1
00:00:00,001 --> 00:00:01,958
- You need to tell me something.
- There's a woman.
2
00:00:01,958 --> 00:00:03,608
She's the leader.
3
00:00:03,611 --> 00:00:05,955
Previously on "The Walking Dead"...
4
00:00:05,958 --> 00:00:07,483
Oh, my God. You made it.
5
00:00:07,485 --> 00:00:09,311
We found each other in the woods.
6
00:00:09,313 --> 00:00:11,510
We didn't know if you'd survived.
7
00:00:11,513 --> 00:00:14,088
He told me there were a lot
more out there than we thought...
8
00:00:14,091 --> 00:00:15,882
More than twice the
force we have in here.
9
00:00:15,884 --> 00:00:17,536
You were right about this one.
10
00:00:17,538 --> 00:00:20,148
He is family now.
11
00:00:20,150 --> 00:00:23,455
We got to go. Connie's out there, alive.
12
00:00:41,216 --> 00:00:43,126
No!
13
00:00:54,271 --> 00:00:56,271
Look! Look!
14
00:00:56,273 --> 00:00:58,969
Sorry. Sorry. I'm just... No.
15
00:00:58,971 --> 00:01:00,893
No. It might be a house.
16
00:01:00,896 --> 00:01:02,550
We could hide.
17
00:01:02,553 --> 00:01:04,682
_
18
00:01:18,512 --> 00:01:20,340
Go.
19
00:03:18,052 --> 00:03:24,041
- Synced and corrected by VitoSilans -
-- www.Addic7ed.com --
20
00:03:26,379 --> 00:03:28,572
We'll make better time
if I ride out on my own.
21
00:03:28,575 --> 00:03:30,760
It's less risky, and we're
gonna cover more ground
22
00:03:30,763 --> 00:03:33,260
with a larger group. The Council's
working on a plan right now.
23
00:03:33,263 --> 00:03:35,480
Connie doesn't have time
to wait on a committee.
24
00:03:35,483 --> 00:03:38,065
Well, why don't we split the
difference between fast and safe?
25
00:03:38,068 --> 00:03:40,588
Teams of two. We could divide
the map up into smaller grids.
26
00:03:40,591 --> 00:03:42,461
It could reduce the risk.
27
00:03:42,464 --> 00:03:46,074
Hey. Any of you seen Kelly?
28
00:03:50,072 --> 00:03:52,551
Unh!
29
00:05:46,841 --> 00:05:49,189
Okay.
30
00:05:49,191 --> 00:05:52,323
Uh...
31
00:05:52,325 --> 00:05:55,413
I checked the whole house.
32
00:05:55,415 --> 00:05:58,808
We're okay. Nobody's here.
33
00:06:01,810 --> 00:06:03,639
You need...
34
00:06:14,304 --> 00:06:16,768
"You need...
35
00:06:16,771 --> 00:06:18,828
some rest."
36
00:06:20,658 --> 00:06:23,615
You haven't slept in days.
37
00:06:26,577 --> 00:06:30,753
"I can keep watch."
38
00:06:37,685 --> 00:06:41,035
"We will find...
39
00:06:41,038 --> 00:06:44,069
your home."
40
00:06:46,466 --> 00:06:49,598
You... sleep.
41
00:06:58,146 --> 00:07:00,226
_
42
00:07:00,229 --> 00:07:02,569
Listen.
43
00:07:04,092 --> 00:07:05,788
Rest.
44
00:07:05,790 --> 00:07:07,703
Huh?
45
00:07:15,458 --> 00:07:17,320
Okay.
46
00:08:02,122 --> 00:08:05,674
_
47
00:08:07,614 --> 00:08:09,658
Tell us where they are!
48
00:08:21,431 --> 00:08:24,780
My dance card's wide open, man.
49
00:08:24,782 --> 00:08:26,956
We got all day.
50
00:08:32,006 --> 00:08:33,179
This bother you?
51
00:08:33,181 --> 00:08:34,790
I've done worse.
52
00:08:36,533 --> 00:08:38,402
Hm.
53
00:08:40,450 --> 00:08:42,580
Why don't you take a turn, then?
54
00:08:47,021 --> 00:08:48,804
Speed things up for me.
55
00:08:48,806 --> 00:08:51,284
All right. I'm up.
56
00:08:51,286 --> 00:08:53,765
Like hell you are!
57
00:09:19,619 --> 00:09:21,793
Well, are we just gonna stand here
58
00:09:21,795 --> 00:09:25,841
staring at each other dreamily
or are we gonna get to it?
59
00:09:36,114 --> 00:09:39,552
Hey, you kill him, the two of
us are gonna have a problem!
60
00:09:42,334 --> 00:09:44,989
Don't need a babysitter.
61
00:09:44,992 --> 00:09:46,818
I know what I'm doing.
62
00:09:53,131 --> 00:09:56,611
Just give 'em a location,
where your friends are hiding.
