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DANCE MUSIC:
"Strict Machine" by Goldfrapp
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♪ Wonderful electric ♪
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♪ Cover me in you ♪
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♪ I'm in love, I'm in love ♪
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♪ I'm in love with a strict machine... ♪
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ROB: Fuck yes! I'm up!
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♪ I'm in love ♪
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♪ I'm in love with a strict machine... ♪
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MUSIC CONTINUES MUFFLED
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WOMAN GIGGLES
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♪ I'm in love, I'm in love ♪
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♪ I'm in love with a strict machine ♪
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ROB SINGS ALONG:
♪ I'm in love, I'm in love ♪
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♪ I'm in love with a sick machine ♪
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♪ I'm in love. ♪
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TYRES SCREECH
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I didn't see him, Mia.
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HE HITS THE STEERING WHEEL
Fuck.
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ROB:
Fucking hell, man.
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MIA: Rob, we've gotta go and look.
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CAR DOOR OPENS
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Oh my God, Rob.
- Hey, it's all right, baby.
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MIA: Oh my god.
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MIA WHIMPERS
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MUFFLED CRY
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Fuck.
- MIA: Oh my god.
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ROB: Fuck.
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MIA: We've gotta... Gotta call someone.
- ROB: No, no, no, no, no.
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Fucking hell, Mia. Think, OK, hey?
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You need to think, baby.
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We... We've been fucking caning it,
yeah?
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I... I... I... I...
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This is prison, yeah?
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A fucking instant prison.
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I've... Fuck...
I've got fuck knows how much drink in me.
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I fucking hit a guy.
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They would put me in the cell.
I'm the driver, they'll...
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They'll put me in a cell.
They'll fucking keep me there.
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That's what they'll fucking do.
- MIA: We can't just leave him here.
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Shut the fuck up, Mia, right.
Shut...
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MIA: What, just leave him here in the road?
- I need to fucking think, OK?
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I need to think. Fuck!
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HE MUTTERS:
Fuck. Fuck.
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OK, there's a... There's a...
There's a lake over there.
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And there's a sleeping bag
in the boot.
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You keep an eye on the road.
Keep an eye on the road.
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MIA: No!
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No!
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ROB: Mia.
- MIA: Don't.
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ROB: Mia, come on.
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MIA HEAVES
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ROB MURMURS INDISTINCTLY
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MIA: No!
- ROB: Baby, come on.
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MIA: No!
- ROB: Come on.
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Mia, you get the fucking rocks.
I'll stack them, OK?
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I need loads of fucking rocks.
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Just put a fucking pile...
Put the fucking pile there...
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Put the pile...
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Close it up. Close it up.
Close his head. Close his head.
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ROB:
Three...
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Two...
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One...
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BODY SPLASHES
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MIA: Um, it's an honour
to be speaking here today
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amongst such impressive company.
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Uh, I'm thrilled to have been shared...
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I'm thrilled to have been asked
to share my vision of the future
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such as it is.
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Looking around
at a world of injustice, intolerance
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and huge environmental challenges
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it's hard to imagine a bright future,
but we can and we must.
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It's the only way
that we can build a better tomorrow.
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Um, so...
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I'll start with a funny story.
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Right. I'm off.
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Bye-bye.
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SIMON: See you late on.
- MIA: See you tomorrow.
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SIMON: OK.
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MIA: Have a nice day.
- SIMON: You too.
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MIA'S SON: Bye, mum.
- SIMON: There we go.
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PHONE RINGS
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DOG BARKS
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SHAZIA: Hiya, puppy.
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FELICITY: One moment.
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FELICITY:
Coming.
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FELICITY:
Just a second.
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Mrs Carmichael?
- FELICITY: Yes.
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I'm here on behalf of Realm Insurance.
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Just need to log
your recollections about the accident.
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Am I alright to come in?
- FELICITY: Uh, OK then.
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MARTIN:
Someone who has risen to become
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one of the most innovative architects
of her generation.
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Not just an architect of buildings
but communities.
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But enough of me, telling you about her,
please welcome Mia Nolan.
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AUDIENCE APPLAUDS
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Thank you, Martin. Thanks.
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It's an honour to be speaking here
amongst such impressive company.
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ROBOTIC FEMALE VOICE:
Good evening. Welcome to Fences Pizza.
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Your pizza is ready for collection.
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FAINT ROBOTIC FEMALE VOICE:
Good evening. Welcome to Fences Pizza.
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KNOCK AT DOOR
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MIA: Hello?
- ROB: It's me.
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MIA: Hey. Hey.
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Did your chin catch Dutch fur disease?
- ROB: Mia, fuck you.
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Well, I didn't say I didn't like it.
Come in.
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What's it been?
It's been like two years now, hasn't it?
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Uh, three.
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Dropping in on my hotel room.
It must be important.
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Shall we find somewhere to eat?
- Yeah, well I...
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Uh, I got in touch
cos I saw that you were in town for...
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What is it?
Some... Some architecture thing?
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It's a forum they call it.
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People actually pay
to come and listen to me talk.
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Imagine that.
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Almost does my head in.
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And you're looking good.
Is that the gym?
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Well, you look...
- ROB: I look like dog shite, me.
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Uh, I'll save you the bother.
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Dried up dog shite.
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MIA: Do you want a drink?
- ROB: Uh, knocked it on the head.
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What, you quit? Like, fully quit?
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ROB:
Nine months, three weeks, two days.
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MIA: Well done. Well, that's great.
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You go ahead.
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Really, go on.
- MIA: You sure?
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Absolutely.
- MIA: OK.
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MIA: Well, you picked
a terrible place to come see me cos...
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It reeks of hops
all the way down the street outside here.
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Did you notice that?
- ROB: No.
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MIA: It's like a full-on beer smell.
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MIA:
Can't help your sobriety that.
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But I probably shouldn't be talking
about booze, should I?
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Rob, I hope you're not here
to talk about what I...
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It's about that, yeah.
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I've been... I've been thinking
about it again, that night.
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MIA: Rob.
- I can't not think...
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We said that we'd put it out of our minds.
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Weren't we just gonna try and keep it out?
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ROB: I can't. I'm sorry.
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MIA: It was a long time ago.
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Well, in here, it's now.
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Yeah, I know.
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Why today?
Why is it preying on your mind today?
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ROB: There's a news story.
- A news story?
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00:11:11,800 --> 00:11:14,235
ROB: A... A featured article,
well, whatever you call it.
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I... I... I printed it for you.
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Mia? That... That's her.
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It's his wife.
- You don't know that's his wife.
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There is a photo of him at the bottom.
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It's him.
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And the poor cunt,
they never found him...
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so she never remarried.
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She... She never fucking moved house.
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She stayed where she is,
in case he came back.
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All this time, Mia.
She's still waiting for him.
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That's dreadful.
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But what can we do?
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I'm gonna write her a letter.
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No.
- ROB: Anonymous.
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I am not gonna mention you.
- Rob, no.
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You'll open up God knows what.
You'll just rake it all up.
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ROB: I... I can't live with it, Mia.
- There's things that they can do now
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cos they can trace it back.
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They can trace it back.
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They'll find the body and they'll find us.
- ROB: They won't find us.
