1
00:00:00,273 --> 00:00:03,851
Three of the Touched declared
war on society.
2
00:00:03,999 --> 00:00:08,082
Right now, every one of you is suspect.
3
00:00:08,159 --> 00:00:09,617
(dramatic music plays)
4
00:00:09,700 --> 00:00:11,117
AMALIA TRUE:
Inspector Mundi clearly has
5
00:00:11,200 --> 00:00:13,075
a personal interest in Mary Brighton.
6
00:00:13,492 --> 00:00:15,242
What is Mary's turn?
7
00:00:15,784 --> 00:00:16,867
PENANCE ADAIR: You get Mary singin',
8
00:00:16,950 --> 00:00:19,159
all of the Touched,
they'll all come to us.
9
00:00:19,825 --> 00:00:22,054
You're turning your club
into a business.
10
00:00:22,148 --> 00:00:23,966
Massen thinks the Touched are a plague.
11
00:00:24,044 --> 00:00:25,794
I think they're a gold mine.
12
00:00:26,187 --> 00:00:27,771
We can be partners.
13
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Are you one of them?
14
00:00:32,437 --> 00:00:33,771
I keep looking for that spark.
15
00:00:34,979 --> 00:00:37,437
Maybe your darkness
is part of her plan.
16
00:00:39,229 --> 00:00:41,854
AMALIA: I'm going to find
Maladie before Mary's dead.
17
00:00:42,521 --> 00:00:43,729
(grunting)
18
00:00:50,521 --> 00:00:53,062
I'm sorry for your terrible day.
19
00:01:02,616 --> 00:01:04,616
(hooves clopping, wheels squeaking)
20
00:01:07,491 --> 00:01:11,158
♪
21
00:01:31,116 --> 00:01:34,866
♪
22
00:01:37,783 --> 00:01:40,158
(hooves clopping)
23
00:01:42,700 --> 00:01:44,533
(banging)
24
00:01:45,533 --> 00:01:47,575
(banging continues)
25
00:01:48,200 --> 00:01:49,866
Come on, lads.
26
00:02:02,950 --> 00:02:04,158
Pretty.
27
00:02:10,991 --> 00:02:12,408
(grunting)
28
00:02:12,491 --> 00:02:13,991
(explosion)
29
00:02:14,075 --> 00:02:15,450
(thugs yelling)
30
00:02:16,991 --> 00:02:18,283
(thugs grunting)
31
00:02:18,366 --> 00:02:21,700
Tell the Beggar King
he's done on these docks.
32
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No pay-ups. No shipments.
33
00:02:25,241 --> 00:02:27,877
From here straight to Dicker's Wharf,
34
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Limehouse belongs to Bonfire Annie.
35
00:02:30,471 --> 00:02:31,846
THUG: Let's go.
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00:02:31,939 --> 00:02:35,814
He decides to argue the case,
or send anyone else to,
37
00:02:35,897 --> 00:02:38,814
there's not a shadow he can hide in.
38
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AMALIA: Not even this one?
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00:02:45,689 --> 00:02:48,655
(flame snuffer clattering)
40
00:02:48,718 --> 00:02:50,631
- (groans)
- AMALIA: How about that one?
41
00:02:50,693 --> 00:02:53,093
- (thwack)
- (grunting)
42
00:02:53,176 --> 00:02:55,593
- Tell me why I shouldn't kill you.
- (groans)
43
00:02:55,676 --> 00:02:58,301
- I think you should, uh...
- (flame snuffer clunks)
44
00:02:58,390 --> 00:03:00,036
Fuck off.
45
00:03:00,137 --> 00:03:01,973
I've enough snuffer in here
to mummify you.
46
00:03:02,051 --> 00:03:04,301
- The same goes for you, Mrs. True.
- What?
47
00:03:04,384 --> 00:03:06,864
This scenario's a slight more
violent than advertised.
48
00:03:06,962 --> 00:03:09,212
- You said we were going to speak.
- We are. This is our language.
49
00:03:09,293 --> 00:03:11,968
- And now you're no better than her.
- I am much better than her.
50
00:03:12,044 --> 00:03:14,014
- Not if you punch her in the face...
- Christ!
51
00:03:14,108 --> 00:03:17,191
Don't. All right.
52
00:03:17,275 --> 00:03:18,691
Parlay.
53
00:03:18,775 --> 00:03:21,025
You can speak your peace,
but I will burn us all to death
54
00:03:21,108 --> 00:03:22,691
if I have to hear you bicker.
55
00:03:22,775 --> 00:03:26,384
Penance, you think maybe you could
put out that fire before it spreads?
56
00:03:26,439 --> 00:03:28,675
- Uh...
- We won't fight.
57
00:03:33,133 --> 00:03:35,758
How in fuck's name
did that girl sneak up on me?
58
00:03:35,841 --> 00:03:37,633
AMALIA: We were here before you were.
59
00:03:37,716 --> 00:03:40,133
The Beggar King's men
aren't notably attentive.
60
00:03:40,216 --> 00:03:41,341
Penance even sneezed once.
61
00:03:41,425 --> 00:03:43,883
- How'd you know I was here?
- I saw it.
62
00:03:43,966 --> 00:03:48,425
The fire, the cart. It's
my "turn." Ripplings.
63
00:03:48,508 --> 00:03:50,508
(sighs) I do still
want to kill you a bit.
64
00:03:50,591 --> 00:03:54,341
Go ahead. But I'm not covering
for you when she finds out.
65
00:03:56,133 --> 00:03:58,008
I don't know where Maladie is,
66
00:03:58,091 --> 00:03:59,925
and I'm not turning myself in,
67
00:04:00,008 --> 00:04:02,300
- or any kind of...
- I want you to join us.
68
00:04:02,383 --> 00:04:04,008
- At The Orphanage.
- (chuckles softly)
69
00:04:04,091 --> 00:04:07,675
- And you want to kill me.
- We're all contradictions.
70
00:04:07,758 --> 00:04:09,675
You nearly killed my best friend,
71
00:04:09,758 --> 00:04:11,008
and you saved my life.
72
00:04:11,091 --> 00:04:13,675
- Yeah, that was an accident.
- It was a reflex.
73
00:04:13,758 --> 00:04:15,425
I think it was your natural instinct.
74
00:04:15,508 --> 00:04:18,383
My natural instinct
is to burn things down.
75
00:04:18,466 --> 00:04:20,008
We can accommodate that.
76
00:04:20,091 --> 00:04:22,925
Is that the mission
you were going on about?
77
00:04:23,008 --> 00:04:26,300
Mary Brighton brings in all the
Touched with her little lullaby,
78
00:04:26,383 --> 00:04:29,758
- then we overthrow the monarchy.
- Nothing that grand.
79
00:04:29,841 --> 00:04:31,550
Or that small.
80
00:04:31,631 --> 00:04:34,052
I quit Maladie 'cause
I was sick of riddles.
81
00:04:35,508 --> 00:04:37,425
And we'd stopped making money.
82
00:04:37,508 --> 00:04:40,175
You know we're dying. The Touched.
83
00:04:40,258 --> 00:04:43,216
We're being attacked, locked up,
and thrown in the street.
84
00:04:43,300 --> 00:04:46,466
Not everyone got
such a formidable "turn."
85
00:04:46,550 --> 00:04:49,800
And it's getting worse. You have
enemies you don't know about yet.
86
00:04:49,883 --> 00:04:52,883
So I should hide with
your sad little gaggle?
87
00:04:54,508 --> 00:04:57,425
I'm fine all by myself.
88
00:04:57,508 --> 00:04:59,508
You still feel it.
89
00:04:59,591 --> 00:05:03,675
Mary's song. You know what
a better world could be like.
90
00:05:03,758 --> 00:05:06,883
It isn't real, that feeling.
91
00:05:06,966 --> 00:05:10,591
It's a fantasy. You don't
trust it any more than I do.
92
00:05:10,675 --> 00:05:14,383
Might as well have been that cart
full of opium I just torched.
93
00:05:14,466 --> 00:05:17,758
- Cart full of what?
- (clanging)
94
00:05:17,841 --> 00:05:19,633
PENANCE: Don't roll away, lovely.
95
00:05:19,716 --> 00:05:22,341
(coughs) I'll make it up to you.
96
00:05:25,216 --> 00:05:28,050
I fell on my snuffer. (coughs)
97
00:05:28,133 --> 00:05:31,258
I don't like all that smoke
to come at me.
98
00:05:31,341 --> 00:05:34,883
This hero broke my fall.
99
00:05:36,133 --> 00:05:38,258
My back feels fine.
100
00:05:38,341 --> 00:05:41,550
Tingling, like my hand fingers.
101
00:05:41,633 --> 00:05:45,133
- She found a better world.
- (Penance coughs)
102
00:05:46,300 --> 00:05:50,050
Ugh. That's too many of me.
103
00:05:50,133 --> 00:05:52,008
(coughs)
104
00:05:52,091 --> 00:05:55,300
Amalia, come and see
my soul trapped in a jar.
105
00:05:56,341 --> 00:05:59,966
If you rub it, I'll give you wishes.
106
00:06:00,966 --> 00:06:02,841
You'll never guess what the fire was.
107
00:06:02,925 --> 00:06:06,133
- It's opium, my love.
- But it was the air.
108
00:06:06,216 --> 00:06:08,841
But also the cloud that wanted thunder
109
00:06:08,925 --> 00:06:11,633
but was too gentle to hold it.
110
00:06:13,216 --> 00:06:17,633
Ugh... Bonnie Annie's gone away.
111
00:06:27,175 --> 00:06:30,675
Come on. That's enough
opium for tonight.
112
00:06:32,508 --> 00:06:34,716
Well, maybe just...
113
00:06:34,800 --> 00:06:36,966
Okay, let me check. You stay here.
114
00:06:41,508 --> 00:06:44,383
(breathing shakily)
115
00:06:45,758 --> 00:06:48,050
Did you feel the thunder that wasn't?
116
00:06:50,175 --> 00:06:52,300
I feel it all the time.
117
00:06:53,508 --> 00:06:55,591
We have the best jobs.
118
00:06:58,300 --> 00:07:01,133
♪
119
00:07:10,800 --> 00:07:13,591
(hooves clopping,
indistinct chatter outside)
120
00:07:30,175 --> 00:07:31,591
(slaps)
121
00:07:34,633 --> 00:07:36,966
AMALIA: Bonfire Annie, a flat no.
122
00:07:37,050 --> 00:07:38,966
Mary's too shaken to sing.
123
00:07:39,050 --> 00:07:41,050
Myrtle's "turn" is being
incomprehensible.
124
00:07:41,133 --> 00:07:43,425
I am really racking up the wins.
125
00:07:43,508 --> 00:07:46,550
- Oh, and I created Maladie.
- You know you didn't.
126
00:07:46,633 --> 00:07:50,133
- You made a difficult choice.
- She doesn't know that.
127
00:07:50,216 --> 00:07:53,258
I still hardly remember her.
Makes it worse, somehow.
128
00:07:53,341 --> 00:07:55,716
Breathe without talking, please.
129
00:07:55,800 --> 00:07:57,841
(exhales slowly)
130
00:07:59,175 --> 00:08:00,550
All right.