63
00:09:56,613 --> 00:10:00,615
You do that, this all goes away.
64
00:10:00,617 --> 00:10:02,921
That's, uh...
65
00:10:02,923 --> 00:10:05,228
That's a good offer.
66
00:10:05,230 --> 00:10:08,927
Or... and hear me out...
67
00:10:08,929 --> 00:10:11,889
you all could go eat shit instead.
68
00:10:15,327 --> 00:10:16,848
Just a thought.
69
00:10:19,157 --> 00:10:21,070
Already gone through these steps.
70
00:10:21,072 --> 00:10:24,597
Maybe we start taking pieces.
71
00:10:27,469 --> 00:10:31,471
You do what you gotta do.
72
00:10:31,473 --> 00:10:33,691
Give him a knife.
73
00:10:46,314 --> 00:10:48,967
I don't think you understand.
74
00:10:48,969 --> 00:10:50,665
I'm the best shot you got.
75
00:10:50,667 --> 00:10:53,755
Why? We "friends" now?
76
00:10:53,757 --> 00:10:56,584
No. Not 'cause we're friends.
77
00:10:56,586 --> 00:10:58,463
'Cause I'm the one holding the knife.
78
00:10:59,801 --> 00:11:01,976
Yeah.
79
00:11:01,979 --> 00:11:04,413
And your buddy's the
one holding the gun.
80
00:11:09,120 --> 00:11:11,381
Shut up!
81
00:11:11,383 --> 00:11:13,254
Shut up and listen to me.
82
00:11:15,953 --> 00:11:18,693
I know you're close to her.
83
00:11:18,695 --> 00:11:20,999
The leader.
84
00:11:21,001 --> 00:11:25,569
Close enough to know
where they're hidin'.
85
00:11:45,809 --> 00:11:49,332
No one needs to die in here.
86
00:11:51,597 --> 00:11:56,208
So just say a location so
we can all walk away happy.
87
00:12:01,041 --> 00:12:02,824
Go to hell, assho...
88
00:12:05,567 --> 00:12:07,655
Location!
89
00:12:07,657 --> 00:12:09,221
Or I take another!
90
00:12:09,223 --> 00:12:10,632
I can't!
91
00:12:10,635 --> 00:12:12,355
Location!
92
00:12:12,357 --> 00:12:14,618
- No! No! Please stop!
- Location!
93
00:12:18,189 --> 00:12:21,016
Yellow house.
94
00:12:21,018 --> 00:12:23,148
Town off the 283.
95
00:12:23,150 --> 00:12:26,761
Antenna. Antenna. Antenna. Antenna.
96
00:12:34,814 --> 00:12:37,772
Is that good enough?
97
00:12:37,774 --> 00:12:40,731
I can scout it out.
98
00:12:40,733 --> 00:12:43,995
Take a squad. Three of you.
99
00:12:43,997 --> 00:12:46,171
See if our friend speaks truth.
100
00:12:46,173 --> 00:12:47,999
You want us to take him?
101
00:14:42,018 --> 00:14:44,518
_
102
00:15:13,838 --> 00:15:15,432
_
103
00:15:15,435 --> 00:15:17,699
Wait. What happened?
104
00:15:17,796 --> 00:15:19,805
_
105
00:15:19,808 --> 00:15:23,290
S-Slow down. I don't understand.
106
00:15:26,830 --> 00:15:29,939
_
107
00:15:42,045 --> 00:15:44,175
What...
108
00:16:08,104 --> 00:16:11,252
_
109
00:16:44,449 --> 00:16:46,536
Looks quiet. No movement.
110
00:16:46,539 --> 00:16:48,582
Two entrances. Breach both?
111
00:16:48,585 --> 00:16:51,586
By twos. You take Powell.
112
00:16:51,589 --> 00:16:55,898
Washington, Fish, go around
the back of the yellow house.
113
00:16:58,730 --> 00:17:00,512
What about dickhead?
114
00:17:00,514 --> 00:17:02,514
Am I supposed to
believe he's got my back?
115
00:17:02,516 --> 00:17:04,299
No, that's my job.
116
00:17:04,301 --> 00:17:07,041
Always.
117
00:18:01,749 --> 00:18:03,882
Clear!
118
00:18:06,493 --> 00:18:08,278
Clear!
119
00:18:13,109 --> 00:18:14,891
Clear!
120
00:18:19,767 --> 00:18:21,682
Clear!
121
00:18:23,989 --> 00:18:25,641
It's all clear, Carve.
122
00:18:25,643 --> 00:18:28,033
That son of a bitch jerked us around.
123
00:18:28,036 --> 00:18:31,254
We should stay, look around for
a bit, so we don't miss nothing.
124
00:18:31,257 --> 00:18:33,604
No, we'll search the
rest of the town first.
125
00:18:33,607 --> 00:18:35,690
Quick and quiet, in case
they're still nearby.
126
00:18:35,693 --> 00:18:37,383
You three, take the
north end and work back.