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Yes, they will and then we're fucked.
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00:12:19,640 --> 00:12:21,996
Look, when... when...
when I quit alcohol
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they told me to make amends
with anyone I've ever hurt.
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00:12:24,800 --> 00:12:26,120
Who have I hurt more than her?
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00:12:26,200 --> 00:12:27,936
MIA: Yeah. They also say
you're not supposed to hurt anyone else
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so what about me?
- What about her?
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MIA: No, no, no.
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No.
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No.
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QUIETLY: Fuck!
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It was your idea.
It was your fucking idea.
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ROB: I know.
I know and that... I... I'm sorry.
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Fifteen years, 15 years,
the fucking shame, the fucking guilt.
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I've got somewhere. I've got a life.
You don't know. You don't understand Rob.
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00:13:03,320 --> 00:13:04,616
ROB: That's not the point...
- You don't understand.
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00:13:04,640 --> 00:13:05,640
You don't understand.
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MIA: You're not married.
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00:13:08,240 --> 00:13:09,799
I've got a son. He's nine years old.
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You've seen photos of him.
Think of him, please.
185
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ROB: I'm sorry.
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ROB SIGHS
187
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I sat on this for you.
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I fucking sat on this for you.
- ROB: I'm sorry. I'm sorry.
189
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Hey, look at me.
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00:13:35,360 --> 00:13:37,113
Look at me.
- ROB: I've made up my mind.
191
00:13:37,640 --> 00:13:40,394
And... And that's how it is.
- Please, please, please.
192
00:13:41,240 --> 00:13:42,469
Please, please, please, Rob.
193
00:13:42,680 --> 00:13:45,798
Hey, listen, I understand.
I understand.
194
00:13:47,240 --> 00:13:48,356
ROB: Do you?
195
00:13:48,640 --> 00:13:50,632
MIA: Yeah. Come on, let's talk about this.
196
00:13:51,160 --> 00:13:52,560
No, no, I can't stay here.
197
00:13:52,800 --> 00:13:55,269
MIA: No, no, no, no.
ROB: What... What are you doing? Let go.
198
00:13:55,720 --> 00:13:57,040
Mia, I'm fucking leaving.
199
00:13:58,160 --> 00:13:59,160
What are you doing?
200
00:14:00,080 --> 00:14:03,676
Mia, let the... Mia, let the fuck...
Let the fucking go.
201
00:14:04,360 --> 00:14:05,360
Fuck.
202
00:14:15,040 --> 00:14:16,040
ROB GRUNTS
203
00:14:16,960 --> 00:14:18,440
HE GURGLES
204
00:14:28,320 --> 00:14:29,356
SHE GRUNTS
205
00:14:34,560 --> 00:14:35,789
HE CHOKES
206
00:14:35,920 --> 00:14:36,920
SILENCE
207
00:14:52,040 --> 00:14:53,997
MIA PANTS AND TREMBLES
208
00:15:04,120 --> 00:15:06,999
DISTANT MUSIC: "Anyone Who Knows
What Love Is" by Irma Thomas
209
00:15:13,960 --> 00:15:14,960
MAN CRIES OUT
210
00:15:20,680 --> 00:15:21,680
MAN: Jesus!
211
00:15:22,360 --> 00:15:23,360
HE GROANS
212
00:15:26,040 --> 00:15:27,040
Shit!
213
00:15:54,280 --> 00:15:55,280
ANIMAL SQUEAKS
214
00:15:56,880 --> 00:15:57,880
SHAZIA: Huh?
215
00:15:58,840 --> 00:15:59,840
ANAN: Codger.
216
00:16:00,560 --> 00:16:01,596
That's his name, Codger.
217
00:16:03,200 --> 00:16:04,200
What?
218
00:16:05,200 --> 00:16:07,476
ANAN: Ah, you don't like him.
- Well, it's not that...
219
00:16:07,560 --> 00:16:09,096
ANAN: It's so hard
to get presents for you.
220
00:16:09,120 --> 00:16:12,079
No, I like him. He's... fluffy.
221
00:16:12,160 --> 00:16:14,311
Exactly.
No, Ali's gonna love him.
222
00:16:14,400 --> 00:16:16,920
SHAZIA: It's just we've got
a lot going on, what with Ali and...
223
00:16:17,080 --> 00:16:18,080
ANAN: I'll take him back.
224
00:16:18,840 --> 00:16:19,876
The pet shop guy was OK.
225
00:16:19,960 --> 00:16:22,200
It won't be a problem at all.
- No, no, no. You're right.
226
00:16:23,320 --> 00:16:24,320
It'll be good for Ali.
227
00:16:25,240 --> 00:16:26,240
Codger stays.
228
00:16:26,800 --> 00:16:28,712
He's Codger the Lodger.
229
00:16:29,160 --> 00:16:31,038
CHILD STARTS TO CRY
230
00:16:31,120 --> 00:16:32,998
Changing time. Uh...
231
00:16:35,040 --> 00:16:37,475
Happy birthday.
- Thanks.
232
00:16:52,640 --> 00:16:55,109
INDISTINCT RADIO COMMUNICATION
233
00:16:57,400 --> 00:16:58,436
MAN: The fucking van...
234
00:16:58,760 --> 00:16:59,760
KNOCK AT DOOR
235
00:16:59,840 --> 00:17:00,840
MAN: Room service.
236
00:17:08,440 --> 00:17:09,440
WAITER:
Lovely. Thank you.
237
00:17:12,080 --> 00:17:13,080
DOOR CLICKS OPEN...
238
00:17:14,800 --> 00:17:15,800
AND SHUTS
239
00:17:31,000 --> 00:17:32,195
MOANING AND GRUNTING FROM TV
240
00:18:46,480 --> 00:18:49,359
PHONE VIBRATES
241
00:19:00,080 --> 00:19:02,197
Hi, love.
242
00:19:03,440 --> 00:19:05,750
Yeah, it was...
No, the speech went great...
243
00:19:06,000 --> 00:19:07,320
Yeah, I'm back in the morning.
244
00:19:09,720 --> 00:19:11,871
No, I'm just tired. That's all.
245
00:19:12,280 --> 00:19:14,636
Um, did he?
246
00:19:15,400 --> 00:19:17,471
Oh, that's great.
No, don't put him on.
247
00:19:26,840 --> 00:19:28,559
Hi. Hey.
248
00:19:29,960 --> 00:19:33,590
Hey, dad said you were great
in your rehearsal for your play
249
00:19:33,680 --> 00:19:34,909
you had a rehearsal.
250
00:19:36,000 --> 00:19:37,000
Yeah, I'm proud of you.
251
00:19:39,400 --> 00:19:40,400
Yeah.
252
00:19:44,240 --> 00:19:45,240
I love you.
253
00:19:51,600 --> 00:19:53,990
MEN CHAT IN DISTANCE
254
00:20:40,560 --> 00:20:41,560
LOUD SPLASH
255
00:21:23,440 --> 00:21:24,556
So that's one night.
256
00:21:24,760 --> 00:21:27,958
You've had room service
and a 9.99 charge for the movie.
257
00:21:29,120 --> 00:21:30,120
MIA: For a movie?