131
00:08:00,633 --> 00:08:03,716
Your lungs are no better
for your wild night out.
132
00:08:03,800 --> 00:08:05,591
You managed not to rupture a wound.
133
00:08:05,675 --> 00:08:08,758
And Penance? She did stop vomiting.
134
00:08:08,841 --> 00:08:10,383
She's a strong girl.
135
00:08:10,466 --> 00:08:12,383
But you got no business
bringing her along
136
00:08:12,466 --> 00:08:14,341
on these dangerous excursions,
137
00:08:14,425 --> 00:08:16,258
after what Maladie did to her.
138
00:08:16,341 --> 00:08:17,716
I didn't bring her to Maladie's.
139
00:08:17,800 --> 00:08:19,425
You didn't know
what you were walking into.
140
00:08:19,508 --> 00:08:21,550
Either time. Any time.
141
00:08:21,633 --> 00:08:23,758
Right, you tried to bring
Bonfire Annie into the fold.
142
00:08:23,841 --> 00:08:26,508
That's not a difficult choice.
That's just reckless.
143
00:08:26,591 --> 00:08:29,508
- She's a killer, for Christ's sake.
- I'm a killer.
144
00:08:29,591 --> 00:08:33,216
You're a soldier,
and Penance isn't one.
145
00:08:33,300 --> 00:08:34,433
She will be.
146
00:08:34,457 --> 00:08:36,674
That's a terrible fate to
wish on a friend.
147
00:08:39,466 --> 00:08:42,508
Do you think anything that's happening
has to do with what I wish?
148
00:08:42,591 --> 00:08:45,675
Just try to keep her from
becoming an opium fiend.
149
00:08:45,758 --> 00:08:48,508
Well, you know young people
these days. They never listen.
150
00:08:48,591 --> 00:08:51,550
Yeah, and they're not
gonna learn it from you.
151
00:08:53,175 --> 00:08:54,758
- Horatio.
- It's not funny.
152
00:08:55,716 --> 00:08:58,633
It's not fun.
153
00:08:58,716 --> 00:09:00,383
Watching you throw yourself at danger
154
00:09:00,466 --> 00:09:02,633
like you think it's gonna propose.
155
00:09:02,716 --> 00:09:04,050
Coming here,
156
00:09:04,133 --> 00:09:07,633
- to patch you up over and over...
- It could be fun.
157
00:09:07,716 --> 00:09:11,216
- Amalia, we've been through this.
- It was fun.
158
00:09:11,300 --> 00:09:12,966
It was more than fun.
159
00:09:13,050 --> 00:09:15,008
- Every night I have...
- (orphans running)
160
00:09:17,591 --> 00:09:20,341
- Race you!
- (giggling)
161
00:09:20,425 --> 00:09:23,008
I sit at dinner across from my wife,
162
00:09:23,091 --> 00:09:25,091
and I know something
that she doesn't know.
163
00:09:25,175 --> 00:09:27,258
Something that will pull her heart out,
164
00:09:27,341 --> 00:09:29,841
and the only comfort
I have or I could give
165
00:09:29,925 --> 00:09:33,008
is the knowledge that
I walked away from it.
166
00:09:33,091 --> 00:09:35,091
You didn't get very far.
167
00:09:39,216 --> 00:09:40,758
Do you think it's easy for me?
168
00:09:40,841 --> 00:09:43,341
HORATIO:
Nothing's easy for Amalia True.
169
00:09:43,425 --> 00:09:45,466
She has the weight of the world.
170
00:09:48,341 --> 00:09:51,508
I'm sorry I can't be more generous
about being your mistake.
171
00:09:52,675 --> 00:09:57,883
(lively piano music playing)
172
00:09:57,966 --> 00:10:02,341
♪ Casey would waltz
with a strawberry blonde ♪
173
00:10:02,425 --> 00:10:06,508
ALL: ♪ And the band played on ♪
174
00:10:06,591 --> 00:10:10,800
♪ He'd glide 'cross the floor
with a girl he adored ♪
175
00:10:10,883 --> 00:10:14,966
♪ And the band played on ♪
176
00:10:15,050 --> 00:10:17,883
♪ But his brain was so loaded ♪
177
00:10:17,966 --> 00:10:19,550
(sings foreign languages)
178
00:10:19,633 --> 00:10:23,508
♪ Poor girl would shake with delight ♪
179
00:10:23,591 --> 00:10:27,633
ALL: ♪ He'd ne'er leave the girl
with the strawberry curls ♪
180
00:10:27,716 --> 00:10:32,216
- ♪ And the band played on... ♪
- (voices trail off)
181
00:10:33,633 --> 00:10:36,591
No need to stop on my account, please.
182
00:10:36,675 --> 00:10:39,633
Is there a song you'd like, Mrs. True?
183
00:10:39,716 --> 00:10:42,591
None you'd know, but keep playing.
184
00:10:42,616 --> 00:10:43,526
(speaks foreign languages)
185
00:10:43,558 --> 00:10:45,331
Mrs. True needs a
different kind of song.
186
00:10:46,841 --> 00:10:49,258
I should be working
to get that voice back.
187
00:10:49,341 --> 00:10:51,341
Oh, let her play.
188
00:10:51,425 --> 00:10:53,466
Can I not be made
the villain of the piece?
189
00:10:53,550 --> 00:10:55,133
I said keep playing.
190
00:10:55,216 --> 00:10:56,800
The other song will come when it comes.
191
00:10:56,883 --> 00:10:59,675
I doubt a little fun
will do anything but help.
192
00:10:59,758 --> 00:11:02,258
Waiting's only painful when
you're not doing anything else.
193
00:11:02,341 --> 00:11:05,008
The gospel of Amalia True,
patron saint of patience,
194
00:11:05,091 --> 00:11:08,008
and ironically, fist-punching.
Good morning.
195
00:11:08,091 --> 00:11:10,633
Miss Adair, you're surprisingly
sprightly this morning.
196
00:11:10,716 --> 00:11:14,091
I had a vision in the night
in between vomits.
197
00:11:14,175 --> 00:11:16,716
First time Mary sang in public,
198
00:11:16,800 --> 00:11:19,133
only the Touched that were
in the room could hear it.
199
00:11:19,216 --> 00:11:22,341
But next time, we'll make
Mary's voice loud enough
200
00:11:22,425 --> 00:11:24,841
that it can be heard by Touched
across the city...
201
00:11:24,925 --> 00:11:26,550
You say Candlemas Park
is the place, right?
202
00:11:26,633 --> 00:11:28,175
It's open on all sides,
and there's the...
203
00:11:28,258 --> 00:11:29,966
PENANCE: And it's right in
the center of the city.
204
00:11:30,050 --> 00:11:33,591
But I was noticing last night
that the city is loud.
205
00:11:33,675 --> 00:11:35,591
Even pure truth would choke on the din.
206
00:11:35,675 --> 00:11:37,925
But every voice is just vibrations,
207
00:11:38,008 --> 00:11:40,050
and an electric converter
could make those vibrations
208
00:11:40,133 --> 00:11:41,383
a lot bigger.
209
00:11:41,466 --> 00:11:45,050
Penance Adair, have you just
invented the amplifier?
210
00:11:45,133 --> 00:11:46,300
Ah, you gave it away!
211
00:11:46,383 --> 00:11:48,175
And you gave it a very dull name.
212
00:11:48,258 --> 00:11:51,883
I'll be calling it "The Brightener."
213
00:11:53,175 --> 00:11:55,633
It's a play on words
involving your name.
214
00:11:55,716 --> 00:11:58,050
(laughs) Well, thanks.
215
00:11:58,133 --> 00:12:02,508
Um, that's...
Um, I-I don't know what it is.
216
00:12:03,300 --> 00:12:05,216
Oh, it, um...
217
00:12:07,091 --> 00:12:09,466
amplifies the sound waves.
218
00:12:09,550 --> 00:12:11,508
It-it'll make your voice
heard for miles,
219
00:12:11,591 --> 00:12:13,883
or near a mile, I think.
220
00:12:13,966 --> 00:12:16,966
They're-they're awful boxy. Design
elements usually come later on.
221
00:12:17,050 --> 00:12:19,050
But all I need is some copper wire,
222
00:12:19,133 --> 00:12:20,966
and we'll have some prototypes.
223
00:12:21,050 --> 00:12:23,383
I say we go to the park
224
00:12:23,466 --> 00:12:27,341
later on this evening,
and we just run some tests.
225
00:12:27,425 --> 00:12:29,841
And to think I slept.
226
00:12:29,925 --> 00:12:32,466
You always were a lightweight.
227
00:12:32,550 --> 00:12:36,175
(indistinct chatter)
228
00:12:36,258 --> 00:12:39,758
♪
229
00:12:41,091 --> 00:12:43,883
Look, I think I am
getting closer to it.
230
00:12:43,966 --> 00:12:45,925
I mean, I... I feel little moments.
231
00:12:46,008 --> 00:12:48,758
You don't have to give me a status
report every time you see me.
232
00:12:48,841 --> 00:12:51,591
Just because you can enjoy
yourself and be entertaining
233
00:12:51,675 --> 00:12:54,258
doesn't mean you weren't
kidnapped a week ago.
234
00:12:54,341 --> 00:12:56,091
It'll come when it comes.
235
00:12:56,175 --> 00:12:57,966
Has there been any word of Maladie?
236
00:12:59,633 --> 00:13:01,925
I imagine she's licking her wounds.
237
00:13:02,008 --> 00:13:03,591
Or punching them.
238
00:13:03,675 --> 00:13:05,925
And Bonfire Annie?
239
00:13:06,008 --> 00:13:09,133
Heard you were trying
to recruit her last night.
240
00:13:09,216 --> 00:13:11,466
- Hello, miss.
- AMALIA: Does that bother you?
241
00:13:11,550 --> 00:13:14,800
- Get out.
- MARY: I wish I'd been told.
242
00:13:14,883 --> 00:13:16,758
If I turned a corner
and there she was...
243
00:13:16,841 --> 00:13:19,175
I didn't want to worry you for nothing.
244
00:13:19,258 --> 00:13:21,800
And nothing is what came of it, so...
245
00:13:21,883 --> 00:13:23,925
You're keeping secrets.
246
00:13:24,008 --> 00:13:26,300
Every woman keeps secrets.
247
00:13:26,383 --> 00:13:28,800
Every Touched woman
keeps a great deal more.
248
00:13:28,883 --> 00:13:30,841
(laughs softly) That's a dodge.
249
00:13:30,925 --> 00:13:32,175
Was there a question?
250
00:13:32,258 --> 00:13:35,466
I've asked the girls
what this place is,
251
00:13:35,550 --> 00:13:38,133
and what we're meant to be doing.
252
00:13:39,633 --> 00:13:42,050
And they all have different answers.
253
00:13:42,133 --> 00:13:43,675
I can sense that there's something...
254
00:13:43,758 --> 00:13:48,091
Some sort of mission beyond
keeping each other safe.
255
00:13:48,175 --> 00:13:50,091
But it's all a bit vague.
256
00:13:50,175 --> 00:13:51,716
What is it you're looking for?
257
00:13:51,800 --> 00:13:53,758
A conspiracy? A cult?
258
00:13:53,841 --> 00:13:55,513
I'm not asking you to cut off your toes.