127
00:18:37,385 --> 00:18:40,569
- We'll meet you in the middle.
- Copy.
128
00:18:52,148 --> 00:18:54,017
Whoa.
129
00:19:50,513 --> 00:19:54,291
_
130
00:19:55,432 --> 00:19:57,819
_
131
00:20:03,122 --> 00:20:05,854
_
132
00:20:07,701 --> 00:20:09,788
Where are you?
133
00:20:18,441 --> 00:20:21,277
My grandfather's house
used to have one of these.
134
00:20:21,280 --> 00:20:24,196
I'd secretly shove stuff in there.
135
00:20:25,806 --> 00:20:27,502
Uh...
136
00:20:27,504 --> 00:20:30,289
I-I'm sorry. I don't see anything.
137
00:20:31,346 --> 00:20:33,846
_
138
00:20:34,598 --> 00:20:37,119
I'm sure you saw something...
139
00:20:37,122 --> 00:20:39,992
but...
140
00:20:39,994 --> 00:20:42,859
But you haven't slept.
141
00:20:42,862 --> 00:20:45,652
So maybe it's...
142
00:20:47,176 --> 00:20:48,960
Y-Yeah. 'Cause...
143
00:20:53,269 --> 00:20:56,792
Okay, okay. Okay. I'm sorry.
144
00:20:56,795 --> 00:21:01,073
You and me, let's give the
house another sweep, okay?
145
00:21:01,076 --> 00:21:03,018
_
146
00:21:13,376 --> 00:21:14,810
Connie!
147
00:22:29,930 --> 00:22:32,975
Hungry!
148
00:22:47,208 --> 00:22:49,080
Clear!
149
00:22:50,864 --> 00:22:52,431
Over here!
150
00:22:55,869 --> 00:22:57,478
They're still wet.
151
00:22:57,480 --> 00:22:59,610
Guess he was telling the truth, then.
152
00:22:59,612 --> 00:23:02,088
We should clear the other rooms.
153
00:23:06,010 --> 00:23:08,140
- Clear!
- Clear!
154
00:23:08,142 --> 00:23:11,230
Clear!
155
00:23:11,232 --> 00:23:13,058
Clear!
156
00:23:27,497 --> 00:23:29,149
Nothing.
157
00:23:29,152 --> 00:23:32,675
Maybe they went out the
back. I can track them.
158
00:23:32,678 --> 00:23:34,863
Are you in a hurry to leave?
159
00:23:34,865 --> 00:23:37,126
What?
160
00:23:37,128 --> 00:23:39,171
Other building, you
wanted to stick around
161
00:23:39,173 --> 00:23:41,260
and make sure we didn't miss anything.
162
00:23:41,262 --> 00:23:44,035
Now you wanna run
right off. Which is it?
163
00:23:44,038 --> 00:23:46,624
Look, man, I'm just trying to help.
164
00:23:46,627 --> 00:23:48,455
Yet you keep chirpin'.
165
00:23:48,458 --> 00:23:50,705
Fine. You lose 'em, it's
on you. It ain't on me.
166
00:23:50,707 --> 00:23:52,533
Stop.
167
00:23:52,535 --> 00:23:55,492
Wash, we need a perimeter check.
Possible runners. Half a klick.
168
00:23:55,494 --> 00:23:57,146
Copy that, Shaw.
169
00:23:57,148 --> 00:24:01,237
Look. I don't have time
for this toddler bullshit.
170
00:24:01,239 --> 00:24:02,934
- Listen...
- I know.
171
00:24:02,936 --> 00:24:06,155
I understand, but I don't need it.
172
00:24:06,157 --> 00:24:08,897
Go sift upstairs, make sure
we didn't miss anything.
173
00:24:18,735 --> 00:24:20,865
Don't.
174
00:24:20,867 --> 00:24:22,867
Don't what?
175
00:24:26,743 --> 00:24:29,659
You're either with us or you're not.
176
00:24:31,530 --> 00:24:33,489
What do you want me to do?
177
00:24:38,711 --> 00:24:43,279
For one thing... stop
pissing off Carver.
178
00:24:43,281 --> 00:24:44,889
Usually don't end well.
179
00:24:58,992 --> 00:25:00,907
Come on.
180
00:25:02,996 --> 00:25:04,779
Please.
181
00:25:04,781 --> 00:25:06,781
Please. Just a...
182
00:25:06,783 --> 00:25:08,783
Just a little bit...
183
00:25:08,785 --> 00:25:10,001
more!
184
00:25:10,003 --> 00:25:12,327
Whoa! Kelly?
185
00:25:12,330 --> 00:25:13,788
Awesome.
186
00:25:13,790 --> 00:25:16,662
You need help?
187
00:25:22,233 --> 00:25:25,234
What the hell were you thinking?
188
00:25:25,236 --> 00:25:28,228
You should have told us
that you were heading out.
189
00:25:28,231 --> 00:25:29,363
Come here.
