --> 01:15:09,541 I mean, look, other groups play on stage with 'em. 1097 01:15:10,208 --> 01:15:12,875 I mean, I've seen people on telly playing them, you know? 1098 01:15:15,458 --> 01:15:16,833 That's what it is. 1099 01:15:16,916 --> 01:15:18,041 Come along. 1100 01:15:18,125 --> 01:15:19,750 - Oh, yeah. - Come on. Get home. 1101 01:15:19,833 --> 01:15:21,166 We're going with Ringo. 1102 01:15:22,833 --> 01:15:25,125 Goodbye, goodbye. See you tomorrow. 1103 01:15:25,208 --> 01:15:27,291 Okay. What time are you coming? 1104 01:15:28,166 --> 01:15:30,166 At 11:00 on the nose. 1105 01:15:31,625 --> 01:15:32,833 Or one o'clock. 1106 01:15:32,916 --> 01:15:34,500 But on the nose. 1107 01:15:34,583 --> 01:15:36,625 I had a good idea for the TV show. 1108 01:15:36,708 --> 01:15:38,000 The only way we ever did them… 1109 01:15:38,083 --> 01:15:40,333 - Harmony? You're right. - You're right, John. 1110 01:15:40,416 --> 01:15:42,416 Riffs on guitar, Paul. Harmony on piano. 1111 01:15:42,500 --> 01:15:45,541 I'd like to… What we did today, it was the same story. 1112 01:15:45,625 --> 01:15:47,291 - Same story. - Same story exactly. 1113 01:15:47,375 --> 01:15:48,958 - For the voices, you mean? - Yeah. 1114 01:15:49,041 --> 01:15:50,041 - Sure. - Yeah. 1115 01:15:50,083 --> 01:15:51,708 We gotta get those voices cleaned up. 1116 01:15:51,791 --> 01:15:53,875 Well, let's get 'em all into the riff stage. 1117 01:15:54,958 --> 01:15:57,375 'Cause I do like the riff stage, you know? 1118 01:15:57,458 --> 01:15:58,458 Yeah. 1119 01:15:58,541 --> 01:16:00,333 - Okay, see you tomorrow. - Yes. Good night. 1120 01:16:00,416 --> 01:16:01,708 - Yeah. - At eleven o'clock. 1121 01:16:01,791 --> 01:16:02,875 Good night. 1122 01:16:02,958 --> 01:16:04,291 Bye. 1123 01:16:07,166 --> 01:16:09,125 Ta-ta. Good night. 1124 01:16:13,916 --> 01:16:15,333 "'So be it,' says George Harrison." 1125 01:16:15,416 --> 01:16:16,416 Is that Michael Housego? 1126 01:16:16,500 --> 01:16:17,500 - Have you seen that? - No. 1127 01:16:17,583 --> 01:16:20,125 In the Mail, there's a picture of you inside the next page. 1128 01:16:20,208 --> 01:16:21,916 And you said about France, 1129 01:16:22,000 --> 01:16:24,583 "'So be it,' says Beatle George Harrison, 1130 01:16:24,666 --> 01:16:28,208 who smashed, ruined the fellow's evening suit and his cameras, and"… 1131 01:16:28,291 --> 01:16:29,666 Had seven stitches in his knee. 1132 01:16:29,750 --> 01:16:34,458 "Harrison has already agreed to pay Bebert L425 compensation." 1133 01:16:34,541 --> 01:16:37,750 It's amazing the way it goes on without even 1134 01:16:37,833 --> 01:16:39,375 - anything to do with you. - Yeah. 1135 01:16:39,458 --> 01:16:42,375 It's like, as if you can just give 'em a plastic dummy of you 1136 01:16:42,458 --> 01:16:45,541 to, you know, to push around and play with. 1137 01:16:46,166 --> 01:16:50,416 Morning. Morning, everybody. Another bright day. Morning, camera. 1138 01:16:51,250 --> 01:16:55,708 And now, your host for this evening, The Rolling Stones. 1139 01:16:56,208 --> 01:16:58,625 Lovely warm air coming through here. It's great. 1140 01:17:04,500 --> 01:17:07,625 Neil thinks they'll want to print their own in America. 1141 01:17:07,708 --> 01:17:08,958 Yeah. Well, they will. 1142 01:17:09,041 --> 01:17:10,666 It's like… I don't like that thing 1143 01:17:10,750 --> 01:17:12,333 where it goes cheap when it goes to America 1144 01:17:12,416 --> 01:17:14,958 - and they do the reprint. - I know what you mean. 1145 01:17:15,041 --> 01:17:17,083 Because the album's gonna be called Postcard. 1146 01:17:20,125 --> 01:17:21,333 By Mary Hopkin. 1147 01:17:21,416 --> 01:17:24,458 So we're just getting Valentine's, the people who make postcards, 1148 01:17:24,541 --> 01:17:27,166 to put one of them on the cover of the LP. 1149 01:17:27,250 --> 01:17:29,875 - There's no, sort of, sleeve notes… - And a picture of her. 1150 01:17:29,958 --> 01:17:32,083 Yeah. And just a few pictures of her in it all. 1151 01:17:32,666 --> 01:17:34,041 - Postcard? - Yes. 1152 01:17:34,125 --> 01:17:35,541 Next of Hopkin. 1153 01:17:37,041 --> 01:17:38,458 - Does this work? - Yeah. 1154 01:17:38,541 --> 01:17:39,875 Goodness me. 1155 01:17:39,958 --> 01:17:42,166 Should be a good day. 1156 01:17:42,250 --> 01:17:44,375 Bring your tambourine next time you come. 1157 01:17:44,458 --> 01:17:45,458 All right. 1158 01:17:45,541 --> 01:17:48,125 - Is that old toast that you had… - Yeah. 1159 01:17:48,208 --> 01:17:50,583 - They're bringing some more. - With a bit of marmalade, Kev? 1160 01:17:50,666 --> 01:17:54,250 ♪ Has taken my love away from me Oh, now ♪ 1161 01:17:54,833 --> 01:17:56,333 ♪ Some other guy now ♪ 1162 01:17:57,250 --> 01:17:58,833 John, could you give us an E? 1163 01:17:58,916 --> 01:18:00,833 Yes. 1164 01:18:12,958 --> 01:18:13,958 Wow, that's great. 1165 01:18:14,041 --> 01:18:15,583 Michael, do you want this? 1166 01:18:15,666 --> 01:18:16,791 - Those walls? - Yeah. 1167 01:18:16,875 --> 01:18:20,166 - We don't have to have them anymore. - They're reflecting it all back on us. 1168 01:18:20,250 --> 01:18:21,541 - The heat? - Yeah. 1169 01:18:22,583 --> 01:18:24,666 - You're so right. - Oh, Paul, I… 1170 01:18:24,750 --> 01:18:26,791 I know you've probably lived in a glass house. 1171 01:18:35,000 --> 01:18:36,375 Paul, what I'd like to do now 1172 01:18:36,458 --> 01:18:39,083 is go and talk to Neil about seeing if Primrose Hill is free. 1173 01:18:39,166 --> 01:18:40,166 Can I do that? 1174 01:18:40,791 --> 01:18:43,000 It would be nice almost not to tell 'em. 1175 01:18:43,083 --> 01:18:44,791 That's why I wanted to do it in Africa. 1176 01:18:44,875 --> 01:18:47,750 You just start playing, and one by one they come, one by one, ten by ten… 1177 01:18:47,833 --> 01:18:51,583 Well, to me that's okay. Primrose Hill. And I dig it. 1178 01:19:07,750 --> 01:19:10,625 So, but just roughly, timewise, you'd say in about a week? 1179 01:19:10,708 --> 01:19:11,708 Yeah. 1180 01:19:11,791 --> 01:19:16,208 Mal, could you buy some cooling fans? Just loose ones. 1181 01:19:16,291 --> 01:19:18,875 - The engineer's coming over. - We need the blowers. 1182 01:19:25,333 --> 01:19:26,500 Oh, yeah. 1183 01:19:26,583 --> 01:19:29,625 See, we're never gonna be the same two days running, you know? 1184 01:19:29,708 --> 01:19:31,916 - It's impossible to remember. - Sure. 1185 01:19:33,291 --> 01:19:35,791 The amp… The amp, I'm not bothered about at all. 1186 01:19:35,875 --> 01:19:37,791 It's just the bass itself. 1187 01:19:41,000 --> 01:19:43,041 - They were so sweet, man. - Were they? 1188 01:19:43,125 --> 01:19:45,958 And the lead singer's great. You know, looks great. 1189 01:19:46,041 --> 01:19:48,041 And he just, sort of, sings very quiet as well. 1190 01:19:48,125 --> 01:19:49,750 He's not a shouter. 1191 01:19:49,833 --> 01:19:53,125 And they were just like… 1192 01:19:55,166 --> 01:19:56,583 Yeah, but better than Canned Heat. 1193 01:19:59,333 --> 01:20:00,541 Yeah, they're really good though. 1194 01:20:00,625 --> 01:20:03,041 It's just that sweeter, just the guitar hanging. 1195 01:20:03,125 --> 01:20:06,750 ♪ Well, the more we ran Won't be back again ♪ 1196 01:20:08,083 --> 01:20:10,291 That's like the Canned Heat one. I love that one. 1197 01:20:10,375 --> 01:20:12,250 ♪ Well, I'm going down the country ♪ 1198 01:20:12,333 --> 01:20:14,416 ♪ Down the country way ♪ 1199 01:20:16,666 --> 01:20:18,291 ♪ Going down the country ♪ 1200 01:20:18,375 --> 01:20:20,666 ♪ Don't have what to… ♪ 1201 01:20:22,916 --> 01:20:24,416 ♪ And I won't be back ♪ 1202 01:20:24,500 --> 01:20:26,666 ♪ For a while with all the loving here ♪ 1203 01:20:31,000 --> 01:20:32,708 Okay, Glynis. 1204 01:20:32,791 --> 01:20:34,750 - Shall we do it? - Okay. 1205 01:20:34,833 --> 01:20:37,500 Okay. Let's try it now. 1206 01:20:37,583 --> 01:20:39,833 Give up Canned Heat. We're The Beatles now. 1207 01:20:39,916 --> 01:20:41,625 - Do it like The Beatles. - Running. 1208 01:20:41,708 --> 01:20:43,500 ♪ I told you so ♪ 1209 01:20:43,583 --> 01:20:47,375 ♪ All I want is you ♪ 1210 01:20:49,666 --> 01:20:51,458 ♪ Everything has got to be ♪ 1211 01:20:51,541 --> 01:20:57,291 ♪ Just like you want it to, because ♪ 1212 01:21:15,583 --> 01:21:20,541 ♪ All I want is you ♪ 1213 01:21:24,083 --> 01:21:25,583 - It certainly… - We improve with time. 1214 01:21:25,666 --> 01:21:28,041 You're not talking to Ricky and the Red Streaks, you know? 1215 01:21:28,125 --> 01:21:29,291 Like a fine wine, really. 1216 01:21:29,375 --> 01:21:31,041 Ooh, it's a strain of a song. 1217 01:21:31,125 --> 01:21:33,666 It's such a heavy one to go through all these times. 1218 01:21:33,750 --> 01:21:36,041 Yeah. There's no time for a breath. 1219 01:21:36,625 --> 01:21:38,208 I'm trying it all different ways. 1220 01:21:38,291 --> 01:21:40,166 Okay, let's change the format. 1221 01:21:40,250 --> 01:21:42,791 - Let's run through "I've Got a Feeling." - Okay. 1222 01:21:43,791 --> 01:21:48,125 ♪ …wandering around Wondering how come nobody told me ♪ 1223 01:21:48,208 --> 01:21:51,375 ♪ All that I've been looking for was Somebody who looked like you ♪ 1224 01:21:51,458 --> 01:21:53,291 ♪ Ooh ♪ 1225 01:21:53,375 --> 01:21:54,375 We go to D. 1226 01:21:54,458 --> 01:21:56,708 I just had a harmony. It just came, just like… 1227 01:21:56,791 --> 01:21:58,666 - * That everybody knows * - John? 1228 01:22:10,250 --> 01:22:11,250 More. 1229 01:22:11,791 --> 01:22:14,208 Let me tell you about the feeling I've got. 1230 01:22:14,291 --> 01:22:15,291 Bit more. 1231 01:22:16,958 --> 01:22:22,041 ♪ Everybody had a hard year Everybody had a good time ♪ 1232 01:22:25,833 --> 01:22:28,750 See, it's not as good, man, as when it was bassy. 1233 01:22:29,375 --> 01:22:30,583 What's the matter with you? 1234 01:22:31,500 --> 01:22:33,208 - I can't hear you. - Be bassy. 1235 01:22:33,291 --> 01:22:34,375 - What? - Be bassy! 1236 01:22:34,458 --> 01:22:39,083 You know, 'cause I get a drone going without being loud, you know? 1237 01:22:39,166 --> 01:22:40,166 Right. 1238 01:22:41,791 --> 01:22:44,000 - Ringo? - Yeah? What? 1239 01:22:44,083 --> 01:22:46,375 Is there a damper on your floor tom-tom? 1240 01:22:46,458 --> 01:22:47,625 - A damper? - Yeah. 1241 01:22:47,708 --> 01:22:48,610 No. 1242 01:22:48,625 --> 01:22:51,000 The only damper around here is you, Glyn Johns! 1243 01:22:51,083 --> 01:22:53,083 - You want one? - Yeah. 1244 01:22:53,166 --> 01:22:54,750 It should do that. 1245 01:22:54,833 --> 01:22:57,958 At the eight. 1246 01:22:58,041 --> 01:22:59,833 Yes! Yes! 1247 01:22:59,916 --> 01:23:01,500 - Yeah, okay. - Okay. 1248 01:23:02,083 --> 01:23:03,875 Let's take the song and hear it. 1249 01:23:10,708 --> 01:23:13,625 - * Everybody had a hard year * - * I have a dream * 1250 01:23:13,708 --> 01:23:15,791 ♪ Everybody had a soft shine ♪ 1251 01:23:16,750 --> 01:23:20,125 ♪ Everybody had a wet dream Every… ♪ 1252 01:23:20,208 --> 01:23:21,375 Sing, Paul! 1253 01:23:22,041 --> 01:23:25,083 - * Oh, yeah * - * Everybody had a hard year * 1254 01:23:25,166 --> 01:23:27,791 - * Oh, yeah * - * Everybody had a wet dream * 1255 01:23:28,625 --> 01:23:31,083 - * I've got a feeling * - * Everybody had a… * 1256 01:23:31,166 --> 01:23:33,791 - * That keeps me on my toes * - * Everybody put their foot down * 1257 01:23:33,875 --> 01:23:34,875 ♪ Oh, yeah ♪ 1258 01:23:38,375 --> 01:23:41,958 - I have a dream… - I had a dream this afternoon. 1259 01:23:42,708 --> 01:23:44,291 Yeah, I had a dream. 1260 01:23:44,375 --> 01:23:46,833 I had a dream this afternoon. 1261 01:23:47,416 --> 01:23:49,541 - Yeah, I had a dream. - Great, wasn't it? 1262 01:23:51,000 --> 01:23:53,083 When all people… 1263 01:23:55,208 --> 01:23:56,458 shall be united. 1264 01:23:57,625 --> 01:23:58,875 - No. - Fantastic. 1265 01:23:58,958 --> 01:24:02,041 I had a dream this afternoon, children. 1266 01:24:02,125 --> 01:24:04,625 I dreamed the Black and the white kids are gonna be together. 1267 01:24:04,708 --> 01:24:06,166 Walk together, hand in hand. 1268 01:24:06,250 --> 01:24:07,833 Like a big poem, it was. 1269 01:24:10,208 --> 01:24:12,541 - Yeah. - Just like a poet. 1270 01:24:12,625 --> 01:24:15,000 - And his voice… - Just like Tennyson on that whole thing. 1271 01:24:15,083 --> 01:24:17,208 "I had a dream this afternoon." 1272 01:24:18,541 --> 01:24:20,625 ♪ Yeah ♪ 1273 01:24:20,708 --> 01:24:26,708 ♪ Oh, I've got a feeling Ooh, ooh ♪ 1274 01:24:29,166 --> 01:24:32,000 ♪ All these years I've been wandering around ♪ 1275 01:24:32,083 --> 01:24:35,125 ♪ Wondering how come nobody told me ♪ 1276 01:24:35,208 --> 01:24:39,000 ♪ All that I've been looking for Was somebody who looked like you ♪ 1277 01:24:41,583 --> 01:24:44,750 Have we taped any of these that we can hear back, Glynis? 1278 01:24:44,833 --> 01:24:46,583 - Did you tape the last one? - Yes. 1279 01:24:51,625 --> 01:24:53,541 I'd just like to say… 1280 01:24:54,208 --> 01:24:57,041 - It's all right, this studio. - It's gonna be a good studio. 1281 01:25:03,750 --> 01:25:06,541 - What's this? - It's only the decorators… 1282 01:25:06,625 --> 01:25:09,250 I'm gonna say, "I Wanna Hold Your Hand. Disk 1932." 1283 01:25:17,125 --> 01:25:19,041 If you can get 'em off Mimi's wall. 1284 01:25:20,208 --> 01:25:23,583 - * All I want is you * - It just doesn't happen. 1285 01:25:23,666 --> 01:25:26,250 - I mean, he's not going… - Yeah. 1286 01:25:26,333 --> 01:25:27,458 To the end one. 1287 01:25:27,541 --> 01:25:29,875 I think maybe you could do… 1288 01:25:29,958 --> 01:25:32,375 Yeah, well, now we've got… You can alternate through 'em. 1289 01:25:32,458 --> 01:25:34,125 Alternate everything now. 1290 01:25:34,208 --> 01:25:36,333 You know, uh, really fill it out a bit. 1291 01:25:36,416 --> 01:25:39,916 And on the "all I need, all I want, everything has got to be," he can go… 1292 01:25:42,625 --> 01:25:45,208 - That one. - It's like where we are now. 1293 01:25:45,291 --> 01:25:49,541 We normally record it, put it down like that, just get that sort of a bit okay. 1294 01:25:49,625 --> 01:25:50,875 Then do all the voices, 1295 01:25:50,958 --> 01:25:52,791 - then finish it off. - Then start laying on… 1296 01:25:52,875 --> 01:25:54,291 And then make it into a record. 1297 01:25:54,375 --> 01:25:57,291 And then you think, "Yeah, we should have played it a bit more like that." 1298 01:25:57,375 --> 01:25:59,375 - Yes. - And it's like that really. 