259
00:13:55,537 --> 00:13:56,442
I'm looking for you.
260
00:13:56,467 --> 00:13:58,341
- I'm right here.
- Are you?
261
00:14:04,716 --> 00:14:08,175
Three years ago, I woke up
knowing things that I shouldn't,
262
00:14:08,258 --> 00:14:09,716
and was declared insane.
263
00:14:09,800 --> 00:14:11,758
Which for a time, I thought I was.
264
00:14:11,841 --> 00:14:14,508
So, yes, I keep secrets.
265
00:14:14,591 --> 00:14:17,633
I also drink when I shouldn't,
fight when I needn't,
266
00:14:17,716 --> 00:14:20,341
and fuck men whose names
I do not learn.
267
00:14:22,133 --> 00:14:23,633
I get nervous in crowds.
268
00:14:24,925 --> 00:14:27,216
I see things that aren't there.
269
00:14:27,300 --> 00:14:30,508
When I meet someone, the first thing
I think of is how to kill them.
270
00:14:31,883 --> 00:14:34,425
I do have some good qualities.
(chuckles softly)
271
00:14:36,800 --> 00:14:39,550
I genuinely like horses.
272
00:14:39,633 --> 00:14:42,758
What is it you know that you shouldn't?
273
00:14:48,008 --> 00:14:50,966
You want me to sing so that
more people will come here?
274
00:14:52,591 --> 00:14:55,550
Maybe I'm struggling because
I don't know if they should.
275
00:14:56,758 --> 00:14:59,133
(footsteps departing)
276
00:15:02,716 --> 00:15:05,383
(passionate moaning)
277
00:15:11,341 --> 00:15:14,466
(both groaning)
278
00:15:14,550 --> 00:15:16,175
(groaning crescendos)
279
00:15:16,258 --> 00:15:18,300
HUGO: Yes! Now!
280
00:15:18,383 --> 00:15:19,591
Tell me!
281
00:15:19,675 --> 00:15:21,966
(both groaning loudly)
282
00:15:22,050 --> 00:15:24,883
Nine, forty-two and eleven seconds!
283
00:15:25,675 --> 00:15:28,966
(panting)
284
00:15:29,050 --> 00:15:31,175
(speaking French)
285
00:15:31,258 --> 00:15:33,341
(speaking French)
286
00:15:38,383 --> 00:15:42,383
Wh-where's the purple light?
287
00:15:42,466 --> 00:15:44,675
You're supposed to fill
the room with light
288
00:15:44,758 --> 00:15:45,925
when you spend.
289
00:15:46,008 --> 00:15:48,383
I don't fill the room...
290
00:15:48,466 --> 00:15:52,175
I wanted purple light!
Not Greenwich Mean Time.
291
00:15:52,258 --> 00:15:53,841
Uh, I know the time.
292
00:15:53,925 --> 00:15:57,300
- (sniffs, exhales)
- No one hires the Touched no more.
293
00:15:57,383 --> 00:15:58,966
Hugo, sorry to barge in.
294
00:15:59,050 --> 00:16:01,716
I just, I think... I think
we're being very, um...
295
00:16:01,800 --> 00:16:04,466
Augie, this is Dominique.
She's been auditioning.
296
00:16:04,550 --> 00:16:07,925
Oh. I see. No, I see, I see.
297
00:16:08,008 --> 00:16:10,550
Best of luck.
298
00:16:10,633 --> 00:16:12,591
(softly): Do you...
Do you audition all the girls?
299
00:16:12,675 --> 00:16:15,800
Uh, and the boys. I've got a
set of, uh, boy-girl twins
300
00:16:15,883 --> 00:16:18,216
who are bonded in
the most fascinating way.
301
00:16:18,300 --> 00:16:21,425
- If you spank one of them, the other...
- Oh, Hugo...
302
00:16:21,508 --> 00:16:23,466
I'm just not sure I can be
involved with this.
303
00:16:23,550 --> 00:16:25,300
It's all signed and sealed, old boy.
304
00:16:25,383 --> 00:16:27,841
But you haven't filed them yet
305
00:16:27,925 --> 00:16:29,466
with the... with the company's house.
306
00:16:29,550 --> 00:16:31,466
- Well, the moment they were signed.
- What, 4:00 AM?
307
00:16:31,550 --> 00:16:32,706
The day they were signed.
308
00:16:32,761 --> 00:16:34,761
You are the sole proprietor
of the Ferryman's Club,
309
00:16:34,841 --> 00:16:36,758
and turning a pretty profit to boot.
310
00:16:36,841 --> 00:16:39,758
- He's boss.
- He is boss.
311
00:16:39,841 --> 00:16:41,550
Profit? Already?
312
00:16:41,633 --> 00:16:43,383
I paid this all off privately
before we started.
313
00:16:43,466 --> 00:16:46,341
There's just, uh, the staff,
the talent, and, uh,
314
00:16:46,425 --> 00:16:48,425
our generous salaries.
315
00:16:48,508 --> 00:16:50,925
- Salaries?
- I know. Isn't it common? (laughs)
316
00:16:51,008 --> 00:16:53,925
We dwell amongst the nouveau riche.
(chuckles)
317
00:16:54,008 --> 00:16:56,341
I audition to you?
318
00:16:56,425 --> 00:16:59,591
Hugo. Hugo! Hugo...
319
00:16:59,675 --> 00:17:01,760
- If Lavinia finds out...
- She won't.
320
00:17:01,799 --> 00:17:02,925
You haven't invested a penny.
321
00:17:03,008 --> 00:17:04,591
And the contracts are under seal.
322
00:17:04,675 --> 00:17:07,800
Uh, uh, don't smile. You have mystique.
323
00:17:07,883 --> 00:17:09,966
The Touched are her personal cause.
324
00:17:10,050 --> 00:17:12,425
- Lavinia, if she finds out what you...
- Your next candidate.
325
00:17:12,508 --> 00:17:15,966
- We... No, you are making them do...
- Paying them to do.
326
00:17:16,050 --> 00:17:17,011
Paying me to do.
327
00:17:17,035 --> 00:17:19,291
VOICE (echoing):
Ask him... ask him for housing...
328
00:17:19,341 --> 00:17:22,175
And housing them. Quiet, you.
329
00:17:22,258 --> 00:17:25,466
- And keeping them safe.
- Hugo, this isn't a schoolyard prank.
330
00:17:25,550 --> 00:17:28,758
There are things being done
here that are illegal.
331
00:17:28,841 --> 00:17:30,591
And quite, quite possibly immoral.
332
00:17:30,675 --> 00:17:32,800
Speaking of which, uh,
Charlotte says hello.
333
00:17:32,883 --> 00:17:35,341
- Uh, so does Lufima.
- Hugo.
334
00:17:35,425 --> 00:17:37,758
- You wouldn't...
- There you are.
335
00:17:37,841 --> 00:17:40,508
AUGIE: Wh-wha-what I did that night
336
00:17:40,591 --> 00:17:43,133
was not the conduct
of a gentleman, I know.
337
00:17:43,216 --> 00:17:47,216
But w... We didn't...
We didn't break any laws.
338
00:17:47,346 --> 00:17:48,407
That I know of.
339
00:17:48,432 --> 00:17:50,550
What you did, they don't have laws for.
340
00:17:50,633 --> 00:17:52,550
Then I didn't break any.
341
00:17:53,550 --> 00:17:56,091
Look, just give it a try.
342
00:17:56,175 --> 00:17:57,841
I'm all alone here, Augie.
343
00:17:57,925 --> 00:18:00,008
I-I can't do all this all by myself.
344
00:18:00,091 --> 00:18:01,341
I don't have the time.
345
00:18:01,425 --> 00:18:02,508
- Nine forty...
- No!
346
00:18:02,591 --> 00:18:05,425
Everything's just moving much too fast.
347
00:18:05,508 --> 00:18:07,633
I'm, I'm sorry I filed the papers,
348
00:18:07,716 --> 00:18:09,758
but I had to use up a lot of
favors, and I can't help...
349
00:18:09,841 --> 00:18:13,008
I... Of course, I will. I'll-I'll
set you free. Just give me time.
350
00:18:13,091 --> 00:18:15,758
And, and meanwhile,
enjoy being in charge for a bit,
351
00:18:15,841 --> 00:18:18,758
- 'cause I have a meeting.
- No... In charge?
352
00:18:18,841 --> 00:18:21,133
Well, you don't have to
audition anyone. Just...
353
00:18:21,216 --> 00:18:24,133
look important. Say no a lot. Roma!
354
00:18:25,216 --> 00:18:27,216
Where the hell is my purple light?
355
00:18:27,300 --> 00:18:29,133
You sent me a pocket watch.
356
00:18:29,216 --> 00:18:32,341
(whispering): And can you get those
fucking contracts filed now?
357
00:18:35,550 --> 00:18:37,091
Um...
358
00:18:38,050 --> 00:18:39,383
No?
359
00:18:39,466 --> 00:18:40,966
Below!
360
00:18:41,050 --> 00:18:43,841
MRS. BEECHUM: Ronald will have
those maple branches pruned
361
00:18:43,925 --> 00:18:45,883
before you get back.
362
00:18:45,966 --> 00:18:48,633
This union business
should only take a few days.
363
00:18:48,716 --> 00:18:50,591
Unions is just organized laziness,
364
00:18:50,675 --> 00:18:51,883
if you don't mind my saying.
365
00:18:51,966 --> 00:18:54,675
Should be grateful for a wage
and your guiding hand.
366
00:18:54,758 --> 00:18:56,008
What the hell is all this?
367
00:18:56,091 --> 00:18:58,425
We're installing a telephone,
not a trapeze.
368
00:18:58,508 --> 00:19:00,133
I'll make sure they're out of sight.
369
00:19:00,216 --> 00:19:01,841
The degradation of progress.
370
00:19:01,925 --> 00:19:03,758
We build homes to keep
other people out,
371
00:19:03,841 --> 00:19:05,758
and then build machines
to let them all in.
372
00:19:05,841 --> 00:19:08,633
Well, it will help with ordering
from the butchers and such.
373
00:19:08,716 --> 00:19:10,317
- Speed it up.
- Yes, because the measure
374
00:19:10,395 --> 00:19:12,841
of a thing's worth
is how quickly it arrives.
375
00:19:12,925 --> 00:19:15,966
Well, if you was to come
unexpectedly, or with company...
376
00:19:16,050 --> 00:19:19,300
It's only the under-butler
heard you talking to Parkins
377
00:19:19,383 --> 00:19:20,675
about a widow you'd met.
378
00:19:20,758 --> 00:19:23,175
A friend of Miss Bidlow's.
379
00:19:25,050 --> 00:19:27,050
You'll fire him yourself?
380
00:19:27,133 --> 00:19:28,466
Of course, sir.
381
00:19:28,550 --> 00:19:30,591
And Mrs. Beechum, you will give up
382
00:19:30,675 --> 00:19:33,383
your romantic yen for a mistress.
383
00:19:34,758 --> 00:19:37,883
This house has all
the company I can abide.
384
00:19:42,925 --> 00:19:49,425
♪
385
00:19:59,050 --> 00:20:04,466
♪
386
00:20:14,508 --> 00:20:16,050
(grunts)
387
00:20:17,175 --> 00:20:19,508
Little Annie Carbey,
388
00:20:19,591 --> 00:20:22,508
the Bonfire of Limehouse.