258
00:21:30,600 --> 00:21:34,594
Mm. You watched a film last night, no?
- Yeah.
259
00:21:35,240 --> 00:21:36,390
I was in last night, yeah.
260
00:21:41,520 --> 00:21:42,636
Thanks.
- Thank you.
261
00:22:42,120 --> 00:22:43,120
KNOCK AT DOOR
262
00:22:46,680 --> 00:22:49,275
SHAZIA: I'm from Realm Insurance,
about the pizza van accident.
263
00:22:49,360 --> 00:22:50,360
GORDY: Oh, come in.
264
00:22:50,960 --> 00:22:53,395
I mean, it'll cover you
for up to four months
265
00:22:53,480 --> 00:22:55,437
but that is quite a substantial claim.
266
00:22:55,520 --> 00:22:58,194
Well, I was heading off on tour
with the Philharmonic next week
267
00:22:58,280 --> 00:22:59,680
Europe, Middle East, Australia.
268
00:23:00,680 --> 00:23:01,716
Not now.
269
00:23:01,800 --> 00:23:04,872
Well, as I'm you appreciate
with a pay-out of this size
270
00:23:04,960 --> 00:23:07,256
we will need to investigate
the circumstances of the accident.
271
00:23:07,280 --> 00:23:08,280
Yeah, of course.
272
00:23:08,440 --> 00:23:10,671
Now, that stretch of the street
has a security camera
273
00:23:11,480 --> 00:23:15,394
vandalised, by some kids, I'm guessing,
paint-balled right in the wrong place.
274
00:23:15,520 --> 00:23:20,470
But the, um, delivery van thing
must've had a camera.
275
00:23:21,080 --> 00:23:22,116
Not working.
276
00:23:22,200 --> 00:23:23,077
GORDY: Oh, for God's sake.
277
00:23:23,160 --> 00:23:24,833
No, that's actually good for your claim.
278
00:23:25,120 --> 00:23:26,349
Fences Pizza's a big company.
279
00:23:26,440 --> 00:23:29,638
They've been in the press claiming
their driverless fleet has a good record.
280
00:23:29,840 --> 00:23:32,594
The malfunctioning camera,
that's a step toward negligence.
281
00:23:33,160 --> 00:23:35,311
So if we can prove full liability
282
00:23:35,400 --> 00:23:37,560
you could also consider filing
a substantial civil case
283
00:23:37,640 --> 00:23:38,680
under our litigation wing?
284
00:23:39,320 --> 00:23:40,320
Could be a lot of money.
285
00:23:41,640 --> 00:23:42,790
Yeah. OK. I'm sold.
286
00:23:43,080 --> 00:23:44,080
Great.
287
00:23:44,960 --> 00:23:47,600
Now, I'll just hook you up
to the recaller here.
288
00:23:48,120 --> 00:23:50,271
GORDY: That's one of those, um,
memory dredgers?
289
00:23:50,520 --> 00:23:53,160
SHAZIA LAUGHING:
We prefer corroborators.
290
00:23:53,720 --> 00:23:56,633
GORDY: Police things, aren't they?
- SHAZIA: Mm, not since last year.
291
00:23:58,040 --> 00:23:59,040
We all have them now.
292
00:24:00,080 --> 00:24:02,549
OK. May I?
- GORDY: Yeah.
293
00:24:11,080 --> 00:24:12,275
I feel like a specimen.
294
00:24:16,760 --> 00:24:22,233
SHAZIA: So, this accesses engrams,
your memories of what happened.
295
00:24:22,760 --> 00:24:24,274
Now, they're subjective.
296
00:24:24,360 --> 00:24:27,592
They may not be totally accurate
and they're often emotional
297
00:24:28,040 --> 00:24:32,557
but by collecting a range of recollections
from yourself and any witnesses
298
00:24:32,640 --> 00:24:34,800
we can help build a corroborative
picture of the whole.
299
00:24:34,880 --> 00:24:36,856
GORDY: I don't remember anything.
It's a total blank.
300
00:24:36,880 --> 00:24:38,872
SHAZIA: Uh,
I've got something that might help.
301
00:24:40,360 --> 00:24:41,555
GORDY: What? Getting drunk?
302
00:24:42,400 --> 00:24:45,472
The accident happened a few hundred metres
from the Castle Port Brewery.
303
00:24:46,400 --> 00:24:48,835
The whole area smells like a pub.
304
00:24:52,480 --> 00:24:54,358
No sipping. Just take a sniff.
305
00:24:54,840 --> 00:24:58,356
Aroma's a great memory boost.
Helps anchor you to where you were.
306
00:24:59,480 --> 00:25:01,199
Mm, that's familiar.
- SHAZIA: OK.
307
00:25:01,720 --> 00:25:07,239
Now, hold that smell in your mind.
Close your eyes and picture the street.
308
00:25:13,520 --> 00:25:15,239
SCRAMBLED VOICES AND STATIC
309
00:25:15,320 --> 00:25:16,754
SHAZIA: Getting something now?
310
00:25:17,720 --> 00:25:19,040
Yeah, I went to a sort of...
311
00:25:20,680 --> 00:25:21,680
comic shop.
312
00:25:23,640 --> 00:25:24,640
Culty stuff.
313
00:25:25,160 --> 00:25:26,160
Um...
314
00:25:28,560 --> 00:25:32,315
I think it started snowing
when I came out
315
00:25:33,480 --> 00:25:34,480
heavy snow.
316
00:25:34,840 --> 00:25:37,309
Um, there was music from a car.
317
00:25:38,160 --> 00:25:41,551
SOUL MUSIC: "Anyone Who Knows
What Love Is" by Irma Thomas
318
00:25:41,640 --> 00:25:42,640
I like that song.
319
00:25:44,640 --> 00:25:47,075
GORDY: There was a woman
in a yellow coat coming towards me.
320
00:25:49,520 --> 00:25:51,034
SHAZIA: Could you recall on her face?
321
00:25:51,360 --> 00:25:54,956
She had this weird lipstick on,
stood out.
322
00:25:55,560 --> 00:25:56,560
And she's pretty.
323
00:25:57,280 --> 00:25:58,634
Yeah, yeah, and that too.
324
00:25:59,400 --> 00:26:01,056
SHAZIA:
Well, the more emotional your response
325
00:26:01,080 --> 00:26:02,833
the more vivid your memory of it is.
326
00:26:03,920 --> 00:26:09,393
So there was the music and a girl,
and then what happened?
327
00:26:10,160 --> 00:26:12,038
GORDY: Well, I went to cross the road.
328
00:26:12,360 --> 00:26:15,592
Wasn't really thinking about anything,
and uh...
329
00:26:15,920 --> 00:26:16,920
MAN CRIES OUT
330
00:26:18,360 --> 00:26:20,272
And that's just when it just goes. Um...
331
00:26:20,960 --> 00:26:22,189
SHAZIA: Uh... that's OK
332
00:26:23,480 --> 00:26:25,836
What you've given me is already useful.
- GORDY: Really?
333
00:26:26,840 --> 00:26:28,638
SHAZIA: Well, I've got someone
to look for:
334
00:26:28,920 --> 00:26:29,956
Little Miss Yellow Coat.