1299 01:25:59,458 --> 01:26:02,083 - It's just trying to jump ahead. - Yeah. 1300 01:26:02,166 --> 01:26:04,375 Yeah. I think this will do, might do it. 1301 01:26:04,458 --> 01:26:08,666 I've just gotta be sort of different on the rhythm. 1302 01:26:08,750 --> 01:26:11,750 It's gotta be either one thing… It's neither one thing nor the other now. 1303 01:26:13,000 --> 01:26:16,000 And there's something we need for the… 1304 01:26:28,458 --> 01:26:30,541 How you doing? How are you? How you doing, baby? 1305 01:26:30,625 --> 01:26:33,791 - Good to see you. Hi. - Hi. Good to see you. 1306 01:26:34,500 --> 01:26:35,666 He was this big last time. 1307 01:26:35,750 --> 01:26:37,750 - Hello. - How you doing, Ringo? Good to see you. 1308 01:26:37,833 --> 01:26:39,041 - You too. - Yeah. 1309 01:26:39,125 --> 01:26:40,416 Out of sight, man. 1310 01:26:47,291 --> 01:26:50,250 Every number's got a piano part, or a… 1311 01:26:50,333 --> 01:26:52,500 And normally we overdub it. 1312 01:26:52,583 --> 01:26:54,625 But this time we wanna do it live. 1313 01:26:54,708 --> 01:26:56,083 Yeah. That'd be nice. 1314 01:26:56,166 --> 01:26:57,833 - I mean, just live to ourselves… - Yeah. 1315 01:26:57,916 --> 01:27:00,041 …straight off, one number after the other. 1316 01:27:00,125 --> 01:27:02,125 And that means having somebody in on it. 1317 01:27:02,208 --> 01:27:05,583 - If you'd like to do that you're welcome. - Sure. Beautiful. 1318 01:27:05,666 --> 01:27:08,416 - Right. And then you'd be on the album. - You're kidding. 1319 01:27:08,500 --> 01:27:09,666 Well, that's good then. 1320 01:27:10,708 --> 01:27:16,375 We've taped a few. The thing is to get some tapes made of what we've done, 1321 01:27:17,333 --> 01:27:19,208 and let him have a listen, take 'em home at night. 1322 01:27:19,291 --> 01:27:21,666 He'll probably pick them up much quicker hearing us play 'em. 1323 01:27:21,750 --> 01:27:23,291 Yeah, just rehearsing them. 1324 01:27:24,375 --> 01:27:26,458 - Have you met Billy, George? - How do you do, Billy? 1325 01:27:26,541 --> 01:27:29,291 That's George Martin, our A&R man. That's Billy. 1326 01:27:29,375 --> 01:27:33,208 We played with him in Hamburg. He was backing Little Richard. 1327 01:27:33,291 --> 01:27:34,541 - Did you… - In Hamburg. 1328 01:27:34,625 --> 01:27:35,625 Yes. 1329 01:27:35,708 --> 01:27:36,833 In the old days. 1330 01:27:38,000 --> 01:27:41,375 ♪ A taste of honey ♪ 1331 01:27:41,458 --> 01:27:44,916 ♪ Much sweeter ♪ 1332 01:27:50,458 --> 01:27:52,250 The piano behind here. 1333 01:28:02,166 --> 01:28:04,166 Who's controlling the PA? 1334 01:28:05,625 --> 01:28:07,625 - Hello? - And this one isn't on. 1335 01:28:07,708 --> 01:28:09,666 - Is that one on? - One isn't on, Glyn. 1336 01:28:14,250 --> 01:28:15,666 You got all them chords? 1337 01:28:16,375 --> 01:28:20,250 And now, your hosts for this evening, The Rolling Stones. 1338 01:28:21,125 --> 01:28:22,583 ♪ No, no, no ♪ 1339 01:28:22,666 --> 01:28:25,000 ♪ Yeah ♪ 1340 01:28:25,083 --> 01:28:26,208 ♪ Oh ♪ 1341 01:28:26,291 --> 01:28:28,666 ♪ I've got a feeling ♪ 1342 01:28:33,583 --> 01:28:36,500 ♪ All these years I've been wandering around ♪ 1343 01:28:36,583 --> 01:28:39,458 ♪ Wondering how come nobody told me ♪ 1344 01:28:39,541 --> 01:28:42,791 ♪ All that I've been looking for Was somebody who looked like you ♪ 1345 01:28:48,541 --> 01:28:50,208 ♪ I've got a feeling ♪ 1346 01:28:50,291 --> 01:28:51,416 Yes, you have. 1347 01:28:51,500 --> 01:28:53,000 ♪ That keeps me on my toes ♪ 1348 01:28:53,083 --> 01:28:54,083 On your what? 1349 01:28:54,166 --> 01:28:57,583 - * Oh, yeah * - * Oh, yeah * 1350 01:29:00,208 --> 01:29:02,958 ♪ I've got a feeling I think that ♪ 1351 01:29:03,041 --> 01:29:05,166 ♪ Everybody knows ♪ 1352 01:29:05,250 --> 01:29:06,250 ♪ Oh, yeah ♪ 1353 01:29:08,083 --> 01:29:09,583 ♪ Oh, yeah ♪ 1354 01:29:10,875 --> 01:29:12,250 ♪ Oh, yeah ♪ 1355 01:29:12,333 --> 01:29:15,791 ♪ Woo, woo-oo, woo-oo ♪ 1356 01:29:17,708 --> 01:29:22,833 ♪ Woo, woo-oo, woo-oo ♪ 1357 01:29:27,583 --> 01:29:29,125 - All right. - Yes. 1358 01:29:29,208 --> 01:29:31,458 Electric piano has such a great sound. 1359 01:29:32,958 --> 01:29:35,625 It's only… Is there a speaker facing you as well? 1360 01:29:35,708 --> 01:29:37,000 Yeah, I'm getting it played back. 1361 01:29:37,708 --> 01:29:38,875 Okay. 1362 01:29:39,458 --> 01:29:40,916 Do a nice, big… 1363 01:29:41,000 --> 01:29:43,500 …for me, you know, to give me the courage to come screaming in. 1364 01:29:43,583 --> 01:29:44,791 Okay. 1365 01:29:45,375 --> 01:29:47,708 ♪ Don't let me down ♪ 1366 01:29:51,750 --> 01:29:54,125 ♪ Don't let me down ♪ 1367 01:29:56,958 --> 01:29:58,000 It's great! 1368 01:29:58,583 --> 01:30:00,125 - You're giving us a lift, Bill! - All right. 1369 01:30:00,208 --> 01:30:02,333 We've been doing this for days, you know. 1370 01:30:02,416 --> 01:30:03,541 Weeks. 1371 01:30:03,625 --> 01:30:05,458 - Just choking. - Years. 1372 01:30:05,541 --> 01:30:07,166 My voice is choking. 1373 01:30:07,833 --> 01:30:11,083 I just wish I had yesterday's voice but today's backing. 1374 01:30:11,750 --> 01:30:12,916 I was swinging yesterday. 1375 01:30:13,541 --> 01:30:16,041 Voice-wise, that is. I've just gone over the top. 1376 01:30:17,208 --> 01:30:20,500 - * Don't let me down * - * Down * 1377 01:30:23,083 --> 01:30:25,541 ♪ Don't let me down ♪ 1378 01:30:28,416 --> 01:30:33,125 ♪ And from the first time That she really done me ♪ 1379 01:30:34,083 --> 01:30:39,125 ♪ Ooh, she done me, she done me good ♪ 1380 01:30:39,208 --> 01:30:42,083 Some tea and sandwiches came. 1381 01:30:42,166 --> 01:30:43,625 - Yeah. - Sandwiches? 1382 01:30:43,708 --> 01:30:49,291 ♪ And if somebody ever really loved me ♪ 1383 01:30:50,333 --> 01:30:52,208 ♪ Like she love me ♪ 1384 01:30:53,708 --> 01:30:55,541 ♪ Yes, she does ♪ 1385 01:30:55,625 --> 01:30:57,375 All right, Glynis. We're off again. 1386 01:30:57,458 --> 01:31:00,291 ♪ Don't let me down ♪ 1387 01:31:03,625 --> 01:31:06,125 ♪ Don't let me down ♪ 1388 01:31:08,458 --> 01:31:09,500 Take it, Billy! 1389 01:31:16,291 --> 01:31:17,375 Can you dig it? 1390 01:31:17,916 --> 01:31:19,916 ♪ Ooh, ooh ♪ 1391 01:31:25,833 --> 01:31:28,208 I had a dream this afternoon. 1392 01:31:32,500 --> 01:31:34,041 Don't let me down. 1393 01:31:35,750 --> 01:31:38,833 Well, ladies and gentlemen, we'd like to change up the tempo a little. 1394 01:31:39,333 --> 01:31:42,083 Okay. Let's do the next song then. 1395 01:31:42,750 --> 01:31:46,125 - You right? I'm doing my intro. - Sorry. 1396 01:31:46,208 --> 01:31:47,625 Do you mind? 1397 01:31:47,708 --> 01:31:50,500 I'm getting a bit dafter with every song. This… 1398 01:31:50,583 --> 01:31:53,208 - Come on, son. Now try your hardest. - It's getting… Look at them. 1399 01:31:53,291 --> 01:31:54,291 I don't… 1400 01:31:55,791 --> 01:31:57,375 - Was he taping them? - Yeah. 1401 01:31:57,458 --> 01:31:59,500 We'll do "Dig a Pony" straight into "I've Got A Fever." 1402 01:32:04,208 --> 01:32:06,000 Piss on your boots. 1403 01:32:06,583 --> 01:32:08,375 ♪ You can dance ♪ 1404 01:32:08,458 --> 01:32:12,708 ♪ Every dance with the guy Holding you tight ♪ 1405 01:32:12,791 --> 01:32:15,125 ♪ Let him hold you tight ♪ 1406 01:32:16,958 --> 01:32:18,458 ♪ You can dance ♪ 1407 01:32:19,208 --> 01:32:23,583 ♪ In the pale moonlight ♪ 1408 01:32:24,750 --> 01:32:28,791 ♪ But don't forget who's takin' you home ♪ 1409 01:32:28,875 --> 01:32:32,000 ♪ And in whose arms you want to stay ♪ 1410 01:32:33,708 --> 01:32:35,458 ♪ Oh, darlin' ♪ 1411 01:32:35,541 --> 01:32:39,333 ♪ Save the last dance for me ♪ 1412 01:32:42,333 --> 01:32:45,166 ♪ Back when I loved a lovely girl ♪ 1413 01:32:45,250 --> 01:32:48,708 ♪ And I lived on as I lived on ♪ 1414 01:32:51,208 --> 01:32:54,166 ♪ Every time I wanna… ♪ 1415 01:32:54,250 --> 01:32:57,041 ♪ Just on and on and put me down ♪ 1416 01:32:57,125 --> 01:33:00,583 ♪ With a cupcake, baby Chocolate, yeah, yeah ♪ 1417 01:33:02,458 --> 01:33:04,166 ♪ I told you so ♪ 1418 01:33:04,250 --> 01:33:08,291 ♪ All I want is you ♪ 1419 01:33:10,458 --> 01:33:15,916 ♪ Everything has got to be Just like you want it to ♪ 1420 01:33:16,583 --> 01:33:18,458 ♪ Because ♪ 1421 01:33:36,458 --> 01:33:41,875 ♪ All I want is you ♪ 1422 01:33:47,833 --> 01:33:49,083 No, keep 'em. 1423 01:33:49,166 --> 01:33:51,125 I mean, what, was something wrong with 'em? 1424 01:33:51,208 --> 01:33:52,291 There's nothing to keep. 1425 01:33:52,375 --> 01:33:54,208 They've improved on this morning, haven't they? 1426 01:33:54,291 --> 01:33:55,500 Haven't you got three now? 1427 01:33:55,583 --> 01:33:56,625 You're talking about… 1428 01:33:56,708 --> 01:33:59,541 Do you have "Don't Let Me Down" as well? The three. 1429 01:33:59,625 --> 01:34:03,583 Yeah, you got the last three with two takes of "I've Got A Feeling." 1430 01:34:03,666 --> 01:34:04,666 Oh, yeah. 1431 01:34:04,750 --> 01:34:08,458 We want to hear what we've done to 'em. The waltzes and bits. So keep 'em. 1432 01:34:08,541 --> 01:34:11,041 - What, have you got no more tape? - Yeah. 1433 01:34:11,125 --> 01:34:13,625 Well, we don't need to record any more, so keep 'em. 1434 01:34:13,708 --> 01:34:15,625 Can we hear "Don't Let Me Down"? I wanna hear that. 1435 01:34:20,833 --> 01:34:23,333 You heard the drums are on two tracks. So, like, when he goes… 1436 01:34:23,416 --> 01:34:26,458 …it goes right across the room. 1437 01:34:26,541 --> 01:34:27,625 Sweet, man. 1438 01:34:28,625 --> 01:34:31,708 You know, when he asked for four speakers, the EMI guy said, 1439 01:34:31,791 --> 01:34:34,041 "What do you want four for? You've only got two ears." 1440 01:34:38,166 --> 01:34:42,750 ♪ Nobody ever loved me like she does ♪ 1441 01:34:44,458 --> 01:34:46,041 ♪ Ooh, she does ♪ 1442 01:34:47,375 --> 01:34:48,833 ♪ Yes, she does ♪ 1443 01:34:51,708 --> 01:34:56,166 ♪ And if somebody ever really loved me ♪ 1444 01:34:57,791 --> 01:34:59,541 ♪ Ooh, she loves me ♪ 1445 01:35:00,875 --> 01:35:02,208 ♪ Yes, she does ♪ 1446 01:35:16,041 --> 01:35:18,166 - Can you play violin? - No. 1447 01:35:18,250 --> 01:35:19,193 2-9-0. 1448 01:35:19,208 --> 01:35:21,208 - What time is it? - Five past 6:00. 1449 01:35:21,291 --> 01:35:22,916 - Thank you. - We work to the clock. 1450 01:35:26,125 --> 01:35:28,125 It's good all his fills on the… 1451 01:35:28,208 --> 01:35:31,208 ♪ Don't let me down Doo doo doo doo doo doo doo ♪ 1452 01:35:31,291 --> 01:35:33,333 - I had a word with Neil. - Yeah. 1453 01:35:33,416 --> 01:35:37,541 What he indicates is that we'll do something early next week. 1454 01:35:37,625 --> 01:35:40,125 And it'll be great. Soon as we got them off… 1455 01:36:15,625 --> 01:36:16,875 If it's good enough, yeah. 1456 01:36:19,041 --> 01:36:21,541 When you record, you know, you settle on something, 1457 01:36:21,625 --> 01:36:24,250 and you say, "Okay, that's how it's gonna be for now." 1458 01:36:24,333 --> 01:36:29,583 But when you're on the road, say, doing it all the time, it slowly changes. 1459 01:36:29,666 --> 01:36:34,041 So, I mean, that means we may go on rehearsing forever. 1460 01:36:34,125 --> 01:36:35,166 Yeah. 1461 01:36:35,250 --> 01:36:36,833 Oh, yes. 1462 01:36:36,916 --> 01:36:38,625 The thing is that, um… 1463 01:36:50,333 --> 01:36:52,666 I think… Weren't we doing something on Friday night? 1464 01:36:52,750 --> 01:36:53,791 Friday night, yes. 1465 01:37:00,083 --> 01:37:01,166 Monday night. 1466 01:38:19,500 --> 01:38:21,166 The lights are working. 1467 01:38:21,250 --> 01:38:22,666 You missed it! 1468 01:38:22,750 --> 01:38:25,166 Yeah, I felt it as I left the second floor. 1469 01:38:25,250 --> 01:38:26,375 It was great. 1470 01:38:26,458 --> 01:38:30,166 Yoko, John and Paul and Billy were doing their freak-out. 1471 01:38:30,250 --> 01:38:31,833 - The Beatles, yeah. - No, no. 1472 01:38:31,916 --> 01:38:32,916 Yes, go on. 1473 01:38:33,000 --> 01:38:34,833 Billy, Yoko, John and Paul. 1474 01:38:34,916 --> 01:38:36,541 - Is it all on film? - Yeah. 1475 01:38:36,625 --> 01:38:37,916 What a great bit of film! 1476 01:38:38,000 --> 01:38:40,833 - The whole place was zooming. - It was. It was beautiful. 1477 01:38:40,916 --> 01:38:43,041 I'd like it to be part of her new LP. 1478 01:38:43,125 --> 01:38:45,375 - Glyn! - Or our new LP. 1479 01:38:46,875 --> 01:38:48,541 I think you're nuts, the pair of you. 1480 01:38:50,625 --> 01:38:52,208 Well, the current thought 1481 01:38:52,291 --> 01:38:55,208 is that we'll try to do it at the end of next week, maybe. 1482 01:38:55,291 --> 01:38:57,958 You know, if we did ten days straight from now… 1483 01:38:58,041 --> 01:39:00,916 Well, you're working so well together now. 1484 01:39:01,000 --> 01:39:02,958 - Yes. - Let's keep it going. 1485 01:39:03,041 --> 01:39:06,166 - Well, you know, I won't say no. - Mightn't be able to speak. 1486 01:39:06,250 --> 01:39:07,958 You know, I'd rather work the weekend 1487 01:39:08,041 --> 01:39:10,041 than make it last out an extra week or so. 1488 01:39:10,125 --> 01:39:12,125 I think the thing is we'll aim for Thursday, 1489 01:39:12,208 --> 01:39:15,125 'cause if we don't make Thursday, just as a… 1490 01:39:15,208 --> 01:39:17,416 Then we won't get outside, will we? 1491 01:39:17,500 --> 01:39:20,375 Michael was talking in terms of next Thursday. 1492 01:39:20,458 --> 01:39:21,458 Yes. 1493 01:39:21,958 --> 01:39:24,375 And working over the weekend. 1494 01:39:24,458 --> 01:39:26,291 So, it's gonna be stupid. 1495 01:39:27,458 --> 01:39:30,791 Yeah, let's work Saturday, but not Sunday. Just to have one day. 1496 01:39:30,875 --> 01:39:33,708 - 'Cause it does help next week… - Oh, yeah. 1497 01:39:33,791 --> 01:39:35,000 …if you get one day. 1498 01:39:35,083 --> 01:39:37,166 I'm so tired though. It's amazing. 1499 01:39:37,750 --> 01:39:39,875 Could we have some more tea, Mal, like a pot, you know? 1500 01:39:41,125 --> 01:39:43,458 ♪ Oh, well, I've got a girl With a record machine ♪ 1501 01:39:43,541 --> 01:39:46,625 ♪ When it comes to rockin' She's the queen ♪ 1502 01:39:46,708 --> 01:39:49,458 ♪ We love to dance on a Saturday night ♪ 1503 01:39:49,541 --> 01:39:52,083 ♪ All alone where I can hold her tight ♪ 1504 01:39:52,166 --> 01:39:55,000 ♪ But she lives On the twentieth floor uptown ♪ 1505 01:39:55,083 --> 01:39:57,125 ♪ The elevator's broken down ♪ 1506 01:39:57,208 --> 01:40:00,458 ♪ So I walked one, two flight Three flight, four ♪ 1507 01:40:00,541 --> 01:40:02,833 ♪ Five, six, flight seven Flight, more ♪ 1508 01:40:03,500 --> 01:40:05,458 ♪ By the twelfth, I'm ready to drag ♪ 1509 01:40:05,541 --> 01:40:08,250 ♪ Fifteenth floor, I'm a-startin' to sag ♪ 1510 01:40:11,958 --> 01:40:13,541 Yeah, like rockers! 