389
00:20:22,591 --> 00:20:25,383
I've known her since
she was a dusky urchin,
390
00:20:25,466 --> 00:20:26,675
following her old man around
391
00:20:26,758 --> 00:20:28,841
when he collected for the Top Hat Lads.
392
00:20:30,841 --> 00:20:32,716
Now, she's got a "turn."
393
00:20:33,716 --> 00:20:36,300
A terrible fuckin' "turn."
394
00:20:36,383 --> 00:20:40,341
Fire. And what have you got
that can compete with that?
395
00:20:41,633 --> 00:20:43,716
You got fucking guns!
396
00:20:43,800 --> 00:20:45,508
People saw you running.
397
00:20:45,591 --> 00:20:47,550
By the light of my shipment ablaze,
398
00:20:47,633 --> 00:20:49,841
people saw the Beggar King's
men on the run
399
00:20:49,925 --> 00:20:51,550
from a fucking girl!
400
00:20:53,216 --> 00:20:55,175
Now, Mr. Odium here
401
00:20:55,258 --> 00:20:57,633
wanted to take you for
a walk along the Thames,
402
00:20:57,716 --> 00:21:00,008
'cause he knows that when
you wear my brand,
403
00:21:00,091 --> 00:21:02,841
what you do reflects on me.
404
00:21:02,925 --> 00:21:05,841
I circled back, but she'd gone.
405
00:21:05,925 --> 00:21:08,050
And the other ladies were there.
406
00:21:08,133 --> 00:21:10,466
- Other ladies?
- The widow.
407
00:21:10,550 --> 00:21:12,133
And the science one.
408
00:21:12,216 --> 00:21:13,591
She had a horrible device.
409
00:21:13,675 --> 00:21:15,591
Well, I-I didn't know
if they were gonna...
410
00:21:15,675 --> 00:21:18,175
- I'll do better.
- Shh, shh, shh,
411
00:21:20,841 --> 00:21:22,466
Ooh...
412
00:21:23,675 --> 00:21:26,466
Oh, no. How new that scar is.
413
00:21:27,258 --> 00:21:29,633
No, no. You're a pup!
414
00:21:32,883 --> 00:21:35,258
Ha! Now,
415
00:21:35,341 --> 00:21:37,758
a man carrying my mark for eight years,
416
00:21:39,008 --> 00:21:42,383
I'd expect him to stand his ground.
417
00:21:42,466 --> 00:21:46,300
Maybe he's become tired
of wearing my mark. Huh?
418
00:21:47,800 --> 00:21:51,591
Maybe it's become a burden, my brand.
419
00:21:51,675 --> 00:21:55,091
- We wasn't told what to expect.
- Oh.
420
00:21:55,175 --> 00:21:57,091
Pain and disgrace.
421
00:21:58,633 --> 00:21:59,966
But it's all right.
422
00:22:00,050 --> 00:22:02,425
- 'Cause you're expecting it.
- (grunts)
423
00:22:02,508 --> 00:22:04,716
- (flesh slicing)
- (screaming)
424
00:22:07,466 --> 00:22:10,508
- (screaming)
- (slicing)
425
00:22:10,591 --> 00:22:13,925
So, what the fuck is
Mrs. True up to now?
426
00:22:14,008 --> 00:22:16,133
(thug groaning)
427
00:22:16,216 --> 00:22:22,091
♪
428
00:22:22,175 --> 00:22:24,175
(phone ringing)
429
00:22:24,258 --> 00:22:27,383
- (indistinct chatter)
- (typewriters clacking)
430
00:22:33,675 --> 00:22:35,550
(phone ringing)
431
00:22:38,716 --> 00:22:40,633
You know about this?
432
00:22:42,633 --> 00:22:44,925
Anyone see who left this?
433
00:22:49,383 --> 00:22:51,133
(phone ringing)
434
00:22:54,841 --> 00:22:56,425
Below!
435
00:23:00,258 --> 00:23:01,758
MRS. BEECHUM: Try the attic,
436
00:23:01,841 --> 00:23:04,758
and make sure they're out of sight!
437
00:23:06,550 --> 00:23:08,800
(distant hammering)
438
00:23:14,466 --> 00:23:16,591
Humph. "Try the attic."
439
00:23:16,675 --> 00:23:19,550
Try not telling me
my business, how about?
440
00:23:19,633 --> 00:23:22,341
(distant hammering)
441
00:23:31,091 --> 00:23:33,758
(distant indistinct chatter)
442
00:23:54,508 --> 00:23:56,466
(thuds softly)
443
00:24:02,341 --> 00:24:05,300
(distant chittering)
444
00:24:22,133 --> 00:24:23,758
(loud bang)
445
00:24:43,591 --> 00:24:46,508
(chittering)
446
00:24:46,591 --> 00:24:48,508
- Don't go near the dogs.
- (gasps)
447
00:24:50,550 --> 00:24:53,425
They've gone rabid. Try around here.
448
00:24:54,341 --> 00:24:56,591
(squeaks open)
449
00:24:56,675 --> 00:24:58,258
Can you believe that man?
450
00:24:58,341 --> 00:25:00,925
"Electronics is nothing
for a girl to be dabbling in."
451
00:25:01,008 --> 00:25:03,508
Have you ever seen me dabble, Myrtle?
452
00:25:03,591 --> 00:25:05,716
I'll dabble his face.
453
00:25:09,591 --> 00:25:11,550
Señora True?
454
00:25:12,341 --> 00:25:14,508
What does it say?
455
00:25:14,591 --> 00:25:16,550
(speaks foreign languages)
456
00:25:17,591 --> 00:25:20,800
PENANCE: That's not our address.
457
00:25:33,383 --> 00:25:35,258
BARMAID: What's your preference?
458
00:25:37,050 --> 00:25:38,925
We only got two on tap.
459
00:25:40,925 --> 00:25:42,758
A pint of the dark.
460
00:25:45,883 --> 00:25:48,425
(liquid pouring)
461
00:25:50,591 --> 00:25:52,675
- (indistinct chatter)
- Ladies.
462
00:25:52,758 --> 00:25:56,216
- Dr. Cousens. What a treat.
- I'm sorry. Have we met?
463
00:25:56,300 --> 00:25:58,133
Oh, yes. As it happens, I promised you
464
00:25:58,216 --> 00:25:59,508
your own carriage.
465
00:25:59,591 --> 00:26:02,633
And at last, it's here.
466
00:26:02,716 --> 00:26:05,508
Huh. I never thought you meant it.
467
00:26:05,591 --> 00:26:08,591
Ah, I never lie. I never boast.
(chuckles)
468
00:26:08,675 --> 00:26:13,133
As it happens, a wealthy patient
is waiting for you within.
469
00:26:15,925 --> 00:26:19,675
A new client, of whom
you're not remotely afraid.
470
00:26:19,758 --> 00:26:22,758
Hush, Colonel.
Don't take away his fear.
471
00:26:22,841 --> 00:26:24,008
He might need it.
472
00:26:24,091 --> 00:26:26,008
- (door closes)
- (latch clicks)
473
00:26:32,966 --> 00:26:34,466
Are you afraid?
474
00:26:34,550 --> 00:26:36,300
It's well known
how you pay your doctors.
475
00:26:36,383 --> 00:26:40,216
They were compensated in kind
for the services they provided.
476
00:26:40,300 --> 00:26:42,758
You don't mess about with
brains, you're all right.
477
00:26:42,841 --> 00:26:44,258
You know who I work with?
478
00:26:44,341 --> 00:26:46,008
Everyone knows the Beggar King
479
00:26:46,091 --> 00:26:48,966
has a doctor on call
with healing hands.
480
00:26:50,758 --> 00:26:53,133
Yes, I know. Mrs. True.
481
00:26:53,216 --> 00:26:56,133
But this ain't about her.
It's about the gift she gave me.
482
00:26:56,216 --> 00:26:59,466
And if I heal you,
how do I know you won't...
483
00:26:59,550 --> 00:27:02,216
What, strike you down to get at Molly?
484
00:27:03,466 --> 00:27:05,300
If you're frettin' on that,
485
00:27:05,383 --> 00:27:09,633
you two must be... dear friends.
486
00:27:09,716 --> 00:27:11,716
Oh, you do go back a ways.
487
00:27:11,800 --> 00:27:13,591
We all do.
488
00:27:14,675 --> 00:27:17,050
Except I don't remember you so well.
489
00:27:17,133 --> 00:27:19,633
Although there was a Black
in a doctor's coat,
490
00:27:19,716 --> 00:27:21,633
which I thought my mind made up.
491
00:27:22,466 --> 00:27:23,633
No...
492
00:27:24,966 --> 00:27:26,425
I'm real.
493
00:27:28,216 --> 00:27:30,133
Do you want to show me the wound?
494
00:27:32,050 --> 00:27:36,133
Yes, sir, doctor, sir.
495
00:27:36,216 --> 00:27:38,591
Whew. (inhales sharply)
496
00:27:38,675 --> 00:27:41,133
It's a persistent little pinhole.
497
00:27:45,425 --> 00:27:47,300
Kiss it better.
498
00:28:02,633 --> 00:28:07,133
Hmm. Still a bullet fragment in there.
499
00:28:07,216 --> 00:28:11,133
I'll have to take it out
before I can help you.
500
00:28:19,633 --> 00:28:21,175
This is going to hurt.
501
00:28:21,258 --> 00:28:23,175
Promise?
502
00:28:23,258 --> 00:28:24,883
(liquid sloshing)
503
00:28:24,966 --> 00:28:27,133
(gasps sharply)
504
00:28:27,216 --> 00:28:30,633
(breathing heavily, groaning)
505
00:28:32,716 --> 00:28:33,966
Man gave me this.
506
00:28:34,050 --> 00:28:37,300
I was told to wait two hours. Sorry.
507
00:28:37,383 --> 00:28:39,508
And another whiskey.
508
00:28:42,091 --> 00:28:43,550
FRANK: Swann.
509
00:28:43,633 --> 00:28:45,675
- Not bad on the eyes.
- Yeah, all right, though.
510
00:28:45,758 --> 00:28:48,216
Hope we aren't in trouble.
511
00:28:48,300 --> 00:28:50,133
(giggling)
512
00:28:52,383 --> 00:28:55,300
(indistinct chatter)
513
00:29:08,800 --> 00:29:13,508
♪
514
00:29:22,758 --> 00:29:25,508
(indistinct chatter, laughter)
515
00:29:39,550 --> 00:29:41,383
(door squeaks open)
516
00:29:52,633 --> 00:29:55,258
Sometimes I think
you want to get caught.
517
00:29:55,341 --> 00:29:58,091
- Barmaid told me you were here.
- Did she?
518
00:29:58,175 --> 00:30:00,300
Mmm, no, no.
519
00:30:00,383 --> 00:30:04,341
She and I are bosom friends.
I've known her since half noon.
520
00:30:04,425 --> 00:30:06,633
She wouldn't squidge on me.
521
00:30:06,716 --> 00:30:09,966
One day, you're gonna walk into a place
522
00:30:10,050 --> 00:30:12,716
that don't think you're charming.