335
00:26:43,480 --> 00:26:45,278
Hey!
- SIMON: Our wanderer returns.
336
00:26:45,400 --> 00:26:46,231
Yeah.
337
00:26:46,320 --> 00:26:48,551
SIMON: You don't know
how to fix this, do you?
338
00:26:49,360 --> 00:26:52,831
Um, yeah, I'll have a look at it later.
339
00:26:53,440 --> 00:26:54,840
MIA'S SON: Hi, mum.
- MIA: Hey, you.
340
00:26:58,120 --> 00:26:59,793
SIMON: Tonight's the big night.
341
00:27:01,360 --> 00:27:05,240
SINGING: ♪ We could've been anything
that we wanted to be... ♪
342
00:27:05,920 --> 00:27:07,718
It's the school musical, Bugsy Malone.
343
00:27:07,800 --> 00:27:08,800
MIA CLEARS THROAT
344
00:27:10,920 --> 00:27:11,920
You alright?
345
00:27:12,840 --> 00:27:14,240
Yeah. Yeah.
346
00:27:15,480 --> 00:27:17,790
They've got this, um, sound system
for the backing tracks
347
00:27:17,880 --> 00:27:20,270
that they can't work out
and I said that I'd help them out.
348
00:27:21,080 --> 00:27:23,151
So, I'm gonna be there all day.
349
00:27:23,960 --> 00:27:26,016
You're not gonna die of loneliness
here on your own, are you?
350
00:27:26,040 --> 00:27:27,040
MIA: Yeah, I'll be fine.
351
00:27:28,000 --> 00:27:30,959
SIMON:
Well, we'll see you later, 7:30.
352
00:27:31,040 --> 00:27:32,474
MIA: Mm-hm.
- SIMON: Don't forget.
353
00:27:32,560 --> 00:27:33,560
MIA: I won't.
354
00:27:34,840 --> 00:27:35,840
SIMON: See ya.
355
00:27:36,440 --> 00:27:37,954
MIA'S SON: See you later.
- MIA: Bye.
356
00:28:45,360 --> 00:28:47,829
ENGINE CRANKS BUT STOPS
357
00:28:48,760 --> 00:28:49,760
ENGINE STARTS UP
358
00:29:06,800 --> 00:29:08,837
NONI: It was only yesterday.
You're efficient.
359
00:29:08,920 --> 00:29:10,991
SHAZIA: The fresher the memory,
the stronger it is
360
00:29:11,160 --> 00:29:13,516
and the stronger the memory,
the stronger the case.
361
00:29:14,320 --> 00:29:18,439
I'll also just get you
to take a sniff of this.
362
00:29:23,440 --> 00:29:25,240
God knows what they think
we're doing in here.
363
00:29:26,880 --> 00:29:31,397
OK. If you close your eyes,
I'm also gonna play a piece of music.
364
00:29:31,480 --> 00:29:33,870
SOUL MUSIC: "Anyone Who Knows
What Love Is" by Irma Thomas
365
00:29:34,000 --> 00:29:36,151
God. Yeah, yeah, that... That was on.
366
00:29:37,640 --> 00:29:38,640
How weird.
367
00:29:38,880 --> 00:29:41,679
Hold those things in your mind
and picture what you saw.
368
00:29:42,520 --> 00:29:43,520
♪ Anyone ♪
369
00:29:45,800 --> 00:29:47,996
♪ You can blame me... ♪
370
00:29:48,640 --> 00:29:52,350
NONI: I was on Stanhope Road,
near the hotel place
371
00:29:52,640 --> 00:29:54,996
looking at flats and stuff, you know,
window shopping.
372
00:29:56,200 --> 00:29:58,032
I saw this guy walking towards me.
373
00:29:59,120 --> 00:30:01,077
I remember thinking
he looked sort of sweet.
374
00:30:01,320 --> 00:30:02,515
♪ You can run around... ♪
375
00:30:02,600 --> 00:30:07,038
The music was coming from the car,
which pulled off.
376
00:30:08,560 --> 00:30:11,120
Actually, that was when
the delivery thing drove past.
377
00:30:11,840 --> 00:30:14,594
Fences Pizza?
What sort of speed was it going?
378
00:30:14,880 --> 00:30:16,400
NONI: You mean, was it going too fast?
379
00:30:17,520 --> 00:30:20,354
Um...
- SHAZIA: Try and focus on the vehicle.
380
00:30:20,440 --> 00:30:21,440
Uh, maybe.
381
00:30:23,400 --> 00:30:24,400
Um...
382
00:30:26,560 --> 00:30:29,519
Um, I don't know. I couldn't really say.
383
00:30:31,000 --> 00:30:32,160
What about the impact itself?
384
00:30:32,880 --> 00:30:35,560
NONI: Well, I didn't really see it.
I just saw the aftermath really.
385
00:30:35,960 --> 00:30:40,318
MAN SHOUTS OUT IN PAIN
386
00:30:43,680 --> 00:30:46,479
SHAZIA: A moment earlier
you saw a bright light?
387
00:30:46,920 --> 00:30:49,515
NONI: Yeah.
Like a camera flash just before.
388
00:30:50,480 --> 00:30:51,880
Just outside the dentist place.
389
00:31:54,200 --> 00:31:55,600
DOOR BELL BUZZES
390
00:31:56,000 --> 00:31:58,435
SHAZIA: And I'm assuming
your window glazing's soundproof?
391
00:31:58,680 --> 00:32:00,176
DENTIST: Yes. We get the odd screamer.
392
00:32:00,200 --> 00:32:02,032
Oh, well, I won't bother
with the music then.
393
00:32:02,200 --> 00:32:04,795
Look, to be honest.
The memory's a bit embarrassing as in...
394
00:32:04,880 --> 00:32:06,599
SHAZIA: Oh, don't worry. I've seen it all.
395
00:32:07,760 --> 00:32:09,240
Do you have to use that thing?
396
00:32:09,320 --> 00:32:13,280
Look, your memories
will be sealed and private
397
00:32:13,680 --> 00:32:16,160
unless they indicate
you're harming yourself or another person.
398
00:32:18,120 --> 00:32:19,120
Go on then.
399
00:32:35,720 --> 00:32:36,995
DENTIST:
I'd had a patient.
400
00:32:37,760 --> 00:32:38,910
Hm, so I see.
401
00:32:39,800 --> 00:32:42,110
DENTIST: She left around six I think.
402
00:32:43,280 --> 00:32:44,280
I stayed to clear up.
403
00:32:45,880 --> 00:32:47,240
You saw something from the window?
404
00:32:47,960 --> 00:32:48,960
THE DENTIST SIGHS
405
00:32:49,160 --> 00:32:50,958
DENTIST:
There was a guy in the hotel window.
406
00:32:53,040 --> 00:32:54,040
Well, what can I say?
407
00:32:54,960 --> 00:32:57,111
He was picturesque.
408
00:32:59,880 --> 00:33:01,200
SHAZIA: Did you take a photo?
409
00:33:02,240 --> 00:33:05,358
DENTIST: Well, I tried to.
I left the flash on by mistake
410
00:33:06,000 --> 00:33:08,071
so, all I got was the reflection.