1511 01:40:13,625 --> 01:40:15,458 Way back in the '50s. 1512 01:40:15,541 --> 01:40:18,333 'Course, you probably don't remember the '50s. 1513 01:40:18,416 --> 01:40:20,458 When the great names were around. 1514 01:40:21,250 --> 01:40:24,208 Eddie Cochran, Gene Burke. 1515 01:40:24,291 --> 01:40:28,291 - George Hemingway, Frida Starr. - Foster Dulles. 1516 01:40:29,333 --> 01:40:30,583 Mal? 1517 01:40:30,666 --> 01:40:36,625 Can you send somebody to buy me a… You know those lace bow ties? 1518 01:40:36,708 --> 01:40:38,791 - Like a cowboy? - A black one. 1519 01:40:38,875 --> 01:40:40,291 - A cowboy one? - A string tie? 1520 01:40:40,375 --> 01:40:43,375 Yeah, but they get 'em. They just clip on under your collar. 1521 01:40:44,708 --> 01:40:46,750 So what should we do that's fun? 1522 01:40:46,833 --> 01:40:48,208 Besides work? 1523 01:40:49,375 --> 01:40:51,541 - Are we doing that one? - Yeah. 1524 01:40:51,625 --> 01:40:54,250 - "Across the Universe"? - No, no. 'Cause it's going out on an EP. 1525 01:40:54,833 --> 01:40:56,416 There's always Mal's instrument. 1526 01:40:58,916 --> 01:41:01,916 ♪ Bang, bang, Maxwell's silver hammer ♪ 1527 01:41:02,000 --> 01:41:06,666 It's just a reminder to remind you about "Maxwell's Silver Hammer" all the time. 1528 01:41:07,458 --> 01:41:10,666 I'd like to do a song today that I don't have to sing so much, 1529 01:41:10,750 --> 01:41:12,958 - 'cause it's really stupid, that. - Yes. 1530 01:41:13,833 --> 01:41:16,000 ♪ Oh, darling ♪ 1531 01:41:17,708 --> 01:41:19,791 ♪ Please believe me ♪ 1532 01:41:19,875 --> 01:41:22,583 ♪ Oh, yeah ♪ 1533 01:41:22,666 --> 01:41:27,375 ♪ I'll never do you no harm ♪ 1534 01:41:29,833 --> 01:41:33,833 ♪ Believe me when I tell you ♪ 1535 01:41:33,916 --> 01:41:38,625 ♪ I'll never do you no harm ♪ 1536 01:41:43,500 --> 01:41:45,666 ♪ Oh, when you told me ♪ 1537 01:41:47,958 --> 01:41:51,416 ♪ You didn't need me anymore ♪ 1538 01:41:52,500 --> 01:41:58,166 ♪ You know I nearly broke down and cried ♪ 1539 01:41:59,208 --> 01:42:01,291 ♪ When you told me ♪ 1540 01:42:02,625 --> 01:42:04,625 - Did you know that? - It's very interesting. 1541 01:42:04,708 --> 01:42:08,500 With the Twin Reverb amp, Paul, I find myself satisfied completely. 1542 01:42:09,125 --> 01:42:12,916 And now your hosts for this evening, The Rolling Stones. 1543 01:42:17,250 --> 01:42:18,250 Whoo! 1544 01:42:19,333 --> 01:42:20,416 Yeah. 1545 01:42:21,125 --> 01:42:23,958 ♪ Get back to where you once belonged ♪ 1546 01:42:24,041 --> 01:42:25,041 How many verses are there? 1547 01:42:26,041 --> 01:42:29,916 Well, see… see, it started off as a protest song… 1548 01:42:30,000 --> 01:42:31,041 But, you know… 1549 01:42:31,583 --> 01:42:34,833 I think it works okay with just the two verses 1550 01:42:35,458 --> 01:42:37,625 about sweet Loretta Martin, the first verse… 1551 01:42:37,708 --> 01:42:39,500 - Just have two for now. - Yeah. 1552 01:42:39,583 --> 01:42:41,958 But, I mean… I don't mean really how many verses… 1553 01:42:42,041 --> 01:42:44,583 - Okay, I'll sing it through. - How many times will you do a verse? 1554 01:42:44,666 --> 01:42:48,166 I'll sing it through and shout where I think it should go, 1555 01:42:48,250 --> 01:42:51,416 and then if you don't agree, remember it and we'll change it. 1556 01:42:51,500 --> 01:42:54,500 Well, maybe if we had an intro, a verse, a chorus, 1557 01:42:54,583 --> 01:42:56,666 of "Get Back," and then there's a bit with… 1558 01:42:56,750 --> 01:42:59,750 Solo. Yes, solo. Get back, Jo. 1559 01:43:00,708 --> 01:43:03,291 Then there's a bit of chorus on the end of that solo though. 1560 01:43:03,375 --> 01:43:06,708 Yeah. And then the doo-dah-dum. Then the next verse, 1561 01:43:07,250 --> 01:43:11,083 the next chorus, the next solo, the next chorus. 1562 01:43:11,166 --> 01:43:13,416 Well, let's have one guitar solo and one piano solo then. 1563 01:43:13,500 --> 01:43:14,401 Okay. 1564 01:43:14,416 --> 01:43:16,416 'Cause I'm only gonna be able to work one out. 1565 01:43:17,625 --> 01:43:19,958 Who do you wanna be, Jo Jo or Loretta? 1566 01:43:20,791 --> 01:43:22,375 Get back to sweet Loretta. 1567 01:43:23,125 --> 01:43:24,625 He's waiting for you. 1568 01:43:26,500 --> 01:43:29,541 This old drag queen back on the ranch. 1569 01:43:29,625 --> 01:43:30,833 Tucson. 1570 01:43:30,916 --> 01:43:33,125 Wearing his high-heeled shoes. 1571 01:43:34,333 --> 01:43:38,333 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1572 01:43:38,416 --> 01:43:41,208 ♪ Looking for California grass ♪ 1573 01:43:42,333 --> 01:43:44,708 ♪ On California grass ♪ 1574 01:43:46,125 --> 01:43:49,791 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1575 01:43:49,875 --> 01:43:52,666 ♪ For some California grass ♪ 1576 01:43:52,750 --> 01:43:54,750 ♪ Oh, get back ♪ 1577 01:43:55,250 --> 01:43:56,916 ♪ Oh, get back ♪ 1578 01:43:58,166 --> 01:43:59,958 Get back, Jo Jo. 1579 01:44:00,041 --> 01:44:01,708 - One, two, three. - Two. 1580 01:44:02,791 --> 01:44:05,125 Sorry. One, two, three, four. 1581 01:44:08,500 --> 01:44:10,958 It's like on "Reach Out." Do you remember? 1582 01:44:11,916 --> 01:44:15,041 You know, "Reach Out," where everything stops, and you just have… 1583 01:44:16,041 --> 01:44:18,375 - That beat going da, da, da, da. - Whoo-hoo! 1584 01:44:18,458 --> 01:44:20,666 ♪ Oh, get back ♪ 1585 01:44:20,750 --> 01:44:22,250 Get back, Jo Jo! 1586 01:44:30,916 --> 01:44:32,291 ♪ Ah ♪ 1587 01:44:32,375 --> 01:44:33,791 ♪ Get back ♪ 1588 01:44:34,458 --> 01:44:38,083 ♪ With a love… ♪ 1589 01:44:38,666 --> 01:44:41,041 - * Ah * - * Get back * 1590 01:44:41,125 --> 01:44:45,208 So you do the beginning, then my solo, then you and me singing, 1591 01:44:45,291 --> 01:44:48,208 and then he comes in, does his break and a solo, 1592 01:44:48,291 --> 01:44:51,750 then you sing a verse, and one last, long "Get back" and out. 1593 01:44:51,833 --> 01:44:54,208 - A match, Ring… - Okay. So… 1594 01:44:54,291 --> 01:44:55,375 But that break… 1595 01:44:55,458 --> 01:44:58,500 It's almost natural, like, rock and roll, except for the break. 1596 01:44:58,583 --> 01:44:59,708 It's just a break before… 1597 01:44:59,791 --> 01:45:02,333 See, that's it. If we make too much of a break, 1598 01:45:02,416 --> 01:45:04,416 we start getting it into, like, an arranged song. 1599 01:45:04,500 --> 01:45:05,583 Yeah, it just should go… 1600 01:45:05,666 --> 01:45:07,958 It's better just to have, like, a rock and roll song. 1601 01:45:08,041 --> 01:45:10,666 But, I mean, they did have breaks in the old days. 1602 01:45:10,750 --> 01:45:11,916 That's what I mean, yeah. 1603 01:45:12,000 --> 01:45:13,166 Okay. Well, for now I'll vamp. 1604 01:45:13,250 --> 01:45:15,041 The arrangement is only enough to know. 1605 01:45:15,125 --> 01:45:17,541 One, two, three, four. 1606 01:45:25,291 --> 01:45:27,708 - It just, like, resolves the thing. - Yeah. 1607 01:45:27,791 --> 01:45:28,791 I do like… 1608 01:45:28,875 --> 01:45:30,875 It'd be nice, for the bit going into the solo, 1609 01:45:30,958 --> 01:45:33,083 the last verse before the solo, 1610 01:45:33,166 --> 01:45:38,166 if we stop that thing we're doing and maybe you just keep doing that. 1611 01:45:39,375 --> 01:45:43,125 - Yeah. - You do… And Ringo and I. Just that… 1612 01:45:43,208 --> 01:45:44,291 Go ahead. Do it. 1613 01:45:44,375 --> 01:45:45,708 Just sing a verse… 1614 01:45:45,791 --> 01:45:46,958 Yeah, great. 1615 01:45:49,166 --> 01:45:50,458 ♪ Get back ♪ 1616 01:45:51,250 --> 01:45:52,250 ♪ Get back ♪ 1617 01:45:53,250 --> 01:45:56,375 ♪ Get back to where you once belonged ♪ 1618 01:45:57,125 --> 01:45:58,583 ♪ Get back ♪ 1619 01:45:58,666 --> 01:46:01,458 - About there we should have the thing. - Yeah. 1620 01:46:01,541 --> 01:46:04,458 - Like, before we go into the second verse. - Are we having two solos? 1621 01:46:04,541 --> 01:46:07,041 Yeah, see, we should just have a real formula, you know? 1622 01:46:07,125 --> 01:46:10,583 Just like a beginning. Da, da, da. 1623 01:46:10,666 --> 01:46:13,791 - Beginning, verse, chorus, solo. - Into the verse then the chorus. 1624 01:46:13,875 --> 01:46:17,333 Da… "Back." Da… "Back to where you once belonged." 1625 01:46:17,416 --> 01:46:18,916 "Get back." Dum. 1626 01:46:19,000 --> 01:46:21,166 Then the low one. 1627 01:46:21,250 --> 01:46:24,166 "Get back. Get back. Back to where you once belonged. 1628 01:46:24,250 --> 01:46:26,541 Get back. Back to where you once belonged." 1629 01:46:26,625 --> 01:46:28,916 - * Get back * - * Get back * 1630 01:46:29,000 --> 01:46:32,000 ♪ Back to where you once belonged ♪ 1631 01:46:32,708 --> 01:46:33,791 ♪ Get back ♪ 1632 01:46:34,666 --> 01:46:35,708 ♪ Get back ♪ 1633 01:46:36,625 --> 01:46:39,791 ♪ Get back to where you once belonged ♪ 1634 01:46:40,333 --> 01:46:43,083 So then it's like it's more in the register we're in. 1635 01:46:43,166 --> 01:46:45,625 ♪ Back to where you once belonged ♪ 1636 01:46:49,833 --> 01:46:50,833 Why don't we have… 1637 01:46:50,916 --> 01:46:53,500 Weren't we gonna have, like, a verse, chorus, then solo, 1638 01:46:53,583 --> 01:46:55,916 - then verse, chorus, and then the solo? - Yeah. Well, see… 1639 01:46:56,000 --> 01:46:59,458 We are trying to just get a break, weren't we, after the solo? 1640 01:46:59,541 --> 01:47:01,708 - Yeah. - We're trying to get a break to separate. 1641 01:47:01,791 --> 01:47:04,708 Yeah, but we've got, like, a bit of a break and another solo now. 1642 01:47:04,791 --> 01:47:06,833 - So there's gonna be three solos? - No, two? 1643 01:47:06,916 --> 01:47:08,458 - 'Cause it would be nice just to… - Three? 1644 01:47:08,541 --> 01:47:10,458 Like the bit we were starting to have. 1645 01:47:10,541 --> 01:47:11,958 I like solos. 1646 01:47:12,041 --> 01:47:14,166 So do I, but I've only got one. 1647 01:47:14,250 --> 01:47:17,291 - The bit that we were… - I was thinking of you doing two. 1648 01:47:17,375 --> 01:47:18,833 And Billy doing one in the middle of it. 1649 01:47:18,916 --> 01:47:21,833 You doing the both, "Get back Jo Jo." 1650 01:47:22,541 --> 01:47:24,125 Just do the same one twice? 1651 01:47:24,208 --> 01:47:26,833 - Oh, yeah, you could. - Do that and rock and roll a bit. 1652 01:47:28,291 --> 01:47:29,291 - Okay, so… - Okay. 1653 01:47:29,375 --> 01:47:32,666 So, I'm… I'm lost now. Do you want to start writing it down? 1654 01:47:32,750 --> 01:47:34,666 Just write it down. Verse, solo, verse. 1655 01:47:35,291 --> 01:47:37,666 ♪ Get back to where you once belonged ♪ 1656 01:47:37,750 --> 01:47:38,693 What did I do? Uh… 1657 01:47:38,708 --> 01:47:40,083 ♪ Get back ♪ 1658 01:47:40,166 --> 01:47:42,666 The trouble is, you're on a harmony, then you go to the melody. 1659 01:47:42,750 --> 01:47:44,333 - Yes. - So, you should really go… 1660 01:47:44,416 --> 01:47:45,416 ♪ Get back ♪ 1661 01:47:45,500 --> 01:47:46,500 ♪ Get back ♪ 1662 01:47:46,583 --> 01:47:47,666 ♪ Get back ♪ 1663 01:47:48,791 --> 01:47:51,666 ♪ Back to where you once belonged ♪ 1664 01:47:51,750 --> 01:47:55,250 If you could give us that chord that we… 1665 01:47:55,333 --> 01:47:56,833 Yeah. 1666 01:47:57,583 --> 01:47:59,166 At the end of John's solo, so it goes… 1667 01:47:59,250 --> 01:48:01,708 ♪ Doo-doo-doo-doo-doo-doo-doo ♪ 1668 01:48:01,791 --> 01:48:02,791 At the end of his solo. 1669 01:48:06,500 --> 01:48:08,458 There. 1670 01:48:08,541 --> 01:48:09,625 ♪ Get back ♪ 1671 01:48:09,708 --> 01:48:11,541 So I'll pick it up off you then. 1672 01:48:11,625 --> 01:48:14,166 So, I'll just keep doing it, and I'll join in when I can. 1673 01:48:14,250 --> 01:48:15,958 But presume that's the verse where I come in. 1674 01:48:16,041 --> 01:48:19,083 End the solo not in a flurry. 1675 01:48:19,166 --> 01:48:20,375 'Cause then, you know, 1676 01:48:20,458 --> 01:48:23,041 "I gotta get all my notes in before the end of the solo," 1677 01:48:23,125 --> 01:48:24,916 but don't, you know, just end it just… 1678 01:48:25,000 --> 01:48:26,125 Well, I have to work it out. 1679 01:48:26,833 --> 01:48:29,541 Or even don't go right to the end. 1680 01:48:34,041 --> 01:48:35,416 - No, just do… - * Get back * 1681 01:48:35,500 --> 01:48:37,208 - Yeah. - I can do it if I go… 1682 01:48:37,291 --> 01:48:38,750 You were well in time. That's the thing. 1683 01:48:38,833 --> 01:48:39,916 - Oh, was I? - Yeah. Oh, plenty… 1684 01:48:40,000 --> 01:48:42,291 - You got hours if you finish there. - I see. 1685 01:48:42,375 --> 01:48:44,166 In fact, we'd have to fill that a bit. 1686 01:48:44,250 --> 01:48:46,666 - It's just that singing one throws me. - We're going to scrub out. 1687 01:48:46,750 --> 01:48:48,208 - Okay. - I'll give you a shout. 1688 01:48:48,291 --> 01:48:50,291 I wish I could just not have to sing that bit. 1689 01:48:50,375 --> 01:48:51,500 No, you've got to sing. 1690 01:48:51,583 --> 01:48:52,666 - Okay. - Don't worry about it. 1691 01:48:52,750 --> 01:48:54,416 It's just nice to be a guitarist for a change… 1692 01:48:54,500 --> 01:48:56,166 - Yeah, I know. - …and not think about vocals. 1693 01:48:56,250 --> 01:48:59,500 Well, you're a guitarist until there, that one little line. 1694 01:48:59,583 --> 01:49:02,416 ♪ Back to where you once belonged ♪ 1695 01:49:03,541 --> 01:49:04,541 ♪ Get back ♪ 1696 01:49:06,416 --> 01:49:08,458 ♪ Back to where you once belonged ♪ 1697 01:49:08,541 --> 01:49:10,416 No, on the bit… "Belonged." 1698 01:49:10,500 --> 01:49:13,875 Maybe for the "get back" bits, we should do it twice, 1699 01:49:13,958 --> 01:49:16,458 - the going to A. - I'm sorry! I'm sorry! 1700 01:49:17,166 --> 01:49:18,500 I thought I was playing the tune. 1701 01:49:19,458 --> 01:49:21,000 I'm getting a bit confused 1702 01:49:21,083 --> 01:49:22,625 - with all the little bits now. - Yeah. 1703 01:49:24,291 --> 01:49:26,416 - Shit. - "Shit Back." 1704 01:49:26,500 --> 01:49:27,750 - "Shit," take one. - Thank you. 1705 01:49:29,208 --> 01:49:30,333 "Get Back." 1706 01:49:30,416 --> 01:49:34,583 ♪ Said she got it coming But she get it while she can ♪ 1707 01:49:35,583 --> 01:49:36,583 ♪ Get back ♪ 1708 01:49:37,333 --> 01:49:38,416 ♪ Get back ♪ 1709 01:49:38,958 --> 01:49:40,583 I don't feel as bad as yesterday. 