523
00:30:12,800 --> 00:30:14,633
Don't think your money's charming.
524
00:30:14,716 --> 00:30:17,758
- My money is adorable.
- What are you doing, Swann?
525
00:30:17,841 --> 00:30:20,966
What are you spending your day doing
526
00:30:21,050 --> 00:30:24,300
with this panto Moriarty crap?
527
00:30:24,383 --> 00:30:26,258
This what you think a job feels like?
528
00:30:26,341 --> 00:30:28,883
I'm... I'm worked to the bone,
Inspector.
529
00:30:28,966 --> 00:30:31,550
Whilst I've had nothing of worth
from you about Amalia True,
530
00:30:31,633 --> 00:30:33,091
or The Orphanage.
531
00:30:33,175 --> 00:30:34,800
Do you know what it cost
to arrange that raid?
532
00:30:34,883 --> 00:30:37,091
What do you think I'll find, hmm?
533
00:30:37,175 --> 00:30:40,925
A bunch of girls longing to leave
the safety of their community
534
00:30:41,008 --> 00:30:44,091
- to come whoring for you?
- Uh, a few.
535
00:30:44,175 --> 00:30:46,383
You do have a talent for it.
536
00:30:47,425 --> 00:30:49,091
What about Mary Brighton?
537
00:30:49,175 --> 00:30:51,341
Her "turn," I mean.
538
00:30:51,425 --> 00:30:53,508
I told you. It's a song.
539
00:30:53,591 --> 00:30:55,300
Only the Touched can hear it.
540
00:30:55,383 --> 00:30:57,383
It makes 'em feel happy.
541
00:30:57,466 --> 00:31:00,550
Amalia True risks
life and limb for a lullaby.
542
00:31:00,640 --> 00:31:02,051
No, there's more.
543
00:31:02,124 --> 00:31:05,183
Mary don't know anything
about Mrs. True's plans.
544
00:31:05,300 --> 00:31:07,675
Mary left you on your wedding day.
545
00:31:07,758 --> 00:31:11,050
I think it's safe to say
she does keep things from you.
546
00:31:15,550 --> 00:31:18,008
She did you a favor, of course.
547
00:31:18,091 --> 00:31:20,175
(grunts)
548
00:31:20,258 --> 00:31:23,133
Such a dramatic disappointment.
549
00:31:23,216 --> 00:31:25,258
No one would question you
not rushing to the altar
550
00:31:25,341 --> 00:31:26,675
- a second time.
- (liquid pouring)
551
00:31:26,758 --> 00:31:28,466
I often wonder,
552
00:31:28,550 --> 00:31:32,591
did she realize she could never
give you what you wanted,
553
00:31:32,675 --> 00:31:34,550
or did she find out I was?
554
00:31:34,633 --> 00:31:36,591
I was drunk!
555
00:31:38,133 --> 00:31:40,675
I was blind drunk.
556
00:31:43,841 --> 00:31:46,050
The Ferryman's is a massive venture.
557
00:31:46,133 --> 00:31:47,966
More even than I'd hoped.
558
00:31:48,050 --> 00:31:51,883
But it depends on an
immeasurable level of change.
559
00:31:51,966 --> 00:31:53,466
Amalia True?
560
00:31:53,550 --> 00:31:55,175
I do not believe she has any interest
561
00:31:55,258 --> 00:31:57,883
in giving the Touched
a safe haven. Do you?
562
00:31:59,425 --> 00:32:00,633
No.
563
00:32:00,716 --> 00:32:04,258
Seeing the future...
that ain't her whole story.
564
00:32:05,758 --> 00:32:09,675
- She has a purpose.
- And now she has Mary.
565
00:32:09,758 --> 00:32:12,175
- Why?
- (footsteps approaching)
566
00:32:12,258 --> 00:32:14,383
(laughing)
567
00:32:14,466 --> 00:32:17,091
- (indistinct chatter)
- (door slams)
568
00:32:19,508 --> 00:32:21,383
Look at you.
569
00:32:21,466 --> 00:32:23,633
A shadow afraid of shadows.
570
00:32:24,466 --> 00:32:26,175
Such a lonely life.
571
00:32:27,591 --> 00:32:28,841
Yeah?
572
00:32:31,175 --> 00:32:33,675
Where are all your friends then?
573
00:32:37,550 --> 00:32:41,008
- The first time, Frank.
- (door slams)
574
00:32:43,466 --> 00:32:46,466
You were drunk the first time.
575
00:32:46,550 --> 00:32:49,133
- (hooves clopping)
- (indistinct chatter)
576
00:32:49,216 --> 00:32:52,383
(huffs) My toes itch.
577
00:32:53,966 --> 00:32:56,675
The ones you've got,
or the ones you haven't?
578
00:32:57,758 --> 00:32:59,050
Both.
579
00:33:00,800 --> 00:33:03,133
(energy buzzing)
580
00:33:11,258 --> 00:33:14,050
(breathing shakily)
581
00:33:24,508 --> 00:33:27,675
The new moon has made me a virgin.
582
00:33:27,758 --> 00:33:29,953
There's still some infection
583
00:33:30,039 --> 00:33:31,898
- on the surface.
- (chuckling)
584
00:33:34,133 --> 00:33:38,383
Here. Take two of these a day,
585
00:33:38,466 --> 00:33:41,091
and keep it clean.
586
00:33:41,175 --> 00:33:42,591
(grunts)
587
00:33:46,300 --> 00:33:48,091
(bullet clinking)
588
00:33:48,175 --> 00:33:51,425
Is this what Molly's
atonement looked like?
589
00:33:51,508 --> 00:33:53,716
You think it's enough?
590
00:33:53,800 --> 00:33:58,091
I think you blame her for
something she couldn't control.
591
00:33:58,175 --> 00:34:01,300
I wonder who you'll blame
when the time comes.
592
00:34:02,675 --> 00:34:04,508
On you go.
593
00:34:04,591 --> 00:34:07,633
Go? This is my carri...
594
00:34:10,425 --> 00:34:11,383
Oh.
595
00:34:11,466 --> 00:34:13,258
(bullet clatters)
596
00:34:16,216 --> 00:34:18,841
(clattering)
597
00:34:20,008 --> 00:34:21,925
Don't scratch at it.
598
00:34:35,633 --> 00:34:37,050
(clinks)
599
00:34:38,383 --> 00:34:41,383
- (sizzling)
- (clinks)
600
00:34:45,258 --> 00:34:47,508
- (distant yelling)
- (distant chains clanking)
601
00:34:47,591 --> 00:34:50,050
- (footsteps approaching)
- (cell clangs open)
602
00:34:50,133 --> 00:34:52,050
Winemar Kroos, get up.
603
00:34:57,258 --> 00:35:00,883
- What's this?
- Shut your cunt and come on.
604
00:35:00,966 --> 00:35:03,425
Shoot up a new lock
when they let you out.
605
00:35:04,508 --> 00:35:06,675
You're the luckiest fuck in the world.
606
00:35:08,133 --> 00:35:10,466
- Can I please have my weapon?
- Shut it!
607
00:35:10,550 --> 00:35:12,466
I need it!
608
00:35:12,550 --> 00:35:15,216
Hanging in the market
in broad daylight.
609
00:35:15,300 --> 00:35:17,300
Been out there a while
by the state of it.
610
00:35:17,383 --> 00:35:19,091
I have no idea how many more there are.
611
00:35:19,175 --> 00:35:20,383
Oh, I didn't know about these.
612
00:35:20,466 --> 00:35:21,883
I mean, I'm out and about
more than most.
613
00:35:21,966 --> 00:35:23,633
- I feel like I should have seen.
- PENANCE: Mmm.
614
00:35:23,716 --> 00:35:25,550
You can see now. Time for a visit.
615
00:35:25,633 --> 00:35:28,716
Been long since you and I did a
proper ladies' out, isn't it?
616
00:35:28,800 --> 00:35:30,550
It has, as that.
617
00:35:32,925 --> 00:35:36,633
♪
618
00:35:39,383 --> 00:35:42,925
- (horse neighs)
- (indistinct chatter)
619
00:35:45,925 --> 00:35:51,675
♪
620
00:35:51,758 --> 00:35:53,883
(knocking on door)
621
00:35:53,966 --> 00:35:56,425
Yes! Yes, I'm coming!
622
00:35:57,591 --> 00:35:59,466
(sighs)
623
00:35:59,550 --> 00:36:01,550
- (rumbling)
- (whirring)
624
00:36:01,633 --> 00:36:03,466
- Oh!
- (door bangs open)
625
00:36:04,508 --> 00:36:06,175
Who are you?
626
00:36:08,341 --> 00:36:10,258
What on Earth is this all about?
627
00:36:10,341 --> 00:36:11,883
- (thwacks)
- (thuds)
628
00:36:12,716 --> 00:36:14,258
- (thwacks)
- (grunts)
629
00:36:16,216 --> 00:36:17,591
(grunts)
630
00:36:19,258 --> 00:36:20,966
(growling)
631
00:36:24,466 --> 00:36:26,300
(electricity buzzing)
632
00:36:31,466 --> 00:36:32,591
(thuds)
633
00:36:34,050 --> 00:36:36,175
Fuck a drumstick, he's ugly.
634
00:36:36,258 --> 00:36:38,675
Is this one of those guys
what come after Myrtle?
635
00:36:38,758 --> 00:36:40,508
AMALIA: He was.
636
00:36:40,591 --> 00:36:42,550
(electricity buzzing)
637
00:36:43,508 --> 00:36:45,050
LUCY: What is it?
638
00:36:48,883 --> 00:36:51,258
Get handsome to The Orphanage
and take grandmother with you.
639
00:36:51,341 --> 00:36:53,925
- You need fare?
- No, no, no, no. I've got money.
640
00:36:54,008 --> 00:36:56,008
It's not from stealing.
641
00:36:56,091 --> 00:36:59,175
We need to know everything
that they've been doing.
642
00:36:59,258 --> 00:37:01,258
Ah, Désirée will get it out of her.
643
00:37:01,341 --> 00:37:03,300
Or I will.
644
00:37:03,383 --> 00:37:06,216
Is Penance still doing
her what's-it test?
645
00:37:06,300 --> 00:37:11,050
Yes. We need to be set up
the day Mary is ready to sing.
646
00:37:11,133 --> 00:37:14,300
I'll meet Penance in the park at dusk.
647
00:37:14,383 --> 00:37:16,216
Where are you going?
648
00:37:17,758 --> 00:37:19,716
Miss Bidlow needs to see this.
649
00:37:21,591 --> 00:37:23,341
(knocking on door)
650
00:37:25,091 --> 00:37:26,508
Frank.
651
00:37:26,591 --> 00:37:28,216
- Hi.
- I, uh...
652
00:37:28,300 --> 00:37:30,341
I, um, didn't mean
for you to rush over.
653
00:37:30,425 --> 00:37:31,841
I don't want to waste your time.
654
00:37:31,925 --> 00:37:35,341
Oh, no, I've got other people
doing that, thanks.
655
00:37:35,425 --> 00:37:37,591
- But you're not in any...
- No, no, no.
656
00:37:37,675 --> 00:37:40,050
No. Noth... nothing dire. Just, um...