411
00:33:09,400 --> 00:33:11,720
SHAZIA: And then?
DENTIST: I was going to take another one.
412
00:33:12,760 --> 00:33:15,229
I saw some woman staring at something.
413
00:33:16,440 --> 00:33:19,672
So I looked down.
It was just a load of commotion.
414
00:33:20,400 --> 00:33:24,679
There was a woman in a sort of lime coat.
415
00:33:25,480 --> 00:33:27,039
Mm. Yellow, actually.
416
00:33:27,120 --> 00:33:28,793
DENTIST: Well, I knew it was vivid.
417
00:33:28,880 --> 00:33:30,456
SHAZIA: Well, memories can be subjective.
418
00:33:30,480 --> 00:33:35,111
What we do is build up an overall average,
a crowd-sourced picture of reality.
419
00:33:37,760 --> 00:33:39,752
Did you see the vehicle
that hit the pedestrian?
420
00:33:40,000 --> 00:33:41,116
Any sense of its speed?
421
00:33:41,360 --> 00:33:42,794
I didn't see the actual crash.
422
00:33:44,240 --> 00:33:45,240
Sorry.
423
00:33:51,840 --> 00:33:52,840
OK.
424
00:33:54,960 --> 00:33:58,556
You won't tell anyone... about the photo?
425
00:33:59,720 --> 00:34:01,313
Don't need to put that in my report.
426
00:34:02,240 --> 00:34:03,240
Safe with me.
427
00:34:13,920 --> 00:34:15,559
HOTEL RECEPTIONIST:
That'd be room 304.
428
00:34:16,000 --> 00:34:17,354
Can you tell me who stayed there?
429
00:34:17,840 --> 00:34:19,797
You're not the police.
- No, but...
430
00:34:20,440 --> 00:34:22,840
Then you'd have to lodge
for an information request for that.
431
00:34:22,880 --> 00:34:24,837
Oh, but that could take
up to a week to process.
432
00:34:24,920 --> 00:34:27,096
Sorry, management's an arse about it
ever since that thing with, uh...
433
00:34:27,120 --> 00:34:28,759
What's his name? The judge of Hot Shots.
434
00:34:29,480 --> 00:34:31,320
Anyway he got caught
with a rent boy and, um...
435
00:34:32,440 --> 00:34:34,671
a tabloid got his name
by hacking our booking system
436
00:34:34,760 --> 00:34:36,877
and yeah, they're tight as anything
by the rule now.
437
00:34:37,280 --> 00:34:39,351
Hm, the woman I'm after
hasn't done anything.
438
00:34:39,440 --> 00:34:41,080
I just think
she might have seen something
439
00:34:41,160 --> 00:34:43,516
outside yesterday evening about 6.30.
440
00:34:43,600 --> 00:34:47,640
Oh I can...
I can tell you that she wasn't outside.
441
00:34:49,320 --> 00:34:51,596
And I know what she was looking at.
- How so?
442
00:34:52,320 --> 00:34:54,516
I can't tell you who she is, but, um...
443
00:34:55,840 --> 00:34:57,593
She's into interesting films.
444
00:34:58,400 --> 00:35:00,960
We logged the in-house movies
that people watch and, um...
445
00:35:02,360 --> 00:35:03,360
Her choice stood out.
446
00:35:04,560 --> 00:35:05,560
Oh.
447
00:35:08,160 --> 00:35:09,160
How nice for her.
448
00:35:10,320 --> 00:35:11,320
Thanks.
449
00:35:19,440 --> 00:35:20,794
Aw, bless you.
450
00:35:22,000 --> 00:35:24,071
ANAN: How's your pizza accident going?
- SHAZIA: Mm.
451
00:35:25,480 --> 00:35:26,480
A pain in the arse.
452
00:35:27,000 --> 00:35:30,357
Can't pinpoint liability cos no one agrees
on the speed of the bloody thing
453
00:35:30,440 --> 00:35:33,035
and I can't find anyone
who actually saw the impact.
454
00:35:33,120 --> 00:35:34,349
Well, not yet.
455
00:35:37,280 --> 00:35:39,715
Except maybe smudge face here,
whoever she is.
456
00:35:43,400 --> 00:35:44,914
Oh, bingo.
457
00:35:45,200 --> 00:35:49,319
Mia Nolan, you might be the one,
if you'll talk.
458
00:35:49,440 --> 00:35:50,351
What, if she'll talk?
459
00:35:50,440 --> 00:35:54,593
She was doing something embarrassing
in the hotel room
460
00:35:55,640 --> 00:35:56,915
watching a porn film.
461
00:35:57,840 --> 00:35:59,797
She might not want me poking around
in her head.
462
00:36:02,160 --> 00:36:04,038
She's like 50 miles out of town.
463
00:36:05,440 --> 00:36:06,720
Do you mind if I head there now?
464
00:36:07,880 --> 00:36:08,880
ANAN: It's a bit late.
465
00:36:08,960 --> 00:36:12,192
Well, if I sort this out in 24 hours,
I get two times bonus.
466
00:36:14,480 --> 00:36:15,480
Well...
467
00:36:17,640 --> 00:36:19,233
Go. Go.
468
00:36:38,240 --> 00:36:40,630
SOUL MUSIC: "Anyone Who Knows
What Love Is" by Irma Thomas
469
00:36:41,400 --> 00:36:46,236
SHAZIA SINGS ALONG:
♪ I know I won't ever let you go ♪
470
00:36:46,720 --> 00:36:48,552
♪ Oh, it's more ♪
471
00:36:49,440 --> 00:36:52,956
♪ Than I could ever stand ♪
472
00:36:53,440 --> 00:36:57,195
♪ Oh, but anyone ♪
473
00:36:58,520 --> 00:37:01,194
SHAZIA STOPS SINGING:
♪ Who knows what love is ♪
474
00:37:03,000 --> 00:37:06,437
♪ Will understand. ♪
475
00:37:16,320 --> 00:37:17,515
DOOR BUZZES
476
00:37:27,040 --> 00:37:29,271
SHAZIA:
Hi, I'm Shazia. I'm from Realm Insurance.
477
00:37:29,480 --> 00:37:32,016
MIA: Yeah, I've already got insurance...
- SHAZIA: I'm not selling anything.
478
00:37:32,040 --> 00:37:34,839
I'm following up on an incident
you might've seen, a road accident.
479
00:37:35,640 --> 00:37:37,216
MIA: I don't know anything
about an accident.
480
00:37:37,240 --> 00:37:38,640
SHAZIA: This was only yesterday.
481
00:37:41,200 --> 00:37:42,200
MIA: An accident?
482
00:37:42,640 --> 00:37:45,394
SHAZIA: On Stanhope Road.
Medina Plaza Hotel
483
00:37:45,680 --> 00:37:47,296
a pedestrian was hit
by a delivery vehicle
484
00:37:47,320 --> 00:37:48,993
Fences Pizza, driverless.
485
00:37:50,640 --> 00:37:55,476
Um, right, yeah.
I'm sorry, actually, I did.
486
00:37:55,680 --> 00:37:57,911
When you first mentioned it,
I just didn't think of it.
487
00:37:58,000 --> 00:37:59,195
But, um, yeah, I did.