1710 01:49:40,666 --> 01:49:43,333 - It was really throbbing. - I'm really tired today. 1711 01:49:43,416 --> 01:49:45,041 Yesterday was the worst for me. 1712 01:49:45,125 --> 01:49:47,541 - Just aching. - Just that screaming all day. 1713 01:49:47,625 --> 01:49:49,833 - Poor John. - Yes, it's so terrible. 1714 01:49:49,916 --> 01:49:51,166 ♪ Get back ♪ 1715 01:49:51,250 --> 01:49:53,166 - Paul? - Yes, Glyn? 1716 01:50:00,166 --> 01:50:01,625 - No, no, no. - What? 1717 01:50:09,375 --> 01:50:11,708 I like this one. It's lighter. 1718 01:50:13,125 --> 01:50:14,541 - Okay. - Are you sure you're gonna do that? 1719 01:50:14,625 --> 01:50:16,666 - One, two, three, four. - So the answer's no. 1720 01:50:17,250 --> 01:50:18,541 ♪ Get back ♪ 1721 01:50:18,625 --> 01:50:19,625 ♪ Get back to where ♪ 1722 01:50:19,708 --> 01:50:21,208 ♪ Get back to where you once belonged ♪ 1723 01:50:21,291 --> 01:50:25,166 Okay, now, one time. A bit cooler this time. 1724 01:50:28,000 --> 01:50:29,500 - One, two… - Take? 1725 01:50:29,583 --> 01:50:30,583 - Yes. - Yeah. 1726 01:50:30,666 --> 01:50:32,833 - Here we go. - Just a sec. 1727 01:50:32,916 --> 01:50:35,000 - A second, you mean? - One sec. 1728 01:50:44,625 --> 01:50:48,083 ♪ Jo Jo was a man Who thought he was a loner ♪ 1729 01:50:49,416 --> 01:50:52,125 It doesn't matter for the last one, 'cause I don't have to come in singing. 1730 01:50:52,208 --> 01:50:53,791 - Yeah, but there's still… - You know, I can go… 1731 01:50:53,875 --> 01:50:57,041 Yeah, but it means that you're going on to D when we're still on A. 1732 01:50:57,125 --> 01:50:58,250 That's all right. 1733 01:50:58,333 --> 01:51:00,416 It's only the one when I've gotta come in singing. 1734 01:51:00,500 --> 01:51:03,041 No, well, I thought you'd do two solos twice, don't you? 1735 01:51:03,125 --> 01:51:05,125 - What? - Slightly varied second time. 1736 01:51:05,208 --> 01:51:07,750 Oh, second time. Yes. I rather… 1737 01:51:12,166 --> 01:51:15,166 Now I remember why I stopped getting solos. 1738 01:51:15,791 --> 01:51:17,291 'Cause this would happen all the time. 1739 01:51:21,625 --> 01:51:22,526 Just… 1740 01:51:22,541 --> 01:51:23,541 Oh, yeah! 1741 01:51:36,916 --> 01:51:37,958 A one, two. 1742 01:51:41,000 --> 01:51:42,083 A one, two. 1743 01:51:44,291 --> 01:51:45,458 In Sweden, yeah. 1744 01:51:54,291 --> 01:51:56,208 And we just went, "One, two!" 1745 01:52:00,541 --> 01:52:02,208 Then he'd just go… 1746 01:52:08,958 --> 01:52:11,000 - I keep missing that D bit. - Okay. Yeah. 1747 01:52:11,750 --> 01:52:14,041 - I'll shout when it's the end. - Three, four. 1748 01:52:16,083 --> 01:52:17,333 Let's build up. 1749 01:52:17,416 --> 01:52:19,666 - Yeah. - Two, three, four… 1750 01:52:34,166 --> 01:52:39,375 ♪ Imagine I'm in love with you ♪ 1751 01:52:39,458 --> 01:52:41,416 ♪ It's easy… ♪ 1752 01:52:43,791 --> 01:52:44,791 Are you? 1753 01:52:45,500 --> 01:52:46,875 Are you really? 1754 01:52:46,958 --> 01:52:50,375 We're gonna do it through one more time, and it's just gonna be the greatest ever. 1755 01:52:50,458 --> 01:52:52,666 We should have, like… 1756 01:52:52,750 --> 01:52:55,166 …when you take your solo, you stand up, and, uh… 1757 01:52:55,250 --> 01:52:56,916 - Okay. - Yeah? 1758 01:52:58,083 --> 01:52:59,083 You've convinced me. 1759 01:52:59,166 --> 01:53:01,541 The boys are ready for action. 1760 01:53:01,625 --> 01:53:03,125 The boys is ready. 1761 01:53:03,958 --> 01:53:05,958 - I can't play standing up. - I can't either. 1762 01:53:06,041 --> 01:53:07,833 I can't. 1763 01:53:09,416 --> 01:53:10,583 Hello. 1764 01:53:15,541 --> 01:53:16,708 No, you gotta… 1765 01:53:16,791 --> 01:53:18,625 - Yeah. - Okay, Barney. 1766 01:53:20,833 --> 01:53:23,166 One, two. 1767 01:53:23,250 --> 01:53:25,625 One, two, three, four. 1768 01:53:27,666 --> 01:53:28,875 Go on, Al. 1769 01:53:29,666 --> 01:53:31,750 What? You what? 1770 01:53:31,833 --> 01:53:33,583 I just said, "Go on, Al." That's all. 1771 01:53:34,625 --> 01:53:37,000 Don't interrupt stars when they're recording. 1772 01:53:37,083 --> 01:53:39,625 - Hey. Hey. - We're bloody stars, you know? 1773 01:53:39,708 --> 01:53:41,041 Look, fuckface. 1774 01:53:42,083 --> 01:53:43,875 - Don't comment. - Fucking cheek. 1775 01:53:50,000 --> 01:53:51,125 Well, thank you very much. 1776 01:53:51,208 --> 01:53:52,916 ♪ I've got a feeling ♪ 1777 01:53:53,500 --> 01:53:56,458 ♪ Rocks me off my bones Oh, yeah ♪ 1778 01:53:58,583 --> 01:54:00,208 Whoo! 1779 01:54:04,208 --> 01:54:09,166 ♪ When I was younger So much younger than today ♪ 1780 01:54:09,875 --> 01:54:13,875 ♪ I never needed anybody's help in any ♪ 1781 01:54:15,625 --> 01:54:17,833 ♪ But now these days are gone I'm not so self-assured ♪ 1782 01:54:17,916 --> 01:54:21,333 - * I'm not so self-assured * - * Self-assured * 1783 01:54:21,416 --> 01:54:23,791 ♪ Now I find I've changed my mind ♪ 1784 01:54:23,875 --> 01:54:25,958 ♪ I've opened up the door ♪ 1785 01:54:26,708 --> 01:54:28,791 - * Help! * - * Help me if you can * 1786 01:54:28,875 --> 01:54:30,416 ♪ Down! ♪ 1787 01:54:32,541 --> 01:54:33,541 ♪ Need! ♪ 1788 01:54:35,375 --> 01:54:36,375 ♪ Round! ♪ 1789 01:54:41,666 --> 01:54:44,166 ♪ Last night I said these words to ♪ 1790 01:54:44,750 --> 01:54:47,166 ♪ Last night I said these words to ♪ 1791 01:54:47,250 --> 01:54:48,500 ♪ My girl ♪ 1792 01:54:50,333 --> 01:54:52,333 - We'll have to do it sitting down… - Oh, yeah. 1793 01:54:52,416 --> 01:54:54,541 …or we get too excited. 1794 01:54:59,625 --> 01:55:03,041 ♪ Jo Jo was a man Who thought he was a loner ♪ 1795 01:55:03,125 --> 01:55:06,333 ♪ But he knew it couldn't last ♪ 1796 01:55:07,458 --> 01:55:11,375 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1797 01:55:11,458 --> 01:55:14,375 ♪ For some California grass ♪ 1798 01:55:15,291 --> 01:55:16,375 ♪ Get back ♪ 1799 01:55:17,250 --> 01:55:18,458 ♪ Get back ♪ 1800 01:55:19,333 --> 01:55:23,333 ♪ Get back To where you once belonged, Jo Jo ♪ 1801 01:55:23,416 --> 01:55:25,041 ♪ Get back ♪ 1802 01:55:25,125 --> 01:55:26,708 ♪ Get back ♪ 1803 01:55:27,291 --> 01:55:29,750 ♪ Get back to where you once belonged ♪ 1804 01:55:30,416 --> 01:55:32,000 ♪ Get back, Jo Jo ♪ 1805 01:55:47,041 --> 01:55:48,125 ♪ Get back ♪ 1806 01:55:48,916 --> 01:55:50,125 ♪ Get back ♪ 1807 01:55:50,916 --> 01:55:54,125 ♪ Get back to where you once belonged ♪ 1808 01:55:54,875 --> 01:55:56,208 ♪ Get back ♪ 1809 01:55:56,833 --> 01:55:57,833 ♪ Get back ♪ 1810 01:55:58,791 --> 01:56:01,666 ♪ Get back to where you once belonged ♪ 1811 01:56:04,166 --> 01:56:05,833 ♪ Get back, Jo ♪ 1812 01:56:21,000 --> 01:56:24,625 ♪ Sweet Loretta Martin Thought she was a woman ♪ 1813 01:56:24,708 --> 01:56:27,833 ♪ But she was another man ♪ 1814 01:56:28,708 --> 01:56:32,625 ♪ All the girls around They said she got it coming ♪ 1815 01:56:32,708 --> 01:56:35,166 ♪ But she get it while she can ♪ 1816 01:56:35,250 --> 01:56:37,416 It'd be nice to just put it out as a single. 1817 01:56:38,041 --> 01:56:40,375 - Yeah. - Just do a single of it now. 1818 01:56:40,458 --> 01:56:42,833 - Okay. - Let's knock it off for a single maybe. 1819 01:56:42,916 --> 01:56:44,833 - Let's finish it off… - Just make it now 1820 01:56:44,916 --> 01:56:47,291 and have it as a single, put it out next week. 1821 01:56:47,375 --> 01:56:48,958 - Oh, yeah? - It's easy. 1822 01:56:49,041 --> 01:56:50,750 Just take it in there, cut it in the master. 1823 01:56:50,833 --> 01:56:52,375 You have the master back tomorrow. 1824 01:56:52,458 --> 01:56:53,458 Master. 1825 01:56:55,041 --> 01:56:57,041 I'm easy, lads. 1826 01:57:05,750 --> 01:57:06,750 Yeah. 1827 01:57:08,583 --> 01:57:10,125 It's great. Remember how we used to have it? 1828 01:57:10,208 --> 01:57:13,083 One record would be coming out, and we'd put another one out. 1829 01:57:13,166 --> 01:57:15,083 - Like in the old hustling days. - Yeah. 1830 01:57:15,166 --> 01:57:18,291 It'd be great. "Get back" in time. 1831 01:57:18,375 --> 01:57:20,541 ♪ Doo doo doo doo doo doo doo doo doo ♪ 1832 01:57:22,125 --> 01:57:23,625 Well, I'm going home now. Knocking off. 1833 01:57:23,708 --> 01:57:26,083 - All right, Paul. Right. - Put this on. 1834 01:57:26,166 --> 01:57:27,916 - Okay. - I'm coming in tomorrow. 1835 01:57:28,000 --> 01:57:30,541 Let's do some instrumentals, you know, to do the… 1836 01:57:30,625 --> 01:57:32,083 you know, for the album, like. 1837 01:57:32,750 --> 01:57:35,000 Hey, you look like a Victorian miner now, you know? 1838 01:57:35,083 --> 01:57:36,125 It's true. 1839 01:57:36,208 --> 01:57:37,625 - Aye? - A DH Lawrence. 1840 01:57:37,708 --> 01:57:40,208 All right, well, I can't afford to mess around here, you know? 1841 01:57:40,291 --> 01:57:42,583 ♪ I'm a golden garter ♪ 1842 01:57:45,291 --> 01:57:47,916 - Did you hear about the book idea? - Yeah. 1843 01:57:48,000 --> 01:57:50,541 They're great, man. Really great. 1844 01:57:53,416 --> 01:57:54,750 It'll be a book of the film. 1845 01:57:54,833 --> 01:57:57,166 They can have it out almost simultaneously. 1846 01:57:57,250 --> 01:57:59,875 The book of the film, the book of the… All that. 1847 01:57:59,958 --> 01:58:01,458 - The package is great. - It's good. 1848 01:58:01,541 --> 01:58:02,708 They'll have slides, you know. 1849 01:58:02,791 --> 01:58:04,791 And I'll talk to John Kosh on Monday. 1850 01:58:04,875 --> 01:58:07,208 'Cause I think he'd be a nice guy to design it. 1851 01:58:07,875 --> 01:58:09,708 Will you have any new ones today? 1852 01:58:11,458 --> 01:58:14,125 I'm trying without the marmalade today, you know? 1853 01:58:14,208 --> 01:58:15,708 - Very good. - Ah. 1854 01:58:15,791 --> 01:58:17,125 You see what happens? 1855 01:58:17,208 --> 01:58:19,750 They're gonna concentrate on our legs and toast today. 1856 01:58:19,833 --> 01:58:22,166 It'll be great. "Get Back" will be coming out. 1857 01:58:22,250 --> 01:58:23,500 Are we gonna do a single? 1858 01:58:24,333 --> 01:58:28,375 I don't know, you know? I'm just sort of still rehearsing. 1859 01:58:28,458 --> 01:58:30,250 - Yeah. - And if we hit one, great. 1860 01:58:30,333 --> 01:58:31,333 The thing is, 1861 01:58:31,416 --> 01:58:34,791 this is the first song we've really sort of got into that we dig. 1862 01:58:34,875 --> 01:58:35,916 But there's a… 1863 01:58:36,000 --> 01:58:39,083 I dig "Don't Let Me Down" and "I Dig A Pony," 1864 01:58:39,166 --> 01:58:40,833 personally speaking. 1865 01:58:40,916 --> 01:58:42,500 Well, yeah. I mean… 1866 01:58:42,583 --> 01:58:46,291 I still haven't done "Don't Let Me Down" satisfactorily for myself yet. 1867 01:58:46,375 --> 01:58:48,083 Oh, yeah? Well, we're all great on it, 1868 01:58:48,166 --> 01:58:50,500 so just get yourself together, will you? 1869 01:58:50,583 --> 01:58:53,125 Did you tell Paul we've got Billy a contract? 1870 01:58:53,208 --> 01:58:56,750 - No, not yet. - We've got him off Capitol. 1871 01:58:56,833 --> 01:58:58,041 Just like that. 1872 01:58:58,125 --> 01:58:59,958 And George will produce him. 1873 01:59:00,041 --> 01:59:01,750 I was just talking to him about that. 1874 01:59:07,625 --> 01:59:09,875 And he sort of had a couple groups together. 1875 01:59:09,958 --> 01:59:12,291 - But he's never, sort of, done his thing. - Yes. 1876 01:59:12,375 --> 01:59:15,791 The main thing, Billy just really is so knocked out, 1877 01:59:15,875 --> 01:59:17,250 so thrilled doing it. 1878 01:59:17,333 --> 01:59:20,125 And also he sees it's his great opportunity. 1879 01:59:20,208 --> 01:59:21,208 Yeah, and produce him. 1880 01:59:21,291 --> 01:59:24,375 Then he puts his name and The Beatles. Like, it's Billy Preston! 1881 01:59:24,458 --> 01:59:25,625 I didn't think about it. 1882 01:59:28,500 --> 01:59:30,708 'Cause, if we were having Nicky Hopkins playing, 1883 01:59:30,791 --> 01:59:33,083 we'd have to pay him session musician rates. 1884 01:59:33,166 --> 01:59:34,541 - Yeah. - Which will be… 1885 01:59:34,625 --> 01:59:37,208 This is, like, to be in the film and that. 1886 01:59:37,291 --> 01:59:40,250 Yeah, we'll just say to Ron, "Look, will you talk to Billy?" 1887 01:59:40,333 --> 01:59:42,041 On the film it happened so great. 1888 01:59:52,458 --> 01:59:54,208 We can do that, as well. 1889 01:59:56,041 --> 01:59:57,750 and he would, as well, you know, 1890 01:59:57,833 --> 01:59:59,416 and we get 'em all in here! 1891 01:59:59,500 --> 02:00:01,625 Yeah, but they don't need to join The Beatles. 1892 02:00:01,708 --> 02:00:04,000 We'd call it The Beatles & Co. That'll be our band. 1893 02:00:04,625 --> 02:00:07,291 I mean, it's Sergeant Pepper's Lonely Hearts Club Band, innit? 1894 02:00:07,375 --> 02:00:08,666 - Yeah. - We could get 'em all. 1895 02:00:08,750 --> 02:00:11,833 I just don't, because it's just bad enough with four. 1896 02:00:13,166 --> 02:00:14,291 - Okay. - Mal, can we have… 1897 02:00:15,375 --> 02:00:18,083 We haven't got the PA. Do they know that? 1898 02:00:18,166 --> 02:00:20,416 - PA is not on. - Hello… 1899 02:00:20,500 --> 02:00:22,541 Okay. What should we do, Paul? 1900 02:00:22,625 --> 02:00:25,083 Do you have anything more that you're writing? 1901 02:00:26,458 --> 02:00:28,500 You're writing all the time, aren't you, John? 1902 02:00:28,583 --> 02:00:29,583 Sure I am. 1903 02:00:29,666 --> 02:00:33,416 I'd do "On The Road To Marrakesh," which is a sweet number, baby. 1904 02:00:33,500 --> 02:00:34,666 - Sweet number? - Sweet number. 1905 02:00:34,750 --> 02:00:36,541 I was gonna do a big '30s orchestra bit. 1906 02:00:44,625 --> 02:00:49,041 ♪ On the road to Marrakesh ♪ 1907 02:00:52,041 --> 02:00:55,250 ♪ I was dreaming more or less ♪ 1908 02:00:58,916 --> 02:01:02,250 ♪ And the dream I had was you ♪ 1909 02:01:06,041 --> 02:01:09,625 ♪ And the dream I had was you ♪ 1910 02:01:12,500 --> 02:01:16,375 ♪ I'm just a child of nature ♪ 1911 02:01:17,625 --> 02:01:20,333 Forget where we end. 1912 02:01:20,416 --> 02:01:22,083 - Paul? - Yes? 1913 02:01:22,166 --> 02:01:25,166 What's the possibility of you using another bass? 1914 02:01:25,250 --> 02:01:26,666 You wanna try the bass on its own? 1915 02:01:28,250 --> 02:01:29,250 Oh, yeah. 1916 02:01:45,583 --> 02:01:46,916 Uh-huh. 1917 02:01:51,500 --> 02:01:53,458 ♪ Hail, hail, rock and roll ♪ 1918 02:01:58,583 --> 02:02:00,708 ♪ Long live rock and roll ♪ 1919 02:02:00,791 --> 02:02:05,666 The only trouble is the strings slip off this, 'cause it's left-handed, 1920 02:02:05,750 --> 02:02:08,458 and the nut is for right-handed, you know? 1921 02:02:08,541 --> 02:02:11,666 - So, you know, I'm not as keen on it. - Well, I'll try that. 1922 02:02:11,750 --> 02:02:14,791 ♪ Oh, oh, oh, oh Stand ♪ 1923 02:02:15,666 --> 02:02:16,833 ♪ Stand by me ♪ 1924 02:02:16,916 --> 02:02:18,875 - * Stand by me * - * Oh * 1925 02:02:18,958 --> 02:02:20,666 ♪ Stand by me ♪ 1926 02:02:20,750 --> 02:02:22,791 - * Stand by me * - * Stand by me * 1927 02:02:23,375 --> 02:02:27,166 - * Stand by me * - * Stand by me, darling, darling * 1928 02:02:29,083 --> 02:02:30,541 - So I'll get that fixed. - Proper drag, yeah. 1929 02:02:30,625 --> 02:02:31,958 Yeah, but I will get it fixed. 