657
00:37:40,133 --> 00:37:43,175
Well, I... I, I don't suppose
that Maladie's been, um,
658
00:37:43,258 --> 00:37:46,758
oh, you know, captured
and sent off to Australia.
659
00:37:46,841 --> 00:37:48,925
Did, did something happen?
660
00:37:51,800 --> 00:37:54,591
Is-is Mrs. True up to something?
661
00:37:54,675 --> 00:37:58,675
I mean, you, you can tell me.
It's unofficial, of course.
662
00:37:58,758 --> 00:38:02,550
No. It's just stranger than I expected,
663
00:38:02,633 --> 00:38:05,633
you know, being around so
many of the Touched. It's...
664
00:38:05,716 --> 00:38:07,550
My, my...
665
00:38:07,633 --> 00:38:10,466
my song used to be mine.
It was like a little...
666
00:38:10,550 --> 00:38:11,633
little piece of comfort.
667
00:38:11,716 --> 00:38:15,550
But then, now that
I've gone public, it just...
668
00:38:15,633 --> 00:38:17,716
I don't...
669
00:38:17,800 --> 00:38:21,383
I don't know how to find that...
670
00:38:21,466 --> 00:38:23,383
- voice that I have.
- Uh...
671
00:38:26,758 --> 00:38:31,383
I could... I could...
I could find you a place.
672
00:38:31,466 --> 00:38:33,800
You know I've got that, the spare room,
673
00:38:33,883 --> 00:38:36,633
if there, there's nothing else.
674
00:38:36,716 --> 00:38:40,050
- And I, I wouldn't try to...
- No, it's...
675
00:38:40,133 --> 00:38:42,883
I know you wouldn't.
676
00:38:42,966 --> 00:38:45,966
I, I... Frank, I didn't mean it...
it's, uh...
677
00:38:46,050 --> 00:38:48,883
As, as a gentleman,
I know that you wouldn't.
678
00:38:51,008 --> 00:38:52,966
But also as a man who...
679
00:38:54,133 --> 00:38:55,508
Frank...
680
00:38:56,508 --> 00:38:58,050
You're a good man.
681
00:38:59,216 --> 00:39:01,925
But there's a part
of you that you hate.
682
00:39:02,008 --> 00:39:03,591
I, I won... I won't say any more.
683
00:39:03,675 --> 00:39:05,550
Except that...
684
00:39:07,133 --> 00:39:10,258
I will never hate you.
685
00:39:13,716 --> 00:39:16,091
Not for who you are.
686
00:39:16,175 --> 00:39:20,675
You'll always be the man that
I call when there's trouble,
687
00:39:20,758 --> 00:39:23,675
and when there's not trouble, I guess.
688
00:39:30,383 --> 00:39:33,550
- Can I ask you for something?
- Of course.
689
00:39:33,633 --> 00:39:35,675
N-next time you sing,
690
00:39:35,758 --> 00:39:39,591
not that, that kind of singing...
691
00:39:39,675 --> 00:39:41,466
I-I'd like to be there.
692
00:39:43,300 --> 00:39:46,466
You know that only
the Touched can hear it.
693
00:39:46,550 --> 00:39:48,133
Yeah, I want to feel like,
694
00:39:48,216 --> 00:39:51,258
'cause at least just give it a go.
695
00:39:54,300 --> 00:39:55,883
People change.
696
00:39:58,591 --> 00:40:00,800
At the worst, I'll watch.
697
00:40:02,966 --> 00:40:06,550
It's been a long while
since I've seen you on a stage.
698
00:40:14,841 --> 00:40:17,341
Arrangements have already
been made, and we, uh...
699
00:40:17,425 --> 00:40:19,675
- Forgive us, we have to begin.
- Of course, of course.
700
00:40:19,758 --> 00:40:21,675
I got the gist on my telephone.
701
00:40:21,758 --> 00:40:25,258
What are the confidence levels
on the investment's return?
702
00:40:25,341 --> 00:40:29,675
Regrettably, we are among those
who cannot see into the future.
703
00:40:29,758 --> 00:40:32,591
But we do have a clearer
view of the field.
704
00:40:32,675 --> 00:40:35,591
It appears the new players
are in motion.
705
00:40:39,216 --> 00:40:41,133
We need to get those fliers taken down.
706
00:40:41,216 --> 00:40:42,883
- They could be all over London.
- Leave them.
707
00:40:42,966 --> 00:40:45,550
I'll have someone watch the
house in case anyone turns up,
708
00:40:45,633 --> 00:40:47,216
innocent or otherwise.
709
00:40:47,300 --> 00:40:50,508
- What can I do?
- I need to know who owns the building.
710
00:40:50,591 --> 00:40:52,758
I can get that information
for you in a day or so.
711
00:40:52,841 --> 00:40:54,883
Although I doubt it will reveal much.
712
00:40:54,966 --> 00:40:56,758
What about Mary Brighton?
713
00:40:56,841 --> 00:41:00,383
Is she doing her siren call,
or what have you?
714
00:41:00,466 --> 00:41:02,883
AMALIA: I'm not sure.
She's been struggling.
715
00:41:02,966 --> 00:41:06,508
We're doing the test
this evening, in the park.
716
00:41:06,591 --> 00:41:09,800
If Mary can find her voice,
we'll make sure it's heard.
717
00:41:11,383 --> 00:41:13,425
DISTORTED VOICE:
What did you tell them?
718
00:41:14,841 --> 00:41:16,341
What...
719
00:41:18,383 --> 00:41:21,425
What? What...
720
00:41:21,508 --> 00:41:23,800
N-nothing. I-I never said...
721
00:41:23,883 --> 00:41:26,133
- What did you tell them?!
- I, I, I, s-swear.
722
00:41:26,216 --> 00:41:28,258
I, I didn't tell anyone anything.
723
00:41:28,341 --> 00:41:29,633
I didn't!
724
00:41:29,716 --> 00:41:32,300
DÉSIRÉE:
Well, now that your blood is up,
725
00:41:32,383 --> 00:41:35,633
- how's about we start then?
- (clattering)
726
00:41:35,716 --> 00:41:38,216
- (metal clanging)
- (whimpers)
727
00:41:42,466 --> 00:41:44,091
Who are all you people?
728
00:41:44,175 --> 00:41:46,341
We're the people who answer your flier.
729
00:41:46,425 --> 00:41:48,466
Well, I'm not answering
any of your questions.
730
00:41:48,550 --> 00:41:50,341
Who do you work for?
731
00:41:50,425 --> 00:41:53,091
A man. Tall. Had a fur coat.
732
00:41:53,175 --> 00:41:55,466
Well-spoken but not too posh.
733
00:41:55,550 --> 00:41:58,633
You think they'd send the boss
around, showin' his face?
734
00:41:58,716 --> 00:42:00,508
What do they do to the girls?
735
00:42:00,591 --> 00:42:02,175
Experiments, I think.
736
00:42:04,716 --> 00:42:08,258
- Why you?
- They knowed about my tragedy, I guess.
737
00:42:08,341 --> 00:42:10,425
About my daughter,
and all the suffering.
738
00:42:10,508 --> 00:42:11,675
Did you hear a name?
739
00:42:11,758 --> 00:42:14,008
Water. She made everything water.
740
00:42:14,091 --> 00:42:17,008
Any liquid. She did it with wine,
741
00:42:17,091 --> 00:42:19,591
which is the opposite
of Jesus. (laughs)
742
00:42:19,675 --> 00:42:21,508
Plus, it cost me two shillings.
743
00:42:21,591 --> 00:42:24,633
There was a well, made everyone sick.
744
00:42:24,716 --> 00:42:26,425
She fixed that,
745
00:42:26,508 --> 00:42:29,258
but that's not for a person to do.
746
00:42:29,341 --> 00:42:30,800
But she was never afraid of it.
747
00:42:30,883 --> 00:42:32,133
She stopped being afraid of anything.
748
00:42:32,216 --> 00:42:34,966
She would just say, "Water is life."
749
00:42:35,050 --> 00:42:38,341
Sitting up nights with her needlework,
750
00:42:38,425 --> 00:42:40,508
just knowing something.
751
00:42:40,591 --> 00:42:43,341
Sitting and knowing.
752
00:42:43,425 --> 00:42:46,050
A young man saw it, too.
It was unnatural.
753
00:42:47,133 --> 00:42:50,216
My heart bleeding for the burden
754
00:42:50,300 --> 00:42:52,925
on, uh, on, on me.
755
00:42:54,341 --> 00:42:57,216
And she went for a bath.
756
00:42:57,300 --> 00:43:01,258
And it was so hot. It was so hard to...
757
00:43:01,341 --> 00:43:06,675
hold her down like that
'cause she didn't understand.
758
00:43:06,758 --> 00:43:11,091
She was splashing and struggling
759
00:43:11,175 --> 00:43:12,841
and trying to cry out.
760
00:43:12,925 --> 00:43:16,425
I could see it all 'cause
she made the water so clear.
761
00:43:16,508 --> 00:43:18,008
(exhales sharply)
762
00:43:18,091 --> 00:43:20,841
I had to bear that.
763
00:43:20,925 --> 00:43:23,300
I had to be strong...
764
00:43:23,383 --> 00:43:24,883
till she stopped.
765
00:43:24,966 --> 00:43:28,591
Till she was free.
766
00:43:28,675 --> 00:43:31,258
Her and the child inside her.
767
00:43:31,341 --> 00:43:32,966
- (yells)
- Lucy!
768
00:43:33,050 --> 00:43:34,925
Let go of me!
769
00:43:35,008 --> 00:43:37,883
Lucy, Lucy, Lucy, Lucy, Lucy.
770
00:43:39,716 --> 00:43:42,800
Abominations! Abominations, all of you!
771
00:43:42,883 --> 00:43:44,550
- (speaks foreign languages)
- You need to...
772
00:43:44,633 --> 00:43:46,175
(electricity buzzing)
773
00:43:46,966 --> 00:43:48,800
(sighs)
774
00:43:48,883 --> 00:43:50,675
(exhales)
775
00:43:53,050 --> 00:43:55,383
Lucy's "turn" came sudden.
776
00:43:57,050 --> 00:43:58,591
She didn't know she was Touched
777
00:43:58,675 --> 00:44:01,966
till she lifted her baby boy
up from his bassinet.
778
00:44:02,050 --> 00:44:05,591
Six months old and the first
person to ever love her back.
779
00:44:08,175 --> 00:44:11,341
And all his bones broke before
he could even make a sound.
780
00:44:13,550 --> 00:44:15,758
I don't think she would hurt ya.
781
00:44:20,758 --> 00:44:22,425
We should call in the law.
782
00:44:22,508 --> 00:44:24,508
She confessed to murder
in front of seven people.
783
00:44:24,591 --> 00:44:27,591
Yeah, seven Touched people.
What policeman's gonna care?
784
00:44:27,675 --> 00:44:29,758
Mundi.
785
00:44:29,841 --> 00:44:31,883
Your brightener worked a charm.
That's good news.
786
00:44:31,966 --> 00:44:34,175
Aye. It needs some tinkerin'.
787
00:44:34,258 --> 00:44:36,425
But I'm not in much
of a mind right now.
788
00:44:36,508 --> 00:44:38,008
We'll have to send word to True.
789
00:44:38,091 --> 00:44:39,925
Tell her we're not going to the park.