488
00:37:59,640 --> 00:38:00,710
So, you saw what happened?
489
00:38:01,680 --> 00:38:04,639
MIA: Uh, yeah there was
a guy crossing the street
490
00:38:04,720 --> 00:38:07,713
and this little van thing
sort of just clipped him. It was quick.
491
00:38:08,040 --> 00:38:10,096
SHAZIA: Do you mind if I ask you
a few questions about it?
492
00:38:10,120 --> 00:38:11,976
It won't take long.
- I'm sorry. I'm really busy.
493
00:38:12,000 --> 00:38:12,831
I've got... I've got...
494
00:38:12,920 --> 00:38:15,216
SHAZIA: I don't wanna sound heavy,
but it is a legal requirement
495
00:38:15,240 --> 00:38:16,240
since last year.
496
00:38:18,480 --> 00:38:19,709
It's a legal requirement?
497
00:38:19,800 --> 00:38:21,951
SHAZIA: Aye, if you've witnessed
an incident, yes.
498
00:38:23,000 --> 00:38:24,936
Look, I have to notify the police
when people refuse
499
00:38:24,960 --> 00:38:27,555
and when they get involved,
it just drags everything out, so...
500
00:38:37,240 --> 00:38:38,240
MIA: Come in.
501
00:38:39,200 --> 00:38:41,078
SHAZIA: Thank you.
- Yeah. Just that way.
502
00:38:46,560 --> 00:38:47,560
ELECTRONIC BEEP
503
00:38:47,800 --> 00:38:48,800
SHAZIA: OK.
504
00:38:50,080 --> 00:38:51,080
What does that do?
505
00:38:51,720 --> 00:38:52,720
SHAZIA: The recaller?
506
00:38:54,400 --> 00:38:56,631
Just helps me get a record
of what happened.
507
00:38:57,920 --> 00:38:58,920
May I?
508
00:39:00,280 --> 00:39:02,456
I mean, I can just tell you what happened.
I can remember.
509
00:39:02,480 --> 00:39:05,996
Um, the... The van hit the guy
and he fell over
510
00:39:06,080 --> 00:39:07,275
and then people came to help.
511
00:39:07,600 --> 00:39:09,920
SHAZIA: How fast was it going though,
the delivery vehicle?
512
00:39:09,960 --> 00:39:10,960
Um...
513
00:39:11,880 --> 00:39:13,520
SHAZIA: See? I just need a sense of that.
514
00:39:13,720 --> 00:39:16,599
It's sometimes hard to articulate
exactly what your mind's eye seen
515
00:39:16,680 --> 00:39:19,593
but capturing your impression
of what you saw is really useful.
516
00:39:19,920 --> 00:39:22,240
OK, but I've got...
- SHAZIA: That's all I'm interested in.
517
00:39:22,480 --> 00:39:24,320
Look, you can read the terms here,
if you like.
518
00:39:25,640 --> 00:39:26,960
All the legal stuff is in there.
519
00:39:28,800 --> 00:39:31,634
Look, I don't care
what you might've been doing
520
00:39:31,720 --> 00:39:33,279
in the hotel room in your own time.
521
00:39:34,480 --> 00:39:36,756
Not gonna ask you anything about that.
Won't go there.
522
00:39:42,000 --> 00:39:44,515
OK.
- SHAZIA: Private stuff is private stuff.
523
00:39:46,840 --> 00:39:48,680
So it's just the accident?
- SHAZIA: Just that.
524
00:39:51,040 --> 00:39:52,800
MIA: Ah, it's a bit of a long read,
isn't it?
525
00:39:56,040 --> 00:39:58,157
Do you... Do you want a tea or a coffee?
526
00:39:58,600 --> 00:40:00,000
SHAZIA: Oh, coffee'd be great.
527
00:40:00,520 --> 00:40:02,432
MIA: Yeah, OK. Espresso?
- SHAZIA: Perfect.
528
00:40:37,280 --> 00:40:39,272
Do you mind if I just go and,
uh, have a pee
529
00:40:39,360 --> 00:40:40,680
if I'm gonna be sat down a while?
530
00:40:40,920 --> 00:40:42,115
SHAZIA: Yeah, sure.
- MIA: OK.
531
00:40:44,520 --> 00:40:47,274
I ate hotel food, had room service.
532
00:40:49,440 --> 00:40:50,669
I ate room service.
533
00:40:52,000 --> 00:40:53,360
I was in the hotel room on my own.
534
00:40:55,480 --> 00:40:56,480
I watched porn.
535
00:40:58,920 --> 00:41:00,115
I watched porn.
536
00:41:00,880 --> 00:41:01,880
Saw the accident.
537
00:41:03,360 --> 00:41:04,360
Come on. Focus.
538
00:41:08,400 --> 00:41:09,400
I was on my own.
539
00:41:11,520 --> 00:41:12,520
I was on my own.
540
00:41:14,480 --> 00:41:15,480
I was on my own.
541
00:41:32,400 --> 00:41:33,400
SHAZIA: There you go.
542
00:41:35,640 --> 00:41:36,640
Take a sniff.
543
00:41:37,000 --> 00:41:39,160
What's that for?
- SHAZIA: It'll just help your recall.
544
00:41:44,640 --> 00:41:45,471
That's it.
545
00:41:45,560 --> 00:41:47,776
SOUL MUSIC: "Anyone Who Knows
What Love Is" by Irma Thomas
546
00:41:47,800 --> 00:41:49,680
SHAZIA:
The music will help jog your memory too.
547
00:41:51,480 --> 00:41:52,834
OK, close your eyes.
548
00:41:54,600 --> 00:41:55,431
OK.
549
00:41:55,520 --> 00:41:57,671
Let's start with you in your hotel room.
550
00:42:00,280 --> 00:42:02,920
♪ You can blame me ♪
551
00:42:04,040 --> 00:42:04,951
♪ Try to shame me... ♪
552
00:42:05,040 --> 00:42:06,040
MIA: I was in my room.
553
00:42:07,360 --> 00:42:09,397
And I ordered room service.
554
00:42:14,440 --> 00:42:15,920
All I need is the accident.
555
00:42:16,440 --> 00:42:21,071
Uh, try to picture the moments
leading up to the impact.
556
00:42:24,960 --> 00:42:29,876
MAN CRIES OUT IN PAIN
557
00:42:29,960 --> 00:42:31,872
MIA:
...the fucking shame, the fucking guilt.
558
00:42:32,480 --> 00:42:33,480
No!
559
00:42:34,160 --> 00:42:35,160
No!
560
00:42:35,920 --> 00:42:37,832
I sat on this...
- ROB: Shut the fuck up...
561
00:42:38,120 --> 00:42:39,120
...the fucking go.
562
00:42:39,400 --> 00:42:40,516
MIA: Rob?
563
00:42:41,000 --> 00:42:42,000
MIA CRYING
564
00:42:42,800 --> 00:42:43,800
MIA: No!
565
00:42:44,280 --> 00:42:45,350
♪ Anyone! ♪
566
00:42:45,640 --> 00:42:49,680
♪ No, they don't know
what happiness and love is... ♪
567
00:42:49,760 --> 00:42:50,876
DEVICE BEEPS OFF
568
00:42:50,960 --> 00:42:51,960
SILENCE
569
00:42:53,440 --> 00:42:54,920
Well, that's great.