1930 02:02:32,041 --> 02:02:33,541 I'd like to hear more bass still. 1931 02:02:36,625 --> 02:02:39,375 See, I just don't know what these knobs do, actually. 1932 02:02:39,458 --> 02:02:41,708 We seem to be at a loss without Billy. 1933 02:02:41,791 --> 02:02:42,875 What should we do? 1934 02:02:42,958 --> 02:02:45,083 Just ones we don't know. 1935 02:02:45,166 --> 02:02:46,875 Yes. 1936 02:02:46,958 --> 02:02:48,791 Let's try to get "Two Of Us." 1937 02:02:48,875 --> 02:02:51,708 - Okay. Am I still singing it? - Yeah. 1938 02:02:51,791 --> 02:02:53,250 Yeah? Okay. 1939 02:02:53,333 --> 02:02:55,125 Now, what kind of thing was it? 1940 02:02:55,208 --> 02:02:58,250 I don't know, it's just… We're all very stiff, like… 1941 02:02:58,333 --> 02:02:59,276 Yes. 1942 02:02:59,291 --> 02:03:01,958 ♪ Two of us riding nowhere ♪ 1943 02:03:02,041 --> 02:03:06,750 ♪ Spending someone's hard-earned pay… ♪ 1944 02:03:06,833 --> 02:03:08,666 When I heard Stevie Wonder… 1945 02:03:08,750 --> 02:03:12,208 I don't know what his backing would be, but then you'd sing it looser. 1946 02:03:12,291 --> 02:03:13,333 But I can't… 1947 02:03:13,416 --> 02:03:15,583 ♪ Two of us riding nowhere ♪ 1948 02:03:15,666 --> 02:03:17,125 Maybe it's just soft. 1949 02:03:17,208 --> 02:03:19,708 ♪ Two of us riding nowhere ♪ 1950 02:03:19,791 --> 02:03:21,125 You know what I mean? 1951 02:03:21,208 --> 02:03:23,625 Mal, have you got my acoustic? 1952 02:03:23,708 --> 02:03:24,708 Martin? 1953 02:03:24,791 --> 02:03:27,375 And a packet of ciggys, Mal. 1954 02:03:27,458 --> 02:03:28,916 And a packet of ciggys, Mal. 1955 02:03:29,833 --> 02:03:34,041 See, I'd like not to be playing bass on these ones, 'cause it's just silly. 1956 02:03:34,125 --> 02:03:36,791 It's silly, 'cause I wrote it on my own guitar, you know? 1957 02:03:36,875 --> 02:03:37,875 And it's just… 1958 02:03:38,500 --> 02:03:39,875 A bit like "Peggy Sue." 1959 02:03:42,750 --> 02:03:45,541 Well, I can't play bass and sing, you see? 1960 02:03:45,625 --> 02:03:48,291 Let's all stay on guitar until we have to have bass. 1961 02:03:48,375 --> 02:03:49,750 And then I'll get back on it. 1962 02:03:49,833 --> 02:03:51,083 Bass is, uh… 1963 02:03:51,166 --> 02:03:52,916 It's a bit of a drag, bass, isn't it? 1964 02:03:53,000 --> 02:03:55,041 Bass is a drag when there's no bass. 1965 02:03:55,125 --> 02:03:56,583 But, you know, uh… 1966 02:03:58,250 --> 02:03:59,291 That's it. Play. 1967 02:04:01,625 --> 02:04:04,875 See, I quite like those ones where there isn't bass. 1968 02:04:04,958 --> 02:04:06,125 I've never heard one. 1969 02:04:06,208 --> 02:04:08,125 - We've done a few. - What? 1970 02:04:08,208 --> 02:04:11,041 "I'll Follow The Sun." They've all tended to be that kind. 1971 02:04:11,125 --> 02:04:12,750 But they're nice. 1972 02:04:14,125 --> 02:04:15,916 They lose a big bottom. 1973 02:04:16,541 --> 02:04:19,958 But they gain a… slim, lithe look. 1974 02:04:20,041 --> 02:04:21,208 Okay. 1975 02:04:29,083 --> 02:04:30,875 ♪ Desmond had a bar ♪ 1976 02:04:31,458 --> 02:04:33,791 ♪ Oh, oh ♪ 1977 02:04:33,875 --> 02:04:34,875 ♪ Oh ♪ 1978 02:04:35,958 --> 02:04:38,208 ♪ We're on our way home ♪ 1979 02:04:39,541 --> 02:04:41,583 ♪ We're on our way home ♪ 1980 02:04:42,833 --> 02:04:46,583 ♪ We're going home ♪ 1981 02:04:47,541 --> 02:04:49,166 - Whoo! - Yeah! 1982 02:04:50,125 --> 02:04:52,125 ♪ Writing postcards ♪ 1983 02:04:54,625 --> 02:04:57,833 ♪ On my wall ♪ 1984 02:04:59,250 --> 02:05:02,250 ♪ You and the PTA ♪ 1985 02:05:02,333 --> 02:05:04,500 ♪ The Harper Bazaar ♪ 1986 02:05:04,583 --> 02:05:08,458 ♪ Won't let go ♪ 1987 02:05:08,541 --> 02:05:10,000 ♪ Back home ♪ 1988 02:05:11,041 --> 02:05:13,333 ♪ We're on our way home ♪ 1989 02:05:14,708 --> 02:05:17,250 ♪ We're on our way home ♪ 1990 02:05:17,833 --> 02:05:21,750 ♪ We're going home ♪ 1991 02:05:22,458 --> 02:05:23,666 Yeah! I like that. 1992 02:05:32,666 --> 02:05:35,375 "I'm a cheat." 1993 02:05:35,458 --> 02:05:38,125 Because, I mean, if we'd recorded it then tried to do it onstage, 1994 02:05:38,208 --> 02:05:40,416 we'd have to modify it, like we always did, you know? 1995 02:05:40,500 --> 02:05:42,000 What do you want for lunch? 1996 02:05:42,083 --> 02:05:43,068 Take one. 1997 02:05:43,083 --> 02:05:45,208 - Yeah, what's your order? - And just some steak. 1998 02:05:45,291 --> 02:05:47,083 Sparrow on toast. 1999 02:05:47,166 --> 02:05:49,041 Boiled testicle. 2000 02:05:49,125 --> 02:05:51,041 - Uh, Mal? - Yes? 2001 02:05:51,125 --> 02:05:53,625 So I'll just… We'll have whatever the vegetables are. 2002 02:05:53,708 --> 02:05:56,625 If they've got any cheese sauce for the cauliflower… 2003 02:05:56,708 --> 02:05:58,708 - Let's have a mushroom omelet then. - Cauliflower. 2004 02:06:00,083 --> 02:06:02,583 Don't do it, Richie. Don't do it. 2005 02:06:02,666 --> 02:06:03,833 He used to eat chips. 2006 02:06:06,666 --> 02:06:09,833 It's like after "Get Back," 2007 02:06:09,916 --> 02:06:11,791 - "We're on our way home." - Yeah. 2008 02:06:11,875 --> 02:06:12,875 So there's a story. 2009 02:06:12,958 --> 02:06:14,666 And there's another one, "Don't Let Me Down." 2010 02:06:14,750 --> 02:06:17,708 ♪ Oh, darling I'll never let you down ♪ 2011 02:06:17,791 --> 02:06:20,291 - Yeah. It's like you and me are lovers. - Yeah. 2012 02:06:20,375 --> 02:06:22,333 We shall have to camp it up for those two. 2013 02:06:22,416 --> 02:06:23,458 Thanks, Mal. 2014 02:06:25,458 --> 02:06:26,958 Oh, isn't that pretty? 2015 02:06:29,125 --> 02:06:30,375 Didn't have a black one? 2016 02:06:30,458 --> 02:06:32,416 I'd like one like the purple one in black. 2017 02:06:32,500 --> 02:06:33,500 Yeah. 2018 02:06:34,250 --> 02:06:35,250 It's lovely. 2019 02:06:41,750 --> 02:06:43,166 - Purple dicky bow. - It's very nice. 2020 02:06:50,208 --> 02:06:51,208 - Yeah. - Okay. 2021 02:06:51,291 --> 02:06:52,875 "Funky Pudding," take one. 2022 02:06:52,958 --> 02:06:54,458 - Are you on? - Okay. 2023 02:07:03,916 --> 02:07:07,000 ♪ Two of us riding nowhere ♪ 2024 02:07:07,083 --> 02:07:12,375 ♪ Spending someone's hard-earned pay ♪ 2025 02:07:13,791 --> 02:07:17,208 ♪ You and me Sunday driving ♪ 2026 02:07:17,291 --> 02:07:19,541 ♪ Not arriving ♪ 2027 02:07:19,625 --> 02:07:24,750 ♪ On our way back home ♪ 2028 02:07:31,250 --> 02:07:33,750 - * Yes, very nice * - Well, it's part of the pudding. 2029 02:07:33,833 --> 02:07:34,833 Oh, yeah. 2030 02:07:34,916 --> 02:07:36,125 Shall we hear it? 2031 02:07:36,208 --> 02:07:39,000 - Come on, let's hear it. - Track it. Put the violins on. Let's go. 2032 02:07:40,250 --> 02:07:41,625 Just release it. 2033 02:07:42,541 --> 02:07:43,958 Release it in Italy only. 2034 02:07:44,041 --> 02:07:47,125 Let's just make a different single for every country. 2035 02:07:47,208 --> 02:07:51,208 ♪ Wearing raincoats Standing solo ♪ 2036 02:07:51,291 --> 02:07:54,750 ♪ In the sun ♪ 2037 02:07:54,833 --> 02:07:57,000 Phyllis Lindsay-Hogg. 2038 02:07:57,083 --> 02:07:58,833 Instead of Mal picking us up, 2039 02:07:58,916 --> 02:08:01,583 on one day, should be all from each of our houses for this. 2040 02:08:01,666 --> 02:08:05,500 You should get, each day, one of us coming straight from home, 2041 02:08:05,583 --> 02:08:08,125 even right into the bedroom, you know. Let's make it… 2042 02:08:12,791 --> 02:08:13,791 Yeah. 2043 02:08:19,041 --> 02:08:21,208 Well, we are rather uncouth. 2044 02:08:21,791 --> 02:08:23,458 We're not your elite, you know. 2045 02:08:25,333 --> 02:08:27,541 ♪ You should see Polythene Pam ♪ 2046 02:08:28,041 --> 02:08:30,250 ♪ She's not good looking But she looks like a man ♪ 2047 02:08:30,750 --> 02:08:33,500 ♪ You should see her in drag Dressed in her polythene bag ♪ 2048 02:08:33,583 --> 02:08:35,625 ♪ Yes, you should see Polythene Pam ♪ 2049 02:08:36,833 --> 02:08:38,583 ♪ See Poly… ♪ 2050 02:08:38,666 --> 02:08:39,666 ♪ See… ♪ 2051 02:08:40,875 --> 02:08:43,041 ♪ See Polythene Pam ♪ 2052 02:08:45,125 --> 02:08:48,416 ♪ Dressed in her polythene bag Yes, you should see Polythene Pam ♪ 2053 02:08:48,500 --> 02:08:50,166 ♪ See Poly… ♪ 2054 02:08:50,250 --> 02:08:51,708 ♪ Polythene Pam ♪ 2055 02:08:52,625 --> 02:08:53,708 ♪ See… ♪ 2056 02:08:54,208 --> 02:08:56,333 ♪ See Polythene Pam ♪ 2057 02:08:59,958 --> 02:09:01,291 ♪ Yes ♪ 2058 02:09:01,375 --> 02:09:02,916 ♪ Well, you should see her ♪ 2059 02:09:03,000 --> 02:09:04,250 ♪ Should see her when she's… ♪ 2060 02:09:04,333 --> 02:09:05,791 What is it? 2061 02:09:11,208 --> 02:09:13,041 Mal, what about the Hawaiian? 2062 02:09:14,875 --> 02:09:16,375 No, it's not like that. 2063 02:09:16,458 --> 02:09:18,583 I might have a little stand, you know. 2064 02:09:18,666 --> 02:09:20,833 See, one goes into the amplifier, 2065 02:09:20,916 --> 02:09:22,750 the other goes to the foot pedal. 2066 02:09:23,250 --> 02:09:25,750 A lead from the guitar to a foot pedal to the amp. 2067 02:09:25,833 --> 02:09:29,291 - Take it to Alex, and he- - Get some fucking wires, man. 2068 02:09:31,875 --> 02:09:36,416 ♪ Her Majesty's a pretty nice girl But she changes from day to day ♪ 2069 02:09:37,875 --> 02:09:40,208 That's the cheapest one, actually. 2070 02:09:40,291 --> 02:09:43,250 But if he gets any good on it we'll give him a good one. 2071 02:09:43,333 --> 02:09:45,541 ♪ I wanna tell her that I love her a lot ♪ 2072 02:09:45,625 --> 02:09:48,375 ♪ But I gotta get a belly full of wine ♪ 2073 02:09:49,208 --> 02:09:53,541 ♪ Her Majesty's a pretty nice girl Someday I'm gonna make her mine ♪ 2074 02:09:53,625 --> 02:09:56,750 ♪ Yeah, someday I'm gonna make her mine ♪ 2075 02:09:58,083 --> 02:10:01,083 ♪ Tell her he'd be twice as good ♪ 2076 02:10:01,166 --> 02:10:02,875 ♪ And he knew he could ♪ 2077 02:10:02,958 --> 02:10:06,041 ♪ 'Cause in his head He said… ♪ 2078 02:10:07,208 --> 02:10:10,750 ♪ "Mommy, don't worry Now Teddy Boy's here ♪ 2079 02:10:10,833 --> 02:10:13,791 ♪ Taking good care of you ♪ 2080 02:10:13,875 --> 02:10:17,208 ♪ Mommy, don't worry Your Teddy Boy's here ♪ 2081 02:10:17,291 --> 02:10:19,541 ♪ Teddy's gonna see you through" ♪ 2082 02:10:19,625 --> 02:10:24,166 ♪ And she said, "Teddy, don't worry Now Mommy is here ♪ 2083 02:10:25,041 --> 02:10:27,416 ♪ Taking good care of you ♪ 2084 02:10:27,500 --> 02:10:30,791 ♪ Teddy, don't worry Now your mama is here ♪ 2085 02:10:30,875 --> 02:10:33,208 ♪ Mama's gonna see you through" ♪ 2086 02:10:33,291 --> 02:10:37,666 ♪ And he said, "Mommy, don't worry 'Cause Teddy Boy's here ♪ 2087 02:10:37,750 --> 02:10:40,583 ♪ Taking good care of you ♪ 2088 02:10:40,666 --> 02:10:44,291 ♪ Mommy, don't worry now Teddy Boy's here ♪ 2089 02:10:44,375 --> 02:10:46,416 ♪ Teddy's gonna see us through" ♪ 2090 02:10:47,708 --> 02:10:50,958 ♪ Take your partners And do-si-do ♪ 2091 02:10:51,041 --> 02:10:53,708 ♪ Hold them tight And don't let go ♪ 2092 02:10:54,291 --> 02:10:56,833 ♪ When you got it Jump up ♪ 2093 02:10:57,500 --> 02:11:00,458 ♪ Take your partners And do-si-do ♪ 2094 02:11:00,541 --> 02:11:03,500 ♪ And when you've got it Let it go ♪ 2095 02:11:04,000 --> 02:11:05,500 ♪ Hold them tight and… ♪ 2096 02:11:08,500 --> 02:11:10,791 ♪ Oh, dirty Maggie Mae ♪ 2097 02:11:10,875 --> 02:11:13,083 ♪ They have taken her away ♪ 2098 02:11:13,166 --> 02:11:16,250 ♪ And she'll never walk down Lime Street anymore ♪ 2099 02:11:17,666 --> 02:11:19,791 ♪ Well, the judge, he guilty found her ♪ 2100 02:11:19,875 --> 02:11:22,000 ♪ Of robbin' the homeward bounder ♪ 2101 02:11:22,083 --> 02:11:24,916 ♪ That dirty, no good Robbin' Maggie Mae ♪ 2102 02:11:26,291 --> 02:11:28,708 ♪ 'Tis the part of Liverpool ♪ 2103 02:11:31,083 --> 02:11:34,458 ♪ And two pound ten a week That was my pay ♪ 2104 02:11:40,083 --> 02:11:43,208 ♪ That dirty, no good Robbin' Maggie Mae ♪ 2105 02:11:44,041 --> 02:11:46,666 ♪ Oh, dirty Maggie Mae ♪ 2106 02:11:46,750 --> 02:11:48,791 ♪ They have taken her away ♪ 2107 02:11:48,875 --> 02:11:52,083 ♪ And she'll never walk down Lime Street anymore ♪ 2108 02:11:53,416 --> 02:11:55,708 ♪ Oh, the judge, he guilty found her ♪ 2109 02:11:55,791 --> 02:11:57,916 ♪ Of robbin' the homeward bounder ♪ 2110 02:11:58,000 --> 02:12:00,791 ♪ That dirty, no good No good Maggie Mae ♪ 2111 02:12:01,666 --> 02:12:02,666 Take it, Maggie! 2112 02:12:05,708 --> 02:12:07,416 ♪ Oh, I fancy me chances with you ♪ 2113 02:12:08,041 --> 02:12:09,625 ♪ I fancy me chances with you ♪ 2114 02:12:10,291 --> 02:12:12,333 ♪ I fancy me chances Fancy me chances ♪ 2115 02:12:12,416 --> 02:12:14,000 ♪ Oh, fancy me chances with you ♪ 2116 02:12:14,708 --> 02:12:16,250 ♪ Fancy me chances at the lock ♪ 2117 02:12:16,958 --> 02:12:19,041 ♪ Fancy me chances with your frock ♪ 2118 02:12:19,125 --> 02:12:21,333 ♪ Fancy me chances Fancy me chances ♪ 2119 02:12:21,416 --> 02:12:23,041 ♪ Fancy me chances with you ♪ 2120 02:12:23,125 --> 02:12:25,250 ♪ I fancy me chances with you ♪ 2121 02:12:26,000 --> 02:12:27,500 ♪ I fancy me chances with you ♪ 2122 02:12:28,250 --> 02:12:30,375 ♪ Oh, fancy me chances I fancy me chances ♪ 2123 02:12:30,458 --> 02:12:32,083 ♪ I fancy me chances with you ♪ 2124 02:12:33,375 --> 02:12:35,041 Yeah! 2125 02:12:38,291 --> 02:12:39,291 Yeah. 2126 02:12:39,375 --> 02:12:40,458 - You know… - What? 2127 02:12:40,541 --> 02:12:42,500 No one's asked you if you mind coming every day. 2128 02:12:46,208 --> 02:12:47,375 I just thought you never know. 2129 02:12:47,458 --> 02:12:50,583 Like, coming along every day and saying, "When am I getting paid?" 2130 02:13:00,500 --> 02:13:01,708 ♪ Well, can you dig it now? ♪ 2131 02:13:03,916 --> 02:13:05,458 - * Oh, can you dig it? Yeah * - * Yeah * 2132 02:13:07,333 --> 02:13:08,958 ♪ Well, can you dig it now? ♪ 2133 02:13:10,791 --> 02:13:12,875 ♪ Well, can you dig it right now? ♪ 2134 02:13:12,958 --> 02:13:13,958 ♪ Yeah ♪ 2135 02:13:14,041 --> 02:13:16,458 ♪ Well, you can dig it every morning ♪ 2136 02:13:16,541 --> 02:13:18,041 ♪ Dig it every evening ♪ 2137 02:13:18,125 --> 02:13:20,333 ♪ Dig it every time of day ♪ 2138 02:13:21,750 --> 02:13:24,041 ♪ Dig it every time of day ♪ 2139 02:13:29,958 --> 02:13:32,833 That was "Can You Dig It?" by Georgie Wood. 2140 02:13:32,916 --> 02:13:36,166 And now we'd like to do "Hark, the Angels Come." 2141 02:13:38,166 --> 02:13:40,625 - How long you had the camera? - Nearly six months. 