190
00:25:30,241 --> 00:25:33,505
I'm fine.
191
00:25:36,639 --> 00:25:38,554
But Connie's not.
192
00:25:41,034 --> 00:25:42,556
I found her camp.
193
00:25:42,558 --> 00:25:45,125
She's with some guy who knew Michonne.
194
00:25:46,692 --> 00:25:49,737
They left in a hurry.
Something's not right.
195
00:25:52,829 --> 00:25:55,612
She thought they were being followed.
196
00:25:55,614 --> 00:25:57,962
She's out there.
197
00:25:57,964 --> 00:26:00,737
She's scared.
198
00:26:00,740 --> 00:26:02,140
She needs me.
199
00:26:02,142 --> 00:26:04,665
And if...
200
00:26:04,667 --> 00:26:06,841
if something happened to her...
201
00:26:06,843 --> 00:26:09,017
No. We're gonna find her first.
202
00:26:09,019 --> 00:26:11,106
Yeah.
203
00:26:11,108 --> 00:26:13,151
Come on. Let's get movin'.
204
00:30:25,144 --> 00:30:27,536
Hungry!
205
00:31:42,918 --> 00:31:46,223
Oh! Oh, God. Connie.
206
00:31:49,357 --> 00:31:53,403
Come on. I got you. Come on.
207
00:31:53,406 --> 00:31:55,363
Oh, God.
208
00:32:02,154 --> 00:32:04,713
They ran. They ain't comin' back here.
209
00:32:04,716 --> 00:32:06,106
What?
210
00:32:06,109 --> 00:32:08,151
I mean, think about
it. You hit 'em hard.
211
00:32:08,154 --> 00:32:10,102
Even if they get more people,
they won't come back here.
212
00:32:10,104 --> 00:32:11,487
It's a bad move.
213
00:32:11,490 --> 00:32:13,989
You got what? 20 people in your town.
214
00:32:13,992 --> 00:32:15,949
You got weapons. You got walls.
215
00:32:15,951 --> 00:32:17,820
You'd see them coming from a mile away.
216
00:32:17,822 --> 00:32:19,604
Trust me. They ran.
217
00:32:19,606 --> 00:32:21,650
Is there a point to any of this?
218
00:32:21,652 --> 00:32:26,002
Let's go. There's nothing
here. It's time we move on.
219
00:32:26,004 --> 00:32:28,557
No. We're missing something.
220
00:32:28,560 --> 00:32:30,963
- Fine. Let's waste another hour. That's smart.
- Daryl...
221
00:32:30,966 --> 00:32:33,447
It's not my fault he's too
stupid to pay attention!
222
00:32:33,450 --> 00:32:34,780
Yeah. Chirp, chirp, chirp.
223
00:32:34,783 --> 00:32:36,360
- Enough.
- Ah, screw that.
224
00:32:36,362 --> 00:32:39,842
This dirtbag wants to play,
I'll teach him the rules.
225
00:32:39,844 --> 00:32:41,539
I'm right here, man. Make a move.
226
00:32:41,541 --> 00:32:44,020
This is not the time, and
it's not your call to make.
227
00:32:44,022 --> 00:32:45,848
Jesus, Shaw.
228
00:32:45,850 --> 00:32:49,025
We both know who he really is deep down.
229
00:32:49,027 --> 00:32:50,853
What?
230
00:32:50,855 --> 00:32:53,421
I was there. Remember?
231
00:32:53,423 --> 00:32:55,292
After.
232
00:32:55,294 --> 00:32:58,295
What, you think this is
gonna end any different?
233
00:32:58,297 --> 00:33:01,908
So this is what? You looking out for me?
234
00:33:01,910 --> 00:33:03,300
Always.
235
00:33:03,302 --> 00:33:04,499
Uh-huh.
236
00:33:04,502 --> 00:33:07,783
Gotcha.
237
00:33:07,785 --> 00:33:10,699
And what about the fire?
238
00:33:10,701 --> 00:33:13,617
When Pope locked me in
the cabin and lit it up.
239
00:33:15,532 --> 00:33:18,228
You must have known.
240
00:33:18,230 --> 00:33:20,665
Was that you looking out for me, too?
241
00:33:20,667 --> 00:33:23,668
Shaw. Wake up.
242
00:33:23,670 --> 00:33:25,453
Everything's a test now.
243
00:33:25,455 --> 00:33:28,717
If you think this guy
is ever gonna give a shit
244
00:33:28,719 --> 00:33:31,676
about any of us, you're gonna fail.
245
00:33:31,678 --> 00:33:33,916
No, he's right.
246
00:33:33,919 --> 00:33:36,246
I don't give a shit about any of you.
247
00:33:36,248 --> 00:33:38,074
Except you.
248
00:33:38,076 --> 00:33:40,729
I'm here for you.
249
00:33:40,731 --> 00:33:43,253
It's no secret. I made mistakes.