570
00:42:56,120 --> 00:42:57,679
Got what I needed on the van, so...
571
00:42:59,280 --> 00:43:00,680
I'll be off.
- OK.
572
00:43:04,960 --> 00:43:05,960
SHAZIA: That's it.
573
00:43:07,360 --> 00:43:09,440
So, you've got everything you needed?
- SHAZIA: Yeah.
574
00:43:09,520 --> 00:43:10,351
Doesn't take that long.
575
00:43:10,440 --> 00:43:12,256
It was just a simple thing
with the speed, so...
576
00:43:12,280 --> 00:43:13,456
MIA: Right, yeah.
- SHAZIA: Yeah.
577
00:43:13,480 --> 00:43:16,120
Sorry about being short.
It's been a long day.
578
00:43:16,720 --> 00:43:18,256
SHAZIA: No, it's fine...
- A lot of work on.
579
00:43:18,280 --> 00:43:19,896
Did you...
So you got everything you needed?
580
00:43:19,920 --> 00:43:22,560
Yeah, yeah, got it all.
Don't worry. Thank you so much.
581
00:43:23,080 --> 00:43:24,912
MIA: I know this sounds silly, but, um...
582
00:43:25,520 --> 00:43:27,591
You know, sometimes,
I just think mad things
583
00:43:27,680 --> 00:43:29,797
and it doesn't mean anything.
Do you know what I man?
584
00:43:29,880 --> 00:43:31,656
When you have...
When you have strange thoughts?
585
00:43:31,680 --> 00:43:33,717
SHAZIA: No it's, it's fine.
Like I said, I...
586
00:43:34,080 --> 00:43:35,833
I got what I needed, so thank you.
587
00:43:35,920 --> 00:43:38,958
Yeah, but do you know what I mean?
It's not like, um... It's just my head.
588
00:43:43,960 --> 00:43:47,078
ENGINE CRANKS BUT STALLS
589
00:43:47,160 --> 00:43:48,160
SHAZIA: Come on!
590
00:43:48,640 --> 00:43:50,552
ENGINE CRANKS BUT STALLS
591
00:43:51,360 --> 00:43:52,360
No!
592
00:43:53,840 --> 00:43:54,956
No, no, no, no, no, no.
593
00:43:55,360 --> 00:43:56,360
No!
594
00:44:00,520 --> 00:44:01,715
SHAZIA:
No!
595
00:44:26,680 --> 00:44:28,433
MIA: I'm sorry, um...
596
00:44:32,200 --> 00:44:33,200
SHAZIA CRIES
597
00:44:33,440 --> 00:44:34,440
MIA: Um...
598
00:44:36,160 --> 00:44:37,753
I fucked up and I panicked.
599
00:44:41,120 --> 00:44:42,190
SHAZIA'S BREATH TREMBLES
600
00:44:47,480 --> 00:44:48,480
Does your head hurt?
601
00:44:53,720 --> 00:44:54,720
OK.
602
00:44:59,400 --> 00:45:00,400
MIA: OK.
603
00:45:09,680 --> 00:45:10,955
What am I gonna do with you?
604
00:45:14,200 --> 00:45:16,032
SHAZIA CRIES
605
00:45:17,800 --> 00:45:19,080
MIA: I mean, I can let you go...
606
00:45:21,520 --> 00:45:23,160
but you're gonna tell someone,
aren't you?
607
00:45:23,360 --> 00:45:24,360
SHAZIA MUFFLED: No.
608
00:45:24,480 --> 00:45:26,120
MIA:
I know, but even if you say you won't
609
00:45:26,600 --> 00:45:28,193
your recollections are all recorded.
610
00:45:28,360 --> 00:45:30,272
SHAZIA: I won't.
- MIA: They're not?
611
00:45:30,560 --> 00:45:32,040
SHAZIA WHIMPERS: No.
612
00:45:33,480 --> 00:45:35,920
If I take that off your mouth,
will you promise not to scream?
613
00:45:36,920 --> 00:45:37,920
Do you promise?
614
00:45:38,000 --> 00:45:39,000
SHAZIA CRIES
615
00:45:41,120 --> 00:45:44,397
Get the recaller, I'll delete...
I'll delete them. It won't go anywhere.
616
00:45:44,560 --> 00:45:47,136
MIA: That I know, cos I tried to delete it
and I couldn't figure it out.
617
00:45:47,160 --> 00:45:50,039
I won't say anything to anyone, I promise.
I'll forget the whole thing.
618
00:45:50,360 --> 00:45:51,999
No one will know. I won't say anything.
619
00:45:54,320 --> 00:45:55,400
MIA: I wish I believed you.
620
00:45:55,640 --> 00:45:56,640
I mean it.
621
00:45:57,480 --> 00:46:01,030
I mean it. I've... I've seen things.
I've seen things on the recaller:
622
00:46:01,840 --> 00:46:04,674
secrets, personal things,
I've never spilled any of it.
623
00:46:05,440 --> 00:46:06,794
I'm not allowed to. It's the law.
624
00:46:07,240 --> 00:46:10,756
It's like confessions...
It's like Catholic confession.
625
00:46:11,800 --> 00:46:15,794
It'd be illegal for me to say anything,
totally illegal, even if I wanted to.
626
00:46:23,920 --> 00:46:25,000
None of that's true, is it?
627
00:46:25,440 --> 00:46:27,272
It is, I swear.
- MIA: It's not.
628
00:46:29,960 --> 00:46:32,077
Did you tell anyone
that you were coming here today?
629
00:46:32,640 --> 00:46:33,640
No.
630
00:46:40,400 --> 00:46:43,757
You're lying.
- SHAZIA: I'm not. I swear, I'm not lying.
631
00:46:43,840 --> 00:46:45,160
No, I swear.
632
00:46:47,480 --> 00:46:49,039
I swear.
633
00:46:49,840 --> 00:46:51,752
No!
634
00:46:52,760 --> 00:46:53,760
No!
635
00:46:54,880 --> 00:46:57,634
SHAZIA SOBS
636
00:46:58,520 --> 00:46:59,795
SHE SCREAMS
637
00:47:09,720 --> 00:47:10,720
No.
638
00:47:12,160 --> 00:47:13,992
What did you do
before you came here today?
639
00:47:14,560 --> 00:47:15,676
SHAZIA SOBS
640
00:47:20,640 --> 00:47:23,394
SOUL MUSIC: "Anyone Who Knows
What Love Is" by Irma Thomas
641
00:47:23,480 --> 00:47:25,312
♪...understand
642
00:47:25,880 --> 00:47:28,998
SHAZIA SINGING ALONG:
♪ Oh, but anyone... ♪
643
00:47:30,520 --> 00:47:32,318
♪ who knows what love is... ♪
644
00:47:32,400 --> 00:47:33,400
I like that song.
645
00:47:35,040 --> 00:47:38,556
♪ will understand... ♪
646
00:47:38,640 --> 00:47:39,640
Who did you speak to?
647
00:47:40,440 --> 00:47:45,959
SHAZIA: Bingo. Mia Nolan, if she'll talk.