2142 02:13:40,708 --> 02:13:42,375 They're fantastic, those things. 2143 02:13:43,416 --> 02:13:45,916 What do you do? You put it on a replay, which is plugged… 2144 02:13:47,541 --> 02:13:50,791 - Magnetic tape? - Yeah, it's a videotape. 2145 02:13:50,875 --> 02:13:53,083 I feel like a drink. Shall we go to a nearby pub? 2146 02:13:53,166 --> 02:13:55,750 - There is a boozer. - There is? Lead me to it. 2147 02:13:59,250 --> 02:14:00,916 Fine, thank you, George. 2148 02:14:15,875 --> 02:14:17,916 ♪ Life is happening every day ♪ 2149 02:14:18,000 --> 02:14:19,666 It's all right. I'll sit on this. 2150 02:14:36,166 --> 02:14:41,125 ♪ Many roads can take you there Many different ways ♪ 2151 02:14:42,625 --> 02:14:45,333 ♪ One direction takes you years ♪ 2152 02:14:45,416 --> 02:14:48,041 ♪ Another takes you days ♪ 2153 02:14:48,125 --> 02:14:49,708 Been to India, have you? 2154 02:14:49,791 --> 02:14:52,750 - Oh, yeah. I've been there. - I looked at mine last night, 2155 02:14:52,833 --> 02:14:54,166 next to me Pepper suit. 2156 02:14:57,708 --> 02:14:59,125 Me too. 2157 02:15:01,083 --> 02:15:03,416 ♪ Ga, Ma, Pa, Ni ♪ 2158 02:15:05,083 --> 02:15:08,916 ♪ Ni, Dha, Ga, Pa ♪ 2159 02:15:09,000 --> 02:15:12,625 ♪ Re, Pa, Ma, Ga ♪ 2160 02:15:12,708 --> 02:15:16,125 ♪ Ga, Ma, Pa, Ni ♪ 2161 02:15:16,208 --> 02:15:18,583 - I saw the film last night. - What? 2162 02:15:18,666 --> 02:15:21,250 Of us at the Maharishi's. I've got all the film of it. 2163 02:15:21,750 --> 02:15:23,708 The opening is great. It's just incredible. 2164 02:15:23,791 --> 02:15:24,958 It opens with Cyn… 2165 02:15:26,958 --> 02:15:28,375 and Pattie, 2166 02:15:29,458 --> 02:15:30,666 Jane. 2167 02:15:30,750 --> 02:15:33,875 You know. And it goes through all sorts of changes and stuff. 2168 02:15:33,958 --> 02:15:35,541 It's all the people who were there. 2169 02:15:35,625 --> 02:15:39,958 Jeffrey. Uh, the little American girl. 2170 02:15:40,041 --> 02:15:41,375 You know, it's all of them. 2171 02:15:41,458 --> 02:15:44,041 And they're just all the same shot and against the sky. 2172 02:15:44,125 --> 02:15:45,750 And it changes to someone else. 2173 02:15:45,833 --> 02:15:50,458 And it's a great opening. It's like, "The cast for this evening is…" And then… 2174 02:15:51,458 --> 02:15:52,500 But then it goes… 2175 02:15:52,583 --> 02:15:54,666 Then there's a big, sort of, white flare out thing, 2176 02:15:54,750 --> 02:15:56,958 'cause it's change of reel. 2177 02:15:57,041 --> 02:15:58,541 It's great, that. It really works. 2178 02:15:58,625 --> 02:16:01,375 Then the soundtrack should start with a… 2179 02:16:01,458 --> 02:16:02,625 Uh… 2180 02:16:04,916 --> 02:16:07,958 Yeah, it is like that, because Mike Love comes on, 2181 02:16:08,041 --> 02:16:10,250 and he's… you know, and he's… 2182 02:16:10,333 --> 02:16:13,375 And then he's just sitting with Cyn and Jane, waving. 2183 02:16:13,458 --> 02:16:14,583 Mike Love and Cyn. 2184 02:16:14,666 --> 02:16:18,708 And you just sort of see us, what we're doing. It's unbelievable. 2185 02:16:19,625 --> 02:16:20,708 What were we doing? 2186 02:16:20,791 --> 02:16:23,541 - Yes, what were we doing? - We, uh… 2187 02:16:24,291 --> 02:16:25,666 I don't really know, you know? 2188 02:16:25,750 --> 02:16:31,250 But it's like we totally, sort of, put our own personalities under, 2189 02:16:31,333 --> 02:16:32,625 for the sake of it. 2190 02:16:32,708 --> 02:16:34,750 And you can really see, you know, we're all… 2191 02:16:34,833 --> 02:16:36,333 Who's writing all them songs? 2192 02:16:37,916 --> 02:16:39,791 - That was probably when we did… - In your room. 2193 02:16:39,875 --> 02:16:40,916 Yeah. Right. 2194 02:16:41,000 --> 02:16:42,416 I remember, yeah. 2195 02:16:43,041 --> 02:16:45,000 But just sort of… There's a… 2196 02:16:47,375 --> 02:16:49,000 No, no. Oh, no. 2197 02:16:50,833 --> 02:16:54,666 I just think, what we did there, we weren't really very truthful there. 2198 02:16:54,750 --> 02:16:57,666 You know, things like sneaking behind his back and sort of saying, 2199 02:16:57,750 --> 02:16:59,333 "It's a bit like school, isn't it?" 2200 02:16:59,416 --> 02:17:02,041 But you can see on the film that it is very like school. 2201 02:17:03,541 --> 02:17:06,416 You want to call it What We Did On Our Holidays? 2202 02:17:06,500 --> 02:17:07,666 But it is very like that. 2203 02:17:07,750 --> 02:17:10,333 There's a long shot of you, sort of, walking with him. 2204 02:17:10,416 --> 02:17:12,000 And it's just not you, you know? 2205 02:17:12,083 --> 02:17:14,958 It's just… Yeah. Yeah. 2206 02:17:17,291 --> 02:17:19,666 - It's got a great opening. - Yeah. 2207 02:17:20,708 --> 02:17:21,708 Incredible. 2208 02:17:22,458 --> 02:17:24,750 I've got a couple of reels if you want some more. 2209 02:17:25,541 --> 02:17:27,458 The helicopter one, up in the sky. 2210 02:17:27,541 --> 02:17:29,791 I noticed you taking it, so I thought, "I'll get that." 2211 02:17:29,875 --> 02:17:32,291 Well, that was the idea. 'Cause you said you were making a film. 2212 02:17:33,125 --> 02:17:37,333 I want "By John Lennon Productions" written on those two reels. 2213 02:17:37,416 --> 02:17:40,208 But each of my reels have got "By John Lennon" all through 'em, 2214 02:17:40,291 --> 02:17:41,666 - like subtitles. - Yeah. 2215 02:17:41,750 --> 02:17:42,916 "John Lennon's reel." 2216 02:17:43,000 --> 02:17:44,666 "Shot by…" 2217 02:17:44,750 --> 02:17:46,333 And if I remember I'll bring 'em in. 2218 02:17:46,416 --> 02:17:48,791 And Linda remembered that thing you said the other night 2219 02:17:48,875 --> 02:17:50,708 about when you went up in the helicopter with him. 2220 02:17:50,791 --> 02:17:53,083 You just thought he might slip you the answer. 2221 02:17:59,875 --> 02:18:01,291 Tell me, Old Master. 2222 02:18:12,666 --> 02:18:14,250 I wouldn't mind having… 2223 02:18:14,333 --> 02:18:16,041 Wouldn't mind having his money. 2224 02:18:17,541 --> 02:18:18,708 I wouldn't mind having… 2225 02:18:19,416 --> 02:18:23,041 two months out of every four months… 2226 02:18:23,125 --> 02:18:24,500 in a place like that though. 2227 02:18:24,583 --> 02:18:26,416 Linda was saying, sitting up on his roof 2228 02:18:26,500 --> 02:18:30,625 and looking at that view, didn't you ever really feel like going out in it? 2229 02:18:30,708 --> 02:18:33,000 Well, we were out in it, weren't we? 2230 02:18:33,583 --> 02:18:37,125 Yeah, but I mean the bit in the villages and stuff. 2231 02:18:37,208 --> 02:18:40,416 The bit that everyone else, 95% of them, were doing around there, 2232 02:18:40,500 --> 02:18:42,916 except for the converts on the hill. 2233 02:18:43,000 --> 02:18:44,000 You know? 2234 02:18:44,083 --> 02:18:45,166 It's incredible stuff. 2235 02:18:47,208 --> 02:18:51,166 Uh. And then, uh, then the next scene burns out white again. 2236 02:18:51,250 --> 02:18:53,666 And the next scene is just this monkey, 2237 02:18:53,750 --> 02:18:55,958 just comes up and humps this other monkey. 2238 02:18:59,333 --> 02:19:04,791 ♪ People will be watching us Why don't we do it in the road? ♪ 2239 02:19:05,833 --> 02:19:07,083 And then they just jump off. 2240 02:19:07,166 --> 02:19:09,083 Then they just start picking each other. 2241 02:19:09,166 --> 02:19:10,166 It's great stuff. 2242 02:19:10,750 --> 02:19:12,375 And then there's a great one of you. 2243 02:19:12,458 --> 02:19:15,208 It's like you come up and wander onto the roof, 2244 02:19:15,291 --> 02:19:18,083 and you walk up, and you look like a student of philosophy 2245 02:19:18,166 --> 02:19:19,375 with your tape recorder. 2246 02:19:19,875 --> 02:19:20,875 And then… 2247 02:19:20,958 --> 02:19:23,916 Yeah, I've got all the soundtracks too. 2248 02:19:33,625 --> 02:19:36,583 It's that thing, we probably should have sort of just… 2249 02:19:38,291 --> 02:19:40,625 - Been ourselves. - Yeah, a lot more. Yeah. 2250 02:19:45,958 --> 02:19:51,208 That is the biggest joke, to be yourselves. 2251 02:19:51,291 --> 02:19:53,250 'Cause that was the purpose of going there, 2252 02:19:53,333 --> 02:19:56,041 to try and find who yourself really is. 2253 02:19:56,125 --> 02:19:57,666 Yes. We found out, didn't we? 2254 02:19:57,750 --> 02:20:01,625 And if you were really yourself, you wouldn't be any of who we are now. 2255 02:20:12,458 --> 02:20:15,500 ♪ If you're gonna put me In the movies ♪ 2256 02:20:16,500 --> 02:20:19,291 ♪ They're gonna make a big star Out of me ♪ 2257 02:20:21,125 --> 02:20:23,208 No, he's doing a TV show. 2258 02:20:23,291 --> 02:20:24,916 - All day? - Yeah. 2259 02:20:25,000 --> 02:20:26,208 ♪ Bye-bye, love ♪ 2260 02:20:26,708 --> 02:20:29,166 ♪ Bye-bye, happiness ♪ 2261 02:20:29,666 --> 02:20:31,500 ♪ Hello, loneliness ♪ 2262 02:20:32,000 --> 02:20:34,416 ♪ I think I'm a-gonna die ♪ 2263 02:20:35,000 --> 02:20:37,375 ♪ Bye, my love, goodbye ♪ 2264 02:20:38,208 --> 02:20:43,458 ♪ I'm through with romance I'm through with love ♪ 2265 02:20:44,375 --> 02:20:49,166 ♪ And through with counting The stars above ♪ 2266 02:20:50,166 --> 02:20:55,791 ♪ And here's the reason Why I'm so free ♪ 2267 02:20:55,875 --> 02:21:01,541 ♪ My loving baby Is through with me ♪ 2268 02:21:03,083 --> 02:21:05,083 ♪ Bye-bye, love ♪ 2269 02:21:06,291 --> 02:21:08,833 ♪ Bye-bye, happiness ♪ 2270 02:21:08,916 --> 02:21:11,708 ♪ Hello, loneliness ♪ 2271 02:21:11,791 --> 02:21:14,166 ♪ I think I'm a-gonna cry ♪ 2272 02:21:14,666 --> 02:21:17,208 ♪ Bye, my love, goodbye ♪ 2273 02:21:18,750 --> 02:21:22,541 Okay. Four of us on our way home. 2274 02:21:22,625 --> 02:21:23,666 Right. 2275 02:21:24,541 --> 02:21:28,500 ♪ You and I have memories ♪ 2276 02:21:28,583 --> 02:21:35,041 ♪ Long before the road That stretches out ahead ♪ 2277 02:21:35,625 --> 02:21:36,708 ♪ Out ahead ♪ 2278 02:21:38,250 --> 02:21:41,958 ♪ You and I have memories ♪ 2279 02:21:42,625 --> 02:21:46,500 ♪ Long before the road That stretches… ♪ 2280 02:21:46,583 --> 02:21:47,750 Take it slowly. 2281 02:21:47,833 --> 02:21:50,083 ♪ Long… Longer than ♪ 2282 02:21:50,166 --> 02:21:51,068 Oh, yeah. 2283 02:21:51,083 --> 02:21:57,750 ♪ Longer than the road that stretches… ♪ 2284 02:21:57,833 --> 02:21:59,708 You just… You're underneath it. 2285 02:21:59,791 --> 02:22:05,000 ♪ Longer than the road ♪ 2286 02:22:05,083 --> 02:22:08,125 ♪ That stretches… ♪ 2287 02:22:08,208 --> 02:22:09,333 It's funny. 2288 02:22:09,416 --> 02:22:13,541 ♪ Road that stretches out ahead ♪ 2289 02:22:13,625 --> 02:22:14,625 That's mine. 2290 02:22:14,708 --> 02:22:16,375 ♪ Longer than… ♪ 2291 02:22:16,458 --> 02:22:22,166 ♪ Longer than the road that stretches Out ahead ♪ 2292 02:22:22,250 --> 02:22:24,166 Just keep it down for that bit. 2293 02:22:24,250 --> 02:22:29,458 ♪ Longer than the road That stretches out ahead ♪ 2294 02:22:32,208 --> 02:22:35,416 ♪ Two of us wearing raincoats ♪ 2295 02:22:35,500 --> 02:22:41,041 ♪ Standing solo in the sun ♪ 2296 02:22:42,083 --> 02:22:45,625 - * You and I chasing paper * - * You and me chasing paper * 2297 02:22:45,708 --> 02:22:47,375 ♪ Getting nowhere ♪ 2298 02:22:47,458 --> 02:22:53,166 ♪ On our way back home ♪ 2299 02:22:54,333 --> 02:23:00,000 ♪ We're on our way home We're on our way home ♪ 2300 02:23:01,000 --> 02:23:03,666 ♪ We are going home ♪ 2301 02:23:06,416 --> 02:23:09,708 ♪ Two of us wearing raincoats ♪ 2302 02:23:09,791 --> 02:23:14,958 ♪ Standing solo in the sun ♪ 2303 02:23:15,041 --> 02:23:16,500 You're doing well. 2304 02:23:16,583 --> 02:23:19,458 ♪ You and me chasing paper ♪ 2305 02:23:19,541 --> 02:23:21,666 ♪ Getting nowhere ♪ 2306 02:23:21,750 --> 02:23:27,041 ♪ On our way back home ♪ 2307 02:23:28,708 --> 02:23:34,041 ♪ We're on our way home We're on our way home ♪ 2308 02:23:35,125 --> 02:23:38,875 ♪ We're going home ♪ 2309 02:23:40,000 --> 02:23:44,291 ♪ You and I have memories, yeah ♪ 2310 02:23:44,375 --> 02:23:51,041 ♪ Longer than the road That stretches out ahead ♪ 2311 02:23:51,125 --> 02:23:52,916 ♪ Out ahead ♪ 2312 02:23:53,666 --> 02:23:57,000 ♪ Two of us wearing raincoats ♪ 2313 02:23:57,083 --> 02:24:02,166 ♪ Standing solo in the sun ♪ 2314 02:24:02,250 --> 02:24:03,375 ♪ The moon ♪ 2315 02:24:03,875 --> 02:24:06,916 ♪ You and me chasing paper ♪ 2316 02:24:07,000 --> 02:24:09,000 ♪ Getting nowhere ♪ 2317 02:24:09,083 --> 02:24:14,541 ♪ On our way back home ♪ 2318 02:24:14,625 --> 02:24:15,833 ♪ Home ♪ 2319 02:24:15,916 --> 02:24:21,583 ♪ We're on our way home We're on our way home ♪ 2320 02:24:22,708 --> 02:24:24,291 ♪ We're going home ♪ 2321 02:24:28,041 --> 02:24:31,541 ♪ You and I have memories ♪ 2322 02:24:32,541 --> 02:24:38,458 ♪ Longer than the road That stretches out ahead ♪ 2323 02:24:38,958 --> 02:24:40,291 ♪ We're gwan home ♪ 2324 02:24:40,375 --> 02:24:41,500 Oh, yes, now. 2325 02:24:41,583 --> 02:24:44,541 ♪ Two of us wearing raincoats ♪ 2326 02:24:44,625 --> 02:24:50,416 ♪ Standing solo in the sun ♪ 2327 02:24:50,500 --> 02:24:51,500 Yes, boy. 2328 02:24:51,583 --> 02:24:54,625 ♪ You and me chasing paper ♪ 2329 02:24:55,250 --> 02:25:02,208 ♪ Getting nowhere On our way back home ♪ 2330 02:25:03,625 --> 02:25:05,208 ♪ We're on our way home ♪ 2331 02:25:05,291 --> 02:25:06,291 We are, yes. 2332 02:25:06,916 --> 02:25:08,916 ♪ We on our way home ♪ 2333 02:25:09,833 --> 02:25:13,916 ♪ We going home ♪ 2334 02:25:34,958 --> 02:25:37,083 Is that the idea? We're just gonna record them all 2335 02:25:37,166 --> 02:25:40,333 until we've got them all before Tuesday when Glyn goes? 2336 02:25:40,416 --> 02:25:41,708 Is that it? 2337 02:25:43,875 --> 02:25:46,666 I see. So we'll have time… 2338 02:25:46,750 --> 02:25:49,083 - So Wednesday night, we've recorded… - Yeah, do them all. 2339 02:25:49,166 --> 02:25:51,166 I've gotta mix… I'd like to mix 'em before I go too… 2340 02:25:51,250 --> 02:25:52,375 - Doing the show. - …somehow. 2341 02:25:52,458 --> 02:25:53,750 Are we still doing the show? 2342 02:25:53,833 --> 02:25:55,250 I don't know, really. 