790
00:44:40,008 --> 00:44:41,508
MARY: Yes, we are.
791
00:44:42,841 --> 00:44:44,425
Sorry?
792
00:44:45,425 --> 00:44:49,133
We are going to the park. I'm ready.
793
00:44:49,216 --> 00:44:51,675
Will this be workin'?
794
00:44:51,758 --> 00:44:53,383
Yes, ma'am.
795
00:44:56,091 --> 00:44:58,425
Tell Inspector Mundi to come.
796
00:44:58,508 --> 00:45:02,758
Let everyone know, especially Lucy.
797
00:45:07,341 --> 00:45:08,633
How many?
798
00:45:08,716 --> 00:45:10,675
What, love?
799
00:45:10,758 --> 00:45:12,591
Girls...
800
00:45:12,675 --> 00:45:14,633
that'll never hear Mary's song.
801
00:45:17,216 --> 00:45:19,383
We should have asked her how many.
802
00:45:20,175 --> 00:45:22,716
(hooves clopping)
803
00:45:26,133 --> 00:45:30,050
♪
804
00:45:48,591 --> 00:45:53,091
♪
805
00:46:02,550 --> 00:46:03,841
(clattering)
806
00:46:03,925 --> 00:46:05,300
(screams)
807
00:46:16,800 --> 00:46:19,591
(carriage door thudding)
808
00:46:19,675 --> 00:46:21,008
(growls)
809
00:46:26,258 --> 00:46:29,716
(tense music playing)
810
00:46:37,966 --> 00:46:39,716
(footsteps splashing)
811
00:46:54,300 --> 00:46:55,716
(growls)
812
00:47:06,008 --> 00:47:07,550
- (gasps)
- (Odium yells)
813
00:47:20,758 --> 00:47:21,925
(Odium yells)
814
00:47:24,341 --> 00:47:26,675
(grunting)
815
00:47:27,675 --> 00:47:29,508
(choking)
816
00:47:33,258 --> 00:47:35,133
- (cracking)
- (screaming)
817
00:47:37,050 --> 00:47:38,383
(yells)
818
00:47:41,633 --> 00:47:43,966
(grunting, panting)
819
00:47:44,050 --> 00:47:46,841
(footsteps thudding above)
820
00:47:53,300 --> 00:47:55,591
(bubbling)
821
00:47:57,341 --> 00:47:58,300
(yells)
822
00:48:02,966 --> 00:48:04,216
(yells)
823
00:48:10,675 --> 00:48:15,341
♪
824
00:48:23,758 --> 00:48:25,258
(yells)
825
00:48:26,758 --> 00:48:27,966
(grunts)
826
00:48:29,133 --> 00:48:32,008
(growling)
827
00:48:32,091 --> 00:48:33,466
(yells)
828
00:48:37,050 --> 00:48:38,841
- (Odium yells)
- (Amalia gasps)
829
00:48:45,425 --> 00:48:47,800
(grunting)
830
00:48:50,550 --> 00:48:51,966
(yells)
831
00:48:57,341 --> 00:48:59,841
(grunting)
832
00:49:10,008 --> 00:49:12,216
(chain clanging)
833
00:49:15,466 --> 00:49:17,383
(exhales)
834
00:49:17,466 --> 00:49:19,841
(water splashing)
835
00:49:21,216 --> 00:49:24,091
(gasping)
836
00:49:24,175 --> 00:49:27,091
(spits, pants)
837
00:49:27,175 --> 00:49:29,466
(neighs)
838
00:49:34,466 --> 00:49:37,925
♪
839
00:49:41,550 --> 00:49:43,133
(horse snorts)
840
00:49:52,133 --> 00:49:55,466
Is it that you just hate dresses?
841
00:49:55,550 --> 00:49:57,383
Someone overstepped.
842
00:50:00,091 --> 00:50:01,708
How many people do you need for a test?
843
00:50:01,755 --> 00:50:03,442
Oh, it's not a test.
844
00:50:05,383 --> 00:50:09,841
♪
845
00:50:15,216 --> 00:50:17,341
- (clanks)
- (brightener buzzing)
846
00:50:18,591 --> 00:50:20,300
(buzzing)
847
00:50:21,175 --> 00:50:22,675
(buzzing)
848
00:50:24,716 --> 00:50:27,133
(sighs)
849
00:50:35,925 --> 00:50:37,716
I love them, you know.
850
00:50:37,800 --> 00:50:39,758
- Who?
- Dresses.
851
00:50:39,841 --> 00:50:43,258
I think they're just wonderful.
852
00:50:43,341 --> 00:50:47,341
(sings in foreign language)
853
00:50:50,050 --> 00:50:56,258
(continues singing in foreign language)
854
00:51:06,383 --> 00:51:10,050
(continues singing in foreign language)
855
00:51:33,050 --> 00:51:36,591
- (silence)
- (wind blowing)
856
00:51:36,675 --> 00:51:40,383
(singing continues)
857
00:51:51,508 --> 00:51:52,716
(gunshot)
858
00:51:57,008 --> 00:51:58,091
(gunshot)
859
00:51:58,175 --> 00:52:00,425
(bullets firing)
860
00:52:01,675 --> 00:52:03,216
- (screams)
- (gasping)
861
00:52:05,675 --> 00:52:07,966
(firing)
862
00:52:08,050 --> 00:52:10,800
(gasping, yelling)
863
00:52:10,883 --> 00:52:13,216
(Amalia panting)
864
00:52:13,300 --> 00:52:15,133
(Frank yelling)
865
00:52:18,508 --> 00:52:19,591
(grunts)
866
00:52:20,675 --> 00:52:22,466
(screams): No!
867
00:52:22,550 --> 00:52:25,758
(firing continues)
868
00:52:27,925 --> 00:52:29,300
(yells)
869
00:52:32,966 --> 00:52:36,550
♪
870
00:52:37,800 --> 00:52:39,925
(sobbing softly)
871
00:52:49,425 --> 00:52:51,383
(sobbing)
872
00:52:54,841 --> 00:52:56,758
(panting)
873
00:52:57,966 --> 00:53:03,508
♪
874
00:53:07,841 --> 00:53:12,758
♪
875
00:53:18,133 --> 00:53:23,216
♪
876
00:53:36,633 --> 00:53:38,550
(fire crackling)
877
00:53:46,883 --> 00:53:50,800
♪
878
00:54:10,633 --> 00:54:14,633
♪
879
00:54:32,807 --> 00:54:37,723
♪
880
00:54:37,778 --> 00:54:41,778
- Subs by kinglouisxx -
for www.addic7ed.com
881
00:54:42,566 --> 00:54:45,233
♪
882
00:56:32,531 --> 00:56:33,959
(bell tolls)
883
00:56:38,333 --> 00:56:40,041
AMALIA TRUE: Whoever did have
Mary Brighton killed
884
00:56:40,125 --> 00:56:41,500
was making a public statement.
885
00:56:42,125 --> 00:56:44,000
The longer we wait to find
the killer...
886
00:56:47,083 --> 00:56:48,917
the greater the chance we never do.
887
00:56:49,375 --> 00:56:50,291
(dramatic music plays)
888
00:56:50,375 --> 00:56:51,617
AMALIA: I was left here
889
00:56:51,709 --> 00:56:53,859
with nothing but a mission
I was never actually given.
890
00:56:54,015 --> 00:56:56,500
PENANCE ADAIR: You know better
than anyone what pain does.
891
00:56:57,333 --> 00:56:58,625
You don't want more violence.
892
00:56:59,375 --> 00:57:01,041
ANNIE CARBEY: This is London, doctor.
893
00:57:01,875 --> 00:57:03,333
There's always more.
894
00:57:05,812 --> 00:57:07,896
HARRIET KAUR: How are we ever
gonna see justice
895
00:57:08,166 --> 00:57:10,000
if we're not a part of justice?
896
00:57:10,959 --> 00:57:12,875
Is vengeance going to make
the world better?
897
00:57:13,834 --> 00:57:16,792
LORD MASSEN: You are a casualty of war.
898
00:57:18,667 --> 00:57:20,000
AMALIA: So we're at war.
899
00:57:29,041 --> 00:57:30,834
LAURA DONNELLY: Amalia finds herself...
900
00:57:31,792 --> 00:57:32,876
(screams)
901
00:57:32,959 --> 00:57:35,744
...suddenly thrown into a lake,
902
00:57:35,875 --> 00:57:40,066
and looks up to find
that it's Odium standing there.
903
00:57:40,144 --> 00:57:44,716
And within moments, she sees
Odium walk on the water.
904
00:57:45,750 --> 00:57:47,693
That brings on a fight of a kind
905
00:57:47,718 --> 00:57:52,250
that I have certainly
never seen myself on a screen.
906
00:57:58,709 --> 00:58:00,875
ROWLEY IRLAM: This is,
without a doubt, I would say,
907
00:58:00,959 --> 00:58:03,250
probably the most challenging sequence
908
00:58:03,333 --> 00:58:04,417
of the whole season.
909
00:58:04,875 --> 00:58:06,291
At the beginning of the sequence,
910
00:58:06,375 --> 00:58:10,583
we're with Amalia, and she falls
out of the door, into a lake.
911
00:58:11,917 --> 00:58:15,291
And then, our character, Odium,
who's played by Martyn Ford,
912
00:58:15,375 --> 00:58:17,166
who is absolutely massive.
913
00:58:17,250 --> 00:58:20,083
He's... He weighs about
350 pounds. The guy's huge.
914
00:58:20,625 --> 00:58:23,834
He starts to walk into the lake,
or so we think,
915
00:58:23,917 --> 00:58:26,208
until you suddenly realize
he's walking on water.
916
00:58:26,959 --> 00:58:29,583
JANE ESPENSON: Odium
is established in the pilot,
917
00:58:29,667 --> 00:58:31,750
as someone who works
for the Beggar King.
918
00:58:32,125 --> 00:58:33,917
And the Beggar King offhandedly says,
919
00:58:34,000 --> 00:58:35,959
"You cannot get that man in a bath."
920
00:58:36,500 --> 00:58:39,875
And it isn't until episode three
that you learns what he means.
921
00:58:39,959 --> 00:58:42,750
That he literally can't get into water.
922
00:58:43,083 --> 00:58:44,709
The writing staff observed that,
923
00:58:44,792 --> 00:58:48,250
"Wow. If he got in a fight
with someone on water,
924
00:58:48,667 --> 00:58:51,834
he could just whack-a-mole them.
He could just stomp them down
925
00:58:51,917 --> 00:58:53,375
every time they came up for air."
926
00:58:53,458 --> 00:58:56,599
And that observation led to this fight.
927
00:58:56,624 --> 00:58:57,749
(grunts)
928
00:58:57,799 --> 00:59:00,375
(tense music plays)
929
00:59:00,875 --> 00:59:02,241
DONNELLY: The tension in that fight
930
00:59:02,266 --> 00:59:04,750
is that Amalia
can't come up above water,
931
00:59:04,834 --> 00:59:07,374
or she's going to be beaten by Odium.
932
00:59:07,399 --> 00:59:11,376
And if she receives one or two
hits from a guy that size,
933
00:59:11,458 --> 00:59:13,792
then she's in real trouble.