- If she'll talk?
648
00:47:46,640 --> 00:47:47,640
SHAZIA CRYING: No!
649
00:47:53,400 --> 00:47:54,400
No!
650
00:47:59,120 --> 00:48:00,120
SHAZIA:
No.
651
00:48:00,320 --> 00:48:02,357
Is that your husband?
- SHAZIA: No!
652
00:48:14,600 --> 00:48:15,600
No.
653
00:48:19,840 --> 00:48:20,840
SHAZIA: No.
654
00:48:21,720 --> 00:48:22,949
MIA: I'm really sorry.
655
00:48:23,800 --> 00:48:26,634
No!
656
00:48:28,600 --> 00:48:30,398
MIA: Will you please
close your eyes for me?
657
00:48:34,200 --> 00:48:37,398
SHAZIA CHANTING INDISTINCTLY
658
00:48:41,400 --> 00:48:43,915
SHAZIA GASPS
- TWO HEAVY THUDS
659
00:48:45,680 --> 00:48:47,353
HEAVY THUD
- WOOD HITS THE FLOOR
660
00:48:47,440 --> 00:48:48,440
SILENCE
661
00:48:55,680 --> 00:48:57,000
MIA GAGS
662
00:48:59,360 --> 00:49:00,360
SHE RETCHES
663
00:49:44,320 --> 00:49:45,896
SIMON:
Everyone's in their costumes already.
664
00:49:45,920 --> 00:49:47,456
Mia, please, you know,
make sure you're on time.
665
00:49:47,480 --> 00:49:48,480
Yeah, I know, love.
666
00:49:49,240 --> 00:49:51,630
SIMON: Are you far off?
Remember it starts at 7:30.
667
00:49:51,760 --> 00:49:53,240
I'm gonna make it, 7:30.
668
00:49:53,800 --> 00:49:55,075
SIMON: 7:30.
- Yeah.
669
00:49:56,000 --> 00:49:57,832
SIMON: Alright.
- I'll see you outside.
670
00:49:57,920 --> 00:49:59,336
SIMON: See you in a bit, sweetheart.
- OK.
671
00:49:59,360 --> 00:50:00,360
HANG UP BEEP
672
00:50:21,480 --> 00:50:22,480
MIA'S BREATH TREMBLES
673
00:50:27,120 --> 00:50:28,952
CLASSICAL MUSIC PLAYS IN HOUSE
674
00:51:02,200 --> 00:51:03,200
MUSIC STOPS
675
00:51:08,000 --> 00:51:10,799
DOOR OPENS
- FOOTSTEPS GOING UPSTAIRS
676
00:51:24,960 --> 00:51:26,280
RUNNING WATER TRICKLES
677
00:52:19,600 --> 00:52:20,600
PHONE VIBRATES
678
00:52:27,120 --> 00:52:28,440
SHE CRIES OUT
679
00:52:47,080 --> 00:52:48,080
SHE WHIMPERS
680
00:52:54,320 --> 00:52:55,913
SHE GASPS
681
00:53:17,600 --> 00:53:21,514
A TODDLER GARBLES
682
00:53:44,680 --> 00:53:45,830
TODDLER GARBLES
683
00:54:28,960 --> 00:54:30,280
SIMON:
Cutting it a bit fine.
684
00:54:30,360 --> 00:54:32,158
MIA: Yeah.
It was just work stuff, you know.
685
00:54:33,360 --> 00:54:34,960
Jesus Christ. What'd you eat,
a vineyard?
686
00:54:35,000 --> 00:54:37,016
No, I just finished a design,
so I had a glass of wine.
687
00:54:37,040 --> 00:54:37,871
SIMON: Fuck off, a glass.
688
00:54:37,960 --> 00:54:39,920
Let's just go in, alright?
- SIMON: Alright. Fine.
689
00:54:41,880 --> 00:54:44,315
PIANO PLAYS:
"You give a little love" from Bugsy Malone
690
00:54:59,480 --> 00:55:06,034
♪ We could've been anything
that we wanted to be ♪
691
00:55:07,360 --> 00:55:11,400
♪ And it's not too late to change ♪
692
00:55:14,280 --> 00:55:19,230
♪ It's been decided
to give it some thought ♪
693
00:55:20,640 --> 00:55:23,997
♪ Maybe you'll agree we really ought ♪
694
00:55:24,200 --> 00:55:26,078
♪ Two, three, four ♪
695
00:55:26,600 --> 00:55:30,560
♪ We could've been anything
that we wanted to be ♪
696
00:55:31,760 --> 00:55:34,798
♪ Yes, that decision was ours ♪
697
00:55:36,800 --> 00:55:40,874
♪ It's been decided,
We're weaker divided ♪
698
00:55:41,800 --> 00:55:44,031
♪ Let friendship double up our powers... ♪
699
00:55:45,800 --> 00:55:47,776
MAN ON RADIO: Yeah.
Just confirming a double homicide.
700
00:55:47,800 --> 00:55:49,712
One adult male and one male infant.
701
00:55:50,800 --> 00:55:51,800
Yeah, yeah.
702
00:55:53,720 --> 00:55:54,915
PC MAN: Who kills a baby?
703
00:55:59,880 --> 00:56:03,191
I don't know. Probably someone worried
about leaving a witness.
704
00:56:05,320 --> 00:56:07,676
Blood bath upstairs and this downstairs.
705
00:56:08,840 --> 00:56:09,990
PC MAN: But it couldn't see.
706
00:56:12,960 --> 00:56:14,713
Poor fucker was born blind, apparently.
707
00:56:15,760 --> 00:56:16,591
PC WOMAN: I have to say.
708
00:56:16,680 --> 00:56:18,797
I have absolutely no idea
who I'm looking for.
709
00:56:20,680 --> 00:56:22,512
So it's a good job you're not asking me.
710
00:56:27,680 --> 00:56:29,114
Come on. Let's clear out there.
711
00:56:29,880 --> 00:56:32,918
Let's let the recall team
do their job. Come on.
712
00:56:35,920 --> 00:56:36,920
MAN: Yeah.
713
00:56:43,680 --> 00:56:47,799
♪ You give a little love
and it all comes back to you ♪
714
00:56:48,080 --> 00:56:50,800
♪ La, la, la, la-la-la-la ♪
715
00:56:50,960 --> 00:56:56,991
♪ You know you're gonna be remembered
for the things that you say and do ♪
716
00:56:57,080 --> 00:56:58,639
PARENTS CHEER
717
00:57:00,040 --> 00:57:03,317
WOMAN: Put your hands together
for this year's fantastic school choir.
718
00:57:03,800 --> 00:57:06,520
What a lovely evening.
Thank you so much for coming.
719
00:57:09,760 --> 00:57:10,760
MAN CHEERS
720
00:57:13,520 --> 00:57:15,591
WOMAN: Put your hands together
for Mrs Hendricks...
721
00:57:15,680 --> 00:57:17,456
That went above and beyond
with the costumes...
722
00:57:17,480 --> 00:57:19,119
They look fantastic...
723
00:57:30,960 --> 00:57:33,873
PIANO INSTRUMENTAL:
"You Give a Little Love" from Bugsy Malone