2343 02:25:55,333 --> 02:26:00,958 Say we did eight or nine, he'll come back after about a week or something. 2344 02:26:03,083 --> 02:26:05,666 That's if we don't get 14 done by Tuesday. 2345 02:26:06,625 --> 02:26:09,208 Okay. Uh… 2346 02:26:09,791 --> 02:26:14,458 The piano. It'd be nice to make the piano, like, one of those bad pianos. 2347 02:26:14,541 --> 02:26:15,541 Yes. 2348 02:26:15,625 --> 02:26:16,625 'Cause it… 2349 02:26:17,500 --> 02:26:22,041 Glyn, how can we make the piano like one of those very bad old honky-tonks? 2350 02:26:22,125 --> 02:26:24,833 Rather than like a Blüthner grand. 2351 02:26:27,583 --> 02:26:29,000 What does the paper do to the piano? 2352 02:26:29,083 --> 02:26:30,583 - Just make it tinnier? - Tinny the sound. 2353 02:26:30,666 --> 02:26:32,916 - Yeah, just tinnier. - More like, yeah, honky-tonk. 2354 02:26:33,000 --> 02:26:34,625 Less like a Blüthner, in short. 2355 02:26:34,708 --> 02:26:36,416 - What? - Less like a Blüthner. 2356 02:26:36,500 --> 02:26:38,125 Less like a Blüthner, in short. 2357 02:26:38,208 --> 02:26:39,541 A fucked-up Blüthner. 2358 02:26:40,708 --> 02:26:43,208 The main thing with this, in my head it's like, 2359 02:26:43,291 --> 02:26:45,375 influenced by those old fellas, 2360 02:26:45,458 --> 02:26:48,166 you know, where nothing was professional at all. 2361 02:26:48,250 --> 02:26:51,375 So it's really just like a one-take wonder. 2362 02:26:51,458 --> 02:26:53,583 But we may have a four-take wonder. 2363 02:26:55,291 --> 02:26:59,541 ♪ I feel it now I hope you feel it too ♪ 2364 02:27:02,625 --> 02:27:08,291 ♪ Because you're sweet and lovely I love you ♪ 2365 02:27:10,083 --> 02:27:14,583 ♪ Because you're sweet and lovely, girl I do ♪ 2366 02:27:17,708 --> 02:27:22,083 ♪ I'm living every moment, girl, for you ♪ 2367 02:27:23,958 --> 02:27:26,083 That's all. 2368 02:27:26,166 --> 02:27:27,833 Personally, I was a phenomenon. 2369 02:27:28,916 --> 02:27:31,083 Another slug of whiskey, Mama. 2370 02:27:31,750 --> 02:27:34,125 Does this guitar sound in tune, Glyn? 2371 02:27:38,375 --> 02:27:40,291 Yeah, was it all right? 2372 02:27:40,875 --> 02:27:43,375 I mean, me solo was out of this world. 2373 02:27:44,541 --> 02:27:46,375 - What's it like, Glyn? - All right. 2374 02:27:46,458 --> 02:27:48,291 Should we keep it and do another? 2375 02:27:48,375 --> 02:27:50,916 Yeah. George? 2376 02:27:51,000 --> 02:27:52,458 How are you? 2377 02:27:52,541 --> 02:27:54,000 Should we keep that and do another? 2378 02:27:56,500 --> 02:27:57,750 - Right back. - Okay. 2379 02:27:58,333 --> 02:28:00,833 'Cause I'm gonna go over me peak in a minute. 2380 02:28:00,916 --> 02:28:02,791 I think I'm hitting me best now. 2381 02:28:02,875 --> 02:28:03,875 Okay! 2382 02:28:08,458 --> 02:28:09,958 Start again, hey. 2383 02:28:10,041 --> 02:28:12,291 Just don't talk when he's playing there, gang. 2384 02:28:24,083 --> 02:28:29,541 ♪ Because you're sweet and lovely, girl I love you ♪ 2385 02:28:31,708 --> 02:28:36,125 ♪ Because you're sweet and lovely, girl It's true ♪ 2386 02:28:39,083 --> 02:28:43,625 ♪ I love you more than ever, girl, I do ♪ 2387 02:28:47,250 --> 02:28:52,541 ♪ I want you in the morning, girl I love you ♪ 2388 02:28:55,458 --> 02:28:57,500 So let's keep that and do one more. 2389 02:28:58,916 --> 02:29:01,583 - What for? What for? - Next time, please. 2390 02:29:01,666 --> 02:29:03,833 - So he can do the guitar like he wants it. - Come on. 2391 02:29:05,416 --> 02:29:09,625 ♪ I want you at the moment I feel blue ♪ 2392 02:29:12,916 --> 02:29:17,708 ♪ I'm living every moment, girl, for you ♪ 2393 02:29:46,916 --> 02:29:48,875 But I think, uh… 2394 02:29:48,958 --> 02:29:51,875 I think we're getting a good sound in Apple Studios. 2395 02:29:51,958 --> 02:29:53,291 - Yeah. - Yeah. I think we are too. 2396 02:29:56,666 --> 02:29:58,083 We're taking our… 2397 02:30:05,250 --> 02:30:07,166 Okay, can you play us the other one? 2398 02:30:07,250 --> 02:30:12,250 I'll just take this after the first one and just bring it on after "I love you." 2399 02:30:12,333 --> 02:30:14,250 - Yeah, you just… - And leave it in there. 2400 02:30:14,333 --> 02:30:15,333 That's a good idea. 2401 02:30:15,416 --> 02:30:16,833 Yeah, I'm full of ideas like that. 2402 02:30:16,916 --> 02:30:18,083 - I'm famous for 'em. - Yeah. 2403 02:30:18,166 --> 02:30:20,958 - Literary Beatle, you know? - Hail to the captain. 2404 02:30:21,041 --> 02:30:24,583 This is one that Alex at Apple Electronics has brought out. 2405 02:30:24,666 --> 02:30:27,250 - And there isn't another one in the world. - It's a mixer! 2406 02:30:27,333 --> 02:30:29,083 - Yeah. - It's a 20-channel mixer. 2407 02:30:29,166 --> 02:30:32,625 Or a radar screen, or a tail of an aeroplane. 2408 02:30:33,500 --> 02:30:36,000 - Aeroplane. - Or… 2409 02:30:36,083 --> 02:30:37,875 Just as uncomfortable as the rest of 'em. 2410 02:30:59,583 --> 02:31:02,625 - I would dig to play onstage, you know? - Yeah. 2411 02:31:02,708 --> 02:31:05,666 I mean, if it was all… everything was all right and there was no messing 2412 02:31:05,750 --> 02:31:07,916 and we're just gonna play onstage. 2413 02:31:08,000 --> 02:31:10,541 You know, that's why I said yes to the TV show. 2414 02:31:10,625 --> 02:31:12,250 I didn't want the hell of doing it, 2415 02:31:13,625 --> 02:31:17,208 but nobody else wants to go on the stage or do a TV show. 2416 02:31:17,833 --> 02:31:22,625 You know, that's what it's about. Nobody wants to get out there. You know? 2417 02:31:22,708 --> 02:31:24,541 I suppose that's true, you know? 2418 02:31:24,625 --> 02:31:28,583 I think so, you know? I'm only going by what's happened. 2419 02:31:28,666 --> 02:31:30,333 Yeah, yeah. 2420 02:31:31,166 --> 02:31:33,541 What are you trying to make a show out of now? 2421 02:31:34,958 --> 02:31:36,541 - I can't answer it, you know? - I know. 2422 02:31:36,625 --> 02:31:39,625 I know that there's no sort of answer for it, but… 2423 02:31:40,333 --> 02:31:43,375 The things that have worked out best ever for us 2424 02:31:43,458 --> 02:31:46,041 haven't really been planned any more than this has. 2425 02:31:46,125 --> 02:31:51,333 It's just, you know, it's like you just go into something and it does it itself. 2426 02:31:51,416 --> 02:31:54,916 You know, whatever it's gonna be, it becomes that, you know? 2427 02:31:55,000 --> 02:31:57,833 See, it's turned out it's not what Paul wants. 2428 02:31:57,916 --> 02:32:01,125 It's like if it's… Say it's his number, this whole show. 2429 02:32:01,208 --> 02:32:04,583 It's actually turned into our number more than his number. 2430 02:32:04,666 --> 02:32:06,666 That's all. And, uh… 2431 02:32:08,458 --> 02:32:10,166 It's just that, really. 2432 02:32:10,250 --> 02:32:13,041 Yeah, I know, it is majority decisions and all. Yeah. 2433 02:32:13,666 --> 02:32:17,375 We're presuming that we are gonna make this LP anyway as one whole piece, 2434 02:32:17,458 --> 02:32:19,333 like as if the cameras aren't here. 2435 02:32:20,916 --> 02:32:23,500 But it might be an idea to sort of face 'em… 2436 02:32:23,583 --> 02:32:24,583 Mmm. 2437 02:32:24,666 --> 02:32:26,041 …for the singing. 2438 02:32:26,125 --> 02:32:31,125 The point of doing it all in one go is that we're aware of the camera. 2439 02:32:31,208 --> 02:32:33,208 So we should look at the camera. 2440 02:32:33,291 --> 02:32:35,666 And we sing it straight to 'em. You know? 2441 02:32:35,750 --> 02:32:36,750 - Yeah. - And… 2442 02:32:36,833 --> 02:32:39,375 The finale'd just be us doing the numbers well. 2443 02:32:45,208 --> 02:32:46,291 What do you think? 2444 02:32:46,875 --> 02:32:48,875 The main thing is to do the change 2445 02:32:48,958 --> 02:32:51,250 from the acoustic numbers to the electric numbers. 2446 02:32:51,875 --> 02:32:54,125 I mean, if we're doing a stage show, we'd have to… 2447 02:32:54,208 --> 02:32:58,208 "Hold on a sec, ladies and gentlemen, George just getting on his Rickenbacker." 2448 02:32:58,291 --> 02:33:01,250 As far as I'm concerned, I would need one run-through on each number 2449 02:33:01,333 --> 02:33:04,708 to get the balance set for it, 'cause it's all… everything's changing. 2450 02:33:04,791 --> 02:33:08,291 We'll know that better as soon as we've got an order. 2451 02:33:12,083 --> 02:33:13,708 Soon as we've got a story. 2452 02:33:13,791 --> 02:33:16,208 It's all right, but I'd meant to sort of 2453 02:33:16,291 --> 02:33:18,291 put the songs to some other framework this time. 2454 02:33:18,375 --> 02:33:19,875 That's what I'd sort of thought. 2455 02:33:20,750 --> 02:33:25,583 That we'd just keep to the same environment, totally… always, you know? 2456 02:33:25,666 --> 02:33:27,791 We don't ever attempt to break out of it. 2457 02:33:27,875 --> 02:33:32,208 We… We're in a recording studio again in London making another album, you know? 2458 02:33:32,291 --> 02:33:36,083 I think this is the nicest place I've been for a long time, this studio. 2459 02:33:36,166 --> 02:33:38,416 - Yeah, it is. - No, really, you know, I mean. 2460 02:33:38,500 --> 02:33:40,125 And also we've played… 2461 02:33:40,208 --> 02:33:43,708 This is the most I've ever played by playing every day. 2462 02:33:43,791 --> 02:33:48,625 And I can just feel meself getting… me fingers getting loose a bit. 2463 02:33:48,708 --> 02:33:49,916 Yeah. 2464 02:33:50,000 --> 02:33:52,166 Because we don't get the chance to do that. 2465 02:33:52,250 --> 02:33:54,583 - But really I just want to play. - That's what it was about. 2466 02:33:54,666 --> 02:33:59,916 What we've got is you all playing live in one room. 2467 02:34:00,000 --> 02:34:02,750 That in itself is a fresh thing for The Beatles. 2468 02:34:02,833 --> 02:34:03,833 Mmm. 2469 02:34:05,000 --> 02:34:06,916 Are you gonna just stay around in a circle? 2470 02:34:07,000 --> 02:34:09,208 Unless we felt like standing up 'cause it was a shouter, you know? 2471 02:34:09,291 --> 02:34:10,500 No matter what we do, 2472 02:34:10,583 --> 02:34:13,291 it's still gonna look like you're sitting in a room making the album. 2473 02:34:13,375 --> 02:34:15,041 It's not per se a show. 2474 02:34:15,125 --> 02:34:19,875 All we've got is us, and the documentary, where we happen to be singing. 2475 02:34:21,416 --> 02:34:23,958 I mean, you see what happens when we're just grooving to the music. 2476 02:34:24,041 --> 02:34:26,750 - The whole place changes. - Yeah, that's true. 2477 02:34:26,833 --> 02:34:29,666 And that… If we're doing them well on the day, 2478 02:34:29,750 --> 02:34:30,916 without anything… 2479 02:34:32,166 --> 02:34:34,458 it should come over. We've gotta do it, you know? 2480 02:34:36,250 --> 02:34:39,375 And also, remember, the original idea was a TV show 2481 02:34:39,458 --> 02:34:41,000 and then a documentary about it. 2482 02:34:41,083 --> 02:34:43,083 And now it's changed to being a movie. 2483 02:34:43,166 --> 02:34:46,916 It's like, really, if we're gonna do a film for cinema, 2484 02:34:47,000 --> 02:34:49,083 it should've been done on 35 millimeters, 2485 02:34:49,166 --> 02:34:51,166 which is just the best quality. 2486 02:34:51,875 --> 02:34:54,666 We shot this on 16 because it's a television thing. 2487 02:34:54,750 --> 02:34:57,708 Just the still photos would make a UA movie 2488 02:34:57,791 --> 02:34:59,708 with soundtrack on it, you know? 2489 02:35:00,291 --> 02:35:04,541 I think we should blow it up to 35 and if they don't take it, 2490 02:35:04,625 --> 02:35:06,125 - they're fucking fools. - Yeah. 2491 02:35:06,208 --> 02:35:08,416 Because they're not gonna get anything else, are they? 2492 02:35:08,500 --> 02:35:10,750 Unless we've got incredible quality on this, 2493 02:35:10,833 --> 02:35:13,208 16 blown to 35 is a mess. 2494 02:35:13,291 --> 02:35:14,708 - No, it's not. - Generally. 2495 02:35:14,791 --> 02:35:17,458 There's a certain stock that blows up better. 2496 02:35:17,541 --> 02:35:18,958 Ektachrome 500. 2497 02:35:19,041 --> 02:35:20,916 Yeah, this will blow up all right, this film. 2498 02:35:21,000 --> 02:35:22,458 Yeah? 2499 02:35:22,541 --> 02:35:25,541 I don't know what it is that I'm moaning about, but it's just sort of… 2500 02:35:25,625 --> 02:35:28,333 I must admit I can't really see it either, because it's… 2501 02:35:28,416 --> 02:35:30,958 It just seems the last two days everything's gone so ridiculously well. 2502 02:35:31,041 --> 02:35:33,375 - He's right, you know. - It is good. It's going great. 2503 02:35:33,458 --> 02:35:34,791 It really is something. 2504 02:35:34,875 --> 02:35:36,041 - It's true though. - Mmm. 2505 02:35:36,958 --> 02:35:40,250 I just have a feeling that we… It's all right, you know? 2506 02:35:40,333 --> 02:35:42,208 It's nothing to complain about, but… 2507 02:35:43,083 --> 02:35:46,333 But it's just funny to sort of realize that after this is all over, 2508 02:35:46,416 --> 02:35:50,291 you'll be off in a black bag somewhere on the Albert Hall, you know? 2509 02:35:50,375 --> 02:35:51,833 Yeah. 2510 02:35:54,000 --> 02:35:56,041 What you're moaning about is there's no payoff. 2511 02:35:56,791 --> 02:35:59,083 I think all I wanna do is, like, uh… 2512 02:35:59,708 --> 02:36:02,916 I probably, you know, having got it together, 2513 02:36:03,000 --> 02:36:05,125 I probably just wanna go and have fun with it. 2514 02:36:05,208 --> 02:36:09,291 Rather than just, sort of, finish off exactly as we started. 2515 02:36:09,375 --> 02:36:12,250 And I'd like to sort of do a… …for the finish. 2516 02:36:12,333 --> 02:36:14,375 - Mmm. - And we just get out in the open, 2517 02:36:14,458 --> 02:36:15,583 change of scene, 2518 02:36:15,666 --> 02:36:20,083 and go and do it somewhere else, do it on a live show, do it on a stage. 2519 02:36:20,166 --> 02:36:21,833 You know, I'd like to light a rocket 2520 02:36:21,916 --> 02:36:24,375 and really sort of take off for the end of it. 2521 02:36:24,458 --> 02:36:26,666 And, uh, you know… 2522 02:36:26,750 --> 02:36:29,541 but that's going a bit, like, overboard, I suppose. 