250
00:33:43,255 --> 00:33:45,155
But I'm here right now.
251
00:33:45,158 --> 00:33:49,042
Maybe I'd be better at it
this time, if you'd let me.
252
00:33:51,133 --> 00:33:54,134
And Pope scares the shit outta me.
253
00:33:54,136 --> 00:33:57,746
I don't wanna be face-first
in the fire under his boot.
254
00:33:57,748 --> 00:34:01,054
But if you say trust
'em, I'll trust 'em.
255
00:34:04,771 --> 00:34:06,494
We've wasted enough time here already.
256
00:34:06,496 --> 00:34:08,322
Oh, you're not seriously gonna...
257
00:34:08,324 --> 00:34:11,196
It's time to move on.
258
00:34:12,710 --> 00:34:15,322
Sure. Your call.
259
00:34:18,508 --> 00:34:20,464
Hold on.
260
00:34:34,393 --> 00:34:37,742
Told ya.
261
00:35:03,292 --> 00:35:04,945
Which way?
262
00:35:07,470 --> 00:35:10,384
We could split up, check
both trails, double back.
263
00:35:10,386 --> 00:35:14,127
Storm's coming. We
should stick together.
264
00:35:14,129 --> 00:35:16,740
It's up to you. Which
way do you think she went?
265
00:35:26,054 --> 00:35:27,879
That way.
266
00:35:35,324 --> 00:35:37,717
They led us here.
267
00:35:38,805 --> 00:35:41,765
I've never seen people this far gone.
268
00:35:44,594 --> 00:35:47,118
To herd us, like prey.
269
00:35:51,775 --> 00:35:54,080
But we're not.
270
00:35:54,082 --> 00:35:56,517
I'm getting you out.
271
00:35:56,519 --> 00:35:59,087
We'll make a run for it.
272
00:36:05,354 --> 00:36:07,138
Take this.
273
00:36:11,795 --> 00:36:14,665
No matter what happens...
274
00:36:14,667 --> 00:36:18,669
you have to keep going.
275
00:36:18,671 --> 00:36:21,672
With or without me. Don't stop.
276
00:36:21,674 --> 00:36:23,328
Just...
277
00:36:24,294 --> 00:36:25,843
_
278
00:36:25,846 --> 00:36:29,549
No. No, no, no, no, no. Please.
279
00:36:29,552 --> 00:36:31,380
Just take it.
280
00:36:42,528 --> 00:36:46,151
_
281
00:36:47,158 --> 00:36:50,338
_
282
00:36:50,341 --> 00:36:55,213
I don't know how to explain. Um...
283
00:36:56,231 --> 00:36:58,711
But I don't have a choice.
284
00:37:03,715 --> 00:37:08,501
I lost myself... for a long time.
285
00:37:08,504 --> 00:37:10,288
Off the map.
286
00:37:12,943 --> 00:37:15,291
And I, um...
287
00:37:16,468 --> 00:37:19,121
I made choices
288
00:37:19,123 --> 00:37:22,124
that I can't un-choose.
289
00:37:22,126 --> 00:37:24,561
But she gave me another chance.
290
00:37:24,563 --> 00:37:26,346
Michonne.
291
00:37:26,348 --> 00:37:28,522
She pointed me back to the road,
292
00:37:28,524 --> 00:37:33,181
and somehow that road led right to you.
293
00:37:35,226 --> 00:37:37,487
So I have to pass on that chance,
294
00:37:37,489 --> 00:37:39,968
or it all means nothing.
295
00:37:39,970 --> 00:37:41,491
And if you can...
296
00:37:45,584 --> 00:37:49,107
If you...
297
00:37:49,109 --> 00:37:51,634
can find your family...
298
00:37:53,505 --> 00:37:55,940
- _
- No, no. No.
299
00:37:55,942 --> 00:37:57,955
Listen, listen, listen.
300
00:37:57,958 --> 00:38:01,394
I need you to promise me
301
00:38:01,397 --> 00:38:05,167
that you will keep going,
no matter what happens.
302
00:38:16,398 --> 00:38:18,528
Together?
303
00:38:26,521 --> 00:38:28,234
Together.
304
00:38:32,630 --> 00:38:34,544
Time's up.
305
00:39:03,844 --> 00:39:09,850
Go. Go. Go, go. Go, go!
306
00:39:16,632 --> 00:39:19,546
Go!
307
00:39:30,907 --> 00:39:33,211
Go. Get out.
308
00:41:28,546 --> 00:41:30,546
Go.
309
00:42:04,643 --> 00:42:06,588
_
310
00:42:35,570 --> 00:42:38,962
They were there.
311
00:42:38,964 --> 00:42:41,835
Caught signs, but they slipped away.
312
00:42:41,837 --> 00:42:44,968
Sorry.
313
00:42:44,970 --> 00:42:47,188
Ooh.
314
00:42:49,845 --> 00:42:52,494
I thought you'd be disappointed.