But at the same time of course,
934
00:59:13,875 --> 00:59:15,959
she can't stay underwater either,
because she can't breathe.
935
00:59:16,125 --> 00:59:18,959
So, it's this constantly
trying to get away,
936
00:59:19,125 --> 00:59:22,709
where her enemy has all of the power,
937
00:59:22,792 --> 00:59:24,458
and all of the advantage.
938
00:59:24,875 --> 00:59:26,458
- (gasps)
- (grunts)
939
00:59:29,792 --> 00:59:31,875
JOHNNY HAN: From
the moment we got the scripts,
940
00:59:31,959 --> 00:59:32,959
we were kind of excited
941
00:59:33,041 --> 00:59:34,750
it was in episode three and not one,
942
00:59:34,834 --> 00:59:37,083
because it gave us a little bit
of time to figure it out.
943
00:59:37,667 --> 00:59:39,917
You know, at first, we were
stressing out, 'cause it's like,
944
00:59:40,000 --> 00:59:44,041
"Oh, gosh. This is so like...
This is difficult."
945
00:59:46,667 --> 00:59:50,542
We didn't want Odium basically
to try to just drown Amalia.
946
00:59:51,917 --> 00:59:54,125
Amalia's a fighter and she's smart.
947
00:59:54,208 --> 00:59:56,834
And she's gonna figure
her way out of things.
948
01:00:00,000 --> 01:00:02,875
IRLAM: We're always
looking to find the moments
949
01:00:02,959 --> 01:00:04,959
that make people go,
"Wow, that's cool."
950
01:00:05,542 --> 01:00:06,917
Whether it's within a fight,
951
01:00:07,000 --> 01:00:08,583
or whether it's
within a carriage chase,
952
01:00:08,667 --> 01:00:10,542
or whether it's
within a water sequence.
953
01:00:10,625 --> 01:00:13,208
We're always trying to find
something that the audience
954
01:00:13,291 --> 01:00:14,709
hopefully hasn't seen before.
955
01:00:16,083 --> 01:00:19,041
HAN: Our stunts team, led by Rowley,
956
01:00:19,291 --> 01:00:23,166
choreographed this amazing sequence,
957
01:00:23,750 --> 01:00:28,542
that was full of wirework
and incredible stunts.
958
01:00:28,625 --> 01:00:33,709
Amalia climbing on top of Odium,
and toppling him like a tree.
959
01:00:34,208 --> 01:00:38,834
And... visual effects is figuring out,
960
01:00:38,917 --> 01:00:40,959
"All right, how are we
even gonna film this?
961
01:00:41,417 --> 01:00:43,917
Can we shoot it in the lake?"
We decide no.
962
01:00:44,917 --> 01:00:46,667
'Cause it turns out
it's gonna be February,
963
01:00:46,750 --> 01:00:48,041
and it's gonna be frozen.
964
01:00:48,625 --> 01:00:50,917
IRLAM: Rolling, rolling. Hold
your breath underwater, please.
965
01:00:51,000 --> 01:00:54,333
HAN: We decided on a tank that's
specially designed for filming,
966
01:00:54,417 --> 01:00:58,417
and to wrap the whole tank
in green screen on all sides...
967
01:00:58,500 --> 01:01:01,125
IRLAM: And three, two, one... (yells)
968
01:01:01,208 --> 01:01:04,737
HAN: ...so that we could use
the green screen water tank,
969
01:01:04,770 --> 01:01:08,299
and put our footage of the lake
beyond the tank.
970
01:01:08,348 --> 01:01:09,500
IRLAM: Action!
971
01:01:09,583 --> 01:01:10,792
(yells)
972
01:01:11,709 --> 01:01:15,625
We had to... put a deck
in that was literally five mil
973
01:01:15,709 --> 01:01:16,917
beneath the surface to make it
974
01:01:17,000 --> 01:01:19,583
look like Martyn Ford's
walking on water.
975
01:01:19,917 --> 01:01:22,667
In addition, we put him
in a harness and we flew him.
976
01:01:22,750 --> 01:01:24,792
And so, he faked walking on water.
977
01:01:24,875 --> 01:01:27,792
It was a massive deal
to try and make this work.
978
01:01:30,250 --> 01:01:33,166
HAN: With Odium, we didn't just
want the feeling of someone
979
01:01:33,250 --> 01:01:36,417
walking on a solid platform.
980
01:01:36,625 --> 01:01:38,208
We feel kinda, has been done.
981
01:01:39,333 --> 01:01:44,542
His power is that he can affect
water with this field around him.
982
01:01:44,959 --> 01:01:47,291
It's not like he's got feet that float,
983
01:01:47,542 --> 01:01:50,583
it's simply that the water,
when it comes near him,
984
01:01:50,834 --> 01:01:52,083
behaves differently.
985
01:01:53,709 --> 01:01:55,166
We looked at references
986
01:01:55,250 --> 01:01:58,959
of insects that are light enough
to crawl on the water.
987
01:02:00,083 --> 01:02:02,250
We looked at non-Newtonian fluids,
988
01:02:02,333 --> 01:02:05,291
where basically, if you run
across it fast enough,
989
01:02:05,625 --> 01:02:08,792
it stays solid,
but if you stop, you'll sink.
990
01:02:09,291 --> 01:02:11,750
We actually went to a trampoline park,
991
01:02:12,041 --> 01:02:14,709
and I phone-recorded
what we were doing.
992
01:02:14,792 --> 01:02:16,250
We watch it, we're like,
"Okay, you know,
993
01:02:16,333 --> 01:02:19,875
that's a good example
of when his feet land."
994
01:02:20,333 --> 01:02:23,333
And you get a sense
of the ground rippling out.
995
01:02:23,959 --> 01:02:25,542
And we're like,
"Hey, that's pretty cool.
996
01:02:25,625 --> 01:02:26,834
Let's try to do that."
997
01:02:28,709 --> 01:02:30,166
(gasps)
998
01:02:30,667 --> 01:02:32,041
(grunts)
999
01:02:33,792 --> 01:02:36,458
IRLAM: That's great, Laura. Well done.
1000
01:02:37,458 --> 01:02:40,000
DONNELLY: It was the most
incredible thing to shoot.
1001
01:02:41,917 --> 01:02:43,250
Rowley is wonderful.
1002
01:02:43,333 --> 01:02:47,000
Rowley allows me to do loads
of stunts, and I like that.
1003
01:02:47,083 --> 01:02:50,917
Uh, he... yeah, he trusts me
and I trust him implicitly.
1004
01:02:51,333 --> 01:02:53,834
We started training for that,
1005
01:02:53,917 --> 01:02:55,542
by getting me used
to being under the water,
1006
01:02:55,625 --> 01:02:57,125
and using the breathing apparatus.
1007
01:02:57,375 --> 01:02:58,750
IRLAM: Laura was amazing, you know.
1008
01:02:58,834 --> 01:03:00,792
We did lots of scuba training with her,
1009
01:03:00,875 --> 01:03:02,375
so we took her
to the bottom of the tank.
1010
01:03:02,667 --> 01:03:04,792
You know, and we had her
with two scuba divers
1011
01:03:04,875 --> 01:03:06,208
down at, um, 20 feet.
1012
01:03:06,542 --> 01:03:09,750
Then she would literally swim
from one diver to the other.
1013
01:03:10,500 --> 01:03:11,875
DONNELLY: That was
a steep learning curve.
1014
01:03:11,959 --> 01:03:15,417
You know, it was just
a few days of taking big steps.
1015
01:03:15,500 --> 01:03:18,458
Um, but then when it came
to the actual shooting of it,
1016
01:03:18,667 --> 01:03:20,291
I just felt completely
comfortable in it.
1017
01:03:20,375 --> 01:03:22,667
To be honest, I think I was
mostly running on adrenaline
1018
01:03:22,750 --> 01:03:24,917
for a couple of weeks. It was...
It was so much fun. (chuckles)
1019
01:03:25,542 --> 01:03:28,250
IRLAM: Are you ready, guys?
Head in underwater, please.
1020
01:03:28,333 --> 01:03:30,208
DONNELLY: Helen, my stunt double,
1021
01:03:30,291 --> 01:03:35,792
will always do the first take
of any stunt or fight,
1022
01:03:35,882 --> 01:03:37,875
- or anything like that.
- IRLAM: Good.
1023
01:03:37,943 --> 01:03:39,959
DONNELLY: Just to make sure
that everybody gets an idea
1024
01:03:40,041 --> 01:03:41,250
of how it should be done.
1025
01:03:41,333 --> 01:03:42,792
And that, you know, there's one take
1026
01:03:42,875 --> 01:03:44,463
that is done incredibly well,
1027
01:03:44,502 --> 01:03:46,750
because she's amazing at what she does.
1028
01:03:47,007 --> 01:03:49,928
- IRLAM: Three, two, one. Action!
- (Odium yells)
1029
01:03:49,990 --> 01:03:53,875
DONNELLY: And then, I get
to do pretty much everything
1030
01:03:54,258 --> 01:03:55,883
- after that.
- IRLAM: And pull!
1031
01:03:56,083 --> 01:03:56,917
(groaning)
1032
01:03:57,375 --> 01:04:00,475
DONNELLY: It's wonderful,
because it gives me such
1033
01:04:00,583 --> 01:04:03,125
confidence to know that
they have confidence in me,
1034
01:04:03,208 --> 01:04:05,125
to get those shots.
1035
01:04:09,590 --> 01:04:11,424
(straining)
1036
01:04:12,917 --> 01:04:15,583
- (grunting)
- (panting)
1037
01:04:16,959 --> 01:04:18,208
- (inhales)
- (yells)
1038
01:04:21,125 --> 01:04:22,347
IRLAM: We've got one shot
1039
01:04:22,417 --> 01:04:24,709
where Martyn's lying
on the water in a harness,
1040
01:04:24,792 --> 01:04:26,792
Laura's underneath him, upside down.
1041
01:04:26,875 --> 01:04:29,959
And an awful lot of people
cannot hang upside down in water
1042
01:04:30,041 --> 01:04:31,642
without water going up their nose.
1043
01:04:32,000 --> 01:04:34,834
You know, and it's a... it's
an iconic moment in our show.
1044
01:04:35,583 --> 01:04:37,834
DONNELLY: You know, when
upside down in the water...
1045
01:04:38,375 --> 01:04:40,959
with no... like with, you know,
your nose filling with water...
1046
01:04:40,991 --> 01:04:44,016
your head filling with water,
and trying to hold your breath,
1047
01:04:44,041 --> 01:04:47,208
while you're, you know, holding
a chain around somebody's neck
1048
01:04:47,291 --> 01:04:50,000
just long enough
that they pass out, is a...
1049
01:04:50,083 --> 01:04:52,500
it's a challenge. But, um...
1050
01:04:52,574 --> 01:04:55,235
It was... It's one of my favorite things
that I've ever filmed.
1051
01:04:55,417 --> 01:04:58,433
IRLAM: ...fourteen, and fifteen.
Laura, swim away.
1052
01:04:58,458 --> 01:04:59,375
(gasps)
1053
01:05:00,458 --> 01:05:02,275
DONNELLY: I just am constantly
looking forward to what
1054
01:05:02,376 --> 01:05:04,786
they've got lined up
for me next. (chuckles)