2523 02:36:29,625 --> 02:36:31,125 Still could do that. 2524 02:36:31,625 --> 02:36:33,500 But that's me, you know? I always do that. 2525 02:36:44,791 --> 02:36:47,041 ♪ I woke up late this morning ♪ 2526 02:36:49,541 --> 02:36:51,666 ♪ My head was in a whirl ♪ 2527 02:36:52,208 --> 02:36:53,541 ♪ Yes, it was ♪ 2528 02:36:54,291 --> 02:36:56,791 ♪ It was only then I realized ♪ 2529 02:36:59,500 --> 02:37:00,625 ♪ I'd lost my little girl ♪ 2530 02:37:00,708 --> 02:37:02,916 ♪ Yes, I had That very last evening, Friday night ♪ 2531 02:37:09,000 --> 02:37:11,458 ♪ I woke up late this morning ♪ 2532 02:37:13,958 --> 02:37:15,958 ♪ My head was in a whirl ♪ 2533 02:37:18,625 --> 02:37:20,791 ♪ Only then I realized ♪ 2534 02:37:23,416 --> 02:37:25,958 ♪ Lost my little girl Ladies and gentlemen ♪ 2535 02:37:26,041 --> 02:37:28,083 ♪ Is there a doctor in the house? Yeah ♪ 2536 02:37:31,041 --> 02:37:32,375 ♪ I want you to tell me ♪ 2537 02:37:45,791 --> 02:37:48,125 Yeah. Or maybe we don't have to do it on a… 2538 02:37:48,208 --> 02:37:50,250 You'd get the week people, the mothers and… 2539 02:37:50,333 --> 02:37:51,333 Yeah, great. 2540 02:37:51,416 --> 02:37:53,750 The only thing is we've got to get some permission, Paul. 2541 02:37:53,833 --> 02:37:54,833 Yes, yes, yes. 2542 02:37:54,916 --> 02:37:57,250 So the cops don't come and throw us off, that's all. 2543 02:37:57,333 --> 02:37:59,708 What happens if we go on top of the other roof? 2544 02:37:59,791 --> 02:38:00,791 If it's somebody else's roof, 2545 02:38:00,875 --> 02:38:03,958 then we can get had not only for disturbing the peace and the noise, 2546 02:38:04,041 --> 02:38:05,125 but also for trespassing. 2547 02:38:05,875 --> 02:38:07,583 Now, um, good. 2548 02:38:08,083 --> 02:38:10,916 So, but just roughly timewise, so I can look into gear… 2549 02:38:11,000 --> 02:38:14,750 Yeah. So, okay, look, if we say like on Friday or something. 2550 02:38:15,375 --> 02:38:16,833 - You know? - Right. 2551 02:38:19,250 --> 02:38:22,958 ♪ Shaves in the dark Trying to save paper ♪ 2552 02:38:24,708 --> 02:38:28,291 ♪ Sleeps in a hole in the road ♪ 2553 02:38:29,458 --> 02:38:32,750 ♪ Saving up to buy some clothes ♪ 2554 02:38:34,333 --> 02:38:37,833 ♪ Keeps a ten-bob note up his nose ♪ 2555 02:38:38,416 --> 02:38:40,958 ♪ Such a mean old man ♪ 2556 02:38:43,791 --> 02:38:45,541 ♪ Mean old man ♪ 2557 02:38:45,625 --> 02:38:47,666 John? 2558 02:38:48,250 --> 02:38:50,083 That's a bit powerful, man. 2559 02:38:50,166 --> 02:38:52,250 I think the thing is we'll aim for Thursday. 2560 02:38:52,333 --> 02:38:53,916 Are we gonna do it all here now? 2561 02:38:54,000 --> 02:38:56,041 I think you should aim for a little earlier than Thursday. 2562 02:38:56,125 --> 02:38:58,083 'Cause if you aim for Thursday, it's not gonna be Thursday. 2563 02:38:58,166 --> 02:39:02,000 See, we have to give them a chance to get their other cameras in. 2564 02:39:02,083 --> 02:39:03,166 Aim for Wednesday. 2565 02:39:04,250 --> 02:39:07,125 It'll be pretty quick, but it'll still give us some time to do it. 2566 02:39:08,416 --> 02:39:11,458 ♪ His sister, Shirley Works in the shop ♪ 2567 02:39:11,541 --> 02:39:15,791 ♪ She never stops She's a go-getter ♪ 2568 02:39:17,583 --> 02:39:20,750 ♪ She takes him out to look at the queen ♪ 2569 02:39:21,958 --> 02:39:25,083 ♪ It's the only place That he's ever been ♪ 2570 02:39:26,750 --> 02:39:30,250 ♪ He always shouts out something obscene ♪ 2571 02:39:30,833 --> 02:39:33,541 ♪ He's such a mean old man ♪ 2572 02:39:35,291 --> 02:39:38,416 ♪ He's such a dirty old man ♪ 2573 02:39:40,041 --> 02:39:42,916 ♪ Oh, Mean Mister Mustard ♪ 2574 02:39:43,958 --> 02:39:46,416 Okay, Paul. 2575 02:39:46,500 --> 02:39:48,875 - How does it start? - Yeah, I don't really see… 2576 02:39:48,958 --> 02:39:51,458 - How does it start? - Any order will be all right. 2577 02:39:51,541 --> 02:39:53,500 - How does it start? - The longer the better. 2578 02:39:53,583 --> 02:39:54,708 - Okay. Um… - All right then. 2579 02:39:54,791 --> 02:39:55,875 - Um… - Go on. 2580 02:39:58,000 --> 02:40:00,416 - So just straight into the first verse? - Well, that's… Yeah. 2581 02:40:00,500 --> 02:40:01,583 Or an intro. 2582 02:40:02,583 --> 02:40:05,083 Well, I'll probably do… 2583 02:40:09,750 --> 02:40:13,291 ♪ When I find myself In times of trouble ♪ 2584 02:40:13,375 --> 02:40:16,250 ♪ Mother Mary comes to me ♪ 2585 02:40:16,333 --> 02:40:18,833 ♪ Speaking words of wisdom ♪ 2586 02:40:19,333 --> 02:40:21,333 ♪ Let it be ♪ 2587 02:40:21,416 --> 02:40:23,958 All right. 2588 02:40:24,666 --> 02:40:26,416 Come on, I only get two notes in this song. 2589 02:40:37,625 --> 02:40:40,541 ♪ Let it be Let it be ♪ 2590 02:40:41,041 --> 02:40:44,791 - * Let it be, let it be * - * Ooh * 2591 02:41:05,041 --> 02:41:11,791 ♪ Well, when all the broken hearted people Living in the world agree ♪ 2592 02:41:11,875 --> 02:41:14,041 ♪ There will be an answer ♪ 2593 02:41:14,708 --> 02:41:16,583 ♪ Let it be ♪ 2594 02:41:18,458 --> 02:41:20,916 ♪ For though they may be parted ♪ 2595 02:41:21,416 --> 02:41:25,125 ♪ There is still a chance That they will see ♪ 2596 02:41:25,208 --> 02:41:27,708 ♪ There will be an answer ♪ 2597 02:41:27,791 --> 02:41:30,666 ♪ Let it be ♪ 2598 02:41:30,750 --> 02:41:34,541 - * Oh, let it be, let it be * - * Ooh * 2599 02:41:34,625 --> 02:41:37,791 - * Let it be, let it be * - * Ooh * 2600 02:41:38,750 --> 02:41:41,125 ♪ There will be an answer ♪ 2601 02:41:41,208 --> 02:41:44,750 ♪ Let it be ♪ 2602 02:41:46,250 --> 02:41:48,375 ♪ Ah, here's to Robert Fraser ♪ 2603 02:41:48,916 --> 02:41:52,208 ♪ There's still a chance For them to see ♪ 2604 02:41:52,291 --> 02:41:54,708 ♪ There will be an answer ♪ 2605 02:41:57,750 --> 02:42:00,250 After two then. One, two. 2606 02:42:09,583 --> 02:42:11,416 And if it was that length, it would be okay. 2607 02:42:11,500 --> 02:42:14,125 Yes, right. You were right about another verse. 2608 02:42:14,208 --> 02:42:15,916 - He's right, you know. - He is right. 2609 02:42:16,000 --> 02:42:18,083 "Captain Marvel comes to me." 2610 02:42:23,000 --> 02:42:24,000 Yeah. 2611 02:42:24,083 --> 02:42:26,625 Come on, now. Back to the drudgery. Thank you. 2612 02:42:26,708 --> 02:42:28,125 It's you that's making it like this. 2613 02:42:28,208 --> 02:42:29,916 It's you that's bloody making it like this. 2614 02:42:30,000 --> 02:42:31,958 The real meaning of Christmas. 2615 02:42:32,041 --> 02:42:33,125 Come on. 2616 02:42:34,291 --> 02:42:35,291 Come on. 2617 02:42:36,083 --> 02:42:37,416 Okay. 2618 02:42:41,166 --> 02:42:43,166 "Bloody Mary comes to me." 2619 02:42:44,291 --> 02:42:47,250 - * Let it be, let it be * - * Ooh * 2620 02:42:47,333 --> 02:42:48,750 - * Let it be * - * Ooh * 2621 02:42:49,750 --> 02:42:52,541 - Glyn said it's all happening too quickly. - Yeah. 2622 02:42:52,625 --> 02:42:54,500 - Yeah. We're very excitable. - It is in a way. 2623 02:42:54,583 --> 02:42:56,666 No, you're right. It's coming in all too soon. 2624 02:42:56,750 --> 02:42:58,291 Okay, do it exactly then. 2625 02:42:58,375 --> 02:43:00,375 As we… As was. 2626 02:43:00,458 --> 02:43:01,791 - Oh? - I like the solo… 2627 02:43:01,875 --> 02:43:03,791 - Isn't it as it was? - I don't know. 2628 02:43:03,875 --> 02:43:06,458 But, I mean, that's the end of the song, as much as I know. 2629 02:43:06,541 --> 02:43:08,333 Think what Vera Lynn would do to it, Paul. 2630 02:43:08,416 --> 02:43:09,666 Let's see, yeah. 2631 02:43:12,416 --> 02:43:13,666 Glyn? 2632 02:43:13,750 --> 02:43:16,458 Why is this microphone very quiet? 2633 02:43:19,416 --> 02:43:22,375 See, there's only those two verses… Watch me. 2634 02:43:22,458 --> 02:43:24,041 We'll write some more, should we? 2635 02:43:25,916 --> 02:43:27,583 That's a possibility, I suppose. 2636 02:43:27,666 --> 02:43:29,250 Have we had "hour of darkness"? 2637 02:43:29,333 --> 02:43:31,750 - Yeah. - Oh. I thought it came quick. 2638 02:43:34,625 --> 02:43:37,125 Goddamn you, little microphone. 2639 02:43:42,875 --> 02:43:45,000 Okay, you watch us. We're gonna do this now. 2640 02:43:45,083 --> 02:43:47,000 - You just watch us. - Okay, boys. Come on. 2641 02:43:47,083 --> 02:43:49,208 - Pull yourselves together. - Ha! 2642 02:43:49,291 --> 02:43:50,708 - Talking to me? - That's it. 2643 02:43:50,791 --> 02:43:52,000 Talking to me? 2644 02:43:52,083 --> 02:43:54,416 He's the most together man in Garston. 2645 02:44:02,916 --> 02:44:04,208 Yeah, let it develop. 2646 02:44:05,333 --> 02:44:09,125 - * Yeah, let it be, let it be * - * Ooh * 2647 02:44:09,208 --> 02:44:11,958 - * Let it be, let it be * - * Ooh * 2648 02:44:12,041 --> 02:44:13,125 We've gone off. 2649 02:44:13,208 --> 02:44:16,833 Are you doing it like we rehearsed it at Twickenham? Or are you changing it? 2650 02:44:16,916 --> 02:44:18,708 I'm not sure. I can't remember. 2651 02:44:18,791 --> 02:44:22,833 I'm just doing the whole thing twice, which is, like, two verses. 2652 02:44:22,916 --> 02:44:24,083 "Can you dig it?" 2653 02:44:24,875 --> 02:44:27,041 - Take this one then. - Yeah, take it home. 2654 02:44:28,458 --> 02:44:31,500 This'll… This is gonna knock you out, boy. 2655 02:44:39,625 --> 02:44:43,083 ♪ And you know that it was meant to be ♪ 2656 02:44:44,041 --> 02:44:48,916 ♪ There's a word of wisdom Let it be ♪ 2657 02:44:49,541 --> 02:44:51,833 - * Oh, let it be * - * Ooh * 2658 02:44:51,916 --> 02:44:53,333 - * Let it be * - * Ooh * 2659 02:44:53,958 --> 02:44:56,625 ♪ Sing it, children Let it be ♪ 2660 02:45:01,833 --> 02:45:05,333 Especially like to thank you for all the birthday presents. 2661 02:45:06,041 --> 02:45:07,333 ♪ When I find myself ♪ 2662 02:45:07,416 --> 02:45:08,583 All moody. 2663 02:45:08,666 --> 02:45:09,833 ♪ Trouble… ♪ 2664 02:45:09,916 --> 02:45:13,666 ♪ When I find myself in times of trouble ♪ 2665 02:45:14,791 --> 02:45:17,250 ♪ When I find myself in times of trouble ♪ 2666 02:45:17,333 --> 02:45:19,416 ♪ Mother Mary comes to me ♪ 2667 02:45:19,500 --> 02:45:22,708 ♪ Speaking words of wisdom Let it be ♪ 2668 02:45:22,791 --> 02:45:24,625 Okay, this is your last chance. 2669 02:45:24,708 --> 02:45:27,333 Now look, boys. Now, come on. Enthuse a little. 2670 02:45:27,416 --> 02:45:30,958 I can't. I don't even get up to my bit, you keep finishing. 2671 02:45:34,166 --> 02:45:35,458 Shut up, will you? 2672 02:45:35,541 --> 02:45:37,916 I'll have you banned from bloody Apple if you don't shut up. 2673 02:45:38,625 --> 02:45:39,708 ♪ Let it be ♪ 2674 02:45:39,791 --> 02:45:42,958 ♪ Let it be, let it be ♪ 2675 02:45:43,041 --> 02:45:44,250 ♪ Yeah ♪ 2676 02:45:44,333 --> 02:45:46,375 ♪ Oh-oh-oh ♪ 2677 02:45:46,458 --> 02:45:50,625 - * Let it be, let it be * - * Let it be * 2678 02:45:55,250 --> 02:45:57,666 I couldn't, you see? I've got to force it. 2679 02:45:57,750 --> 02:45:58,651 Yes. 2680 02:45:58,666 --> 02:46:00,666 After all that, I came in too soon. 2681 02:46:02,500 --> 02:46:03,875 Can we carry this on tomorrow? 2682 02:46:03,958 --> 02:46:05,875 - I feel a bit tired now. - Yes, all right. 2683 02:46:06,750 --> 02:46:08,416 Darling. 2684 02:46:08,500 --> 02:46:10,375 No, you don't mind if we finish now, do you? 2685 02:46:10,458 --> 02:46:13,250 I'm just trying to get the group working, you know, like every day… 2686 02:46:13,333 --> 02:46:15,958 I know, but office hours. 2687 02:46:16,041 --> 02:46:19,541 Yes, Paul, you have to be strict. Some discipline. 2688 02:46:19,625 --> 02:46:22,208 Get a shave, get your fucking hair cut, you know? 2689 02:46:22,291 --> 02:46:23,833 Live, man. 2690 02:46:23,916 --> 02:46:26,750 - Are we coming tomorrow? - What? 2691 02:46:26,833 --> 02:46:28,333 - Are we coming in tomorrow? - Yeah. 2692 02:46:29,500 --> 02:46:30,750 Can we come too? 2693 02:46:32,041 --> 02:46:33,458 - Yeah, sure. - Okay. Bye. 2694 02:46:33,541 --> 02:46:34,541 Okay. Got it. 2695 02:47:42,000 --> 02:47:43,916 ♪ Then you walk ♪ 2696 02:47:46,500 --> 02:47:47,708 ♪ Then you walk ♪ 2697 02:47:50,750 --> 02:47:52,166 ♪ Yeah, you walk ♪ 2698 02:47:55,166 --> 02:47:56,416 ♪ Yeah, you walk ♪ 2699 02:47:59,541 --> 02:48:00,541 ♪ And you talk ♪ 2700 02:48:03,041 --> 02:48:06,250 ♪ Boy, you will… ♪ 2701 02:48:06,333 --> 02:48:09,208 ♪ No, I can't give you what I gotta give ♪ 2702 02:48:16,875 --> 02:48:18,541 ♪ I can't give you what I got ♪ 2703 02:48:21,750 --> 02:48:23,625 ♪ You can't get me that way ♪ 2704 02:48:31,000 --> 02:48:32,541 Yeah. 2705 02:48:36,625 --> 02:48:38,958 ♪ That field of corn ♪ 2706 02:48:41,208 --> 02:48:44,416 ♪ Whoa, would never see a plow ♪ 2707 02:48:48,125 --> 02:48:49,875 ♪ That field of corn ♪ 2708 02:48:53,041 --> 02:48:56,000 ♪ Whoa, whoa Would be deserted now ♪ 2709 02:48:59,750 --> 02:49:01,583 ♪ A man is born ♪ 2710 02:49:04,541 --> 02:49:08,375 ♪ Whoa, he ain't got no friends no how ♪ 2711 02:49:08,458 --> 02:49:10,250 ♪ No how ♪ 2712 02:49:11,250 --> 02:49:13,208 ♪ Unless he has a song ♪ 2713 02:49:14,000 --> 02:49:15,875 ♪ No, no, no, no, no, no, no ♪ 2714 02:49:18,250 --> 02:49:19,250 ♪ Yeah ♪ 2715 02:49:45,875 --> 02:49:47,250 ♪ A man is born ♪ 2716 02:49:50,166 --> 02:49:53,583 ♪ He ain't got no friends no how ♪ 2717 02:49:53,666 --> 02:49:55,583 ♪ Whoa ♪ 2718 02:49:56,833 --> 02:49:58,416 ♪ Unless he has a song ♪ 2719 02:50:00,041 --> 02:50:01,833 ♪ Whoa ♪ 2720 02:50:24,375 --> 02:50:27,541 ♪ Whoa ♪ 2721 02:50:29,291 --> 02:50:30,416 ♪ Huh ♪ 2722 02:50:31,291 --> 02:50:33,375 ♪ I said a man don't ♪ 2723 02:50:35,666 --> 02:50:38,791 ♪ Whoa he ain't got no friends ♪ 2724 02:50:38,875 --> 02:50:40,916 ♪ Nowhere, nowhere ♪ 2725 02:50:42,041 --> 02:50:44,333 ♪ Unless he has a song ♪ 2726 02:50:51,250 --> 02:50:52,750 ♪ A song ♪ 2727 02:50:53,458 --> 02:50:55,583 ♪ Yeah, yeah ♪ 2728 02:50:59,166 --> 02:51:03,041 ♪ Whoa ♪ 2729 02:51:20,708 --> 02:51:23,000 ♪ Love, love me do ♪ 2730 02:51:24,708 --> 02:51:27,208 ♪ You know I love you ♪ 2731 02:51:28,375 --> 02:51:31,333 ♪ I'll always be true ♪ 2732 02:51:32,250 --> 02:51:37,000 ♪ So please ♪ 2733 02:51:37,083 --> 02:51:39,958 ♪ Love me do ♪ 2734 02:51:47,333 --> 02:51:49,958 ♪ Love, love me do, yeah ♪ 2735 02:51:50,625 --> 02:51:55,500 ♪ You know I love you ♪ 2736 02:51:55,583 --> 02:51:57,583 ♪ I'll always be true ♪ 2737 02:51:58,208 --> 02:52:02,041 ♪ So please ♪ 2738 02:52:03,750 --> 02:52:07,916 ♪ Love me do ♪ 2739 02:52:12,791 --> 02:52:15,750 ♪ Someone to love ♪ 2740 02:52:16,833 --> 02:52:19,625 ♪ Somebody new ♪ 2741 02:52:21,333 --> 02:52:23,625 ♪ Someone to love ♪ 2742 02:52:24,791 --> 02:52:27,583 ♪ Someone like you ♪ 2743 02:52:28,916 --> 02:52:31,750 ♪ Love, love me do ♪ 2744 02:52:32,833 --> 02:52:35,833 ♪ You know I love you ♪ 2745 02:52:36,875 --> 02:52:39,833 ♪ I'll always be true ♪ 2746 02:52:40,541 --> 02:52:45,458 ♪ So please ♪ 2747 02:52:46,041 --> 02:52:49,833 ♪ Love me do ♪ 2748 02:52:58,583 --> 02:52:59,791 Okay. 2749 02:53:01,625 --> 02:53:04,166 ♪ Love me do, love me do ♪