315
00:42:52,497 --> 00:42:55,109
Well, this day was a success.
316
00:42:55,111 --> 00:42:56,240
How so?
317
00:42:56,242 --> 00:42:57,604
After you left,
318
00:42:57,607 --> 00:43:00,984
I continued the
"discussion" with our guest.
319
00:43:00,986 --> 00:43:03,511
He wasn't too talkative.
320
00:43:04,990 --> 00:43:09,036
But I got everything
I needed out of him.
321
00:43:57,447 --> 00:43:59,520
The world is different now...
322
00:43:59,523 --> 00:44:02,132
Fewer people to fight for,
323
00:44:02,134 --> 00:44:04,352
there's fewer things to fight over.
324
00:44:04,354 --> 00:44:07,398
You're saying you'd
do things differently?
325
00:44:07,400 --> 00:44:10,706
If I could do it all over again?
326
00:44:10,708 --> 00:44:12,142
Yeah.
327
00:44:12,144 --> 00:44:16,059
Your people need help.
I can deliver for you.
328
00:44:16,061 --> 00:44:19,454
Your brothers are dead,
are you not ashamed?!
329
00:44:31,729 --> 00:44:35,513
It was so great to have
Lauren Ridloff back finally.
330
00:44:35,515 --> 00:44:37,341
We had been planning for a long time
331
00:44:37,343 --> 00:44:38,995
to bring her back in this episode,
332
00:44:38,997 --> 00:44:40,939
and we'd sort of,
like, shaped the story,
333
00:44:40,942 --> 00:44:43,507
and we wanted to give
her, like, a big reentry
334
00:44:43,510 --> 00:44:45,262
into the show.
335
00:44:47,527 --> 00:44:50,311
We loved having Kevin
Carroll back as Virgil,
336
00:44:50,313 --> 00:44:52,356
and I think what was important for us
337
00:44:52,358 --> 00:44:56,317
is to show that Virgil was affected
338
00:44:56,319 --> 00:44:57,927
by meeting Michonne,
339
00:44:57,929 --> 00:45:01,235
and I think he had to
suppress some of his heart
340
00:45:01,237 --> 00:45:04,804
to kind of, like, get through
the death of his family,
341
00:45:04,806 --> 00:45:07,545
and he sort of made that decision
342
00:45:07,547 --> 00:45:11,201
to try stepping out and
finding society again.
343
00:45:11,203 --> 00:45:14,552
Of course, he found
everything was just abandoned
344
00:45:14,554 --> 00:45:17,120
because our people were
fleeing the Whisperers,
345
00:45:17,122 --> 00:45:19,557
but, fortunately, he
comes across Connie,
346
00:45:19,559 --> 00:45:23,474
and I think he feels like he
wants to do better in the world.
347
00:45:23,476 --> 00:45:25,215
And so there's a real selflessness
348
00:45:25,217 --> 00:45:27,174
that you see in Virgil here.
349
00:45:27,176 --> 00:45:28,784
He has some skills, you know,
350
00:45:28,786 --> 00:45:30,394
and when Connie's about to be attacked,
351
00:45:30,396 --> 00:45:32,832
like, he gets her out of the
way and takes the brunt of that
352
00:45:32,834 --> 00:45:35,269
even though it means he
gets injured pretty badly,
353
00:45:35,271 --> 00:45:36,836
and I think we're starting to see
354
00:45:36,838 --> 00:45:39,839
probably who he truly is at the core.
355
00:45:46,717 --> 00:45:51,677
So, this episode, we were
talking very, very, early on,
356
00:45:51,679 --> 00:45:53,374
and one of the things
that we talked about
357
00:45:53,376 --> 00:45:55,071
was, like, we would love to do
358
00:45:55,073 --> 00:45:58,702
just a good, old fashioned
haunted-house horror story
359
00:45:58,705 --> 00:46:01,208
because that just seemed really fun,
360
00:46:01,210 --> 00:46:03,776
and we just were talking
about how people become
361
00:46:03,778 --> 00:46:05,473
too far gone in this world,
362
00:46:05,475 --> 00:46:07,257
and we've seen people who are cannibals,
363
00:46:07,259 --> 00:46:09,999
we've talked about people
that Maggie had run across,
364
00:46:10,001 --> 00:46:13,002
we've seen the Whisperers,
and we were just talking about
365
00:46:13,004 --> 00:46:14,874
people that have gone completely feral,
366
00:46:14,876 --> 00:46:16,397
and what kind of desperation
367
00:46:16,399 --> 00:46:18,268
would it take to get to that point?
368
00:46:21,012 --> 00:46:23,945
Greg Nicotero and his KNB Group,
369
00:46:23,948 --> 00:46:26,165
they did all the creature design
370
00:46:26,168 --> 00:46:29,410
and made these people
unique from zombies
371
00:46:29,412 --> 00:46:32,369
and have their own
sort of terrifying look.
372
00:46:38,421 --> 00:46:40,720
There's that set deck where you see
373
00:46:40,723 --> 00:46:44,294
the pictures on the wall and
the eyes are scratched out.
374
00:46:44,296 --> 00:46:47,297
"A," we thought that's
creepy, so that's really fun,
375
00:46:47,299 --> 00:46:50,083
but in the backstory of
it, we actually do think
376
00:46:50,085 --> 00:46:53,521
that those are pictures of relatives
377
00:46:53,523 --> 00:46:56,698
or even some of the
people who became ferals
378
00:46:56,700 --> 00:46:58,656
and are living in that house.
379
00:46:58,658 --> 00:47:02,660
And as they sort of descended
into a much more feral state,
380
00:47:02,662 --> 00:47:06,708
they just started destroying
the vestiges of their humanity.
381
00:47:06,710 --> 00:47:10,712
So we totally had a story
reason why we did that,
382
00:47:10,714 --> 00:47:12,279
but at the same time, we also thought
383
00:47:12,281 --> 00:47:15,195
it just looked, like,
super weird and creepy.
384
00:47:15,197 --> 00:47:17,850
One of the things that
was interesting for us
385
00:47:17,852 --> 00:47:21,070
in doing this episode was just picking
386
00:47:21,072 --> 00:47:23,290
which point of view that you're in.
387
00:47:23,292 --> 00:47:26,119
For the average viewer,
you're just gonna assume
388
00:47:26,121 --> 00:47:29,339
that the default is being,
like, a hearing viewer,
389
00:47:29,341 --> 00:47:32,125
and I think it's interesting
to sometimes kind of flip that
390
00:47:32,127 --> 00:47:35,128
because they are
experiencing the same events
391
00:47:35,130 --> 00:47:36,694
in slightly different ways.
392
00:47:36,696 --> 00:47:38,740
It became really
interesting to go, like,
393
00:47:38,742 --> 00:47:41,787
"Maybe we play the sound
to him in his point of view
394
00:47:41,789 --> 00:47:44,792
but you don't play it when
we're in her point of view."
395
00:47:47,316 --> 00:47:49,969
To me, the best horror,
it really is like
396
00:47:49,971 --> 00:47:53,363
you're touching on the
entire range of human emotion
397
00:47:53,365 --> 00:47:55,713
and the human experience,
and I think that, like,
398
00:47:55,715 --> 00:47:59,282
she just captured all of that
so seemingly effortlessly.
399
00:47:59,284 --> 00:48:01,370
I know she puts in a lot
of work into her craft
400
00:48:01,373 --> 00:48:02,754
and what she does,
401
00:48:02,757 --> 00:48:05,722
but she brings so much
nuance to these little moments
402
00:48:05,725 --> 00:48:07,900
and, just, she's so expressive.
403
00:48:07,902 --> 00:48:09,321
I think she's kind of
404
00:48:09,324 --> 00:48:12,078
the perfect horror-movie star in this.
405
00:48:24,962 --> 00:48:26,094
I'm up.
406
00:48:27,747 --> 00:48:30,661
The torture scene is just very specific
407
00:48:30,663 --> 00:48:33,839
to this group and their philosophy
408
00:48:33,841 --> 00:48:36,798
and the particular time in history
409
00:48:36,800 --> 00:48:38,626
when they were soldiers
410
00:48:38,628 --> 00:48:42,325
as well as, more
importantly, mercenaries,
411
00:48:42,327 --> 00:48:45,851
and the darkness that
continued to evolve
412
00:48:45,853 --> 00:48:47,467
throughout the apocalypse.
413
00:48:47,470 --> 00:48:49,493
We've seen Daryl in scenes
414
00:48:49,496 --> 00:48:51,185
where he's had to torture people before,
415
00:48:51,188 --> 00:48:53,684
but certainly not to this extent
416
00:48:53,686 --> 00:48:55,861
and certainly not against somebody
417
00:48:55,863 --> 00:48:58,951
that he considers an
ally and that he likes.
418
00:48:58,953 --> 00:49:02,389
And I think that what the show does
419
00:49:02,391 --> 00:49:04,826
is put our characters into situations
420
00:49:04,828 --> 00:49:07,960
where they are just in
the worst possible things
421
00:49:07,962 --> 00:49:09,222
that they could imagine.
422
00:49:09,224 --> 00:49:11,354
Like, they're living nightmares.
423
00:49:11,356 --> 00:49:13,356
This is not something he wants to do,
424
00:49:13,358 --> 00:49:15,402
but they are most likely both gonna die
425
00:49:15,404 --> 00:49:16,882
if he doesn't do this.
426
00:49:16,884 --> 00:49:19,275
He certainly I don't
think blinks at the idea
427
00:49:19,277 --> 00:49:21,519
of having to lay down his
own life for his friends,
428
00:49:21,522 --> 00:49:22,844
but in this case, like,
429
00:49:22,846 --> 00:49:26,282
he knows he might be a
key to getting this done.
430
00:49:26,284 --> 00:49:30,199
But I think it's also
about Frost's bravery,
431
00:49:30,201 --> 00:49:32,985
knowing that he's going to be tortured
432
00:49:32,987 --> 00:49:34,987
and basically going along with it.
433
00:49:34,989 --> 00:49:36,553
Go to hell, assho...
434
00:49:38,601 --> 00:49:41,384
Ever since Daryl signaled to
him when they were behind bars
435
00:49:41,386 --> 00:49:43,865
in Episode 4, like,
"These guys are listening.
436
00:49:43,867 --> 00:49:46,415
We got to pretend like
we're not friends,"
437
00:49:46,418 --> 00:49:48,522
Frost has really, really gotten
438
00:49:48,524 --> 00:49:52,482
that he did exactly what
Daryl was hoping he would do,
439
00:49:52,484 --> 00:49:54,702
which is he kind of gave
him the right neighborhood,
440
00:49:54,704 --> 00:49:56,228
so there's some credibility,
441
00:49:56,231 --> 00:50:00,012
and Daryl's hoping that saves Frost.
442
00:50:00,014 --> 00:50:02,101
He thinks, like, "If you
just say the neighborhood
443
00:50:02,103 --> 00:50:06,844
but not exactly the house,
then I can buy some time,"
444
00:50:06,846 --> 00:50:09,108
which is basically what
he does, and so, you know,
445
00:50:09,110 --> 00:50:12,241
he's trying to, like,
create little signals
446
00:50:12,243 --> 00:50:15,462
which allowed Maggie
and company to hide,
447
00:50:15,464 --> 00:50:17,638
and Daryl's just trying
to feed them information
448
00:50:17,640 --> 00:50:19,644
about, like, how many people they are.
449
00:50:19,647 --> 00:50:22,034
You got what? 20 people in your town.
450
00:50:22,036 --> 00:50:24,028
You got weapons. You got walls.
451
00:50:24,031 --> 00:50:25,988
You'd see them coming from a mile away.
452
00:50:25,991 --> 00:50:27,300
Trust me. They ran.
453
00:50:27,302 --> 00:50:30,074
I think, when Carver
goes for that trapdoor,
454
00:50:30,077 --> 00:50:32,958
if you watch Norman, the way
he plays it is really great.
455
00:50:32,960 --> 00:50:35,264
He's ready to, like, go down fighting
456
00:50:35,266 --> 00:50:38,354
if that trapdoor opens
and the people are there,
457
00:50:38,356 --> 00:50:40,748
but, fortunately, they're
not. They got away.
458
00:50:40,750 --> 00:50:43,707
So Daryl knows, like, now
he's in with these people
459
00:50:43,709 --> 00:50:45,535
and his people are safe,
460
00:50:45,537 --> 00:50:47,320
so that's as good of an outcome
461
00:50:47,322 --> 00:50:49,365
as he can hope for in the moment,
462
00:50:49,367 --> 00:50:52,455
because it's like, if they
can just keep that going,
463
00:50:52,457 --> 00:50:54,370
he can be that person on the inside
464
00:50:54,372 --> 00:50:58,287
that's gonna facilitate them
getting inside the walls.
465
00:50:58,289 --> 00:51:01,116
What we wanted to play
at the end of this episode
466
00:51:01,118 --> 00:51:04,119
is that Pope is unpredictable.
467
00:51:04,121 --> 00:51:06,121
I don't think anybody predicted
468
00:51:06,123 --> 00:51:09,733
that he was going to kill Frost
anyway in the middle of that,
469
00:51:09,735 --> 00:51:12,519
but what we're learning about Pope is
470
00:51:12,521 --> 00:51:14,912
he's in a dark place.
471
00:51:14,914 --> 00:51:16,622
He's spiraling in his own way.
472
00:51:16,625 --> 00:51:20,875
He's obsessed with the idea
of Maggie being out there,
473
00:51:20,877 --> 00:51:22,513
and so, in some ways,
474
00:51:22,516 --> 00:51:25,442
he's messing with Daryl's
head, too, you know?
475
00:51:25,445 --> 00:51:27,925
He's kind of, like,
making his own moves.
476
00:51:27,927 --> 00:51:30,928
Him going off and talking
and laughing with Carver
477
00:51:30,930 --> 00:51:36,151
is completely designed to create
paranoia in Leah and in Daryl.
478
00:51:36,153 --> 00:51:38,023
It doesn't even matter what he's saying.
479
00:51:38,025 --> 00:51:41,374
This is more about who Pope
is as a person right now
480
00:51:41,376 --> 00:51:44,551
and the questions that's raising in Leah
481
00:51:44,553 --> 00:51:47,815
and the potential openings
that Daryl is starting to see
482
00:51:47,817 --> 00:51:51,123
in how he can work the situation.
483
00:51:58,605 --> 00:52:07,220
- Synced and corrected by VitoSilans -
-- www.Addic7ed.com --